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~ News from the Rare Books Department of Special Collections at the J. Willard Marriott Library, The University of Utah

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Category Archives: Physical Exhibitions

Rare Books Exhibition — Paper is Fundamental

13 Friday Jul 2018

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acid bisulfite, Arches, Asia, Barcham Green Hayle Mill, Cai Lun, cellulose, Charter Oak, China, England, Europe, France, Han dynasty, J. Willard Marriott Library, Jon Bingham, lignin, mouldmade, paper, pH neutral, printing, rare books, Special Collections Gallery, sulfite, The University of Utah, William Everson

“The most fundamental thing about a book is to find the right paper, because it’s the whole ground of the being of a book, and the quality of the paper is in some ways the most elusive…Critics of the book generally focus on the type and when people get into printing, the first thing they get into is type. They learn to recognize the different faces, and become pre-occupied with them. But the paper is more fundamental, because that is where the beauty begins, and in the end, that is all that beauty comes back to — the substance of the paper, the field on which the whole thing can act.” –William Everson (1912-1994), On Printing

Most people see and touch paper every day. Most of us know little about where the paper we use comes from.

Resuscitatio… (1670)
The paper for this book was made in Morlaix, south of Paris. The watermark is made up of a plain and simple monogram, “P.Huet.” Because of cheap labor, Morlaix paper was quite inexpensive and was imported from Brittany to England beginning about 1629 for many years with great regularity. The Huet’s, an astute family of papermakers, outlasted virtually all of their seventeenth-century competitors and continue to make paper today at Pontrieux (Cotes du Nord), east of Morlaix.

Paper is produced by pressing together the moist cellulose fibers of plant material, which is achieved through drawing sheets of the fibers from vats of pulp before pressing and drying them.


Love is Enough (1897)
At Kelmscott Press, William Morris used paper made by Joseph Batchelor. The paper cost two shillings per pound, which was about five or six times the cost of machine-made paper. Morris wrote, “I…considered it necessary that the paper should be hand-made, both for the sake of durability and appearance…the paper must be wholly of linen and must be quite ‘hard’, i.e. thoroughly well sized; and…though it must be ‘laid’ and not ‘wove’, the lines caused by the wires of the mould must not be too strong, so as to give a ribbed appearance. I found that on these points I was at one with the…papermakers of the fifteenth century; so I took as my model a Bolognese paper of about 1473. My friend Mr. Batchelor, of Little Chart, Kent, carried out my views very satisfactorily.” Batchelor made three types of papers for the Kelmscott Press, each named for their watermarks: “Flower” (also called “Primrose”), “Perch,” and “Apple.” Morris designed each of these watermarks.

Developed in China during the Han dynasty by a court official named Cai Lun, the invention of paper was a world-changing event that only seems magnificent in retrospect.


The Prologue to the Tales of Caunterbury (1898):
At the Ashendene Press, C. St. John Hornby, like William Morris, used paper made by Joseph Batchelor.

The use of paper spread slowly from Asia and did not reach Europe until the thirteenth century. Even after its arrival in Europe its use there caught on slowly.

The Nonnes Preestes Tale of the Cok and Hen (1902)
James Whatman the Elder (1702-1759), was an English papermaker who made revolutionary advances to the craft. He is noted as the inventor of wove paper. The earliest example of wove paper, bearing his watermark, appeared after 1740. The technique continued to be developed by his son, James Whatman the Younger (1741-1798). At a time when the craft was based in smaller paper mills, his innovations led to the large scale and widespread industrialization of paper manufacturing. The Whatmans held a part interest in the establishment at Turkey Mill, near Maidstone, after 1740, which was acquired through the elder Whatman’s marriage to Ann Harris. Paper bearing the Whatman’s mark was produced for fine press and artists’ books until 2002. The company later specialized in producing filter papers and is now owned by GE Healthcare. The last production at Maidstone was in 2014.

It was only with the development of printing with moveable type in the mid-fifteenth century that the collaboration of ink and paper launched European culture into modernity.

Paper is Fundamental
A Rare Books Exhibition
Special Collections Gallery, Level 4
J. Willard Marriott Library, The University of Utah
July 13 through September 23

For more information, please contact Jon Bingham or Luise Poulton at 801-585-6168

 

 

 

 

 

 

 

 

 

 

 

 

Walking (1988)
This paper is handmade Charter Oak from the Barcham Green Hayle Mill in England. The paper mill closed in 1987.

Curated by Jon Bingham, Rare Books Curator, with help from Luise Poulton, Managing Curator, and the Rare Books Department staff – without whose help this exhibition would not have been possible. Jon is also grateful to Emily Tipps and Crane Giamo for teaching him how to make paper in their Book Arts papermaking class.

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Exhibition — Travelers ~~ In Celebration of Peter and Donna Thomas ~~ Forty Years of Books to Go

24 Thursday May 2018

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artists' books, book artists, exhibition, fine press, hand-lettering, J. Willard Marriott Library, letterpress, miniature, papermaking, personal computer, Peter & Donna Thomas, printing, Rare Books Department, Santa Cruz, Song of the Open Road, technology, The University of Utah, travelers, Walt Whitman, Wandering Book Artists

N7433.3-W36-2011-Cover

TRAVELERS
~~~~~~~~~~
IN CELEBRATION OF PETER AND DONNA THOMAS
~~~~~~~~~~
FORTY YEARS OF BOOKS TO GO

Peter and Donna Thomas are book artists from Santa Cruz, CA. They work collaboratively and individually letterpress printing, hand-lettering and illustrating texts, making paper, and hand binding both fine press and artists’ books. Inspired by a quest for beauty and perfection, and by the potential of word, image, shape and texture to create an illuminating experience, their initial aim was to create limited edition fine press books made of the finest materials and produced to the highest standards of quality, in both full size and miniature format. This aesthetic continues to guide them as they work in new formats made possible by personal computer technology, exploring non-traditional book structures and shaped book objects as both limited editions and one-of-a-kind books. They travel the USA as the “Wandering Book Artists” giving talks, workshops and demonstrations to both academic and community-based audiences.
~~~~~~~~~~~~~~~~
Let the paper remain on the desk unwritten, and the book on the shelf unopen’d!
Let the tools remain in the workshop! let the money remain unearn’d!
Let the school stand! mind not the cry of the teacher!
Let the preacher preach in his pulpit! let the lawyer plead in the court, and the judge expound the law.

Camerado, I give you my hand!
I give you my love more precious than money,
I give you myself before preaching or law;
Will you give me yourself? will you come travel with me?
Shall we stick by each other as long as we live?
— Walt Whitman, Song of the Open Road
~~~~~~~~~~~~~~~~~~~~~

From the Rare Books Department
May 24 through September 1, 2018
Level 1 lobby, J. Willard Marriott Library, The University of Utah

Gallery talk
Thursday, June 21, 5:30pm
Level 1
Cosponsored by the Book Arts Program

 

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Sassy Faith

05 Friday Jan 2018

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5oth Anniversary, books, faith, Friends of the Library, J. Willard Marriott Library, Jon Bingham, Jonathan Sandberg, libraries, Luise Poulton, Lyuba Basin, rare books, Scott Beadles, Wallace Stegner

“To erect a great library in the year 1968 is an act of stubborn and sassy faith.” — Wallace Stegner, from his dedication address for the opening of the J. Willard Marriott Library

Rare Books joins in the celebration of the 50th anniversary of the J. Willard Marriott Library, recognizing the work of the Friends of the Library, past, present, and future, in its charge to keep our collections safe and growing at a time when digital matter consumes students and administrators alike.

Long live the Book! Long live libraries!

J. Willard Marriott Library
Level 1 lobby
Friday, January 5 through Sunday, March 18

Curated by Lyuba Basin and Luise Poulton with help from Scott Beadles, Jonathan Sandburg, and Jon Bingham.

For more information, contact Luise Poulton 

 

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Rare Books Exhibition — Enquiring Minds

16 Thursday Mar 2017

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almanacs, answers, atlases, compendiums, dictionaries, directories, encyclopedias, exhibition, facsimiles, first editions, information, Izaak Walton, J. Willard Marriott Library, lexicons, manuals, medieval, Ptolemy, questions, rare books, Special Collections Gallery, The University of Utah

EnquiringMinds(blog)

Enquiring Minds: Fourteen Centuries of Questions and Answers

Humans have been compiling information to answer an infinity of questions for thousands of years. From Ptolemy to Izaak Walton, the best minds have annotated, edited, translated, measured, arranged, and defined what it means to live a life of wonder.

From facsimiles of medieval encyclopedias, almanacs and atlases to first editions of fifteenth through twentieth century dictionaries, manuals, lexicons, compendiums, and directories, Rare Books celebrates questions and the attempts to answer them.

Keep on asking!

March 17, 2017 — April 30, 2017
Special Collections Gallery
Level 4
J. Willard Marriott Library
The University of Utah

This exhibition is free and open to the public.

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Rare Books Exhibition — Love Letters: A Gallery of Type

21 Thursday Jul 2016

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American, book design, book designers, Bruce Rogers, Johan Gutenberg, Marriott Library, movable type, Pablo Neruda (1904-1973), printers, printing, rare books, type, typographers, typography

Posterfinal(jpegforblog)

Love Letters: A Gallery of Type

Love Letters celebrates type, typographers, and printers – from Johann Gutenberg (c.1398-1468), who developed printing with movable type, to Bruce Rogers (1870-1957), an American typographer and book designer. Type is designed to be both functional and evocative. Type has personality, flair, and style, inspired by time and place. It can age quickly or become classic. Good type grabs our attention. Great type keeps our attention.

On display are books and printed ephemera, dating from 1482 to the first decade of the 21st century, from the J. Willard Marriott’s rare book collections – examples of the development of typography and printing and why we love type.

July 22, 2016 — September 30, 2016
Marriott Library, Levels 1, 4, & 5

This exhibition is free and open to the public.

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Daily Utah Chronicle — Land-Art Inspired Library Exhibit Showcases Books as Art

07 Thursday Apr 2016

Posted by rarebooks in Chronicle, Newspaper Articles, Physical Exhibitions

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art, books, engineering, land art, Matt Christensen, Matthew Bateman, Tunnel Vision, Utah Daily Chronicle

“Matt Christensen, a sophomore in engineering, took time to look at the display between classes.

‘I think it’s really interesting how they’ve created something both new and fresh, but out of a format we’re all used to,’ Christensen said.”

Land-Art Inspired Library Exhibit Showcases Books As Art

Daily Utah Chronicle reporter Matt Bateman writes about “Tunnel Vision.”

Land Art-Inspired Library Exhibit Showcases Books As Art

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Exhibition — “Tunnel Vision”

01 Friday Apr 2016

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accordion fold, Allison Milham, altar, bands, Berkeley, Book Arts Program, Book Arts Studio, California, City Center of San Francisco, cut-out, desert, envelope, fan-folds, Flying Fish Press, Gloria Morales, J. Willard Marriott Library, Julie Chen, Kathy Walkup, land art, Lois Morrison, Luise Poulton, Maryline Poole Adams, Mexican, miniature book, movable books, Nancy Holt, oil-cloth, paper hinges, peephole, photograph, Poole Press, pop-up, rare book collections, Rare Books Department, San Francisco, Scott Beadles, Sun Tunnels, The University of Utah, tunnel book, Utah, Utah Museum of Fine Arts, Virgin, workshop

 

TUNNELVISION_slide

Tunnel Vision: A Selection of Tunnel, Pop-up and Movable Books from the Rare Books Department

Tunnel Vision features a selection of pieces from the rare book collections produced using various paper manipulations to create the illusion of depth — framing and narrowing the viewers’ perspective. This exhibition is the result of a collaboration between the Book Arts Program, the Utah Museum of Fine Arts, and the Rare Books Department. It coincides with two events (see below) inspired by Nancy Holt’s famous land art piece, Sun Tunnels, located in Utah’s west desert.

March 23 through June 3, 2016
Level 1, J. Willard Marriott Library
The University of Utah
Co-curated by Luise Poulton and Allison Milham

DSCF8939
A Maze in Mystery: An Amazing Peep-Show
Maryline Poole Adams
Berkeley, CA: Poole Press, 1992
N7433.4 A23 M29 1992

Boards connected by fan-folds; views are through a door in the first board. Edition of one hundred copies. University of Utah copy is no. 22.

DSCF8923
The Gadarene Swine: Luke 8:26-33 & Later
Lois Morrison
Berkeley, CA: Flying Fish Press
N7433.4 M66 G3 1993

DSCF8931DSCF8932
Jardin de Guadalupe
Lois Morrison
San Francisco, CA: L. Morrison, 1994
N7433.4 M66 J37 1994

Paper cut-out see-through scene with accordion fold hinges on both sides and photograph of altar with Virgin at back. In oil-cloth envelope, fastened with ties. Edition of twenty-five copies. University of Utah copy is no. 19.

DSCF8947
Life Time
Julie Chen
Berkeley, CA: Flying Fish Press, 1996
N7433.4 C44 L54 1996

Miniature book enclosed in a decorated sea green paper box with a hinged window lid. Text printed on a series of eight concentric discs attached by paper hinges in an accordion-fold format designed to be read through a center hole when the construction is fully extended. Edition of one hundred copies, numbered and signed by the author. University of Utah copy is no. 15.]

DSCF8941
Ya Viene la Banda
Gloria Morales
San Francisco, CA: City College of San Francisco, 1998
N7433.4 M648 H47 1998

Tunnel book inspired by popular Mexican bands. Printed and bound by the author. Produced in Kathy Walkup’s Book Arts class at CCSF. Six leaves of color illustrations mounted with accordion-folded paper between boards, to be viewed through a peephole in the cover. One leaf of text laid-in. Edition of seven copies, numbered. University of Utah copy is no. 4.

Exhibition photographs by Scott Beadles

Sun Tunnels Educators’ Workshop and Family Day
April 23, 2016, 10am — 12pm
Free for teachers and their families (kids ages 5 and up)
The Book Arts Studio, J. Willard Marriott Library, Level 4

One of the most famous land art works in the world is right in our backyard! Nancy Holt’s iconic Sun Tunnels explores themes of light, perspective, time, space, geography, and more — perfect topics for interdisciplinary teaching. Bring your family and join the Utah Museum of Fine Arts for this hands-on workshop. Start the day together experiencing nature, then explore teaching through tunnel books while the family makes their own Sun Tunnels inspired art.

To register for this workshop contact: Allison Milham (Allison Milham @utah.edu) or schoolprogram@umfa.utah.edu

For more information visit umfa.utah.edu/teacherworkshops

ARTLandish: Sun Tunnels Community Meet-up
April 30, 2016, 1pm 00 4pm
Free and open to the public

Join the UMFA for a day of art and science at Sun Tunnels, the iconic land art by Nancy Holt in Utah’s west desert. UFMA members, families, teachers, and students of all ages are invited to explore the landscape, create art, and learn about the environment of the desert. Meet at site.

For driving directions visit: umfa.utah.edu/suntunnels_selfguide
For more information contact: virginia catherall@umfa.utah.edu

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Rare Books/Book Arts Collaborative Exhibition Featured in Utah Daily Chronicle

15 Friday Jan 2016

Posted by rarebooks in Chronicle, Newspaper Articles, Physical Exhibitions

≈ 1 Comment

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Allison Milham, Allyn Hart, artists' books, Becky Thomas, Book Arts Program, calligraphy, Claire Taylor, Crane Giamo, cyanotype, digital letterpress, Emily Tipps, encaustics, flag book, ink, J. Willard Marriott Library, Karen Hanmer, Keiji Shinohara, leather binding, linocut, Louanna Tanner, Luise Poulton, Marnie Powers-Torrey, Michelle Macfarlane, painting, Pamela Smith, paper marbling, rare books, Rare Books Department, Special Collections Gallery, Stacy Phillips, Utah Daily Chronicle, woodcut, xerox lithography

“We are embracing the process of making the book.” — Allison Milham, Book Arts Program Community Outreach Coordinator.

Glimpse gallery at the Marriott Library, Monday December 7, 2015.

Glimpse, Special Collections Gallery — Photo courtesy of Utah Daily Chronicle

Allison Milham (Book Arts Program) and Luise Poulton (Rare Books) teamed up to curate an exhibition featuring the work of library and guest instructors for the Book Arts Program’s 2016 workshop schedule. Read more about it in the Utah Daily Chronicle.

The exhibition, “Glimpse,” in the Special Collections Gallery on level 4 of the J. Willard Marriott Library, includes artists’ books held in the Rare Books collection. 2016 Book Arts Program guest instructors include Keiji Shinohara (Woodcut), Karen Hamner (Flag Book and Leather Binding), Pamela Smith (Paper Marbling), Michelle Macfarlane (Cyanotype), Claire Taylor (Linocut on Fabric), Allyn Hart (Xerox Lithography), Becky Thomas (Experimental Ink Techniques), Stacy Phillips (Painting with Encaustics), Louanna Tanner (Calligraphy). Additional workshops are offered by Book Arts Program faculty and staff Crane Giamo and Marnie Powers-Torrey (Digital Letterpress), Emily Tipps (Narrative Pages), and Allison Milham (Bookmaking). For more information about these workshops visit the Book Arts Program.

Rare Books is proud to work with our colleagues in Book Arts!

 

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Book Arts Exhibition – Glimpse

10 Tuesday Nov 2015

Posted by rarebooks in Physical Exhibitions

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Tags

A Fowl Alphabet, Alan James Robinson, Allison Milham, Allyn Hart, Becky Williams Thomas, book artists, Book Arts Program, bookbinding, bookmaking, Cheloniidae Press, Claire Taylor, collage, Crane Giamo, Easthampton, Emily Tipps, encaustics, Glenville, Illinois, intaglio printing, J. Willard Marriott Library, Japanese, Julianna Christie, Karen Hanmer, Keiji Shinohara, leather bindings, letterpress printing, Luise Poulton, Marnie Powers-Torrey, Massachusetts, Michelle Macfarlane, National Endowment for the Arts, Pamela Smith, paper decorating, papermaking, photo engraving, photography, printers, rare books, relief printing, Special Collections Gallery, Stacy Phillips, Suzanne Moore, The University of Utah, type, wood engravings

GlimpsePoster

Rare Books is pleased to support the Book Arts Program with its historic, fine press, and artists’ books collections. Glimpse features these and many other book artists represented in our collections.

DODOe

A FOWL ALPHABET
Alan James Robinson
Easthampton, MA: Cheloniidae Press, 1986

Wood engravings by author. Lettering by Suzanne Moore. Title printed in brown and black; initials and headings printed in brown and gold. Issued in cloth clamshell box. Edition of fifty copies, signed. University of Utah copy is no. 36.


AAAZZZ

AAAAAZZZZZ
Karen Hanmer
Glenville, IL: Karen Hammer, 2002
N7433.4 H357 A6 2002

Housed in box. Title on box shows the letter “A” turning into the letter “Z.” Edition of eight copies. University of Utah copy is no. 6, signed by the author.


AtoZ

THE SPECTRUM A TO Z
Karen Hanmer
Glenview, IL: K. Hanmer, 2003
N7433.4 H357 S6 2003

Accordion-style alphabet book. Edition of twenty copies. University of Utah copy is no. 4.


UV

PATRIOT ALPHABET
Karen Hanmer
Glenview, IL: K. Hanmer, 2004
N7433.4 H357 P37 2004

Karen Hanmer layers fragments of text and image, evoking personal memory within cultural context. Intimate but strong, her books are designed to be handled, their sculptural elements giving way to the physicality of reading the old-fashioned way, by turning a page.

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You are invited! — Read Banned Books!

29 Tuesday Sep 2015

Posted by rarebooks in Events, Physical Exhibitions

≈ 2 Comments

Tags

Adventures of Huckleberry Finn, banned books, Catcher in the Rye, dialogo, Galileo, J. D. Salinger, J. Willard Marriott Library, Jonathan Swift (1667-1745), Leviathan, Mark Twain, Marriott Library, rare books, Thomas Hobbes (1588-1679), Travels

Exercise your right to read! Read from your favorite banned book.
Banned books open reading:

BannedBooks

Wednesday, September 30
11AM to 1PM
Library Plaza
J. Willard Marriott Library

Someone doesn’t want you to read, but we do!

Visit “SHHHHH!” on level 4

SHHHHH-UBN

Rare Books presents books, pamphlets, newspapers, and magazines that were banned, forbidden, censored, redacted, expurgated, published anonymously and otherwise attempted to be kept from public consumption. From religious and political writings to science, philosophy and poetry, these pieces of paper were deemed by some too dangerous to exist. On display are first editions of Galileo’s Dialogo (1632), Hobbes’ Leviathan (1651), Swift’s Travels (1726), Twain’s Adventures of Huckleberry Finn (1884), Salinger’s Catcher in the Rye (1951) and others, too hot to handle hot off the press.

 

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