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~ News from the Rare Books Department of Special Collections at the J. Willard Marriott Library, The University of Utah

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Category Archives: Publication

Curtis Census

10 Tuesday Apr 2018

Posted by rarebooks in Publication

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American Indians, copper plates, Curtis Census, drawing, Edward Curtis, etchings, ethnography, field notes, French Impressionists, glass negative, glass positive, gravures, gum prints, handpress, J. Willard Marriott Library, Japanese handmade silk tissues, Mississippi, negatives, nineteenth century, painting, papers, photographer, photogravures, Pictorialism, platinotypes, printing process, rare books, rice paper, Scott Beadles, Seattle, sepia inks, Tim Greyhavens, Tissue, Van Gelder, vellum, watermark

Rare Books is pleased to announce the launch of the Curtis Census, a website produced by Tim Greyhavens for the global community. The J. Willard Marriott Library is one of the institutions that holds an entire set of Edward Curtis’ The North American Indian.

From Tim’s website: “Published by Edward Curtis from 1907 to 1930, The North American Indian was planned to be a limited edition of 500 sets. Due to the extremely high cost of the publication and the prolonged publication cycle, it’s thought that no more than 300 complete or partial sets were finally printed. This census will determine, as accurately as possible, the actual number of complete or partial sets that were printed and their present locations…Although The North American Indian is one of the great publications of all time, there is no definitive answer about how many sets were originally published. Curtis did not keep a master subscription list, and different documentation about the project provides conflicting information.”

Congratulations, Tim, on a great project.

Click here for the website’s biography of Edward Curtis. Curtis was born in 1868. 2018 is the 150th anniversary of his birth.

Click here for the website’s excellent article on Curtis’s The North American Indian.

Visit Rare Books to look at this remarkable set of photogravures.

THE NORTH AMERICAN INDIAN
Edward S. Curtis (1868-1952)
Seattle, WA: E. S. Curtis, 1907-30
E77 C97

A collection of 2,232 photogravures of American Indians taken between 1890 and 1930 and published between 1907 and 1930. A massive project, professional photographer Edward Curtis’ intention was to document every major tribe west of the Mississippi, portraying what he perceived to be a vanishing culture. While he was neither the first nor the last person to photograph the American Indian, he was surely the most prolific. His monumental publication presented to the public an extensive ethnographic study of numerous peoples.

The North American Indian consists of twenty portfolios of photogravures and twenty volumes of field notes bound with smaller gravures. A photogravure is made from a printing process utilizing a copper plate that is made from a glass positive which itself is made from a glass negative. The plate is hand wiped with sepia inks. Excess ink is removed and the plate is forced onto paper with a handpress, capturing all the etched details on the plate. The photogravure produces a soft, atmospheric appearance similar to that achieved by French Impressionist painters. This photographic process, along with drawing and painting on negatives, platinotypes and gum prints, was popular at the end of the nineteenth century. The movement, known as “Pictorialism” was a way for photographers to add personal vision and expression to their works.

The portfolio gravures were printed on three different papers, Van Gelder, a watermarked paper, Vellum, a rice paper, and Tissue, Japanese handmade silk tissues. Forty of the original sets were printed on Tissue, the rest equally split between Van Gelder and Vellum.

Images selected and scanned by Scott Beadles.

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Rare Books Goes to Leiden!

13 Wednesday Sep 2017

Posted by rarebooks in Publication, Recommended Reading

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amulet, Arabic, Auburn University, Brill, condolence, Fayoum, ḥadīth, history, Islam, J. Willard Marriott Library, Khaled Younes, Leiden, Leiden University, letters, Matt Malczycki, papyrology, papyrus, prayer, Quranic, rare books, Sobhi Bouderbala, Special Collections, Sylvie Denoix, The University of Utah, University of Sadat City

ArabicPapyrologyCover
New Frontiers of Arabic Papyrology: Arabic and Multilingual Texts from Early Islam, edited by Sobhi Bouderbala, Sylvie Denoix, and Matt Malczycki, Leiden, The Netherlands: Brill, 2017

Papers presented at the fifth conference of the International Society for Arabic Papyrology (ISAP), held in Tunisia in 2012.

The cover of this volume features P.Utah.Ar.inv.342 from the Arabic Papyrus, Parchment, and Paper Collection, Rare Books, Special Collections, J. Willard Marriott Library, The University of Utah. The piece is a Quranic amulet on papyrus.

Two of the ten papers discuss pieces from our collection:

“Arabic Letters of Condolence on Papryrus” by Khaled Younes

Papyrus338r
second/eighth century
prob. Fayoum

‘Indeed we belong to God and indeed to Him we will return.’

In this letter, the sender writes to console the addressee on the death of two men.

Khaled Younes received his PhD from Leiden University in 2013. He is a lecturer of Islamic history and civilization at the University of Sadat City.


“A Comparison of P. Utah. Ar. inv. 205 to the Canonical Hadith Collections: The Written Raw Material of Early Hadith Study” by Matt Malczycki

 

Papyrus205rPapyrus205v

second/eighth century

‘When you sit after the two prostrations you say the profession of faith, being very careful not to add anything to it or leave anything out until you finish your profession of faith. When you finish, say what you wish. Verily, the good words are great!’

Instructions for prayer.

Matt Malczycki received his PhD from The University of Utah in 2006. He is associate professor in the Department of History at Auburn University.

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Rare Books Goes to Warsaw!

11 Tuesday Jul 2017

Posted by rarebooks in Journal Articles, Publication

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Analecta Papyrologica, Arabic, Arabic Papyrus, bilingualism, Cairo Geniza, Classical Studies, contracts, Coptic, Egypt, estate manager, European Research Council, Fatamid, Free Universtiy of Brussels, Greek, Heroninus, Johannes Gutenberg University, Journal of Juristic Papyrology, legal documents, Mainz, Marina Rustow, Modern Languages and Literatures - Arabic Language and Literature, multilingualism, Naïm Vanthieghem, Near Easter Studies, paper fragments, papyrus, Princeton University, Ramadan, Rare Books Department, slaves, Special Collections, The Cairo Geniza as a Source for the History of Institutions and Documentary Practices in the Medieval Middle East, University of Zurich, Utah

#60-Front
P. Utah inv. 6o
end of ninth century
papyrus

“J’ai pu y decouvrir une trentaine de documents juridiques arabes inedits de toutes epoques, parmi lesquels quelques beaux specimens de contrat de vente d’esclaves.” (I have discovered thirty legal documents in Arabic…, including some fine specimens of contracts for the sale of slaves.) — Naïm Vanthieghem

Five pieces from the Arabic Papyrus, Parchment, and Paper Collection were published by Naïm Vanthieghem in The Journal of Juristic Papyrology, vol. XLIV (2014), pp. 163-187 (Warsaw). The article is titled “Quelques Contrats de vente d’Esclaves.” Unfortunately, the J. Willard Marriott Library does not hold this journal. Mr. Vanthieghem graciously sent us a pdf of his article, which we have had cataloged. It may be found under the call number HT1317 V36 2014 when requested at the Special Collections Reference Desk, Level 4. The papyrus and paper are also available for review.

Naïm Vanthieghem obtained his MA in Classical Studies (2009) and in Modern Languages and Literatures – Arabic Language and Literature (2010) at the Free University of Brussels (ULB). He then specialised in the field of Arabic papyrology at the University of Zurich (2010–11) and at the Johannes Gutenberg University in Mainz (2011–12). He received his PhD at the Free University of Brussels with a dissertation devoted to the archive of an estate manager called Heroninus, who was in charge of a large estate in mid-third-century Egypt (2015).

Naïm Vanthieghem has written several articles and reviews in the fields of Greek, Coptic and Arabic papyrology. He has a special interest in the study of multilingualism in medieval Egypt, and in several contributions he highlighted the existence of an Arabic-Coptic bilingualism that emerged in Egypt in the ninth century and disappeared in the late Fatimid period (twelfth century). He has also worked for several years on Arabic legal documents, for the project “Islamic Law Materialized” funded by the European Research Council. In the framework of the project “The Cairo Geniza as a Source for the History of Institutions and Documentary Practices in the Medieval Middle East” led by Prof. Marina Rustow, he is studying Fatimid Arabic documents of the Cairo Geniza. He is currently a post-doctoral research associate with the department of Near Eastern Studies, Princeton University.

Among his publications is “Les archives d’un maquignon d’Égypte médiévale ?” Analecta papyrologica 26 (2014), for which he also used pieces from the Rare Books Department Arabic Papyrus, Parchment and Paper collection.

Below are the papyrus and paper fragments of legal contracts for the sale of slaves in Egypt dating from end of the third century to the 16th century, as identified by Mr. Vanthieghem.

#427-Front
P. Utah inv. 427 recto
end of third century
papyrus

#1356-Front
P. Utah inv. 1356 recto
paper
26 ramadan 325 (tenth century)

#949-Front
P. Utah inv. 949 recto
paper
1 ramadan 326

#949-Back
P. Utah inv. 949 verso
paper
1 ramadan 326

#839-Front
P. Utah inv. 839 recto
paper
6 Dec 1497
Cairo?

 

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Rare Books goes to Berlin

27 Monday Apr 2015

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American, art history, Ausgeführte Bauten und Entwürfe, Avery Coonley, Chicago, Clarence A. Fuermanns, Eberhard Karls University Tübingen, European modernism, Frank Lloyd Wright, graphic arts, Great Plains, Günter and Elisabet Hildebrand, Johannes Krause, Kunstetexte, Lichtbildnerei– wir sind Babel, modern art, nature, Oak Park, photography, Prairie Style, preservation, rare books, Richard Neutra, Stuttgart, twentieth century architecture, Wasmuth

Wright

Congratulations to Johannes Krause on the publication of his article “The Nature of Photography: Zu Frank Lloyd Wright’s Konstruktion des Prairie Style mithilfe der publizierten Architekturfotografien Clarence A. Fuermanns,” in Kunstetext.de. For the article, Mr. Krause used digital scans from Rare Books copy of Frank Lloyd Wright’s Ausgeführte Bauten und Entwürfe.

About the author:
Johannes Krause graduated from Eberhard Karls University Tübingen with a degree in Art History and General Rhetorics in 2015 (Magister Artium). As a co-founder of the Stuttgart offspace gallery Lichtbildnerei– wir sind Babel, he assumed technical and curatorial supervision for exhibitions of contemporary photography and graphic arts between 2008 and 2012 (Eckensteher: street photography in Stuttgart, 2012). In his Magister thesis he worked on the artistic estate of the painters Günter and Elisabet Hildebrand and compiled a preliminary catalogue raisonné. Additionally, he also works as a certified Foto-Designer (FFS). His further research interests encompass cultural transfer in modern art and the preservation of twentieth century architecture.

Article abstract:
“The Nature of Photography: Zu Frank Lloyd Wright’s Konstruktion des Prairie Style mithilfe der publizierten Architekturfotografien Clarence A. Fuermanns”

American Landscape is a constant strand in Frank Lloyd Wright’s early publications on his Prairie Style. According to Wright, the new, natural homes’ formal elements were deduced from the pictorial notion of the Great Plains. Thus, Wright could advertise his and the “New School of the Middle West’s” architecture as truthful to the American Spirit. Its transatlantic impact on European modernism has been subject to numerous research. It becomes apparent that only by skillfully reinforcing these connotations through his publications of both words and images, photographical as well as hand drawn, Wright was able to maintain the natural character of his Prairie Houses. So readers of his 1911 “Wasmuth” volumes could assume the buildings were situated in an “open, wind-blown landscape” (Richard Neutra), although they actually stood on crowded lots in suburbs like Oak Park. Interestingly enough, these carefully constructed images became alive and lived through photography’s triumph of becoming the key medium of architectural representation. This article examines Wright’s editorial strategies in preparation of his Ausgeführte Bauten (1911) and emphasizes his cooperation with Chicago photographer Clarence Albert Fuermann. The photographs of Avery Coonley House can be used as an example of how they both expanded the boundaries of 1900’s professional photography. In close reading of Wright’s early writings and in recourse to his transcendentalist ardor it is possible to introduce/propose a concept of ‘organic photography’ as a comprehension of the intrinsic nature of photography. As it turns out, Wright’s published photographs represent much more than neutral, factual documents of architectural quality: they have been subtly used to emotionally address and visually guide the beholder towards a carefully constructed, persuading image of Prairie Style architecture.

WrightSign

Wright2

alluNeedSingleLine

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Rare Books goes to France!

04 Wednesday Mar 2015

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Alain-René Le Sage, Amsterdam, Centre National du Costume de Scene, France, L'Opera Comique et ses Tresors, l'opéra comique…, Le théâtre de la foire; ou, Rare Books Division, Zacharie Chatelain

The Rare Books Division is pleased to announce its participation in

L'Opera

currently at the Centre National du Costume de Scene through May 25, 2015.

The exhibition catalog

L'OperaCatalog

includes several images taken from our copy of

Le théâtre de la foire; ou, l’opéra comique… by Alain-René Le Sage (1668-1774), À Amsterdam, Zacharie Chatelain, 1722

CentreNational

CNCS
Quartier Villars
Route de Montilly
03000 Moulins

Tel. 04 70 20 76 20 Fax 04 70 34 23 04 – See more at: http://www.cncs.fr/#sthash.8oSViVpy.dpuf

alluNeedSingleLine

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