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Tag Archives: San Francisco

We recommend – Fantasies & Hard Knocks

29 Friday May 2015

Posted by rarebooks in Recommended Reading

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Alabama, Anthony Burgess, Arnaldo Pomodoro, Biblioteca di via Senato, Book Arts Program at the University of Alabama, Brendan Gill, C. F. Cavafy, Cottondale, Dana Gioia, Ecuador, Ex Ophidia, Ex Ophidia Press, Fantasies & Hard Knocks, fine press, Fulvio Testa, handpress, Italo Calvino, Italy, J. Willard Marriott Library, Jack Spicer, John Cheever, Jorge Luis Borges, Milan, New York, Oregon, Paul Zweig, Plain Wrapper Press, Port Townsend, printers, Quito, R. B. Kitaj, rare books, Richard-Gabriel Rummonds, Rome, San Francisco, Special Collections, University of Utah, Verona

 




FANTASIES & HARD KNOCKS: MY LIFE AS A PRINTER
Richard-Gabriel Rummonds (b.1931)
Port Townsend, OR: Ex Ophidia Press, 2015

Richard-Gabriel Rummonds is recognized as one of the world’s pre-eminent handpress printers of the late twentieth century. For nearly twenty-five years, using the imprints of Plain Wrapper Press and Ex Ophidia, he printed and published illustrated limited editions of contemporary literature on iron handpresses, primarily in Verona, Italy and Cottondale, Alabama. Rummonds’ work has been exhibited in Rome, New York, and San Francisco. In 1999, a retrospective exhibition of his work was held at the Biblioteca di via Senato in Milan, Italy. His books are held in museums, libraries and private collections worldwide.

Rummonds was appointed founding director of the MFA in the Book Arts Program at the University of Alabama in 1984. He has taught workshops around the world, including the University of Utah.

Fantasies & Hard Knocks, “embellished with over 450 images [most in color] and 65 recipes,” is a candid autobiography chronicling the printing and publishing of Rummonds’ pieces issued with Plain Wrapper Press and Ex Ophidia imprints.

In 1966, Rummonds founded Plain Wrapper Press in Quito, Ecuador, moving it to Verona, Italy in 1970, where he mastered his craft on nineteenth-century handpresses and established a worldwide reputation for excellent fine press productions. In 1982, Rummonds established Ex Ophidia in Cottondale, Alabama.

pg568-569spread

His memoir is filled with deeply personal anecdotes of working closely with many of the most acclaimed and renowned authors and artists of the time, including Jorge Luis Borges, Anthony Burgess, Italo Calvino, C. F. Cavafy, John Cheever, Brendan Gill, Dana Gioia, Jack Spicer, Paul Zweig, Arnaldo Pomodoro, Fulvio Testa, R. B. Kitaj and others.

pg746-747spread

Rare Books, Special Collections, J. Willard Marriott Library holds a significant archive of the works, library, and ephemera of Richard-Gabriel Rummonds.

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Book of the Week – The Adventures of Tom Sawyer

08 Monday Sep 2014

Posted by rarebooks in Book of the Week

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advertisements, American, bookstores, British, California, Canada, copyright, England, frontispiece, Hartford, London, manuscript, Mark Twain, piracy, prospectus, royalties, Samuel Clemens, San Francisco, subscription, Tom Sawyer, typewritten, United States, unpublished


The Adventures of Tom Sawyer
Mark Twain (1835-1910)
Hartford, CT: American Pub. Co.; San Francisco, CA: A. Roman, 1876
First American edition, first printing
PS1306-A1-1876

Mark Twain (Samuel Clemens) wrote three different versions of The Adventures of Tom Sawyer between 1872 and 1875 before it was first published in London in June, 1876.

Many American authors preferred to have their books published first in England, since that was the only way to secure British copyright. First printings in England, and then the United States, usually occurred only a couple of months apart. In the case of Tom Sawyer, the delay was longer, frustrating Twain. Too much of a delay often resulted in piracy, which is exactly what happened in the case of this work. At least one pirated edition surfaced in July in Canada.

Twain believed that the delay and the piracy caused him loss in royalties. Tom Sawyer was reviewed unfavorably in the London Examiner, the day it came out. A July review in the literary magazine, The Atheneaum, was more kindly.

In December 1876, Tom Sawyer was printed in the United States and sold by subscription only. This was a common method of book distribution in the United States during the latter half of the nineteenth century. Book agents would cross the country with a publisher’s prospectus, selling and placing orders for as yet unpublished titles. Once the title was released the books would be delivered directly to subscriber’s homes. Only later editions were available in bookstores.

Tom Sawyer was not an immediate success. The American publisher sold only 24,000 copies in its first year. The pirated edition was not the only reason for poor sales. One book agent in California complained that the story, at only 274 pages, was not long enough. Potential subscribers apparently felt the same way.

Twain typed the manuscript for Tom, and later claimed that it was the first typewritten manuscript. Historians, however, believe that this distinction goes to Twain’s Life on the Mississippi. The frontispiece of the first American edition was drawn by Twain. Publisher’s advertisements, dated Dec. 1, 1876 on two leaves in back.

 

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Book of the Week – A Christmas Psalm 1935

23 Monday Dec 2013

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Christmas, psalm, San Francisco, William Saroyan


A Christmas Psalm 1935
William Saroyan (1908-1981)
San Francisco, CA: Privately printed for Gelber, Lilienthal, Inc. by the Grabhorn Press, 1935
First edition
Z232.5 G7 S37 1935

A keepsake printed for the San Francisco book shop Gelber, Lilienthal, and Saroyan’s second book.

Edition of two hundred copies. University of Utah copy is no. 6, signed by William Saroyan.

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