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Monthly Archives: February 2016

Book of the Week — Vo Slavu Styia…

29 Monday Feb 2016

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Adriatic Slavs, alphabet, books, Bulgarians, Church Slavic, Deseret Industries, Eastern Orthodox Church, Glagolitic Cyrillic, Greek, Kiev, liturgical, Moldavia, monastery, Monastery of the Caves, monastic, Moscow, Old Bulgarian, Old Church Slavonic, paper mill, printing press, Russia, Saint Cyril, Saint Methodius, schools, Semigradia, Serbs, Slavic, Slavs, Wallachia

BX350-C45-O77-1700z-spread BX350-C45-O77-1700z-113spread

“Wisdom! Let us attend!”

VO SLAVU STYIA…
Orthodox Eastern Church
Kiev: v Kievopecherskoi lavre, 170?
BX350 C45 O77 1700z

The Monastery of the Caves was founded in 1015 just outside of Kiev. In 1615, as part of a prestige-building effort, the Abbot raised money to buy a printing press. The oldest known work from the press is dated 1616. Along with mostly liturgical works, the monastic press supplied books for local schools. The monastery built a paper mill and other facilities to produce printed materials.

The editions out of Kiev were models of scholarship and attractive appearance. Orthodox Kiev considered itself the center for Slavic peoples that shared the faith. The press expressed this belief in an introduction in one of its books, saying that the book was intended not only for all of Little and Great Russia, but also for the southern Slavs – Serbs, Bulgarians, the Adriatic Slavs, Moldavia, Wallachia and Semigradia.

While the liturgical works from the Kiev press were reproduced according to Greek printed editions, variations began to develop. Added to the books were new dimensions that reflected the local population. These variants to the traditional Orthodox liturgical output gave the Kiev editions a character all their own.

In Moscow, the Kievan editions came to be regarded with suspicion. Even so, Moscow printers chose Kievans as correctors and advisors for their publications. Kievans knew the Greek language much better than Muscovites. In the end, most Moscow editions were simply transcriptions of the Kievan translations.

This book is a liturgical work in Church Slavic, the language of the Orthodox Church in Russia and the literary language in various parts of the East and West Slavic speaking areas. Saint Cyril and Saint Methodius created the Glagolitic Cyrillic alphabet in the mid-ninth century. Soon after, in the mid-9th century, they began translating the Gospels, probably from a Greek lectionary, into Old Bulgarian, now commonly called Old Church Slavonic.

This copy was printed in red and black and bound in wood and leather – an excellent, albeit worn, example of bookbinding in eighteenth-century Russia. Gift from Deseret Industries.

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Book of the Week — Godescalc Evangelistary

22 Monday Feb 2016

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Aachen, baptism, Bibliotheque Nationale de France, Byzantine, Carolingian illumination, Charlemagne, Christ, Christ in Majesty, Christian, Darmstadt, divine, evangelists, Fountain of Life, Godescalc, Godescalc Evangelistary, gold, Gospel, Hildegard, Insular, Italy, lectionary, medieval, miniscule, nature, Pepin, Pope Adrian, Primus, script, scriptorium, silver, stars

ND3359-G55-C75-2011-titleND3359-G55-C75-2011-pg54spread

“Golden words are painted [here] on purple pages,
The Thunderer’s shining kingdoms of the starry heavens,
Revealed in rose-red blood, disclose the joys of heaven,
And the eloquence of God glittering with fitting brilliance
Promises the splendid rewards of martyrdom to be gained.”

GODESCALC EVANGELISTARY
Darmstadt: Primus, 2011

Facsimile. The Godescalc Evangelistary was commissioned by Charlemagne and his wife Hildegard. Written by the scribe Godescalc, it was produced in the court scriptorium at Aachen between 781 and 783. The lectionary was made to commemorate Charlemagne’s march to Italy, his meeting with Pope Adrian, and the baptism of his son Pepin. The dedication poem includes details of Charlemagne’s march and is signed by the scribe. Charlemagne and Hildegard are both mentioned at the end of the manuscript as its patrons.

The Godescalc Evangelistary is the earliest known example of Carolingian illumination, a fusion of Insular, early Christian, and Byzantine styles. The artist used elaborate shadings in light and dark to give the figures depth. The codex is decorated with four full-page miniatures of the Evangelists, all placed at the opening of the book. Two additional full-page miniatures depict Christ in Majesty and the Fountain of Life. The Gospel readings are written in gold and silver ink.

The poem compare’s the book’s gold and silver with the stars, indicating the early medieval belief that the written words directly reflect Christ’s divine nature – the word made flesh.

This was the earliest style to use miniscule script as a regular element of the script. The script is on a purple background within framed embellishments.

The Godescalc Evangelistary is now preserved in the Bibliotheque Nationale de France. Facsimile binding with debossed Charlemagne monogram. Binding is hand-sewn according to the original foliation of the manuscript and attached to the book block through a traditional bookbinding process. Facsimile edition of 98 copies in Arabic numbers and XX copies in roman numbers.

 

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Book of the Week — An Oration…

15 Monday Feb 2016

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Constitutional Convention, George Washington, Gouverneur Morris, John Furman, Pennsylvania, United States Constitution

E312.63-M86-1800-portraitE312.63-M86-1800-title

“AMERICANS! he had no child – BUT YOU – and HE WAS ALL YOUR OWN.”

AN ORATION, UPON THE DEATH OF GENERAL…
Gouverneur Morris (1752-1799)
New-York, Printed by John Furman, opposite the City Hall, 1800
E312.63 M86 1800

Gouverneur Morris represented Pennsylvania at the Constitutional Convention of 1787. He wrote many of the passages of the United States Constitution and is generally credited with having written the Preamble. Morris was one of the earliest of the constitutionalists who recognized that a “united states” would mean citizenship not of a state but of the union as a whole. Here is his funeral oration for George Washington, addressed as “General,” reprinted on the occasion of Washington’s birthday.

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Love-Letter

14 Sunday Feb 2016

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Dante Gabriel Rossetti, endpapers, F. S. Ellis, floral gilt designs, gilt, inscribed, John Skelton, London, poems, presentation copy, Scottish, University of Utah

PR5240-A1-1870-coverPR5240-A1-1870-Pg198

“The smooth black stream that makes thy whiteness fair, —
Sweet fluttering sheet…”
– from “The Love-Letter”

POEMS
Dante Gabriel Rossetti (1828-1882)
London: F. S. Ellis, 1870
First edition, first issue binding
PS5240 A1 1870

University of Utah copy presentation copy inscribed to John Skelton and dated April of 1870. Skelton was a Scottish author and friend of Dante Gabriel Rossetti. This is one of only a few copies personally inscribed to Rossetti’s close friends. Original green cloth boards with gilt title to spine and floral gilt designs by the author on spine and boards. The motif is continued on the endpapers.

PR5240-A1-1870-insidecoverPR5240-A1-1870-halftitle

 

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Book of the Week — Sounds of the Night: The American Indian and the Owl

08 Monday Feb 2016

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American Indian, Antonio Frasconi, Arches, Connecticut, Hosho, owl, South Norwalk, woodcut, xylograph

ColorSpread

“At night may I roam
When the owl is hooting
At dawn may I roam
When the crow is calling
Then may I roam.” – Teton Sioux

SOUNDS OF THE NIGHT: THE AMERICAN INDIAN AND THE OWL
Antonio Frasconi (1919-2013)
South Norwalk, CT: Winter 1994-1995

Earth tones contrast with night colors of deep purple, black and silver. Overprinted by Antonio Frasconi, adding layer upon layer of color, on Hosho and Arches paper. Twelve leaves of color woodcuts and xylographic text in brown. Full-page portrait of an American Indian in earth tones faces a full-page owl in purple and black, followed by seven double-spreads of a poem and an owl, concluding with a double-spread of the land and sky at night. Brown endpapers. Full color woodcut wrap-around cover. Slipcase covered with an additional woodcut, xylographic label. One of ten copies, signed.

For more about Antonio Frasconi and more of his work, see our post: “Rare Books Acquisition Made Possible with Help of Latin American Studies.”
TetonSioux
Yuma

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Frederick Stewart Buchanan, in memorium

05 Friday Feb 2016

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ballads, booklet, chapbooks, chapmen, Falkirk, Frederick Stewart Buchanan, Glascow, itinerant, Johnston, merchants, needles, peddled, rare books, Robert Burns, Robertson, Scotland, Scottish, Special Collections, The Constant Shepherd, The Duke of Gordon's Daughters, thread, University of Utah, wrappers

PR8624-A2-C66-1810-backcover

“Farewel, my friends! farewel, my foes!
My peace with these, my love with those:
The bursting tears my heart declare-
Farewel, the bonie banks of Ayr!”
— Robert Burns, 1786

The staff of the Rare Books Department extends its heartfelt condolences to the family of Frederick S. Buchanan (1931-2016). Professor Buchanan was a friend of the department and of Special Collections through his donation of much wonderful material, including these scarce Scottish chapbooks. Rare Books remembers, with gratitude, years of Professor Buchanan’s kind, quiet, patient and friendly support. Thank you, Dr. Buchanan. Memory eternal!

THE DUKE OF GORDON’S THREE DAUGHTERS
Glascow: Printed by J. & M. Robertson, 1808
PR8624 A2 D84 1808

THREE EXCELLENT NEW SONGS
Falkirk: Printed by T. Johnston, 1809
PR8624 A2 T47 1809

THE CONSTANT SHEPHERD
Falkirk: Printed & Sold by T. Johnston, 1810
PR8624 A2 C66 1810

“Chapbooks” are so-called because they were sold by “chapmen,”– itinerant merchants who mostly peddled small portable items such as needles, thread, scissors, eyeglasses, and cloth. Along with these practical items, they often also sold ballads. At first, these ballads were usually sold as single sheets. In Scotland, beginning around 1720, the ballads took shape as a small, multi-paged booklet and sold for about a halfpenny. Larger prose texts were also sold for about a penny. Chapbooks were sold without wrappers, or protective coverings, but were made well enough for frequent handling. Although Scottish chapbooks surviving from this period are not uncommon, these three are among the most rare. The Duke of Gordon’s Daughters was a particular favorite in its time. Many of the ballads in The Constant Shepherd were well known. This chapbook, however, also contains ballads of a particularly topical and timely nature. These more ephemeral ballads were often only printed in one edition. University of Utah copies gift of Frederick S. Buchanan.

PR8624-A2-D84-1808-coverPR8624-A2-T47-1809-coverPR8624-A2-C66-1810-cover

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Book of the Week – The Adventures of Huckleberry Finn…

01 Monday Feb 2016

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American, banned, Chatto & Windus, England, Ernest Hemingway, first English edition, immorality, libraries, literature, London, Mark Twain, novels, pictorial cloth, profanity, publisher's advertisements, schools, The Adventures of Huckleberry Finn, United States

Adventures of Huckleberry FinnAdventures of Huckleberry Finn, frontispiece, title-pageAdventures of Huckleberry Finn, Ch XII

“I was a-trembling, because I’d got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: ‘All right, then, I’ll GO to hell.’”

THE ADVENTURES OF HUCKLEBERRY FINN…
Mark Twain (1835-1910)
London: Chatto & Windus, 1884
First English edition

Written over an eight year period, The Adventures of Huckleberry Finn was at first blasted by the critics for, among other things, “blood-curdling humor,” immorality, coarseness, and profanity. The story is still banned by libraries and schools in the United States. Nonetheless, it is one of the defining novels of American literature. Ernest Hemingway said of it, “All modern literature comes from [it]. It’s the best book we’ve had…There was nothing before. There has been nothing as good since.” It was published in England a few months before the American edition was published. Publisher’s advertisements in the back of this copy are dated October 1884. This copy is thread-sewn, one of two states of gatherings for the first English edition. Bound in original gilt-and black-stamped red pictorial cloth.

 

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