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Monthly Archives: March 2013

Book of the Week – Sphaera Mundi

25 Monday Mar 2013

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cosmography, Galileo, Guiseppe Bianchani, Jesuit, moon, Society of Jesus, telescope, thermometer, Tycho Brahe, woodcuts

Guiseppe Bianchani, Sphaera Mundi,1620
Guiseppe Bianchani, Sphaera Mundi,1620
Guiseppe Bianchani, Sphaera Mundi,1620


Sphaera Mundi
Guiseppe Bianchani (1566 – 1624)
Bononiae: Typis S. Bonomij, sumptibus Hieronymis Tamburini, 1620
First edition
GA7 B57

One of the most immediate consequences of the telescopic observations of Galileo in 1609-10 was the discussion it generated among the mathematicians and astronomers of the Society of Jesus. They reproduced Galileo’s observations and debated the cosmological order of the universe taking into consideration the new data. The debate culminated in the adoption of Tycho Brahe’s system and was made official with the publication of Giuseppe Bianchani’s Sphaera Mundi.

The Jesuit Bianchani fully accepted Brahe’s amendation of the Copernican cosmography which acknowledged the heliocentricity of the planetary system, while preserving the geocentricity of the universe. Bianchani wrote his treatise in 1615, but it was not published until 1620, after the Decree of the Congregation of the Index in 1616. Written at the request of his students, Bianchani respectfully cites Brahe, Copernicus, Galileo, and Kepler repeatedly. He discusses the satellites of Jupiter and Saturn, sunspots, and the new stars of 1572, 1600, and 1604, astronomical phenomena not observed before the development of the telescope.

Bianchani also presents his own theory of the earth’s tendency toward roundness, wherein natural forces operate to flatten mountains and fill valleys so that the surface would be completely covered by the ocean, as it was in the early formation of the earth. Bianchani writes that God created the earth on the third day as a smooth sphere. God then created the depths of the sea and formed the mountains.

One of the many woodcuts in the text is an illustration of the moon, with very inaccurately drawn craters. Another is the first illustration of a thermometer.

 

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Rare Books at TEDxUGA

21 Thursday Mar 2013

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TED, University of Georgia

The Rare Books Division, University of Utah, and the University of Georgia invite you to a live-stream talk by Dr. Belinda Stillion Southard, Dept. of Communication Studies, University of Georgia. Dr. Southard will use an image from the rare book collections during her talk. The event is part of the University of Georgia’s participation in TED. Live-streaming for Dr. Southard’s talk begins at 4PM EST, Friday, March 22, 2013.  The image is “Philadelphia Hall Burning” from History of Pennsylvania Hall, Philadelphia, 1838, first edition. This book was part of the exhibition, “Public Sentiment: A Nineteenth Century War of Words,” curated by Luise Poulton in 2010. An online version of the exhibition was created by Alison Conner in 2012. It is from the online exhibition that Dr. Southard found our image.

Philadelphia Hall Burning, 1838

Philadelphia Hall Burning, 1838

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Book of the Week – Strabon Peri Geografias

18 Monday Mar 2013

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Aldus, ethnology, font, geography, italic, metallurgy, Petrarch, press, Strabo, typography

Strabon Peri Geografias, 1516
Strabon Peri Geografias, 1516
Strabon Pero Geografias, 1516, Printers Mark

Strabon Peri Geografias. Strabo de Sitv orbis
Strabo
Venetiis, in aedibvs Aldi, et Andreae soceri, 1516
First printed edition of the original Greek text

Strabo’s Geographia was the first attempt to collect all the geographical knowledge available at the time and to compose a general treatise on geography. Strabo designed his work for the statesman, rather than for the student, giving a general sketch of the character, physical peculiarities and natural productions of each country. The descriptions were invaluable for their wealth of information regarding ethnology, trade, and metallurgy.

The impact of early printers on their world was extraordinary. The works Aldus Manutius chose to print reflected the great diversity of the interests of his day. He printed Greek and Latin classical texts, grammars, religious writings, secular writings, political and scientific writings, histories, and geographies.

Aldus influenced his world with his craft as well as his scholarly pursuits. His work was recognized for its attractive and readable typography, clean lines and fine design. He designed and cut the first complete font of the Greek alphabet. He helped design a type after Italian cursive script said to be based upon the handwriting of Petrarch. This was the first italic font used in books. Well aware of the power of the press, he was particularly concerned with producing books of small format and low cost for the benefit of students.

 

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Inspirations Newsletter Spring 2013

16 Saturday Mar 2013

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Check out some of the exciting rare books news reported in the J. Willard Marriott Library’s newsletter, Inspirations Spring 2013.

Rare Children’s Classic Donated Anonymously

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Rare Books in Big Sky Journal

15 Friday Mar 2013

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aguatint, American West, Karl Bodmer, Maximilian zu Wied, Plains Indian

Big Sky Journal used an image from one of our aquatints for a two-page illustration of an article in their Fly Fishing 2013 issue.

Artist Karl Bodmer painted landscapes and portraits as he accompanied Prince Maximilian zu Wied on his expedition across the American West from 1832 to 1834.  His paintings were first published in 1843 in zu Wied’s chronicle of the journey.  Since that publication, Bodmer’s aquatints have remained a major source of information regarding Plains Indian culture. They were and continue to be instrumental in creating romantic perceptions and misconceptions about these peoples. The Rare Books Division holds a copy of the first edition of zu Weid’s chronicle. A complete set of our original aquatints may be viewed in digital format.

Bodmer

Bodmer

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Book of the Week – Geografia

11 Monday Mar 2013

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atlas, Columbus, maps

Geografia, 1548 Title Page
Geographia, 1548 Ptolemy
Geografia, 1548 World Map

Geografia
Claudius Ptolemy
Venice, Pedrezano, 1548
G87 P8 G46 1548

Geografia is the only geographical atlas to survive from antiquity.  Preserved by the Arab world, it finally reached Venice in 1477, translated from a Greek manuscript, with new maps showing what was then known of the world.  There were many mistakes in the book, but it encouraged people, including Columbus, to believe that discovery of the unknown was possible.

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Join us! – Book Collector’s Evening

07 Thursday Mar 2013

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Charles Kelly, Mormonia

Charles Kelly

MARK YOUR CALENDAR FOR THE THIRD
ANNUAL BOOK COLLECTOR’S EVENING
March 26, 2013   /  6:00 PM
ALTA CLUB    100 East South Temple

Join the University of Utah’s Friends of the J.
Willard Marriott Library for an eventful evening
of rare books, a silent auction, and speaker
Professor Emeritus Peter Crawley’s comments on
collecting and building a bibliography on Mormonia.

Ken Sanders, of Ken Sanders Rare Books, will
comment on Utah writer, Charles Kelly and Melissa
Sanders, Red Queen Bookstore,  will talk about
setting up her new fine press and artist’s books  store.

The evening will also include the opportunity to
share your book collecting adventures and favorite
books with fellow aficionados.

Reservations:  Please contact Judy Jarrow
by March 21, 2013 at 801-581-3421
or judy.jarrow@utah.edu.  $45 per person

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Rare Books Online Exhibition – Messenger of Thought

06 Wednesday Mar 2013

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New Online Exhibition

Messenger of Thought: Treasures from the Rare Middle East Collections

Messenger of Thought, 2012

Messenger of Thought, 2012

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Book of the Week – The Epic of Gilgamesh

04 Monday Mar 2013

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balanced verse, Bill Griffiths, Bodoni, letterpress, marbled boards, Mary Parry, Mesopotamia, Nicholas Parry, paper, Tern Press, type, woodcuts, Zerkall

The Epic of Gilgamesh, 1992 Cover
The Epic of Gilgamesh, 1992 Title Page
The Epic of Gilgamesh, 1992

The Epic of Gilgamesh: Episode One, Gilgamesh & Enkidu
Bill Griffiths
Market Drayton, Shropshire: Tern Press, 1992
PJ3771 G5 E5 1992

Set in Mesopotamia in the third century B.C., this is the tale of the legendary, semi-divine Sumerian hero-king. Translated into balanced verse by Bill Griffiths. Illustrated with color woodcuts by Nicholas Parry. Letterpress from Bodoni type on Zerkall paper. Sewn into marbled boards by Mary Parry. Edition of ninety-five copies. University of Utah copy is no. 38, signed.

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