• Marriott Library
  • About
  • Links We Like

OPEN BOOK

~ News from the Rare Books Department of Special Collections at the J. Willard Marriott Library, The University of Utah

OPEN BOOK

Tag Archives: bookbinding

Book of the Week — The Architextures 1-7: The Man of Music

13 Monday Feb 2017

Posted by rarebooks in Book of the Week

≈ Comments Off on Book of the Week — The Architextures 1-7: The Man of Music

Tags

abaca, Anthropology, Belgium, bookbinding, brass, California, Cambridge, Carolee Campbell, clamshell, English, Felix Titling, Fuji Paper Mills Cooperative, Fulbright, Guatemala, history, Ian Robinson, initials, Japan, Jonathan Cape, Katie MacGregor, King's College, kyosei-shi, letterpress, London, London School of Economics, MacGregor/Vinzani, Maine, Meridien, Nathaniel Tarn, Ninja Press, Pablo Neruda, papermaking, Paris, poetry, Princeton University, Rutgers University, Sherman Oaks, Tokuschi-ma, United States, University of Chicago, Vandercook Universal I, Whiting, wood blocks, Yale University

PS3570-A635-A7-1999-cover

“Who are we that fled the thousand lives we did not lead in order to escape the very one life that we were destined for?”

The Architextures 1-7: The Man of Music
Nathaniel Tarn (b. 1928)
Sherman Oaks, CA: Ninja Press, 1999
PS3570 A635 A7 1999

Nathaniel Tarn was born in Paris and lived in Belgium until he was eleven. He studied history and English at King’s College, Cambridge. After returning to Paris he studied anthropology and received a Fulbright grant. He studied at Yale University and the University of Chicago and did his doctoral fieldwork in Guatemala. He then completed his graduate studies at the London School of Economics. Tarn published his first volume of poetry, Old Savage/Young City, in 1964. His next published work was a translation of Pablo Neruda’s The Heights of Macchu Pichhu, published by Jonathan Cape, in London. He joined Jonathan Cape as General Editor of its international series.

In 1970, he immigrated to the United States, became a citizen, and taught as Visiting Professor of Romance Languages at Princeton University, and later, at Rutgers and other universities.

Of his poetry, Ian Robinson wrote in 1982, “Landscape, geography, and the history and culture of that landscape, that geography, of the societies living there now and that lived there once, all of the present in its present, are the key factors for Tarn.”

The Architextures 1-7 are the first seven from a collection of seventy prose poems.

The book was handset and letterpress printed on a Vandercook Universal I with Meridien type in six colors and 72pt Felix Titling for display and opening initials. Paper is dove-gray abaca, made by Katie MacGregor at the MacGregor/Vinzani papermaking studio in Whiting, Maine. Six-color wood blocks illustrate the text throughout.

PS3570-A635-A7-1999-Title

Ninja Press was begun in 1984 by Carolee Campbell, whose main publishing focus is contemporary poetry. Carolee began her book work as a photographer working with nineteenth and twentieth-century photographic processes. Binding her photograph sequences introduced her to bookbinding and experimental book structures. She then expanded her book work with letterpress printing. Bookmaking opened “the way into contemporary poetry — confronting it for the first time with a directness and penetration she seldom experienced as a reader.” (Ninja Press) All book work from Ninja Press is by Carolee Campbell.

Bound in torched and patinated thin brass boards, with a spine of brass and stainless steel hinges. Issued in a clamshell box covered in black kyosei-shi, a handmade paper from the Fuji Paper Mills Cooperative in Tokushi-ma, Japan. Edition of sixty-five numbered copies, signed by the poet and the bookmaker.

PS3570-A635-A7-1999-quote

PS3570-A635-A7-1999-Spread1

Share this:

  • Click to share on Tumblr (Opens in new window)
  • Click to share on Pinterest (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Twitter (Opens in new window)

Like this:

Like Loading...

Book Arts Exhibition – Glimpse

10 Tuesday Nov 2015

Posted by rarebooks in Physical Exhibitions

≈ 2 Comments

Tags

A Fowl Alphabet, Alan James Robinson, Allison Milham, Allyn Hart, Becky Williams Thomas, book artists, Book Arts Program, bookbinding, bookmaking, Cheloniidae Press, Claire Taylor, collage, Crane Giamo, Easthampton, Emily Tipps, encaustics, Glenville, Illinois, intaglio printing, J. Willard Marriott Library, Japanese, Julianna Christie, Karen Hanmer, Keiji Shinohara, leather bindings, letterpress printing, Luise Poulton, Marnie Powers-Torrey, Massachusetts, Michelle Macfarlane, National Endowment for the Arts, Pamela Smith, paper decorating, papermaking, photo engraving, photography, printers, rare books, relief printing, Special Collections Gallery, Stacy Phillips, Suzanne Moore, The University of Utah, type, wood engravings

GlimpsePoster

Rare Books is pleased to support the Book Arts Program with its historic, fine press, and artists’ books collections. Glimpse features these and many other book artists represented in our collections.

DODOe

A FOWL ALPHABET
Alan James Robinson
Easthampton, MA: Cheloniidae Press, 1986

Wood engravings by author. Lettering by Suzanne Moore. Title printed in brown and black; initials and headings printed in brown and gold. Issued in cloth clamshell box. Edition of fifty copies, signed. University of Utah copy is no. 36.


AAAZZZ

AAAAAZZZZZ
Karen Hanmer
Glenville, IL: Karen Hammer, 2002
N7433.4 H357 A6 2002

Housed in box. Title on box shows the letter “A” turning into the letter “Z.” Edition of eight copies. University of Utah copy is no. 6, signed by the author.


AtoZ

THE SPECTRUM A TO Z
Karen Hanmer
Glenview, IL: K. Hanmer, 2003
N7433.4 H357 S6 2003

Accordion-style alphabet book. Edition of twenty copies. University of Utah copy is no. 4.


UV

PATRIOT ALPHABET
Karen Hanmer
Glenview, IL: K. Hanmer, 2004
N7433.4 H357 P37 2004

Karen Hanmer layers fragments of text and image, evoking personal memory within cultural context. Intimate but strong, her books are designed to be handled, their sculptural elements giving way to the physicality of reading the old-fashioned way, by turning a page.

alluNeedSingleLine

Share this:

  • Click to share on Tumblr (Opens in new window)
  • Click to share on Pinterest (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Twitter (Opens in new window)

Like this:

Like Loading...

Book of the Week – Quadragesimale Nouum…de filio prodigo

23 Monday Jun 2014

Posted by rarebooks in Book of the Week

≈ Comments Off on Book of the Week – Quadragesimale Nouum…de filio prodigo

Tags

antiquarian, Augsburg, Basel, bookbinding, bookplates, books, bookshop, Charles Darwin, Gothic, Johannes Meder, John William Willis-Bund (1843-1928), Michael Furter, Michael Wenssler, New Testament, printer's device, printshop, Prodigal Son, Robert Chambers (1802-1871), Sebastian Brandt, sermons, The University of Utah, theology, type, Wales, woodcuts


Quadragesimale Nouum…de filio prodigo…
Johannes Meder
Basel: Michael Furter, 1494
Editio princips
BX1756 M43 Q4 1494

Johannes Meder’s collection of fifty sermons on the New Testament story of the Prodigal Son is introduced by his close friend Sebastian Brandt. In Brandt’s verse, the Prodigal Son and his guardian angel discuss whoring, gaming, cruelty to the poor and other disturbing issues of the time. Meder wrote, “One must know first the illness, which one intends to heal.” The subject must have been quite compelling – a second edition was printed by Michael Wenssler, also of Basel, in 1497.

Born in Augsburg, Michael Furter (d. 1516/17) was in Basel by 1483, when he bought a house there. He began printing at least at early as 1489. He added bookbinding and then accounting to his trades after his printshop ran into financial difficulties. Furter printed mostly grammars and theology. Although he was financially unsuccessful as a printer, his fairly large number of books were known for their beautiful woodcut ornamentation and illustrations. This work contains eighteen full-page woodcuts. Gothic type, printer’s device.

The University of Utah copy was once owned by Robert Chambers (1802-1871). Chambers anonymously published Vestiges, a Victorian-era best-seller that posited a theory of evolution before Charles Darwin published his ground-breaking thesis. Chambers and Darwin were correspondents.

Chambers and his brother began their careers as publishers and authors when they set up an antiquarian bookshop using their father’s own collection of books. This copy was also part of the library of John William Willis-Bund (1843-1928), a writer on the history of the church in Wales. Evidence of this provenance is the bookplates of both of these men attached within the book.

alluNeedSingleLine

Share this:

  • Click to share on Tumblr (Opens in new window)
  • Click to share on Pinterest (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Twitter (Opens in new window)

Like this:

Like Loading...

Artists’ Books Collection Anchors English Course

12 Friday Jul 2013

Posted by rarebooks in Courses

≈ Comments Off on Artists’ Books Collection Anchors English Course

Tags

artists' books, book arts, Book Arts Studio, bookbinding, creative writing, English, letterpress, Marriott Library, moveable type, rare books

English 2510 Fall 2013 flyer

Introduction to Creative Writing with Book Arts

THIS MEDIUM SPECIFIC APPROACH to creative writing introduces
emerging writers to the techniques and craft of inventive
writing as well as book arts. Students will consider the
generative process as a performance within a medium
and how the interplay of form and content operate within
the physics of that medium. The course includes six visits
to the Book Arts Studio at the Marriott Library, during
which students will view artists’ books from Rare Books,
get hands-on experience with bookbinding and letterpress
printing from moveable type, and collaborate to produce
a limited-edition book, of which every participant will
receive a copy. As a variation on the final portfolio, students
will be encouraged to produce chapbooks for their final
projects. In both the studio and classroom, we will ask:
What is a book? How might a book’s shape transfigure its
meaning? How do typographic decisions affect creative
texts? What is a creative text? No prior experience in the
book arts or imaginative writing is required.

alluNeedSingleLine

Share this:

  • Click to share on Tumblr (Opens in new window)
  • Click to share on Pinterest (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Twitter (Opens in new window)

Like this:

Like Loading...

Follow Open Book via Email

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 172 other subscribers

Archives

  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • October 2012
  • September 2012
  • August 2012
  • June 2012
  • May 2012
  • April 2012
  • March 2012
  • February 2012
  • January 2012
  • September 2011
  • April 2011

Categories

  • Alice
  • Awards
  • Book of the Week
  • Chronicle
  • Courses
  • Donations
  • Events
  • Journal Articles
  • Newspaper Articles
  • On Jon's Desk
  • Online Exhibitions
  • Physical Exhibitions
  • Publication
  • Radio
  • Rare Books Loans
  • Recommended Exhibition
  • Recommended Lecture
  • Recommended Reading
  • Recommended Workshop
  • TV News
  • Uncategorized
  • Vesalius
  • Video

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org
  • RSS - Posts

Recent Posts

  • Book of the Week — Home Thoughts from Abroad
  • Donation adds to Latin hymn fragments: “He himself shall come and shall make us saved.”
  • Medieval Latin Hymn Fragment: “And whatever with bonds you shall have bound upon earth will be bound strongly in heaven.”
  • Books of the week — Off with her head!
  • Medieval Latin Hymn Fragment, Part D: “…of the holy found rest through him.”

Recent Comments

  • rarebooks on Medieval Latin Hymn Fragment: “Her mother ordered the dancing girl…”
  • Jonathan Bingham on On Jon’s Desk: Pioneers and Prominent Men of Utah, A Celebration of Heritage on Pioneer Day
  • Robin Booth on On Jon’s Desk: Pioneers and Prominent Men of Utah, A Celebration of Heritage on Pioneer Day
  • Mary Johnson on Memorial Day 2017
  • Collett on Book of the Week — Dictionnaire des Proverbes Francais

Proudly powered by WordPress Theme: Chateau by Ignacio Ricci.

 

Loading Comments...
 

You must be logged in to post a comment.

    %d bloggers like this: