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Tag Archives: handset type

KUED’s VERVE features Tryst Press

02 Thursday Aug 2018

Posted by rarebooks in Video

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1493, A. Dean Larsen Book Collecting Conference, Ashley Swansong, Brigham Young University, Cabeza de Vaca, Caslon Oldstyle, Garamond, Georgia Buchert, handmade paper, handset type, Haniel Long, Harmann Schedel, Harold B. Lee Library, India, J. Willard Marriott Library, Jerusalem, KUED, letterpress, Michael Wolgemut, Nicolas Cochin, Nuremberg Chronicle, olive wood, Provo, rare books, Rob Buchert, Special Collections, Tal Walton, The University of Utah, Tryst Press, VERVE, woodcut

“Its not just this linear experience of open the book and get to the end of the book. Its also a trans-generational experience…you can open a book that was printed in 1780 and somebody sprinkled it with camphor and you can smell the camphor. Its not just the words that relate you to the book. Its the physical action somebody took on that object that is also important.” — Rob Buchert, Tryst Press

KUED‘s online video series, VERVE, features Rob Buchert and Tryst Press in its latest episode of the season, “It’s All About the Book.” VERVE is produced by Ashley Swansong, a graduate of The University of Utah and past student employee of Special Collections at the J. Willard Marriott Library.

Rare Books holds all Tryst Press productions. We chose these three as favorite examples of Tryst Press’s work of the book.


“Their eyes followed us every moment. I do not forget their eyes…”

Interlinear for Cabeza de Vaca
Haniel Long (1888-1956)
Provo, UT: Tryst Press, 1996
E125 N9 L62 1996 oversize

Illustrated by Tal Walton. Printed by Rob and Georgia Buchert on handmade paper from India with Caslon Oldstyle type. Edition of one hundred and fifty copies.



“Behold, for this last time have we nourished my vineyard. And thou beholdest that I have done according to my will and I have preserved the natural fruit, that it is good, even like as it was in the beginning. And blessed art thou, for because that ye have been diligent in laboring with me in my vineyard and have kept my commandments — and it hath brought unto me again the natural fruit, that my vineyard is no more corrupted and the bad is cast away — behold, ye shall have joy with me because of the fruit of my vineyard.”

The Allegory of the Olive Tree
Provo, UT: Tryst Press, 2006
BX8643 O44 A42 2006

Printed letterpress with handset Nicolas Cochin and Garamond types on paper hand made for this edition. Edition of fifty copies. Rare Books copy is no. 6, one of eight bound with olive wood boards.


Jerusalem (Hierosolima)
Provo, UT: Tryst Press, 2007
Z241 L5 S32 2007

“Oldest printed view of Jerusalem. Woodcut by the shop of Michael Wolgemut. From Liber cronicarum (Nuremberg Chronicle) by Hartmann Schedel, 1493. Printed at Tryst Press as a keepsake for attendees of A. Dean Larsen Book Collecting Conference, Harold B. Lee Library, Brigham Young University, March 30, 2007.”

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Take heed of loving mee

14 Wednesday Feb 2018

Posted by rarebooks in Uncategorized

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Autumn, Colorado, Daniel Kelm, English, handset type, John Donne, letterpress, Longmont, love, magic-wallet structure, poet, PS Press, Sign of the Vicious Dog, wire-edge binding

PR2247-P76-2001-Cover
Take heed of loving mee,
At least remember I forbade it thee;
Not that I shall repaire my unthrifty wast
Of Breath and Blood, upon thy sighes and teares,
By being to thee then what to me thou wast;
But so, great Joy, our life at once outweares;
Then, lest thy love, by my death, frustrate bee,
If thou love mee, take heed of loving mee.

The Prohibition
John Donne (1572-1631)
Longmont, CO: PS Press, 2001
PR2247 P76 2001

English poet John Donne wrote often about love. This admonishment to a lover at the end of a liaison expresses the ambivalence of both loving and hating the once beloved. Donne’s twists and turns of thought, his admiration of paradox, are symbolized in the magic-wallet structure of this book. The book opens in a single spread with one stanza each on verso and recto. To finish reading the poem, the book must be closed and then opened again from the back cover where the fore edge reveals, as a hidden resolution, the third stanza.

Illustrated with anatomical drawings of the human heart and arteries, the production uses handset type, letterpress and monoprint, paper over board, bound with Daniel Kelm’s wire-edge binding. Edition of fifteen copies.

PR2247-P76-2001-Spread1

Take heed of hating mee,
Or too much triumph in the victorie;
Not that I shall be mine owne officer,
And hate with hate againe retaliate;
But thou wilt lose the stile of conquerour,
If I, thy conquest, perish by thy hate.
Then, lest my being nothing lessen thee,
If thou hate mee, take heed of hating mee.

Yet love and hate mee too;
So these extreames shall neithers office doe;
Love mee, that I may die the gentler way;
Hate mee, because thy love’s too great for mee;
Or let these two, themselves, not mee, decay;
So shall I live thy stage, not triumph bee.
Lest thou thy love and hate, and mee undo,
O let mee live, yet love and hate mee too.

 

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Recommended Workshop – Non-Credit Letterpress

22 Tuesday Apr 2014

Posted by rarebooks in Recommended Workshop

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accordion, Baskerville, Book Arts Program, Book Arts Studio, Center for Book Arts in NYC, Claire Taylor, concertina, Dikko Faust, French's Extra Blue Butcher, Futura, hand-stenciled, handset type, In Cahoots Press, letterpress, linoleum blocks, Macy Chadwick, Mohawk Superfine, moveable type, New York City, polymer plates, pressure prints, printmaking, Purgatory Pie Press, Rare Books Division, Rebecca Chamlee Keeley, relicensure points, Roma, Sarah Nicholls, Silk Tissue, Spartan, University of Utah, Utah State Board of Education, workshop, zinc cuts

The Book Arts Program presents

Non-Credit Letterpress

Tuesdays, May 13 through July 1
5PM – 8PM
Book Arts Studio, Level 4
J. Willard Marriott Library
Workshop fee: $280 Materials fee: $60

This gem of a workshop introduces the fundamentals of letterpress, from paper selection and cutting to mixing ink and printing. Practicing a variety of techniques and using an array of media – miraculous moveable type, dazzling zinc cuts, luscious linoleum blocks, and precious pressure prints, among others – participants design and produce several projects with the jewels of the Book Arts Studio: its flatbed cylinder and clamshell platen presses.

Instructor Claire Taylor is the Studio Manager at the Book Arts Program. She received a BFA from the University of Utah in printmaking in 2007. Working mainly in letterpress and drawn media, she exhibits nationally.

Relicensure points are available from the Utah State Board of Education.

For more information: bookartsprogram@utah.edu or 801-585-9191

The Rare Books Division supports the Book Arts Program with its collections.

Vanity
Rebecca Chamlee Keeley
Los Angeles: R.C. Keeley, 1988
N7433.4 K434 V35 1988

Trapazoidal pages in which the top edge has been trimmed on an angle. Accordion structure bound in cloth covered boards. From the colophon: “The text was composed in Spartan, Futura and Baskerville types by Bell Type and Rule Co., printed on Roma paper, written, designed and bound by me. The zinc cuts were colored by a letterpress method invented by Dikko Faust of Purgatory Pie Press.” Edition of twenty-five copies. University of Utah copy is no. 25, signed by the author.


Phosphorescent Face Highlighter
Sarah Nicholls
New York City: S. Nicholls, 2010
N7433.4 N525 P46 2010

From insert: “Letterpress printed from handset type and linoleum blocks at the Center for Book Arts in NYC.” Edition of forty-five copies. University of Utah copy is no. 10, initialed by the author.


The Topography of Home
Macy Chadwick
Oakland, CA: In Cahoots Press, 2009
N7433.4 C414 T68 2009

Pages attached to a concertina with most pages having a circular silk tissue window so that the preceding and following pages show through. From the colophon: “[W]ritten designed and [letterpress] printed by Macy Chadwick…Printed with pressure prints and polymer plates on Mohawk [sic] Superfine and French’s Extra Blue Butcher paper…Window images hand-stenciled on Silk Tissue.” Edition of fifty copies, numbered and signed by the author/artist. University of Utah copy is no. 26.


alluNeedSingleLine

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Book of the Week – Fossil Ridge

29 Monday Jul 2013

Posted by rarebooks in Book of the Week

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handmade paper, handset type, Sue Cotter

Cotter, Fossil Ridge, 1988, Title Page
Cotter, Fossil Ridge, 1988
Cotter, Fossil Ridge, 1988

Fossil Ridge
Sue Cotter
S.l.: The Author, 1988
N7433.4 C6875 F6 1988

Handset type. Leaves hand cut, sewn in binding of handmade paper.

alluNeedSingleLine

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