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Tag Archives: Chicago

Book of the Week — The Democratic Book

25 Monday Jul 2016

Posted by rarebooks in Book of the Week

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Tags

administration, attorney, banking, Bay Area, book, cabinet, California Zephyr, Chicago, Constitution, convention, Democrat, democratic, Denver & Rio Grande Western Railroad, election, endpapers, first lady, Franklin Delano Roosevelt, funeral, Geneva Steel, gilt, Herbert Hoover, judge, morocco, platform, President, railroad, Reconstruction Finance Corporation, Republican, Rio Grande, San Francisco, silk, The Democratic National Convention, Third District Court, train, Utah, vista-dome cars, Wilson McCarthy

JK2313-1936-D38-frontisJK2313-1936-D38-signature

“Better the occasional faults of a government that lives in a spirit of charity than the consistent omissions of a government frozen in the ice of its own indifference.” — Franklin Delano Roosevelt, 1936

THE DEMOCRATIC BOOK, 1936
Philadelphia?, 1936?
JK2313 1936 D38 oversize

This book was given to delegates at the 1936 Democratic convention, held that year in Philadelphia. It contains information such as the party’s platform, election results, and statements from the President, his cabinet members, other important members of his administration, and the first lady.

This copy belonged to Wilson McCarthy (1884-1956), a judge who sat on Utah’s Third District Court in 1919. He left the bench a year later and earned a fortune as a private practice attorney. In 1926 he was elected to the Utah state senate. A lifelong Democrat, he was appointed by Republican President Herbert Hoover to the Reconstruction Finance Corporation in 1932. A year later, he began a career in banking in San Francisco. In 1934, the RFC asked him to take control of the Denver and Rio Grande Western Railroad, which had just defaulted on a $10 million loan. It took McCarthy and others nearly two decades to rehabilitate the company. In 1937 alone, $18 million was pumped into the property.

Under McCarthy’s administration the Rio Grande built more than 1100 bridges and laid more than two million railroad ties. By the end of World War II, the railroad’s revenues had increased from $17 million to $75 million per year. During this time, McCarthy anchored the Rio Grande between Salt Lake City (his birthplace) and Denver. Freight time between these two points dropped from 54 hours to just under 24 hours. McCarthy, in conjunction with the Western Pacific Railroad began the “California Zephyr,” a luxury service between Chicago and the Bay Area. He also added the train’s signature vista-dome cars.

In addition to his turn-around of the fortunes of the railroad, McCarthy helped bring Geneva Steel to Utah. On the day of his funeral, every Rio Grande train stopped, their crews observing two minutes of silence.

This book was also published, with some variations, under the title The Democratic National Convention, 1936. The book contains dozens of contemporary advertisements, many in color. Illustrated with nineteen full-page portraits and dozens of in-text half-tones and illustrations, and a facsimile of the Constitution. Bound in full brown morocco gilt, watered silk endpapers, top edge gilt. Limited edition of unknown quantity. University of Utah copy is no. 1464, stamped in gilt “Wilson McCarthy” and signed by Franklin Delano Roosevelt. Gift of Wilson McCarthy.

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Memorial Day 2015

25 Monday May 2015

Posted by rarebooks in Book of the Week

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Tags

Alfred H. Guernsey (1824-1902), Chicago, Civil War, engravings, Harper's Weekly, Henry M. Alden, Kaleidograph Press, Luise Putcamp jr, New York, Sonnets for Survivors, Thomas Nast, United States, Winslow Homer

AFTERMATH

My heart’s a scrapbook pasted by a child.
The lines run rampant and the colors wild
In pictures unrelated, and the words
Hop inconsistent like the tracks of birds.
And every other page holds empty space
Where time tore out the pictures of your face.

Luise Putcamp jr from Sonnets for Survivors, Kaleidograph Press, 1952
“Aftermath” published here with permission of the author



Harper’s Pictorial History of the Great Rebellion
Alfred H. Guernsey (1824-1902)
Chicago, IL: McDonnell Bros, 1866-1868
E468.7 G932 1866 oversize

Culled from the pages of Harper’s Weekly, the most popular magazine of its day, Harper’s Pictorial History of the Great Rebellion illustrated the chronology of the Civil War and a brief history of the United States with an emphasis on the causes of the war. Most of the copy was taken directly from issues of the magazine as it covered the war. Harper’s sent both reporters and artists with the troops. Nearly one thousand original engravings kept recent past in memory: battle scenes, camps, marches, soldier life, portraits of officers, and maps. Artists such as Thomas Nast and Winslow Homer contributed to the magazine. Editors Alfred H. Guernsey and Henry M. Alden worked to compile and publish a definitive history of the war, using their own magazine as their main source, adding unpublished information as well. The Chicago edition was issued contemporaneously with the New York first edition, using the same sheets.

 

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Rare Books goes to Berlin

27 Monday Apr 2015

Posted by rarebooks in Publication

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American, art history, Ausgeführte Bauten und Entwürfe, Avery Coonley, Chicago, Clarence A. Fuermanns, Eberhard Karls University Tübingen, European modernism, Frank Lloyd Wright, graphic arts, Great Plains, Günter and Elisabet Hildebrand, Johannes Krause, Kunstetexte, Lichtbildnerei– wir sind Babel, modern art, nature, Oak Park, photography, Prairie Style, preservation, rare books, Richard Neutra, Stuttgart, twentieth century architecture, Wasmuth

Wright

Congratulations to Johannes Krause on the publication of his article “The Nature of Photography: Zu Frank Lloyd Wright’s Konstruktion des Prairie Style mithilfe der publizierten Architekturfotografien Clarence A. Fuermanns,” in Kunstetext.de. For the article, Mr. Krause used digital scans from Rare Books copy of Frank Lloyd Wright’s Ausgeführte Bauten und Entwürfe.

About the author:
Johannes Krause graduated from Eberhard Karls University Tübingen with a degree in Art History and General Rhetorics in 2015 (Magister Artium). As a co-founder of the Stuttgart offspace gallery Lichtbildnerei– wir sind Babel, he assumed technical and curatorial supervision for exhibitions of contemporary photography and graphic arts between 2008 and 2012 (Eckensteher: street photography in Stuttgart, 2012). In his Magister thesis he worked on the artistic estate of the painters Günter and Elisabet Hildebrand and compiled a preliminary catalogue raisonné. Additionally, he also works as a certified Foto-Designer (FFS). His further research interests encompass cultural transfer in modern art and the preservation of twentieth century architecture.

Article abstract:
“The Nature of Photography: Zu Frank Lloyd Wright’s Konstruktion des Prairie Style mithilfe der publizierten Architekturfotografien Clarence A. Fuermanns”

American Landscape is a constant strand in Frank Lloyd Wright’s early publications on his Prairie Style. According to Wright, the new, natural homes’ formal elements were deduced from the pictorial notion of the Great Plains. Thus, Wright could advertise his and the “New School of the Middle West’s” architecture as truthful to the American Spirit. Its transatlantic impact on European modernism has been subject to numerous research. It becomes apparent that only by skillfully reinforcing these connotations through his publications of both words and images, photographical as well as hand drawn, Wright was able to maintain the natural character of his Prairie Houses. So readers of his 1911 “Wasmuth” volumes could assume the buildings were situated in an “open, wind-blown landscape” (Richard Neutra), although they actually stood on crowded lots in suburbs like Oak Park. Interestingly enough, these carefully constructed images became alive and lived through photography’s triumph of becoming the key medium of architectural representation. This article examines Wright’s editorial strategies in preparation of his Ausgeführte Bauten (1911) and emphasizes his cooperation with Chicago photographer Clarence Albert Fuermann. The photographs of Avery Coonley House can be used as an example of how they both expanded the boundaries of 1900’s professional photography. In close reading of Wright’s early writings and in recourse to his transcendentalist ardor it is possible to introduce/propose a concept of ‘organic photography’ as a comprehension of the intrinsic nature of photography. As it turns out, Wright’s published photographs represent much more than neutral, factual documents of architectural quality: they have been subtly used to emotionally address and visually guide the beholder towards a carefully constructed, persuading image of Prairie Style architecture.

WrightSign

Wright2

alluNeedSingleLine

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Book of the Week – Rudolph, the Red-Nosed Reindeer

22 Monday Dec 2014

Posted by rarebooks in Book of the Week

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Chicago, Christmas, Dartmouth College, Denver Gillen, Gene Autry, J. Willard Marriott Library, Johnny Marks, Montgomery Ward, Robert Lewis May (1905-1976), Sue Epperson McCoy


Rudolph, the Red-Nosed Reindeer
Robert Lewis May (1905-1976)
Chicago: Montgomery Ward, 1939
First edition

This favorite Christmas story was written exclusively for Montgomery Ward & Co., which was looking for a strategy to encourage youngsters to visit the department store. The store had been buying and giving away coloring books as a Christmas gimmick and decided to save money by creating something similar, in-house.

Robert May, a thirty-four year old copywriter on the advertising staff, wrote the booklet as a give-away for children during the Christmas shopping season. May was graduated from Dartmouth College in 1926 and joined Montgomery Ward in 1936. He was known to his colleagues for his unpublished children’s stories and limericks.

Rudolph was hugely popular (two and a half million copies were distributed in 1939 alone), and Montgomery Ward continued to publish it every Christmas until 1946, by which time six million copies had been given away. Because May had created the story as an employee of Montgomery Ward, he received no royalties. But in January 1947, May persuaded its corporate president to turn the copyright over to him. His financial future was assured.

May claimed that the success of Rudolph enabled him to put his six children through college. May quit his job in 1951 and spent many years managing his creation before returning to Montgomery Ward seven years later, where he worked until his retirement in 1971.

May sent a copy of Rudolph to his friend, songwriter Johnny Marks, who wrote the tune that made Gene Autry famous.

Forty-one color illustrations by Denver Gillen. This copy was given to Sue Epperson McCoy, five years old, in 1939, as a promotional from the Junction City, Kansas Montgomery Ward. She donated it to the J. Willard Marriott Library.

alluNeedSingleLine

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Book of the Week – The Hand-Book of Wyoming and Guide to the…

19 Monday May 2014

Posted by rarebooks in Book of the Week

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Tags

Black Hills, Cheyenne, Chicago, gold, Goose Creek, Robert Edmund Strahorn, Rocky Mountain News, Union Pacific, University of Wyoming, Wyoming, Wyoming Territory, Yellowstone Falls

F761-S89-Bear
F761-S89-YellowstoneFalls
F761-S89-GooseCreek

The Hand-Book of Wyoming and Guide to the…
Robert Edmund Strahorn (1852-1944)
Cheyenne; Chicago: Knight & Leonard, printers, 1877
First edition
F761 S89

In 1876, gold was discovered in the Black Hills of Wyoming. The Union Pacific took advantage of the situation by promoting Cheyenne and the surrounding area with guides such as this, pronouncing its route as the shortest and safest way to get into the Black Hills. The guide included useful instruction for the visitor to the area…after all, who would want to settle there? Unlike many travel writers of the era, Robert Strahorn was no tenderfoot. As a reporter for the Rocky Mountain News, he traveled extensively, knew the area well and included thoughtful observations along with fairly trustworthy facts. The text is accompanied by many illustrations and pages of advertisements. This is the first published history and guidebook for Wyoming Territory. The Marriott Library’s copy, once held in the University of Wyoming’s library, retains its original paper wrappers.

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Book of the Week – The Morning Road

04 Monday Nov 2013

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Alden Noble, Armour Institute, Blue Sky Press, bookmaking, Chicago, fine press, Fred Langworthy, handmade, Hyde Park, Thomas Wood Stevens, William Morris

Stevens, The Morning Road, 1902, Cover
Stevens, The Morning Road, 1902, Title Page
Stevens, The Morning Road, 1902, Poems

The Morning Road
Thomas Wood Stevens (1880- – 1942)
Chicago: The Blue Sky Press, 1902
PS3537 T475 M67 1902

Drawing from the great number of Chicago artists and writers of the time, three ambitious young men, Fred Langworthy, Tom Stevens, and Alden Noble – all students at the new Armour Institute – produced almost fifty books and a monthly magazine, under the name of The Blue Sky Press of Hyde Park, between 1899 and 1907.  The publications, part of the international renaissance of bookmaking led by William Morris, represent a successful press producing handmade limited editions and a significant chapter in the history of American fine press in the early twentieth century.

 

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