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Monthly Archives: February 2017

On Jon’s Desk: Scrapbook of Clippings from New York Daily Tribune, a collection of newspaper clippings concerning the Utah War (1850s)

28 Tuesday Feb 2017

Posted by Jonathan Bingham in Recommended Lecture

≈ 2 Comments

Tags

Aileen H. Clyde 20th Century Women's Legacy Archive Lecture, Albert G. Browne, Architectural History, Berkeley, clippings, College of Humanities, Department of History, Dianne Harris, Gould Auditorium, J. Willard Marriott Library, Johnston's Army, Judy Jarrow, National Council on the Humanities, National Humanities Alliance, New York Daily Tribune, President Barack Obama, scrapbook, The University of Utah, University of California, Utah, Utah Humanities Council

Albert G. Browne, Jr.'s Handwritten Note

 

 

 

 

 

 

 

“The following letters were written to the Tribune from Camp Scott by Mr. ….. during my absence from the Camp from Jan 5. to May 27. 1858. During that interval I was employed on a journey to the States with despatches from Gen. Johnston to Gen. Scott, and in returning.”
– A. G. B., jr., handwritten note contained in Scrapbook of Clippings from New York Daily Tribune

Title: Scrapbook of Clippings from New York Daily Tribune

Compiled by: Albert G. Browne, Jr.

Printed: New York, 1857-1886

Edition of One (scrapbook)

Call Number: F826 N49

Image of page containing editor's envelope and Catholic University of America stamp.

 

 

 

 

 

 

 

 

Beauty is in the eye of the beholder. I would describe the Scrapbook of Clippings from New York Daily Tribune as an outwardly ugly book containing a beautiful wealth of historical information and research value. Any historian who has spent hours searching microfiche will tell you that finding and assembling relevant newspaper articles for research can be brutal. A collection of related articles on a specific subject presented by a contemporary, primary source is, therefore, a veritable treasure trove. This is exactly what this scrapbook of clippings is. As a collection of newspaper article clippings from the New York Daily Tribune primarily from the 1850s on the topic of Johnston’s Army and its expedition to Utah it provides insight into the historical record of that time from an East Coast perspective (albeit resting upon accounts from witnesses present with the Army).

Image of first page of newspaper clippings in the scrapbook.

 

 

 

 

 

 

 

 

The Library of Congress describes the New York Daily Tribune in this way:

“Horace Greeley founded the New York Tribune as a Whig party, penny paper on April 10, 1841, and would continue as its editor for the next thirty years. During Greeley’s tenure the Tribune became one of the more significant newspapers in the United States, and Greeley was known as the outstanding newspaper editor of his time. In 1924 the Tribune merged with the New York Herald to form the New York Herald Tribune, a publication which would remain a major United States daily until its demise.

“Distinguishing features of the early penny press were their inexpensiveness, their appeal to the average reader, their coverage of more and different types of news, and, in some instances, a marked political independence. Penny papers such as the New York Sun and the New York Herald were known for their emphasis on lurid crime reporting and humorous, human interest stories from the police court. The Tribune offered a strong moralistic flavor, however, playing down crime reports and scandals, providing political news, special articles, lectures, book reviews, book excerpts and poetry. As with other penny papers, the Tribune was not averse to building circulation by carrying accounts involving sex and crime, but it was careful to present this material under the guise of cautionary tales.

“Greeley gathered an impressive array of editors and feature writers, among them Henry J. Raymond, Charles A. Dana, Bayard Taylor, George Ripley, Margaret Fuller, and, for a while, Karl Marx served as his London correspondent. Reflecting his puritanical upbringing, Greeley opposed liquor, tobacco, gambling, prostitution, and capital punishment, while actively promoting the anti-slavery cause. His editorial columns urged a variety of educational reforms and favored producer’s cooperatives, but opposed women’s suffrage. He popularized the phrase “Go west, young man; go west!” The Tribune supported Abraham Lincoln during the Civil War, but opposed his renomination in 1864.”

Please see the Library of Congress webpage here http://chroniclingamerica.loc.gov/lccn/sn83030213/ for more information on the New York Daily Tribune.

Also of interest is the provenance, or history, of the scrapbook, itself. According to stamps in the scrapbook it once belonged to the Catholic University of America. Why they chose to let this treasure go may perhaps always be a mystery. If you are interested in what the Catholic University of America is, please go to these links:

https://www.cua.edu/index.html

https://en.wikipedia.org/wiki/Catholic_University_of_America

The Scrapbook of Clippings from New York Daily Tribune be just about the ugliest looking book you have ever seen, but it is an amazing historical source that likely has and will continue to save researchers much time and eyesight thanks to the scrapbooking skills of one newspaper clipper, Albert G. Browne, Jr., a century and a half ago.

– Contributed by Jon Bingham, Rare Books Curator

Editors note:

We recommend the Aileen H. Clyde 20th Century Women’s Legacy Archive Lecture:

Save Everything

“Save Everything!: Reflections of a Historian on Archives of the Future”
Dianne Harris, Dean, College of Humanities and Professor of History
Tuesday, March 7 at 7PM
Gould Auditorium, Level 1
J. Willard Marriott Library
The University of Utah

For centuries, historians have been using primary source material preserved in archives — drawings, texts, artifacts of material culture [like this scrapbook!], and more — to shape their narratives of the past. How has the digital turn changed the ways historians now interact with primary sources? How has the availability of vast quantities of digital data shaped the nature of historical research? And what is the future of the archive in the digital era?

Please join Dean Dianne Harris as she discusses this topic from her perspective as an architectural and urban historian.

Dianne Harris is Dean of the College of Humanities at The University of Utah, where she is also a professor in the Department of History. She holds a PhD in Architectural History from the University of California, Berkeley. Dean Harris currently serves on the boards of the National Humanities Alliance, and the Utah Humanities Council. In 2015, she was nominated by President Barack Obama to serve on the National Council on the Humanities.

For more information contact Judy Jarrow at 801-581-3421 or judy.jarrow@utah.edu

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Book of the Week — Images and Impressions

27 Monday Feb 2017

Posted by rarebooks in Book of the Week

≈ Comments Off on Book of the Week — Images and Impressions

Tags

Brewster Ghiselin, copper etchings, Department of Art, English Etching, Optima, Printmaking Department, Rives BFK, Russell T. Gordon, Salt Lake City, stone lithograph, University of Utah, zinc etchings

Z239-U8-U8-1969-foreward

“Out of heaven the stars we were reading a little as they tarried
into exile.”
— Brewster Ghiselin, from “Light”

Images and Impressions
Salt Lake City: Printmaking Department, University of Utah, 1969
Z239 U8 U8 1969

Project conception by Professor Russell T. Gordon, Department of Art. Work by students of the Printmaking Department consisting of sixteen prints (fifteen zinc and copper etchings and one stone lithograph). Type is Optima. Papers are Rives BFK and English Etching. Edition of twenty-five copies, signed by the poets and the artists.

Z239-U8-U8-1969-Shell

Z239-U8-U8-1969-Wheel

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Book of the Week — Personal Memoirs of U. S. Grant

20 Monday Feb 2017

Posted by rarebooks in Book of the Week

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American Civil War, bankruptcy, cancer, Catholic, editor, Gertrude Stein, Jew, Julius Caesar, Mark Twain, memoirs, military, New York, peace, politics, President, Protestant, Samuel Clemens, stenographer, Ulysses S. Grant, Union, veterans, war, Webster

E672-G67-1885-v.1-portrait

“‘Let us have peace.’ The expressions of these kindly feelings were not restricted to a section of the country, nor to a division of the people. They came from individual citizens of all nationalieties; from all denominations — the Protestant, the Catholic, and the Jew; and from the various societies of the land — scientific, educational, religious, or otherwise. Politics did not enter into the matter at all.”

PERSONAL MEMOIRS OF U. S. GRANT
Ulysses S. Grant (1822-1885)
New York: C. L. Webster & Co., 1885-86
First edition
E672 G76 1885

An ineffectual, if not disastrous, president, ruined by bankruptcy after being defrauded of his estate, and dying of throat cancer, Ulysses S. Grant, Union hero of the American Civil War, agreed to publish his memoirs. He needed the money to try to secure an economically stable future for his family.

Samuel Clemens, whose pen name was Mark Twain, served as his editor. In the last month of his life, Grant struggled to dictate his notes to a stenographer and managed to finish his memoirs shortly before his death. For Clemens, witnessing the tenacity of the dying man, Grant became, once more, a heroic figure.

The memoirs focused almost entirely on the old general’s actions during the war. Still considered among the greatest of military memoirs, the two volume set became an immediate bestseller, praised for its high literary qualities. Grant’s style was straightforward and compelling. Clemens compared the book to Julius Caesar’s Commentaries. Gertrude Stein admired the book and said that she could not think of Grant without weeping.

His Memoirs were a financial and critical success. Thousands of war veterans and their families made a ready market for the book. Grant’s family, who received seventy-five percent of the royalties, quickly re-established their fortune, receiving nearly a half million dollars from the book.

E672-G76-1885-v.2-Portrait

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Love is enough

14 Tuesday Feb 2017

Posted by rarebooks in Uncategorized

≈ 1 Comment

Tags

Hammersmith, handmade paper, industrial, Kelmscott Press, letterpress, Pharamond, printing, Sir Edward Burne-Jones, vellum, William Morris, woodcut

woodcut
Woodcut2

“Love is enough:
though the World be a-waning
And the woods have no voice but the voice of complaining,
Though the sky be too dark for dim eyes to discover
The gold-cups and daisies fair blooming thereunder,
Though the hills be held shadows, & the sea a dark wonder,
And this day draw a veil over all deeds passed over,
Yet their hands shall not tremble, their feet shall not falter;
The void shall not weary, the fear shall not alter
These lips and these eyes of the loved and the lover.”

LOVE IS ENOUGH, OR THE FREEING OF PHARAMOND…
William Morris (1834-1896)
Hammersmith: The Kelmscott Press, 1897

William Morris worked with prominent artists of his time to develop collaborations that redefined the artist’s relationship to the studio and the factory. Morris acheived this through a mastery of craft techniques, such as lettepress printing, and a rejection of industrial processes.

Two-page decorative woodcut border and numerous partial-page borders throughout. Two full-page illustrations by Sir Edward Burne-Jones: the frontispiece and an illustration opposite p. 90. According to the colophon this last was „…not designed for this edition…but for an edition projected about twenty-five years ago, which was never carried out.“

Love is Enough is one of only two Kelmscott Press books printed in three colors – blue, red, and black. Bound in full limp vellum with gilt spine, green silk ties. Edition of three hundred copies on handmade paper.

Pg17

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Book of the Week — The Architextures 1-7: The Man of Music

13 Monday Feb 2017

Posted by rarebooks in Book of the Week

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Tags

abaca, Anthropology, Belgium, bookbinding, brass, California, Cambridge, Carolee Campbell, clamshell, English, Felix Titling, Fuji Paper Mills Cooperative, Fulbright, Guatemala, history, Ian Robinson, initials, Japan, Jonathan Cape, Katie MacGregor, King's College, kyosei-shi, letterpress, London, London School of Economics, MacGregor/Vinzani, Maine, Meridien, Nathaniel Tarn, Ninja Press, Pablo Neruda, papermaking, Paris, poetry, Princeton University, Rutgers University, Sherman Oaks, Tokuschi-ma, United States, University of Chicago, Vandercook Universal I, Whiting, wood blocks, Yale University

PS3570-A635-A7-1999-cover

“Who are we that fled the thousand lives we did not lead in order to escape the very one life that we were destined for?”

The Architextures 1-7: The Man of Music
Nathaniel Tarn (b. 1928)
Sherman Oaks, CA: Ninja Press, 1999
PS3570 A635 A7 1999

Nathaniel Tarn was born in Paris and lived in Belgium until he was eleven. He studied history and English at King’s College, Cambridge. After returning to Paris he studied anthropology and received a Fulbright grant. He studied at Yale University and the University of Chicago and did his doctoral fieldwork in Guatemala. He then completed his graduate studies at the London School of Economics. Tarn published his first volume of poetry, Old Savage/Young City, in 1964. His next published work was a translation of Pablo Neruda’s The Heights of Macchu Pichhu, published by Jonathan Cape, in London. He joined Jonathan Cape as General Editor of its international series.

In 1970, he immigrated to the United States, became a citizen, and taught as Visiting Professor of Romance Languages at Princeton University, and later, at Rutgers and other universities.

Of his poetry, Ian Robinson wrote in 1982, “Landscape, geography, and the history and culture of that landscape, that geography, of the societies living there now and that lived there once, all of the present in its present, are the key factors for Tarn.”

The Architextures 1-7 are the first seven from a collection of seventy prose poems.

The book was handset and letterpress printed on a Vandercook Universal I with Meridien type in six colors and 72pt Felix Titling for display and opening initials. Paper is dove-gray abaca, made by Katie MacGregor at the MacGregor/Vinzani papermaking studio in Whiting, Maine. Six-color wood blocks illustrate the text throughout.

PS3570-A635-A7-1999-Title

Ninja Press was begun in 1984 by Carolee Campbell, whose main publishing focus is contemporary poetry. Carolee began her book work as a photographer working with nineteenth and twentieth-century photographic processes. Binding her photograph sequences introduced her to bookbinding and experimental book structures. She then expanded her book work with letterpress printing. Bookmaking opened “the way into contemporary poetry — confronting it for the first time with a directness and penetration she seldom experienced as a reader.” (Ninja Press) All book work from Ninja Press is by Carolee Campbell.

Bound in torched and patinated thin brass boards, with a spine of brass and stainless steel hinges. Issued in a clamshell box covered in black kyosei-shi, a handmade paper from the Fuji Paper Mills Cooperative in Tokushi-ma, Japan. Edition of sixty-five numbered copies, signed by the poet and the bookmaker.

PS3570-A635-A7-1999-quote

PS3570-A635-A7-1999-Spread1

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Book of the Week — Herbert’s Remains, or, Sundry Pieces of that Sweet…

06 Monday Feb 2017

Posted by rarebooks in Book of the Week

≈ 1 Comment

Tags

American, Barnabas Oley, Church of England, George Herbert, Isaak Walton, London, metaphysics, poems, poet, Robert S. Pirie, Sotheby's, Timothy Garthwait, woodcut borders, woodcut initials

Herberts-Title

“Take heed of the wrath of a mighty man, and the tumult of the people.”

HERBERT’S REMAINS. OR, SUNDRY PIECES OF THAT SWEET…
George Herbert (1593-1633)
London: Printed for Timothy Garthwait, 1652
First edition
PR3507 A1 1652

George Herbert was a clergyman with the Church of England. He is known to this day as a poet of metaphysics, his poems notable for their controlled and inventive use of form. The famous central section (“The Church”) of his collection for The Temple (1633) contains more than 160 lyrics in stanza forms unique to their composition and subject. In tone and narrative mode, Herbert demonstrated his versatility with lyric conversations, allegories, fables, monologues, epigrams, meditations, and prayers.

The most significant of Herbert’s prose writings is A Priest to the Temple, a work on priestly conduct written during his final years. He wrote of the model church man and the fundamental principles of faith, human relations, and religious rhetoric.

Priest and Jacula, a collection of proverbial sayings, were published together as Herbert’s Remains, prefaced by Barnabas Oley’s “View of the life and vertues of the author,” which was a source for Isaak Walton’s Life of Mr. George Herbert (1670). A Priest to the Temple and Jacula Prudentum have separate title pages, the later dated 1651. Some copies of Herbert’s Remains exist without the previously stated titles. Jacula was first printed as Outlandish Proverbs in 1640 and contained 1,032 sayings; Jacula was augmented with an additional sixty-eight sayings in the present edition.

Woodcut borders and initials.

Rare Books copy bound in contemporary calf with gilt-lettered spine ruled in blind, marbled edges. Bookplate of Robert S. Pirie (1934-2015) on front pastedown. Robert Pirie was an American attorney. His extensive collection of rare books and manuscripts was auctioned by Sotheby’s in December of 2015.

Herberts-Author

Herberts-68-69Spread

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