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Tag Archives: morocco

Book of the Week – Madoc

20 Monday Oct 2014

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America, Azteca, English, engraved, Indians, Lake Poets, London, Madoc, Mandan, marbled endpapers, Missouri River, morocco, North Dakota, Ohio River, poem, poet, poet laureate, Robert Southey, Romantic Movement, Samuel Taylor Coleridge, Susquehanna River, United States, utopian community, Welsh


MADOC
Robert Southey (1774-1843)
London: Printed for Longman, Hurst, Rees, and Orme, and A. Constable and Co. Edinburgh, 1805
First edition
PR5464 M2 1805

Robert Southey was an English poet, a follower of the Romantic Movement, one of the “Lake Poets.” He was appointed poet laureate in 1813. Together with his good friend Samuel Taylor Coleridge (1772-1834), he planned to found a utopian community on the Susquehanna River in the United States. While this plan never came to fruition, it is probable that Madoc was inspired by this dream. The four hundred and forty-nine page poem, accompanied by one hundred and four pages of notes is the story of a Welsh king, who, around 1169, settled on the Missouri River in America and founded a great race of Indians, the “Aztecas.” The legend of Madoc is more familiarly associated with the Mandan tribe of North Dakota. During the eighteenth century, white explorers and trappers heard stories of a small, peaceful tribe living in Western North Dakota, some of whom had blue eyes, blonde hair and spoke Welsh. It was believed that this tribe was descended from a Welsh settlement on the Ohio River in the mid-fourteenth century. Engraved title-page. Bound in contemporary three-quarter green morocco with marbled endpapers and edges.

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Book of the Week – Orley Farm

28 Monday Jul 2014

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Anthony Trollope, artist, engraved plates, gilt, John Everett Millais, London, marbled boards, morocco, Orley Farm, Pre-Raphaelite, University of Utah, wrappers


Orley Farm
Anthony Trollope (1815-1882)
London: Champman and Hall, 1862
First edition

Bound from the monthly issues, with the original wrappers and ads bound in. Many of the wrappers have a contemporary ownership signature. The issues were illustrated with forty engraved plates by the Pre-Raphaelite artist, John Everett Millais (1829-1896). University of Utah copy is bound in late nineteenth-century straight-grain morocco over marbled boards, gilt spines, top edges gilt.

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Book of the Week – Types and Bookmaking: Containing Notes on the…

07 Monday Apr 2014

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book collector, bookmaking, bookplate, Boston, Bruce Rogers, D.B. Updike, Denmark, Estelle Doheny, Fred Anthoensen, Frederick William Anthoesen, Maine, morocco, Portland, Southworth Press, The Southworth-Anthoensen Press, type, type specimens, typographic, typographic ornaments, typography, United States

Anthoensen, Types and Bookmaking, 1943, Title Page
Anthoensen, Types and Bookmaking, 1943, Type
Anthoensen, Types and Bookmaking, 1943, Decoration

Types and Bookmaking: Containing Notes on the…
Fred Anthoensen (1892-1969)
Portland, ME: The Southworth-Anthoensen Press, 1943

Frederick William Anthoensen was born in Denmark, but came to the United States as an infant. He attended school in Portland, Maine. He became interested in printing under the influence of D.B. Updike and Bruce Rogers, both of Boston, and both heavy hitters of early US twentieth-century typography. In 1901, Anthoensen began working as a compositor for Southworth Press. Seventeen years later he became its managing director. In 1934, the name of the press changed its name to Southworth-Anthoenson Press. After 1944, it became Anthoensen Press. Anthoensen was recognized as an exemplary craftsman in his day.

Contains type specimens, typographic ornaments and flowers, and specimen pages, accompanied by a descriptive catalogue. Bound in full charcoal linen buckram with black morocco spine.  Issued in slipcase. University of Utah copy contains bookplate of book collector Estelle Doheny.

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