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Tag Archives: fiction

Book of the Week — Against Fiction

11 Monday Jun 2018

Posted by rarebooks in Book of the Week

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art contexts, Bay Area, California, Druckwerk, Europe, fiction, handset, Johanna Drucker, literary production, literary scene, Oakland, Stymie, The University of Utah, tradition, Vandercook Proof press, writer

“Contents were clearly Marked on The Cover: Container A Momentary Sequence Sealed Into Itself.”

Against Fiction
Johanna Drucker (b. 1942)
Oakland, CA: Druckwerk, 1983

From the artist’s statement: “The book embodied the conflicts I had with the traditions of fiction in which I had been steeped as a young writer and the terms of literary production I was being exposed to in the Bay Area literary scene, as well as in the art contexts I had encountered in Europe and on my return. The “Against” of the title was intended to signal dependence on and rejection of that tradition….” From the colophon: “Handset Stymie. Printed on a Vandercook Proof press.” Edition of one hundred and twenty-five copies. University of Utah copy is no. 96, signed by the author.

“The corner of the room gaped wide open, just as she imagined it would standing there yesterday with a grin in her hand and a paper across her face stating the conditions of occupancy.”

“Features of distinction differentiate one house from another. This sense of identity, position, less distinct than letter from letter, accomodates [sic] itself to description. A place dying to be sold.”

“My second idea was to leave, to hide, to remember all I’d seen and manage it later on. But my final, fatal decision in that moment was to lend a hand and not know what I was in for.”

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Journal of the week — Liberator

05 Monday Sep 2016

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art, Communist Party of America, Crystal Eastman, e. e. cummings, eat, Ernest Hemingway, Europe, fiction, Floyd Dell, government, Helen Keller, Howard Brubaker, John Dos Passos, John Reed, Labor Herald, Liberator, Max Eastman, New York, newsprint, poetry, politics, reporting, Robert Minor, Soviet Russia, Soviet Russia Pictorial, The Masses, United States, work, Workers Monthly, World War I

HX1-L5-V.2

“I have to work here but I don’t have to eat here.” — Howard Brubaker (1882-1957)

LIBERATOR
New York: The Liberator Publishing Co., Inc.
HX1 L5

Liberator began publication under the editorship of Max Eastman (1883-1969) in March 1918. Eastman’s sister, Crystal, worked closely with him, and wrote many of the reports from Europe. Liberator was published to take place of the American radical periodical, The Masses, which had been shut down by the United States government in December 1917 as offensive and contrary to mailing regulations during World War I. The Masses was anti-war. Many of its editors and writers contributed to Liberator.

Liberator fused politics, art, poetry and fiction. The international reporting that came out of it was among the best in the United States,  including stories filed by the legendary John Reed (1887-1920) from Soviet Russia. Other contributing artists and writers included e. e. cummings (1884-1962), John Dos Passos (1896-1970), Ernest Hemingway (1999-1961), Helen Keller (1880-1968), and Carl Sandburg (1878-1967). Almost every important radical or liberal literary figure of the time was represented in it.

The Liberator began to take a definite political line. In 1922, Eastman left the Liberator, and the Communist Party of America (CPA) took it over. It merged with Labor Herald and Soviet Russia Pictorial to form Workers Monthly, an organ of the CPA, in November 1924. Prime movers Max Eastman and Floyd Dell (1887-1969) left the editorial board, and Robert Minor (1884-1952) and other closer followers of the Communist line replaced them.

The publication, from its evocative cover art, to the typesetting required to meet the standards of its writers, was expensive to produce. To offset cost, Eastman used cheap newsprint, resulting in a publication that is incredibly fragile. Few copies survive.

HX1-L5-V.2-Spread20

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You Are Invited – Student Readings

16 Wednesday Apr 2014

Posted by rarebooks in Events, Vesalius

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anatomy, Andreas Vesalius, De Humani Corporis Fabrica, female, fiction, Frederick Albert Sutton Building, Lance Olsen, Lyuba Basin, rare books, sexuality, Two Creek Coffee, University of Utah, workshop

Join students of Professor Lance Olsen’s fiction workshop (ENGL5510) as they present their short stories during a public reading.

One of the pieces being introduced will feature an illustration from Andreas Vesalius’ famous book of anatomy, De Humani Corporis Fabrica. The short story, inspired by Vesalius’ revolutionary depictions of the female anatomy, addresses the often taboo topic of female sexuality. Lyuba Basin, Rare Books student assistant, used our copy of the 1555 edition of De Humani Corporis Fabrica as reference for her work, specifically focusing on the wonderfully detailed illustration of the dissected female body.

Thursday, April 17 & Tuesday, April 22
2-3:30PM
Two Creek Coffee located in the Frederick Albert Sutton Building on the campus of the University of Utah.

Vesalius, De Humani..., 1555

Vesalius, De Humani…, 1555

alluNeedSingleLine

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