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Tag Archives: Bible

A Donation Makes Poly Poly’s

26 Wednesday Nov 2014

Posted by rarebooks in Donations

≈ 1 Comment

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agriculture, alphabet, Amsterdam, anatomy, Antonio Blado, Antwerp, architecture, astrology, astronomy, Barbara Chavira, Basel, Bible, Bonaventura Elzevir, bookbinders, booksellers, celibacy, censored, Christianity, Christopher Plantin, commerce, creation, Daniel Elzevir, Elizabeth Isengrin, England, English, engraved, Ethiopian Church, Europe, expurgated, fable, festivals, French, frontispiece, German, God, Greek, Hebrew, heresy, hunting, Index of Forbidden Books, indulgences, initials, Italian, italic, Judaism, King Arthur, Latin, law, Leonhart Fuchs, libraries, Louis Elzevir, Lucovico Arrighi, Lyons, magic, Martin Luther, mathematics, medicine, Michael Isengrin, minerology, monks, music, navigation, paganism, painting, pharmacology, physics, Polydore Vergil, Pope Gregory XIII, priest, printer, printing, Protestant, Rare Books Division, Reformation, religion, Roman, Roman Catholic Church, Rome, Salt Lake City Public Library, Shakespeare, Spanish, sports, theater, Thomas Guarin, Tournai, trade, typography, Utrecht, vellum, vignettes, weaponry, winemaking, writing

The Salt Lake City Public Library donated a sixteenth century book to the Rare Books Division, thanks to the well-trained eye of City Library staffer Barbara Chavira. Barbara worked part-time in the Rare Books Division for many years. Her passion for the art of books, in all forms and over the centuries, brought us this important and welcome addition to the rare book collections. Thank you, Barbara ! Thank you, City Library !

PA8585-V4-D4-1576-a4

 

 

 

 

 

 

 

 

POLYDORI VIRGILII VRBINATIS DE RERVM INVENTORIBVS…
Romae, apud haeredes antonij, Bladij, Impressores Camerales: Anno. M.D. LXXVI (1576)

Polydore Vergil (ca. 1470-1555), an Italian priest, spent much of his life in England. He is recognized for his history of England, a work that Shakespeare is known to have used as one of his sources. Vergil used critical analysis in his narration of historical events. His thesis that King Arthur was little more than fable, for instance, shocked contemporary readers.

It is his second published work, however, for which he was best known in his time. First printed in 1499, De rerum inventoribus (On Discovery), was a work unlike anything that had been published before. An inventory of historical “firsts,” it combined a wide array of subjects in an attempt to determine which individual or culture first invented things such as the alphabet, astronomy, magic, printing, libraries, hunting, festivals, writing, painting, weaponry and religion. Vergil culled much of his work from a wide range of ancient and contemporary writers. He focused on the genius of man in the origin or invention of all things – heretical thinking at the time.

In Book I he investigated the creation of the world, the origin of religion, the origin of the concepts of “god” and the word “God.” He suggested that much of Christianity had been adapted from Judaism or Roman paganism. Books II and III were studies of a wide-range of topics, mostly concerning the practical and mechanical arts including anatomy, astrology, law, medicine, commerce, mathematics, mineralogy, music, pharmacology, physics, trade, agriculture, architecture, sports, theater, navigation, and winemaking. The work was translated into French in 1521, German in 1537, English in 1546, and Spanish in 1551.

In 1521, more than two decades after he wrote the first three books, and at the dawn of Martin Luther’s protestant reformation, Vergil added five more books concentrating on Christianity. Vergil reworked his discussion of Christianity in deference to the Roman Catholic Church, which objected to Vergil’s reference to religion as a matter of scientific investigation. In spite of this concession, Vergil anticipated the scientific approach to religion that would become the norm a century later. The intended salve to the church failed when Vergil criticized monks, priestly celibacy, and indulgences. In 1564 the work was declared heretical and all editions were added to the Index of Forbidden Books. However, the work was so popular that two censored editions were printed after the ban.

This 1576 expurgated edition was sanctioned by Pope Gregory XIII in its front matter.

PA8585-V4-D4-1576-a2

PA8585-V4-D4-1570-CaGlorius

It is significant that this edition was printed by the heirs of Antonio Blado’s shop.

PA8585-V4-D4-1576-titlepage

PA8585-V4-D4-1576-regestvm

Blado worked in Rome from 1515 to 1567 as a printer in the service of the papacy. He was well-known for his scholarly works in Latin, Greek, and Hebrew; and a 1549 document in Ethiopic type for the Ethiopian Church. Blado is also known for his use of an early italic type created by Ludovico Arrighi. The Rare Books Division holds five books printed by Antonio Blado.

This 1576 edition of Vergil joins an edition from 1570 and another from 1671, already in the rare book collections.

PA8585-V4-D4-1570-titlepagePA8585-V4-D4-1570-colophon

POLYDORI VERGILII VRBINATIS, DE RERUM INVENTORIBUS…
Polydore Vergil (1470? – 1555)
Basilea: 1570

Printer Thomas Guarin (1529-1592) was born in Tournai. He worked in Lyons as a bookseller, but by 1557 was in Basel, where he married Elizabeth Isengrin, the daughter of a printer. Guarin took over his father-in-law’s small press at Michael Isengrin’s death. Michael Isengrin had printed one of the many editions of De rerum inventoribus to be published in Vergil’s lifetime. Each of these editions contained significant variations. Isengrin printed Leonhart Fuchs’s sumptuous De Historia stirpivm. Along with the reprint of classical works, Guarin issued several editions of the Bible, published in both Latin and German, and one in Spanish. His printer’s device was a palm tree.

PA8585-V4-D4-1570-printersdevice

 

 

 

 

 

 

 

 

PA8585-V4-D4-1671-frontispiece

POLYDORI VERGILII URBINATIS, DE INVENTORIBUS RERUM…
Polydore Vergil (1470?-1555)
Amstelodami: apud Danielem Elzebirius, 1671

Daniel Elzevir came from a distinguished family of booksellers, bookbinders, printers and publishers. Louis Elzevir (1546-1617), a Protestant émigré, began the business in Antwerp in about 1565, after he left a job with Christopher Plantin’s print shop. The Elzevir enterprise became one of Europe’s largest printing houses. Louis’s sons expanded the business with branches in The Hague, Utrecht, and Amsterdam. The Amsterdam branch was established in 1638 by Louis III. His partner was Daniel Elzevir, son of Bonaventura Elzevir, son of Louis. Daniel continued the family reputation for fine typography and design work. This edition of De Rerum inventoribus also contains another of Vergil’s works, Prodigiis, written in 1526 but not printed until 1531. The engraved frontispiece for this edition includes the invention of printing as one of its main themes. Numerous carved initials and vignettes. Bound in contemporary vellum.

Shakespeare is coming! The First Folio will arrive at the City Library in October.

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Book of the Week – A Leaf from the Gutenberg Bible

31 Monday Dec 2012

Posted by rarebooks in Book of the Week

≈ Comments Off on Book of the Week – A Leaf from the Gutenberg Bible

Tags

Bible, Bruce Rogers, Centaur, fine press, font, Grolier Club, Gutenberg Bible, Johann Gutenberg, medieval manuscript, moveable metal type, Niclas Jenson, printed, printer, Riverside Press, textura, type, typeface, typographer, William Edwin Rudge

Gutenberg Bible, 1450-1455
Gutenberg Bible, 1450-1455

A Noble Fragment, Being a Leaf of the Gutenberg Bible 1450-1455; With a Bibliographical Essay by A. Edward Newton
New York: Gabriel Wells, 1921
Z241 B581 1921, oversize

A leaf from the Old Testament, Samuel, 2nd, xxii-xxiii, from a Latin translation dating to about 380. The first book printed from moveable metal type, the Biblia Latina or 42-line Bible (in reference to the number of lines in a column) was based on medieval manuscript design. The typeface was developed after a book-hand used in western Germany during the fifteenth century for liturgical works. Known as “textura,” this formal upright and angular hand features letters that have pointed feet and almost no curvature. The first font of type, made by goldsmith Johann Gutenberg, consisted of nearly three hundred characters, including variant forms of letters, ligatures, and abbreviations to simulate as much as possible manuscript conventions. Gutenberg’s choice of the Bible as his first printed publication was a good business decision. All copies (approximately one hundred and eighty) had sold before they were off the press. Forty-eight full copies are known to exist today, thirty-six on paper and twelve on vellum. A. Edward Newton’s bibliographical essay for this leaf book was printed under the direction of Bruce Rogers at the shop of William Edwin Rudge. Bruce Rogers (1870-1957), the distinguished American printer and typographer, is widely recognized as one of the most talented book designers of all time. He spent his earliest years as a designer with Riverside Press, then as a freelance artist during which time he worked with the printing house of W.E. Rudge of Mt. Vernon, New York, the Grolier Club, and the Limited Editions Club of New York. Rogers established American fine press standards, insisting that the design of a book – its type, illustrations, and format should reflect and enhance the author’s text. He designed more than seven hundred books. Rogers also designed Centaur type for the Metropolitan Museum of Art in 1914. Released by Monotype in 1929, Centaur is modeled on letters cut by the fifteenth-century French printer Nicolas Jenson. Centaur has a beauty of line and a proportion that has been widely acclaimed since its release. An attractive typeface for books in particular, it is effective for shorter texts. Bound in black morocco, lettered in gold on front cover.

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