Book of the Week – Moby-Dick, or, the Whale

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Moby-Dick, or, the Whale
Herman Melville (1819-1891)
San Francisco: Arion Press, 1979
Z232.5 A7 M38 1979

Illustrations drawn and engraved by Barry Moser. Paper is Green’s handmade paper. Issued in case. Edition of 265 copies.

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Book of the Week – Samizdat

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Samizdat
Leslie Bicknell and Derek Humphries
London: Oblivion Boys Press, 1985
N7433.4 B515 S35 1985

From the Catalogue of the Press: “A passport to maturity, a document of and for our times dealing with birth, death, chance, experience and communication. Based on a cycle of eight poems. Printed on buff imitations parchment incorporating glue prints, rubber stamps, passport photos, raffle tickets, fortune fish and money.” From the colophon: “Derek Humphries and Leslie Bicknell are the proud parents of Samizdat, conceived whilst enjoying the life of the idle poor.” Edition of twenty casebound copies, numbered; one hundred copies on newsprint, bound with masking tape in bare boards. University of Utah copy is no. 10.

 

Book of the Week – Vision Shifts

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Vision Shifts
Carol June Barton
Philadelphia, PA: Borowsky Center for Publication Arts, University of the Arts, c1998
N7433.4 B376 V57 1999

Accordion format contains black and white photographs framed in cut-out windows. The image changes as a window shifts when the page is turned. Five photographs are within the text. These and one other photograph are also reproduced on cards inserted into a pocket inside the back cover. A description of each photograph is on the back of the corresponding card. From the colophon: “Vision Shifts was produced and printed at The Borowsky Center for Publication Arts at the University of Arts in Philadelphia, Pennsylvania. Photo duotones were produced in Photoshop IV on a Macintosh computer. Type was set in Quark Express. Typefaces are ITC Blair and Gill Sans. Printing was done on a Heidelberg KORS offset press. The paper is Mohawk Superfine 100 lb. text.” Edition of five hundred copies. University of Utah copy is no. 5.

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Book of the Week – Friendship on South Palm Drive

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Friendship on South Palm Drive
Marion A. Baker
Los Angeles, CA: Printmaker Press, 1996
N7433.4 B23 F75 1996

Designed and printed by Marion Baker. Accordion folding pages. Edition of forty copies. University of Utah copy is no. 29.

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Book of the Week – Dale L. Morgan’s Utah

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Dale L. Morgan’s Utah
Dale Lowell Morgan (1941-1971)
Salt Lake City, UT: Red Butte Press, 1987
Z232.5 R5 M672 1987

Illustrated with woodcuts by Royden Card. Limited edition of seventy-five copies, numbered and signed by artist. University of Utah copy is no. 3.

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Book of the Week – Hope on Dead Wings

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Hope on Dead Wings
James Baker
Salt Lake City, UT: J. Baker, 1997
N7433.4 B227 H66 1997

Produced in coordination with an Undergraduate Research Opportunities Fellowship, University of Utah. The artist completed this book as part of his internship at the Red Butte Press. Paper is Arches heavyweight. Illustration is acrylic paint, Xerox transfer monotype, and spray paint. Accordion fold format in boards. Edition of 5 copies, signed and numbered. University of Utah copy is no. 4.

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Book of the Week – Sphaera Mundi

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Sphaera Mundi
Guiseppe Bianchani (1566 – 1624)
Bononiae: Typis S. Bonomij, sumptibus Hieronymis Tamburini, 1620
First edition
GA7 B57

One of the most immediate consequences of the telescopic observations of Galileo in 1609-10 was the discussion it generated among the mathematicians and astronomers of the Society of Jesus. They reproduced Galileo’s observations and debated the cosmological order of the universe taking into consideration the new data. The debate culminated in the adoption of Tycho Brahe’s system and was made official with the publication of Giuseppe Bianchani’s Sphaera Mundi.

The Jesuit Bianchani fully accepted Brahe’s amendation of the Copernican cosmography which acknowledged the heliocentricity of the planetary system, while preserving the geocentricity of the universe. Bianchani wrote his treatise in 1615, but it was not published until 1620, after the Decree of the Congregation of the Index in 1616. Written at the request of his students, Bianchani respectfully cites Brahe, Copernicus, Galileo, and Kepler repeatedly. He discusses the satellites of Jupiter and Saturn, sunspots, and the new stars of 1572, 1600, and 1604, astronomical phenomena not observed before the development of the telescope.

Bianchani also presents his own theory of the earth’s tendency toward roundness, wherein natural forces operate to flatten mountains and fill valleys so that the surface would be completely covered by the ocean, as it was in the early formation of the earth. Bianchani writes that God created the earth on the third day as a smooth sphere. God then created the depths of the sea and formed the mountains.

One of the many woodcuts in the text is an illustration of the moon, with very inaccurately drawn craters. Another is the first illustration of a thermometer.

 

Rare Books at TEDxUGA

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The Rare Books Division, University of Utah, and the University of Georgia invite you to a live-stream talk by Dr. Belinda Stillion Southard, Dept. of Communication Studies, University of Georgia. Dr. Southard will use an image from the rare book collections during her talk. The event is part of the University of Georgia’s participation in TED. Live-streaming for Dr. Southard’s talk begins at 4PM EST, Friday, March 22, 2013.  The image is “Philadelphia Hall Burning” from History of Pennsylvania Hall, Philadelphia, 1838, first edition. This book was part of the exhibition, “Public Sentiment: A Nineteenth Century War of Words,” curated by Luise Poulton in 2010. An online version of the exhibition was created by Alison Conner in 2012. It is from the online exhibition that Dr. Southard found our image.

Philadelphia Hall Burning, 1838

Philadelphia Hall Burning, 1838

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Book of the Week – Strabon Peri Geografias

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Strabon Peri Geografias. Strabo de Sitv orbis
Strabo
Venetiis, in aedibvs Aldi, et Andreae soceri, 1516
First printed edition of the original Greek text

Strabo’s Geographia was the first attempt to collect all the geographical knowledge available at the time and to compose a general treatise on geography. Strabo designed his work for the statesman, rather than for the student, giving a general sketch of the character, physical peculiarities and natural productions of each country. The descriptions were invaluable for their wealth of information regarding ethnology, trade, and metallurgy.

The impact of early printers on their world was extraordinary. The works Aldus Manutius chose to print reflected the great diversity of the interests of his day. He printed Greek and Latin classical texts, grammars, religious writings, secular writings, political and scientific writings, histories, and geographies.

Aldus influenced his world with his craft as well as his scholarly pursuits. His work was recognized for its attractive and readable typography, clean lines and fine design. He designed and cut the first complete font of the Greek alphabet. He helped design a type after Italian cursive script said to be based upon the handwriting of Petrarch. This was the first italic font used in books. Well aware of the power of the press, he was particularly concerned with producing books of small format and low cost for the benefit of students.

 

Inspirations Newsletter Spring 2013

Check out some of the exciting rare books news reported in the J. Willard Marriott Library’s newsletter, Inspirations Spring 2013.

Rare Children’s Classic Donated Anonymously

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