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Tag Archives: London

Book of the Week – Ibrahim, the Thirteenth Emperour of the Turks…

15 Tuesday Jul 2014

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Christopher Rich, Drury Lane, English, George Pix, George Powell, Islamic, Jean Chardin, John Harding, London, Mary Pix, plagiarism, playwright, rape, Richard Wilkin, Susanna Verbruggen, Theatre Royal, Turks


Ibrahim, the Thirteenth Emperour of the Turks…
Mary Pix (1666-1709)
London: Printed for John Harding, at the Bible and Anchor in Newport-street, and Richard Wilkin, at the King’s-Head in St. Paul’s Church-Yard, 1696
First edition
PR3619 P58 I37 1696

Ibrahim, the first play written by novelist and playwright Mary Pix, was first performed by Christopher Rich’s patent company at Theatre Royal, Drury Lane, to good reviews. It was revived several times well into the eighteenth century. Pix drew on Jean Chardin’s (1643-1713) Travels to Persia, 1686, for her depiction of the Islamic world. She captivated English audiences with the sexual mysteries of the Harem. In the first production, Susanna Verbruggen (ca. 1667-1703) played the chief of the Eunuchs.

Pix wrote at least six other plays and five more anonymous plays are attributed to her.  Her work often put stronger emphasis on female perspective than was usual for the time. The exotic setting for Ibrahim allowed Pix to explore questions of rape, female power, and the dynamics of resistance to authority. It has two especially strong female characters; one ambitious and manipulative, the other doomed by her virtuousness.

Mary Griffith married George Pix, a merchant tailor, in 1689.  She had two sons, George (1689-1690) and William (b. 1691). About six years later, Pix became involved in a plagiarism scandal with George Powell, a rival playwright and theatrical company manager. Pix accused Powell of keeping a manuscript she had sent, reworking and renaming the play as his own. An anonymous writer published a letter attacking Pix for her bad spelling and the audacity to publish her work. In spite of the letter, Pix’s reputation remained stable and she continued to write, but mostly anonymously. It should be noted, however, that authorship was not generally advertised on playbills, nor always given when plays were printed at this time.

 

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Book of the Week – Primitive Origination of Mankind Considered and Examined According to the Light of Nature…

07 Monday Jul 2014

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London, Matthew Hale, William Godbid, William Shrowsbery

Hale, Primitive Origination…,1677, Title Page
Hale, Primitive Origination…,1677, Note
Hale, Primitive Origination…,1677, Section IV

Primitive Origination of Mankind Considered and Examined According to the Light of Nature…
Sir Matthew Hale (1609-1676)
London: Printed for William Godbid, for William Shrowsbery at the Sign of the Bible in Duke-Lane, 1677
First edition

Published after Sir Hale’s death, this curious treatise attempts to prove that the world must have had a beginning else mankind could never have existed from eternity.

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Book of the Week – Domestic Duties; or, Instructions to Young…

16 Monday Jun 2014

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Frances Byerley Parkes, girl's school, Josiah Wedgewood, London, Thomas Byerley

Parkes, Domestic Duties, 1825, Title Page
Parkes, Domestic Duties, 1825, Dinner Parties
Parkes, Domestic Duties, 1825, Dessert

Domestic Duties; or, Instructions to Young…
Frances Byerley Parkes (1786-1842)
London: Printed for Longman, Hurst, Rees, Orme, Brown, and Green, 1825
First edition
TX145 P24 1825

“Experience leads us to acknowledge the fact, that those marriages have been uniformly productive of the greatest sum of happiness in which the wife has, at least, appeared to be altogether swayed by the opinions of her husband. By such yielding, the confidence of the husband is increased, and his attachment confirmed.”

Frances Byerley was the daughter of Thomas Byerley, nephew of the potter, Josiah Wedgewood (1730-1795). After Wedgewood’s death, the fortunes of the Byerley family changed. Frances and her sister Maria set up a girl’s school to help support the family. The core curriculum, traditional enough on the surface, included “English Reading,” spelling, grammar, composition, geography and ancient and modern history. French, Italian, music, dancing, drawing, writing, and arithmetic rounded out a young woman’s education. This education was good enough for the Unitarians.

The Byerleys were Anglican, but their school attracted Harriet Martineau’s niece; Joseph Priestley’s granddaughters, Marianne and Sarah, sent to England from America; Julia Leigh Smith, and Elizabeth Stevenson, the future novelist Mrs. Gaskell.

The Byerley sisters also supported themselves through writing. Katherine Byerley (Thomson) is best known for her novels, in particular Constance (1833). Frances wrote Domestic Duties, reflecting the ethos of the Byerley school. The work was popular, going into a fourth edition by 1837, including several editions in the United States.

In dialogue form between a new bride and a long-married woman, Frances discussed friendship, dinner parties, servants, the nursery, clothing, linens, furniture, groceries, the wine cellar, cookery, nursing, exercise, dancing, and evenings at home. She stressed the moral and religious duties of the young housewife to her family. In 1811, Frances married Unitarian textile manufacturer William Parkes (1788-1840). The downfall of the Wedgewood fortune was harmful to Parkes as well. The success of Domestic Duties helped the couple’s finances, enabling William to build a solicitor’s practice.

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Book of the Week – Fabvlarvm Ovidii Interpretation, Ethica, Physica,…

21 Monday Apr 2014

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England, Henry VIII, King's College, Latin, London, Ovid, Stationers' Company, Thomas Thomas, University of Cambridge

Ovid, Fabvlarvm…, 1584
Ovid, Fabvlarvm…, 1584
Ovid, Fabvlarvm…, 1584

Fabvlarvm Ovidii Interpretation, Ethica, Physica,…
Ovid (43 bce – 17 or 18 ce)
Cantabrigiae: ex officina Thomae Thomae, 1584
PA6519 M2 1584

The University of Cambridge was granted printer’s privileges through a Royal Letters Patent by Henry VIII in 1534. Although it held privilege, the Cambridge press did not actually begin printing until 1582/3, after the appointment of Thomas Thomas as University Printer. At the time, the Stationers’ Company in London held a carefully monitored monopoly on printing in England. So fierce was the Stationers’ Company sense of competition, it arranged to have Thomas’ press seized.

Thomas, a fellow of King’s College and notable scholar, was the author of a Latin dictionary which was issued in at least eight editions from the Cambridge press before 1610.  He printed at least twenty titles for the press before his death in 1588 at the age of thirty-five.

The University of Cambridge Press is the world’s oldest continually operating press and publisher. Its first book was printed in 1584, making this 1584 Ovid one of its first publications.

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Book of the Week – The Works of Geoffrey Chaucer: Compared With…

10 Monday Mar 2014

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copper engravings, Geoffrey Chaucer, John Urry, London, Pigue, Vertue, vignette, woodcut initials

Chaucer, The Works of Geoffrey Chaucer, 1721, Title Page
Chaucer, The Works of Geoffrey Chaucer, 1721, The Nun’s Tale
Chaucer, The Works of Geoffrey Chaucer, 1721, The Monk’s Tale

The Works of Geoffrey Chaucer: Compared With…
Geoffrey Chaucer (d. 1400)
London: Printed for B. Lintot, 1721
First edition
PR1851 U7 1721

John Urry’s intent was to establish an authoritative text for Chaucer, but he altered the text wherever he thought that he could better achieve the essential mood established by Chaucer. A later editor of Chaucer wrote of Urry’s edition, “Mr. Urry’s edition should never be opened by any one for the purpose of studying Chaucer.” Maybe not, but the illustrations in this edition have often been reprinted.

John Urry’s illustrated folio edition of Chaucer’s work contains three previously unpublished tails: “The Coke’s Tale of Gamelyn,” “The Merchant’s Second Tale,” and “The Adventure of the Pardoner and Tapster at the Inn at Canterbury.” The edition includes a preface, a Life of Chaucer, and a glossary of Middle English terms. Urry died before the edition was finished. It was completed by others before publication.

The thirty copper-engraved illustrations include portraits of Chaucer by Vertue and Urry by Pigue, the pilgrims (set within the text), a title page vignette (Chaucer’s tomb), the pilgrims leaving the Tabard Inn, and woodcut initials and head and tail pieces throughout.

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Book of the Week – Novum Organum

04 Tuesday Dec 2012

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Aristotle, Billium, Copernicus, deductive logic, empirical methodology, Francis Bacon, Galileo Galilei, Johannes Kepler, London, Middle Ages, Pillars of Hercules, science, Straits of Gibraltar, Tycho Brahe, Western Europe, William Gilbert

Novum Organum, 1620

Novum Organum, 1620

Francisci de Verulamio, Summi Angliae Cancellarii. Instauratio Magna. Multi Pertransibunt et Augebitur Scientia
Francis Bacon (1561 – 1626)
London: Billium, 1620
First edition
B1165 1620

The foundations of modern science were set out by Francis Bacon in this book. Bacon advanced a new method of reasoning. Bacon argued convincingly that deductive logic, taught by Aristotle and practiced in Western Europe throughout the Middle Ages, would not work for science. Bacon wrote that experimentation was necessary to determine truth. He criticized existing methods of scientific interpretation as inadequate and provided a system based upon empirical methodology, accurate observations, and the accumulation of reliable data. The engraved image on the title page was prophetic. In 1620, the course of philosophy, with Bacon as pilot, was substantially altered. Sailing through the Pillars of Hercules (the Straits of Gibraltar), the limits of the Old World, Bacon’s ship sets out into new and uncharted seas, leaving behind a legacy of superstition and credulity. This voyage, as daring and influential as any undertaken by Renaissance explorers, ushered in a new era.  Although the discoveries of Copernicus, Johannes Kepler, Tycho Brahe, Galileo Galilei, and William Gilbert had done much to destroy the pervasive influence of Aristotle, it was this work that established a new philosophical structure in Western Europe.

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