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Monthly Archives: March 2018

On Jon’s Desk: Contemplating Passover with A Book of Songs and Poems from the Old Testament and the Apocrypha, published by Ashendene Press

30 Friday Mar 2018

Posted by Jonathan Bingham in On Jon's Desk

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1904, A Book of Songs and Poems from the Old Testament and Apocrypha, Chelsea, Cicely Hornby, Emery Walker, England, Haggadah, Jon Bingham, Jonathan Bingham, Kelmscott Press, Ken Tomkinson, Matzah, Passover, Ptolemy Typeface, Seder, St John Hornby, Subiaco Typeface, Sydney Cockerell, The Ashendene Press, William Hooper, William Morris

 

 

 

 

 

 

 

“Then on that day David delivered first this Psalm to thanke the Lord into the hand of Asaph and his brethren: give thankes unto the Lord, call upon his name, Make known his deeds among the people. Sing unto him, sing psalms unto him. Talke you of all his wonderous works…”

~ The Psalm of Thanksgiving of David

A Book of Songs and Poems from the Old Testament and the Apocrypha

Chelsea, England: Ashendene Press, 1904

 

 

 

 

 

 

 

 

Passover is an eight day Judeo festival celebrated in the spring, from the 15th through the 22nd of the Hebrew month of Nissan (March 30th – April 7th, 2018). Commemorating the emancipation of the Israelites from slavery in ancient Egypt, Passover is observed by avoiding leaven and is highlighted by the Seder meals that include four cups of wine, eating matzah and bitter herbs, and retelling the story of the Exodus. In Hebrew it is known as Pesach (which means “to pass over”) because God passed over Jewish homes when killing the Egyptian firstborn on the very first Passover eve. Passover is divided into two parts: The first two days and last two days (the latter commemorating the splitting of the Red Sea) are full-fledged holidays on which candles are lit at night and kiddush and sumptuous holiday meals are enjoyed. Those observing the holiday don’t go to work, drive, write, or switch on or off electric devices. The middle four days are called Chol Hamoed, semi-festive “intermediate days,” when most forms of work are permitted.

To commemorate the unleavened bread that the Israelites ate when they left Egypt, chametz (leaven, or food mixed with leaven) is not eaten (or even retained in the observant’s possession) from midday of the day before Passover until the conclusion of the holiday. Instead of chametz, matzah (flat unleavened bread) is eaten. It is a mitzvah (religious duty or commandment) to partake of matzah on the two Seder nights. The highlight of Passover is the Seder, observed on each of the first two nights of the holiday. The Seder is a fifteen-step, family-oriented and ritualistic meal. In addition to the partaking of the four cups of wine, matzah, and bitter herbs, another focal point of the Seder includes the recitation of the Haggadah, a liturgy that describes in detail the story of the Exodus from Egypt. The Haggadah is the fulfillment of the biblical obligation to recount the story of the Exodus on the night of Passover.

While not part of Passover observance per se, it may be nice to take a look at this beautiful collection of Old Testament songs and poems, printed by the Ashendene Press in 1904. Operated in Chelsea (an area in southwest London), England from 1895 to 1915 and then again from 1920 – 1935, the Ashendene Press was a small, private press founded by Charles Harold St. John Hornby (1867 – 1946). Naturally, St John Hornby was aided in the running of the press by his wife Cicely (daughter of Charles Barclay, a director of the National Provincial Bank, and Charlotte Cassandra Cherry) whom he married on 19 January 1898. In 1900, Hornby met Emery Walker and Sydney Cockerell (then William Morris’ secretary at the Kelmscott Press). Together, they encouraged and instructed Hornby and helped in devising two typefaces for his own use, Subiaco and Ptolemy.

Most Ashendene editions used one of these two typefaces, which were specially cast for the Press. Subiaco was based on a fifteenth-century Italian type cast by Sweynheim and Pannartz in Subiaco, Italy. The Ptolemy typeface was originally created by the Ulm based printer Lienhart Holle in 1482 for the work Cosmographia, a cartographic work by Claudius Ptolemaeus. Hornby, Walker, and Cockerel wanted to recreate a typeface with a character equal parts Gothic and Roman (“Gotico-Antiqua”) and they re-created the Ptolemy typeface for that reason.

Some Ashendene books were illustrated with wood-engravings, but the majority were printed solely using type. The wood engraver William Harcourt Hooper worked for Ashendene Press starting in 1896, after working at Kelmscott Press from 1891 to that time (during which he had contributed to works such as the Kelmscott Chaucer). It is reported that Hornby called Hooper “almost the last of the old school of wood-engravers and a very fine craftsman.”

A Book of Songs and Poems from the Old Testament and the Apocrypha is a wonderfully produced, sixty-two page book printed in an edition of 175 copies (150 on paper and 25 on vellum). The text is printed in black and red, with initial capitals in blue by Graily Hewitt, on Batchelor’s “Hammer and Anvil” paper. This octavo book (19 x 13 cm or 7½ x 5¼ inches) contains eleven selections. Eight of these from the Old Testament and three from the Apocrypha, which are biblical or related writings not forming part of the accepted canon of Scripture. The Biblical Apocrypha is a set of texts included in the Latin Vulgate and Septuagint but not in the Hebrew Bible. Of the eight selections from the Old Testament, one is from Exodus, two from Deuteronomy, one from Judges, three from Samuel (one Samuel I and two Samuel II), and one from Chronicles I.

Rare Books copy contains unattached, but laid in, bookplate of “Ken Tomkinson, High Habberley House, Kidderminster Worcs [Worcestershire], England.” While we don’t know much about Ken Tomkinson, author of Kidderminster Since 1800 (1975) and Characters of Kidderminster (1977), we can at least surmise that he possessed excellent taste in books since he owned this one.

A Book of Songs and Poems from the Old Testament and the Apocrypha is a fantastic addition to the University of Utah’s amazing Rare Books collections – and somewhat miraculously, perhaps, it came just in time for Passover.

 

 

 

 

 

 

 

~ Contributed by Jon Bingham, Rare Books Curator

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Book of the Week — Promenade de Longchamp, Optique no. 4

28 Wednesday Mar 2018

Posted by rarebooks in Book of the Week

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Archbishop de Beaumont, Bois-de-Boulogne, Champs-Élysées, concertina, convent, Easter Parade, fashion, hats, Holy Week, Kentucky Derby, Napoleon, Paris, Paris Opera, peepshow, Promenade de Longchamp, Tenebrae, tunnel book

Facade
— Photographs by Scott Beadles

PROMENADE DE LONGCHAMP, OPTIQUE NO. 4
Paris, ca. 1810

The Promenade de Longchamp was an annual social event which took place on the Wednesday, Thursday, and Friday of Holy Week every spring along the Champs-Élysées and through the Bois-de-Boulogne. The tour ended at the abbey of Longchamp, where the nuns sang the office of Tenebrae, a village four miles from Paris. A convent there, established in 1256, had long been a destination for religious pilgrims. In the late seventeenth century, the pilgrimage became unauthorized secular spectacle.

Through

The nun’s choir was fortified with singers from the Paris Opera. The theater in Paris was closed during Lent, which made the Promenade one of the few ways in which high society could flaunt their new spring fashions. A procession of people in festive costume traveled on horseback, in carriages, and on foot. Wealthy citizens of Paris vied to have the most elaborate carriages and clothing, while the lower classes, including laborers, soldiers, and prostitutes, lined the route to gawk. Police turned out in force, to keep the parade participants safe. The Paris Archbishop de Beaumont tried to halt the parade by ordering the convent closed during Holy Week. The parade did not stop. Participants were there to see and be seen.

Through2

In 1789, the Promenade was disrupted by an angry mob. The convent, by then wholly peripheral to the show, was closed by the Revolutionary government. Napoleon revived the parade in the 19th century, in part as a way to bolster the fashion industry, but the later parades did not match the lush grandeur of those in the 18th century. Still, the parade contributed to later fashion phenomena. The American “Easter Parade” and the big, ostentatious hats of the Kentucky Derby can be traced back to the Promenade de Longchamp.

Profile

This early 19th century concertina-style peepshow depicting the Promenade de Longchamp in Paris is etched on the front and back panes and contains four cut-out sections in-between, all hand-colored. The front panel has a circular viewing aperture. It is housed in its original marbled paper slip-case with engraved label.

Slipcase2

Slipcase

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Rare Books goes to UMFA

23 Friday Mar 2018

Posted by rarebooks in Rare Books Loans, Recommended Exhibition

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Arabic Papyrus, Aziz S. Atiya, Brigham Young University, J. Willard Marriott Library, Lincoln Blumell, Lola Atiya, rare books, University of Utah, Utah Museum of Fine Arts

Greek inscription

A piece from the rare book collections is on loan at the Utah Museum of Fine Arts, in its ongoing exhibition,  Ancient Mediterranean Art: Res Mortis. The piece may be viewed at the museum through September, 2018.

The carved fragment of limestone celebrates the life of Helene, to whom is given the credit “In peace and blessing Ama Helene, a Jew, who loves the orphans, [died]. For about 60 years her path was one of mercy and blessing; on it she prospered.”

The piece has been at the J. Willard Marriott for nearly thirty years, a gift of Aziz S. and Lola Atiya. Aziz Atiya founded the University of Utah’s Middle East Center and the Marriott’s Middle East Library in 1969. Rare Books holds many gifts from Dr. and Mrs. Atiya, including this epitaph and one of the largest collections of Arabic papyrus fragments in the world.

When the epitaph was given to the library, it was provisionally identified as a “Coptic inscription, dating from the dawn of the use of the Greek alphabet, not earlier than the second century, but not later than the third.”

Years later, in 2016, Lincoln Blumell, associate professor of ancient scripture, at Brigham Young University translated it, publishing his translation in Journal for the Study of Judaism in the Persian, Hellenistic and Roman Period. News of the piece attracted world wide press attention.

For more information on Dr. Blumell’s translation see our previous post.

— photographs by Scott Beadles

 

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The Melody Lingers On

21 Wednesday Mar 2018

Posted by rarebooks in Uncategorized

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1968, book, J. Willard Marriott Library, library, Scott Beadles, Wallace Stegner

Happy 50th Anniversary, J. Willard Marriott Library!

“To erect a great library in the year 1968 is an act of stubborn and sassy faith.” — Wallace Stegner, from his dedication address for the opening of the J. Willard Marriott Library

The melody lingers on.

Long live the book! Long live libraries!

(Thanks to Scott Beadles for great photographs)

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An Impression of Spring

20 Tuesday Mar 2018

Posted by rarebooks in Uncategorized

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Bertram Rota, British, cardboard, commercial, gesso, Gogmagog Press, Hosho, Japanese, landscape, leaves, London, Morris Cox, panorama, plywood, poetry, printer, private press, Prose, seasons, seeds, spring, twigs, varnish


“Now sprigs are pricked by bursting buds,
and threading the trees the wind’s weft
skittles, drops and spurts again,
rubbing along the ground to tease old leafings
of skittering litter, scratching swirl…

Between bettling sky and buxom earth —
a mazed and frilling lightning flash!
The eye bleaches and goes black.
A far-off tracking thunder rolls
and tight, hard raindrops teem and patter,
hiss an sheen in rimplin rods…
till overhead the ragging cloud thins off
in clean-washed grin, and sun-bowl tips
over the giggling earth its molten gold.”

An Impression of Spring: A Landscape Panorama
Morris Cox (1903-1998)
London: Gogmagog Press: Dist. by Bertram Rota, 1966
ND497 C748 A43 1966

Gogmagog Press was a one man operation: for more than forty years Morris Cox — artist, writer, and printer — worked alone, using simple tools and creating one of the most important of British post-war private presses. Cox experimented with various aspects of his craft,  always paying meticulous attention to detail.

Morris Cox’s poetry and prose rarely found commercial publication. For this reason, in middle-age, Cox began Gogmagog Press, in order to distribute his work. It was only then that his poetry began to be championed, for the poetry was as good as the press production. Word and image are so intertwined that one divorced from the other leaves only half an experience.

The texture of the prints derives from the unusual printing blocks used to create them. Cox mounted sheets of cardboard onto plywood and layered them with gesso, next adding materials from nature like seeds, leaves, and twigs. These elements were varnished to strengthen them.

Impressions is one of four works on the seasons, all considered to be the peak of Cox’s achievement as a printer. Printed on Japanese ‘Hosho’ paper. Edition of one hundred numbered and signed copies. Rare Books copy is no. 23.

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Book of the Week — Geographiae et hyrdrographi reformat

19 Monday Mar 2018

Posted by rarebooks in Uncategorized

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Almagestum Novum, astronomer, astronomy, Benatij, Bologna, Bononi, cosmology, geography, Giovanni Battista Riccioli, heliocentric, Jesuit, John Smith, latitude, longitude, magnetic needle, Modena, navigation, psalms, Ptolemy, stars, sun, surveying, terrestrial meridian, Tycho Brahe


You who laid the foundations of the earth,
So that it should not be moved forever” – Psalm 104, NKJV

“[A]s Geography without History seemeth a carkasse without motion; so History without Geography, wandreth as a Vagrant without a certaine habitation.”
― John Smith (1580-1631)

Geographiae et hydrographi reformat…
Giovanni Battista Riccioli (1598-1671)
Bononi: Ex typographia hredis V. Benatij, 1661
First edition
G114 R54

Giovanni Battista Riccioli, a Jesuit astronomer, was and is still best known for his work on astronomy, Almagestum Novum, 1651, in which he sets out reasons for and against a heliocentric cosmology. Riccioli was also a geographer. Geographia et hydrographiae reformatae libri is his attempt to collate all the geographic knowledge of the time. Riccioli addresses the variation of the magnetic needle, observations on geographical longitudes and latitudes, and several problems relating to navigation. Riccioli took measurements to determine the radius of the earth and to establish the ratio of water to land.

He developed a leveling device for use in surveying. He gave an account of the methods he used in order to determine the length of a degree of the terrestrial meridian. For this purpose, a base-line was measured near Bologna, and a triangulation was formed between that city and Modena, although the stations appear to have been improperly chosen — the angles between them are often less than eight degrees, and only two were observed in each triangle.

The instrument used to obtain the terrestrial angles was similar to the parallactic rulers of Ptolemy. In reducing the distances between the stations to one spherical surface, Riccioli assumed the refraction as constant, and equal to thirty minutes, as it had been determined by Tycho Brahe for celestial bodies in the horizon. The latitudes of the stations were determined by the sun and certain stars, their altitudes being observed with a quadrant whose radius was eight feet. But the declinations were taken from the catalogue of Brahe, and consequently liable to errors amounting to one minute or more.

Riccioli believed that the measures of the ancients were nearly correct. Among his own observations, he chose results which arrived closest to those earlier measures. Thus, his determination of the length of a degree was erroneous.

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A Lasting Gift — The Principles of Psychology

16 Friday Mar 2018

Posted by rarebooks in Donations

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Bertrand Russell, brain, emotion, George Santayana, Gertrude Stein, habit, Harvard, Henry Holt and Company, Henry James, history, John Dewey, literature, Ludwig Wittgenstein, Mark Twain, natural science, New York, philosophy, psychology, Ralph Waldo Emerson, rare books, Sigmund Freud, Theodore Roosevelt, W. E. B. Du Bois, William James


“The great use of life is to spend it for something that will outlast it.” — William James

The Principles of Psychology
William James (1842-1910)
New York: Henry Holt and Company, 1890
First edition, first state
BF121 J2 1890

Rare Books is pleased to announce the anonymous donation of this first edition of William James’ The Principles of Psychology, a work emphasizing his experimental method and treatment of psychology as a natural science. A landmark in the history of philosophy, The Principles of Psychology includes a survey of literature on the localized functions of the brain, an extensive analysis of the self, and theories of habit, emotion, and association, among other topics. The phrase “stream of consciousness” comes from his writings.

William James came from a large, wealthy New York family. He is the brother of novelist Henry James. His godfather was Ralph Waldo Emerson. While teaching at Harvard, his students included Theodore Roosevelt, George Santayana, and Gertrude Stein. His writings influenced W. E. B. Du Bois and Ludwig Wittgenstein. He associated with Bertrand Russell, John Dewey, Mark Twain, Sigmund Freud and many others. That’s a special bunch of people in the world of literature and scholarship.

We also have special friends, named and unnamed. Thank you!



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Book of the Week — Atlas céleste de flamsteed…

13 Tuesday Mar 2018

Posted by rarebooks in Book of the Week

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atlas, cartography, celestial, Edmund Halley, engineer, English, engravings, French, Isaac Newton, Jean Nicolas Fortin, John Flamsteed, maps, Paris, stars


“Newton’s design was to make me come to him, force me to comply with his humors, and flatter him and cry him up as Dr. Halley did. He thought to work me to his ends by putting me to extraordinary charges. Those that have begun to do ill things never blush to do worse to secure themselves. Sly Newton had still more to do and was ready at coining new excuses and pretenses to cover his disingenuous and malicious practices… I met his cunning forecasts with sincere and honest answers and thereby frustrated not a few of his malicious designs. I would not court him, for, honest Sir Isaac Newton (to use his own words) would have all things in his own power, to spoil or sink them; that he might force me to second his designs and applaud him, which no honest man would do nor could do; and, God be thanked, I lay under no necessity of doing.” – John Flamsteed

Atlas céleste de flamsteed…
John Flamsteed (1646-1719)
Paris: Chez F. G. Deschamp [et chez] l’auteur, 1776
Second edition in French, the third edition after the first in English of 1729
QB65 F5 1776

John Flamsteed was England’s first Astronomer Royal. He was a lecturer at Gresham College. Flamsteed used a telescope with an aperture smaller than the smallest modern telescope, including those we might give to a child today. Telescopes used by the most casual amateur astronomers have apertures ten times that of Flamsteed’s telescope.

When first published, this altas represented a new era in celestial cartography, recording the 3000 stars John Flamsteed observed using equatorial and ecliptic coordinates. Flamsteed quarreled bitterly with Isaac Newton and Edmund Halley about his findings. His own findings often contradicted those of Christiaan Huygens. The sky was a battleground, fought over with primitive instruments and by the best minds of the day. 

For the French edition, engineer Jean Nicolas Fortin reduced the size of the maps, and fixed the location of the stars for 1780 instead of 1690, the date at which they had been fixed by Flamsteed. Fortin also added new discoveries to this edition. Illustrated with thirty double-page engraved plates.


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Gilgamesh, King of Erech

09 Friday Mar 2018

Posted by rarebooks in Uncategorized

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ad Diwaniyah, clay tablets, Dorothea Braby, EPIC, Erech, Frank Lawrence Lucas, Gilgamesh, Golden Cockerel Press, Hebrew Bible, London, Luise Putcamp jr, Nippur, Pu-Abis, Sumerian, Ur, Urak, Ziusudra


“The white-haired Ziusudra gazes dreaming out to sea.
Above his white head, the tall palms dream also,
Undulating slowly the green indolence of their leaves.
The old man remembers
Long days, long since, when he watched other waves
Heaving like these, heaving onward eternally,
Yet never breaking
On any earthly shore;
For earth itself lay drowned.
Now he watches them breaking for ever,
Like the years;
The blue of his old eyes changes no more
Than the blue of ocean,
And his hoar locks blow like its foam.
Almost as ancient he seems as the rock of granite,
Of red granite, where he sits above the sea.
Yet still his immortal soul regrets
The brief years of his mortality.”

Gilgamesh, King of Erech
Frank Lawrence Lucas (1894-1967)
London: Golden Cockerel Press, 1948
PR6023 U3 G5 1948

The story of part man, part god hero Gilgamesh was first recorded on clay tablets well before 2000 BC. Gilgamesh was a historical king who reigned circa 2700 BC, the fifth in line of the founding first dynasty of Ur, centered around the ancient city of Urak, known in the Hebrew Biblle as Erech. The historical Gilgamesh built one of the first temples in the holy city of Nippur, now ad Diwaniyah, which is where two of our clay tablets are from. This edition is a free translation of the Sumerian epic of Gilgamesh, with twelve engravings by Dorothea Braby. Edition of five hundred copies, numbered. University of Utah copy is no. 263.


Excavations at Ur

Pu-Abis Burial Pit

No time, no tomb can hide what we have been.
See what the searchers have uncovered where
Hills are laid low in long-abandoned air,
Centuries swiftly sifted through a screen.
Bay leaves in circlet, gold instead of green,
Carnelian that this river land called rare,
Lapis bought dearly with some distant ware
Crown a crushed skull. Surely here lay a queen.

That future digger who can read the dead,
Build dynasties from what the past discards,
Dust and a different sunlight on his head,
Shaking my grave for artifacts and shards
Will bare no gold bedecking this brown bone
And rightly call a commoner’s skull my own.

———–

Clay Tablets

Molded like primal man from lumps of mud
And pressed with dents peculiar to old needs
The tablets tell of gods’ outlandish deeds,
Record the names kings bore before the Flood.
Now tufted hills lie where the city stood.
The kings eat endless earth and the wind feeds
On eyeless gods. The river stirs far reeds.
The clay alone survives long solitude

And even now some men can read its signs.
The double strokes say water, and the star
Signifies heaven. All the fragile lines
Hold meaning that millenniums fail to mar
While in a familiar alphabet my words
Today go meaningless as marks of birds.

–Luise Putcamp jr., 1964

Excavations at Ur published here by permission of the poet to whom we wish a happy 94th birthday.

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Gilgamesh: the postmodern replica

08 Thursday Mar 2018

Posted by rarebooks in Uncategorized

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Flood, Gilgamesh, Ishtar, John Gardner, John Maier, Ludmil Trenkov, Otis Laboratory Press


“Ishtar cried out…
Six days and seven nights the wind
shrieked, the stormflood rolled
through the land. On the seventh
day of its coming the stormflood
broke from the battle…
The word sea grew quiet, the storm
was still; the Flood stopped.
All of humanity was turned to clay.
I crouched, sitting, and wept.
My tears flowed over my cheeks.
Gods, let me not forget this…”

Gilgamesh: the postmodern replica
Ludmil Trenkov
Otis Laboratory Press, 1997
N7433.4 T635 G5 1997

Writing based on the 1985 edition of ‘Gilgamesh’ by John Gardner and John Maier. Edition of fifteen copies.

Recommended reading:

Gardner, John and John Maier. Gilgamesh: Translated from the Sin-leqi-unninii Version…. New York: Vintage Books, 1985
PJ3771 G5 E5 1985, L1

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