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Category Archives: Book of the Week

Book of the Week – Dale L. Morgan’s Utah

08 Monday Apr 2013

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Red Butte Press, Royden Card, woodcuts

Dale L. Morgan’s Utah, 1987, Title Page
Dale L. Morgan’s Utah, 1987. Great Salt Lake
Dale L. Morgan’s Utah, 1987, Arches


Dale L. Morgan’s Utah
Dale Lowell Morgan (1941-1971)
Salt Lake City, UT: Red Butte Press, 1987
Z232.5 R5 M672 1987

Illustrated with woodcuts by Royden Card. Limited edition of seventy-five copies, numbered and signed by artist. University of Utah copy is no. 3.

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Book of the Week – Hope on Dead Wings

01 Monday Apr 2013

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accordion fold, Red Butte Press, Xerox transfer monotype

Hope on Dead Wings, 1997
Hope on Dead Wings, 1997
Hope on Dead, 1997

Hope on Dead Wings
James Baker
Salt Lake City, UT: J. Baker, 1997
N7433.4 B227 H66 1997

Produced in coordination with an Undergraduate Research Opportunities Fellowship, University of Utah. The artist completed this book as part of his internship at the Red Butte Press. Paper is Arches heavyweight. Illustration is acrylic paint, Xerox transfer monotype, and spray paint. Accordion fold format in boards. Edition of 5 copies, signed and numbered. University of Utah copy is no. 4.

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Book of the Week – Sphaera Mundi

25 Monday Mar 2013

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cosmography, Galileo, Guiseppe Bianchani, Jesuit, moon, Society of Jesus, telescope, thermometer, Tycho Brahe, woodcuts

Guiseppe Bianchani, Sphaera Mundi,1620
Guiseppe Bianchani, Sphaera Mundi,1620
Guiseppe Bianchani, Sphaera Mundi,1620


Sphaera Mundi
Guiseppe Bianchani (1566 – 1624)
Bononiae: Typis S. Bonomij, sumptibus Hieronymis Tamburini, 1620
First edition
GA7 B57

One of the most immediate consequences of the telescopic observations of Galileo in 1609-10 was the discussion it generated among the mathematicians and astronomers of the Society of Jesus. They reproduced Galileo’s observations and debated the cosmological order of the universe taking into consideration the new data. The debate culminated in the adoption of Tycho Brahe’s system and was made official with the publication of Giuseppe Bianchani’s Sphaera Mundi.

The Jesuit Bianchani fully accepted Brahe’s amendation of the Copernican cosmography which acknowledged the heliocentricity of the planetary system, while preserving the geocentricity of the universe. Bianchani wrote his treatise in 1615, but it was not published until 1620, after the Decree of the Congregation of the Index in 1616. Written at the request of his students, Bianchani respectfully cites Brahe, Copernicus, Galileo, and Kepler repeatedly. He discusses the satellites of Jupiter and Saturn, sunspots, and the new stars of 1572, 1600, and 1604, astronomical phenomena not observed before the development of the telescope.

Bianchani also presents his own theory of the earth’s tendency toward roundness, wherein natural forces operate to flatten mountains and fill valleys so that the surface would be completely covered by the ocean, as it was in the early formation of the earth. Bianchani writes that God created the earth on the third day as a smooth sphere. God then created the depths of the sea and formed the mountains.

One of the many woodcuts in the text is an illustration of the moon, with very inaccurately drawn craters. Another is the first illustration of a thermometer.

 

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Book of the Week – Strabon Peri Geografias

18 Monday Mar 2013

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Aldus, ethnology, font, geography, italic, metallurgy, Petrarch, press, Strabo, typography

Strabon Peri Geografias, 1516
Strabon Peri Geografias, 1516
Strabon Pero Geografias, 1516, Printers Mark

Strabon Peri Geografias. Strabo de Sitv orbis
Strabo
Venetiis, in aedibvs Aldi, et Andreae soceri, 1516
First printed edition of the original Greek text

Strabo’s Geographia was the first attempt to collect all the geographical knowledge available at the time and to compose a general treatise on geography. Strabo designed his work for the statesman, rather than for the student, giving a general sketch of the character, physical peculiarities and natural productions of each country. The descriptions were invaluable for their wealth of information regarding ethnology, trade, and metallurgy.

The impact of early printers on their world was extraordinary. The works Aldus Manutius chose to print reflected the great diversity of the interests of his day. He printed Greek and Latin classical texts, grammars, religious writings, secular writings, political and scientific writings, histories, and geographies.

Aldus influenced his world with his craft as well as his scholarly pursuits. His work was recognized for its attractive and readable typography, clean lines and fine design. He designed and cut the first complete font of the Greek alphabet. He helped design a type after Italian cursive script said to be based upon the handwriting of Petrarch. This was the first italic font used in books. Well aware of the power of the press, he was particularly concerned with producing books of small format and low cost for the benefit of students.

 

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Book of the Week – Geografia

11 Monday Mar 2013

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atlas, Columbus, maps

Geografia, 1548 Title Page
Geographia, 1548 Ptolemy
Geografia, 1548 World Map

Geografia
Claudius Ptolemy
Venice, Pedrezano, 1548
G87 P8 G46 1548

Geografia is the only geographical atlas to survive from antiquity.  Preserved by the Arab world, it finally reached Venice in 1477, translated from a Greek manuscript, with new maps showing what was then known of the world.  There were many mistakes in the book, but it encouraged people, including Columbus, to believe that discovery of the unknown was possible.

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Book of the Week – The Epic of Gilgamesh

04 Monday Mar 2013

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balanced verse, Bill Griffiths, Bodoni, letterpress, marbled boards, Mary Parry, Mesopotamia, Nicholas Parry, paper, Tern Press, type, woodcuts, Zerkall

The Epic of Gilgamesh, 1992 Cover
The Epic of Gilgamesh, 1992 Title Page
The Epic of Gilgamesh, 1992

The Epic of Gilgamesh: Episode One, Gilgamesh & Enkidu
Bill Griffiths
Market Drayton, Shropshire: Tern Press, 1992
PJ3771 G5 E5 1992

Set in Mesopotamia in the third century B.C., this is the tale of the legendary, semi-divine Sumerian hero-king. Translated into balanced verse by Bill Griffiths. Illustrated with color woodcuts by Nicholas Parry. Letterpress from Bodoni type on Zerkall paper. Sewn into marbled boards by Mary Parry. Edition of ninety-five copies. University of Utah copy is no. 38, signed.

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Book of the Week – The Dicts and Sayings of the Philosophers

25 Monday Feb 2013

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Arabic, Arts and Crafts, bookbindings, borders, copper engravings, Cranbrook Educational Community, Cranbrook Press, Edmund Booth, Edward Miller, George Gough Booth, illuminated, initials, Jean Eschmann, ornamental borders, publisher, tail pieces, William Caxton, William Morris, woodcuts

The Dicts and Sayings of the Philosophers. 1901

The Dicts and Sayings of the Philosophers. 1901

The Dicts and Sayings of the Philosophers
Abu al Wafa Mubashshir ibn Fatik (11th century)
Detroit, MI: The Cranbrook Press, 1901
B745 D5 M8 1901

George Gough Booth, publisher of the Evening News (which became The Detroit News) became so enamored of the Arts and Crafts movement that he based the Cranbrook Educational Community he founded on William Morris’ philosophy. Booth established, with the help of Edward Miller, the Cranbrook Press, which published illuminated books. Jean Eschmann created fine bookbindings for the publications. This is Lord Rivers’ translation of Tignonville’s French version of the Dict philosoporum, a collection of sayings originally compiled in Arabic. It was first printed in English by William Caxton. Printed by Edmund Booth. Woodcut initials, borders, head and tail pieces from designs by George G. Booth, including two original copper engravings, from drawings by De Voss W. Driscoll. Some pages surrounded by ornamental borders. University of Utah copy is no. 109.

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Book of the Week – Charta Cosmographica

18 Monday Feb 2013

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cannibals, cartography, cordiform projection, Cuba, Gemma Frisius, Hispaniola, map, mermaids, monsters, Peter Apian, woodblock, zodiac

Charta Cosmpgraphica, 1540

Charta Cosmpgraphica, 1540

Charta Cosmographica
Peter Apian (1495-1552)
Antwerp: s.n., 1540-64
GT3200 1540 A65

This famous heart-shaped world map is based upon a larger 1540 map by Gemma Frisius, a mathematician, cosmographer, cartographer, and physician who prepared the map for Peter Apian’s Cosmographicus Liber. The map first appeared in the Cosmographia of 1544 or 1545. The woodblock is done on a cordiform projection, set in a dramatic surround of clouds, figures and windheads. The cartography shows precise outlines for Africa, South America and the East coast of North America. However, North America is shown as a narrow peninsula – Baccalearium, referring to the nearby cod fishing industry – separated from mainland Asia by a reduced Pacific Ocean. The size of the islands of Cuba and Hispaniola are both grossly exaggerated. Cannibals are depicted in South America. The ugly, cadaverous heads in the South represent what were believed to be plague-bearing southerly winds. Ships, monsters, and mermaids appear in the seas. The signs of the zodiac and Ptolemaic climate zones can be seen in the borders, along with deity figures representing the twelve winds. Despite these fantasies, Peter Apian is considered a pioneer in the development of astronomical and geographical instruments.

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Book of the Week – Examination of Doctor Benjamin Franklin

11 Monday Feb 2013

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American Revolution, Benjamin Franklin, pamphlet, Stamp Act

Examination of Doctor Benjamin Franklin, 1767

Examination of Doctor Benjamin Franklin, 1767

Examination of Doctor Benjamin Franklin, Relative to the Repeal of the American Stamp Act in MDCCLXVI
Benjamin Franklin (1706-1790)
London, 1767
E215.2 F63

The hated Stamp Act was among the oppressive measures that ultimately led to the American Revolution. In a wise and witty manner, Franklin showed why it should be repealed. This pamphlet was first printed in the colonies and then reprinted several times in London and America.

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Book of the Week – Common Sense

04 Monday Feb 2013

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Common Sense, Continental Congress, George Washington, Newburyport, pamphlet, revolution, Thomas Paine

Common Sense, 1776 Cover
Common Sense, 1776 Title Page
Common Sense, 1776 First Page

Common Sense
Thomas Paine (1737 – 1809)
Philadelphia, 1776; reprinted Newburyport
probably a sixth printing
E211 P124

Thomas Paine called for the separation of the colonies from the mother country in his pamphlet, Common Sense.  Paine’s writings paved the way for the American colonists’ final break with Great Britain.

Common Sense, a persuasive argument for independence, was a best seller immediately upon publication. First printed in Philadelphia by Robert Bell on January 9, 1776, in an edition of one thousand copies, it was read by everyone in the Continental Congress and George Washington, who commented on the effect it had on his troops. It was read by nearly everyone in the colonies who was literate, and read aloud to nearly everyone who was not.

Paine had planned to give his share of the profits to the cause of independence, but when Bell told him there were no profits, Paine dismissed Bell and hired Bradford to publish a new, enlarged edition. Bell published an unauthorized second printing on January 27, and Bradford’s enlarged edition was published on or around February 14. The pamphlet quickly sold 150,000 copies.

Paine refused to copyright the work and gave permission to all to reprint it. The earliest printings outside of Philadelphia used the text of Bell’s first printing. Later printings used the text of Bradford’s February printing. Twenty-five editions were published in thirteen cities in the year 1776, reaching nearly half a million copies printed in that year alone. At that time, the colonial population was about three million, including slaves, women, and children. It was this pamphlet that moved mass public opinion toward the cause of the revolution.

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