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Tag Archives: religion

Cuentos — Students Respond

12 Thursday Apr 2018

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agriculture, analytic tool, Anna Paseman, Annie Bonebrake, anti-Modernism, Antwerp, art, atlas, Austrian, Bartolomé de las Casas, Bear Flag Revolt, Belgian, Benito Juarez, binding, biography, book, broadsides, California, Cameron Dower, Camille Morgenstern, Carlos Ixta, cartas de poder, cartographer, cartoons, Catholic Church, Chihuahua, Chile, colonization, Communist Party, Dawson's Book Shop, dictionary, documents, Dylan Slavens, Edwin H. Carptenter, encyclopedia, English, European, Fernando Núñez de Guzmán, folletto, forests, France, Francisco de Aefferden, Francisco Laso, French, Gabriel Gonzalez Videla, Galician, Giovanni Paoli, Greek, handmade, heretic, history, Indian, indigenous, iPhone, Isabel Dulfano, Italian, Italy, Jacome Croberger, Jake Tilson, Josep Renau, Juan Pablos, Latin, leather, Leon de Castrón, literary analysis, literature, London, Los Angeles, Madrid, magazines, Manuel Castañares, maps, Marc Jackson, Marisol Padilla Fragosso, marriage, Marriott Library, Mexican Republic, Mexican-American War, Mexico, Mexico City, Miguel Martinez, miner's strike, missions, muralist, news, newspaper, notarization, Olivia Blithell, Pablo Neruda, pamphlet, Pedro Ocharte, persecution, philosophy, photographs, Pierre Laval, poetry, Portuguese, posters, power of attorney, primary sources, printing press, propaganda, protocols, proverbs, Pueblo, Radical Party, Rare Books Department, religion, rivers, saints, Salt Lake City, Shakespeare, signatures, sixteenth century, slave trade, Spanish, Spanish Inquisition, symbols, The University of Utah, theater, torture, Tosh Noskowski, Treaty of Guadalupe Hidalgo, twenty-first century, Urbano Gonzalez Serrano, Utah, Washington, Woolley Dale, WWII


Students from Introduction to Textual Analysis (SPAN3070-1), taught by Prof. Isabel Dulfano, met in the Rare Books Classroom three times Spring Semester 2018 to work with three different sets of books from the rare book collections. Themes were “Narración de cuentos: literatura, historia, viajes, biografía,” “Hojas de Lenguas Sueltas,” and “Decir la verdad.” In all, students worked with 74 first and early editions of histories, biographies, poetry, documents and periodicals from the sixteenth century to the twenty-first century. Each session included an assignment, culminating with a short, informal response to one of the books and the impact working with physical primary sources had on the student’s understanding of literary analysis.

Many thanks to the students who participated with such enthusiasm. We will always remember one early exclamation, “Best day of college ever!”


Muchos misterios están escondidos en la historia, from Cameron Dower


Entre los remedios q do fray Bartolome delas Casas…
Bartolomé de las Casas (1484-1566)
Fue impressa…en…Seuilla: en las casas de Jacome Croberger, Año de mill y quinientos cinquenta y dos años [1552]
F1411 C32

El 29 de marzo, tuvimos la oportunidad, como clase, a visitar a la colección de libros raros en la biblioteca Marriott. El poder tener en mano un libro publicado hace casi quinientos años es una experiencia extraordinaria. En esta ocasión analizamos libros del género de ensayo. La examinación del libro físico nos permite ir más allá en el análisis de la obra que simplemente leer el texto mismo. Yo me enfoqué en el libro del fray Bartolomé de las Casas. Bartolomé es una figura importantísima en la historia de la conquista de las Américas por España. Fue uno de las primeras voces para luchar contra el mal tratamiento de los indígenas por los conquistadores. En este libro, él expone sus razones por los cuales los indígenas merecen tener derechos sociales.

Esta copia del libro parece tener una historia muy particular. Al examinarlo, encuentro una inscripción en la segunda página detrás del título. La descifro como . ¿Quién fue este Alonso? ¿Cuándo vivió? La inscripción no nos dice, pero podemos encontrar algunas pistas acerca de la vida de Alonso. Como el libro fue escrito en una época en el cual pocos fueron letrados, Alonso probablemente tenía mucho dinero. También podemos ver que Alonso tenía un interés en la reforma social y la igualdad. Siguiendo el trabajo de investigación, encontramos la firma de Alonso debajo de la inscripción. Con la firma se encuentra un símbolo. Al seguir leyendo, vemos este símbolo en cada página derecha del libro hasta que termina después de la octava razón. ¿Por qué terminó de escribir el sello? Puede ser que se le acabó la tinta, o que perdió interés y dejó de leer, murió o cualquier otra razón. También vemos que debajo de la razón séptima, escribió de nuevo <razón séptima>. ¿Puede ser que la razón séptima fue el que le inspiró más o es que simplemente estaba practicando sus letras en el libro?

Muchos misterios están escondidos en la historia. La mayoría quizás no tienen respuesta. Sin embargo, sabemos que Alonso es un ejemplar de los que fueron afectados por los escritos de Bartolomé de las Casas.


A Connection to the Past, from Gardner Lange


Sixteen Century Mexican Broadside
Edwin H. Carpenter
Los Angeles: Dawson’s Book Shop, 1965
Z240.4 C37 1965

Giovanni Paoli was born near the turn of the sixteenth century in Northern Italy, but became known in Mexico as Juan Pablos, the founder of the first printing press in the Americas. Pablos ran the press until his death in 1563, at which time his son-in-law, Pedro Ocharte of France, took over its operation. Ocharte has garnered historical attention on account of his detention and torture at the hands of the Spanish Inquisition. Ocharte was labeled a heretic after allegedly printing a book that questioned the necessity of praying to saints. After lengthy court proceedings, he was acquitted of the charges and eventually allowed to resume printing, which he did until his death in 1592.

I encountered a 1560 print by Pablos and a 1587 print by Ocharte at The University of Utah’s Marriott Library in the Rare Books Department. Both are cartas de poder, or in English, power of attorney, documents. These broadsides may not initially be as thrilling as religious protestations that resulted in persecution and torture, but they captivated me for several reasons. First, I work part-time as a filing clerk for a law firm in downtown Salt Lake City. Nearly every day I read, copy, deliver and file documents that resemble these two broadsides. Handling these documents allowed me to form a connection to the past through experiences that I am familiar with as a legal clerk and aspiring attorney. Second, a close inspection of the documents and their details reveals historical insights that are sure to interest history enthusiasts.

The documents begin with the same phrase, which in English amounts to: Let it be known that the following individuals are witnesses to the authenticity of this document. This is followed in both documents by beautiful signatures of several individuals. Then the printed portion resumes, detailing what powers the client is agreeing to give to his or her attorney.

Interestingly, at the end of these sections, there is more handwritten cursive before the final signatures and notarization. This suggests that the broadsides were generic copies, which could be amended to the liking of the particular client by adding more legal wordage afterwards by hand. Being individual, double-sided sheets may also indicate that these were used for record keeping and not likely bound in books nor widely circulated. Fortunately for the scholars of our day, the publisher of this volume compiled information about many similar broadsides and in 1965 distributed several of them in copies of a book that details some of their history.

One of the most interesting differences I discovered between the two is the mention of slaves as assets in the 1560 carta de poder, which is not found in the 1587 version. Literary analysis textbooks are replete with encouragement to consider the historical context of the works being studied, and if we apply that principle here, it should cause any who examine these documents to consider what changed in the intervening decades regarding slave trade and issues of equality that would cause such a change to standard legal procedure.


A Universal Cultural Appreciation, from Annie Bonebrake


Refranes o proverbios en romance…
Fernando Núñez de Guzmán (ca. 16th cent.)
En Madrid: Por Iuan de la Cuesta, a costa de Miguel Martinez, 1619
PN6490 N8

Refranes o Proverbios en Romance is an encyclopedia of sayings and proverbs in Spanish, Italian, Austrian, Galician, French, Portuguese, Latin, and Greek. The book begins with a Spanish prologue written by Leon de Castrón, the “Maestro Leo.” The sayings are categorized alphabetically with their language of origin noted on the left side of each phrase in old Spanish. Some examples of proverbs documented in the book include “A cafas viejas, puertas nuevas,” in Spanish; “Boire iu fques a la lye-Frances,” in French; and “Comendo holgando, comendo trabalhando,” in Portuguese.

The physical qualities of this book contribute to an understanding of the text’s historical past. The outward appearance of Refranes o Proverbios en Romance is dilapidated, fragile, and used. The parchment cover of the book is creased and wrinkled, and has completely dissociated from the spine of the book. Gently lifting the detached cover from the spine reveals the book’s handmade string bindings. Finally, the text in the book was clearly produced with a printing press, as each individual letter was stamped into the book with visible force. All of these elements contribute to an awareness of a universal cultural appreciation for didactic proverbs and sayings since the book has survived over 300 years and has ultimately landed in the rare book department of a major university.

When considering objects spanning centuries of history, the object’s past must be analyzed in addition to the concrete characteristics of that object. Additionally, in order to conduct a literary analysis of a book able to withstand hundreds of years, one must consider what kind of abstract influence that book has had on a society to determine the author’s purpose for that work. For example, as I conducted a literary analysis of Refranes o Proverbios en Romance I first had to brainstorm for the reasons an encyclopedia of phrases and proverbs might be valuable to western European societies before I could begin to analyze any detailed text within the book; understanding an author’s purpose for writing the book is essential for fully comprehending a book’s literary worth. I determined that Refranes o Proverbios en Romance is an important work because it provides a reference for thousands of famous sayings across various cultures, which are valuable because they are tools used to convey morals or lessons.

My experience with Refranes o Proverbios en Romance allowed me to practice comprehension of an author’s purpose for a work in the greater context of a society or history. Because Guzman’s encyclopedia of phrases is more like a dictionary than a narrative with a plot, the process of literary analysis of this work was more abstract than concrete. In other words, an inferred understanding as to why a book of proverbs might be valuable to a society was more necessary for my literary analysis than the ability to interpret literary devices.


El arte didáctica, el arte para enseñar, from Olivia Blithell


El atlas abreviado, o compendiosa geografia, del…
Francisco de Aefferden (1653-1709)
En Amberes: A costa de Francisco Laso, mercader de libros, enfrente de S. Phelipe el Real de Madrid, año 1711
Fourth edition

[This work] was published in 1711, two years after author Francisco de Aefferden (a Belgian cartographer) died, in Antwerp by a book merchant named Francisco Laso. It is a leather-bound pocket atlas containing descriptions of the world and very detailed, ornate maps that fold out. They depict bodies of water, rivers, forests, mountain ranges, common trails, and the names of places.

The maps for their time are extremely accurate, with distance scales and longitude and latitude indications on every map.

The pages crinkle when you turn them and you can smell the leather of the binding as you read the book. The reader can see the years in the leather — the binding is wearing thin. You can take a trip around the world, your mind can visit anywhere.

The reader can learn about “El Mundo Nuevo,”

then see all of the forests and mountains in “Alemania” — a glimpse into the past world.

We can see the signatures and notes of previous owners. The waves of their cursive from ink and quill contrast with the Old English-styled font of text. This little pocket atlas was their only tool to get from point “a” to point “b,” when traveling in strange and foreign lands. In today’s world, our pocket atlas is our iPhone, a pocket-sized computer. We have the world in our hands, a technology unimaginable in 1711.

We can see how the world has evolved since the 17th century, both physically and intellectually. There are large cities where forests used to be, some of the towns have changed their names, but many remain. Even though our world has changed, the past is still with us.

We can read the words in the text and see how the people of the day thought. The Spanish text is very beautiful, like Shakespeare. It is different from how today’s Spanish is spoken. It is more poetic and meant to teach, el arte didáctica, el arte para enseñar.


Es Algo Incredible, from James Smith


Reales ordenanzas para la dirección, régimen y gobierno del importante cuerpo de la minería de Nueva-España, y de su real tribunal general. De orden de su majestad
Madrid, 1783
First edition
KC729.5 M48 1783

Como sugiere su titulo, este el libro era hecho con el propósito de ayudar el país de España ministrar sus minerías. Para entender este libro es necesario que primero entendemos porque la industria minería era tan importante por España durante el 18º siglo. La minería de plata pagaba mucho y por eso los indignos de España estaban muy interesado de minarlo. Por la potencia que la minería tenia durante esta época Nueva-España dependía mucho en la minería y por eso creía este libro para introducir reglas de cómo la minería debería funcionar.

Es algo incredíble a pensar que este libro que era publicado en 1783 ha durado por mas que 200 años con las mismas paginas, tinta, y encuadernación. No hay muchas cosas que pueden perdurar por siglos, especialmente los libros. Pero el hecho de que este libro todavía esta en buena condición lleva un mensaje y entendimiento de la importancia de este libro sin abrirlo.

El libro tiene mas que 200 paginas que son separadas por “títulos” que parecen como capítulos. No era escrito por mano pero imprimió con maquina que es algo interesante porque era muy caro a imprimir. Este también refleja que el libro llevaba mucha importancia. Sin leer la primera pagina el lector puede saber que este libro no era hecho con el propósito de entretener, pero algo muy serio.

Si vemos la pagina 23, titulo II, dice “jueces de minas lo serán las respectivas justicias reales, conforme a las leyes de la recopilación de indas, en todo lo que por estas Ordenanzas no se cometiere a las diputaciones del cuerpo de minería.” Aunque Nueva-España era una monarquía usaban jueces y otros formes de gobierno. Si leemos esta articulo parece como una oración aburrida respecto a un tipo de trabajo. Pero realmente este articulo, junto con el resto del libro, contiene muchísima historia.

Para entender la verdadero sentido de esta oración es necesario que primero entendemos los políticos de España, la economía, y la importancia que la minería tenia en la país.


Another Level of Depth, from Owen Orchard


Diario de Mexico
Mexico City: Oficina de Don Mariano Jose de Zuniga y Ontiveros, 1805-1817
AP63 D5

We as a class were given the opportunity to visit the Marriott Library’s rare book collections where we could analyze and observe amazing works of Spanish literature dating back to the 15th and 16th centuries.

The piece that I gravitated towards most was Diario de Mexico. This journal began publication in 1805 and was the first daily news periodical in Mexico. It discussed philosophical, moral, and artistic issues, such as the function of theater. The articles were written by a diverse collection of authors, adding depth to the conversations.

The physical condition and layout of the periodical is impressive. The Rare Books set is bound in a leather cover of a date later than the publication, very much intact. The issues themselves have almost no tears or stains.

Each issue begins with a poem. Many of the articles go into great depth in ways perhaps unexpected by the 21st century reader and perhaps even in the 21st century. Examples include, “Cosas que incomodan en Mexico” and “Falibilidad del la Medicina.”

The opportunity to view and actually touch these works is incredible. When you feel and turn the pages of these books its a totally different experience than just hearing about them. You are able to see whether or not a book was printed or handwritten and also what material the book was made from. This adds so much to one’s literary analysis because you can make guesses as to why it was written on that material or why it was written in that way based off of the time period it came from.

All in all, being able to interact with these pieces in person added another level of depth to my analysis. By looking and touching, I discovered that these texts contain centuries of knowledge and insight as well as an infinite number of underlying details. I have very much enjoyed my time with the rare book collections and now have a vastly greater understanding and interest in this type of study.


The Need to Spread Word, from Anna Paseman


Colección de documentos relativos al departamento de Californias publicados por el ciudadano Manuel Castañares
Mexico: Imprenta de la Voz de Pueblo, 1845

As its title suggests, the text Colección de documentos relativos al departamento de Californias publicados por el ciudadano Manuel Castañares consists of a compilation of letters, speeches, and essays written by Manuel Castañares. Castañares served as one of California’s represetatives to Mexico’s National Congress during the mid-1840s, and his compositions touch on a number of important historical and literary subjects. The physical text itself, a thin, fragile, paper pamphlet, one of only 11 known to exist, exhibits its own literary significance.

Among the text’s central themes are descriptions of various aspects of the California territory, including its indigenous population, Spanish missions, ports, agricultural sectors, and the 1843 discovery of gold. The mention of the discovery of gold is particularly important because this text is believed to be the first pamphlet to document the discovery and mining of gold in California.

While the documentation of the discovery is interesting, Castañares’s relevant commentary is of greater interest. In various letters, he repeatedly voices concern that the Mexican federal government must proactively safeguard California, such that a foreign power does not take interest in, and devastate, its precious resources.

Castañares’s concerns regarding California’s abundant resources extends to his broader discussion of foreign intrusion into the territory, and the failure of the Mexican government to sufficiently attend to its security needs. Describing the daunting threat posed by the United States, in particular, Castañares writes, “El estado que hoy guarda la república, las tendencias y conatos de una nación vecina para continuar usurpando nuestro territorio, el carácter de invasión que manifiesta toda la prensa americana y nuestra inercia, me hacen temblar por la suerte de la república, si no se atienden nuestras fronteras, principalmente mi Departamento.”

The concern that Castañares expresses for unrest in California in 1845, and the assertive nature of the American government on its frontiers, is foreboding; the next year, 1846, California experienced the uprising known as the Bear Flag Revolt. The Mexican-American War followed, lasting from 1846-1848, and by early 1847 California officially came into the possession of the United States. In this sense, Castañares’s writings serve as a valuable tool for understanding the events leading up to the transfer of California from Mexican to American hands.

The relatively small and cheaply produced nature of the pamphlet likely indicates that it was meant to be portable and read by many. While it is difficult to know with certainty Castañares’s intention in publishing his writings, it is apparent that he felt the need to spread word of what he perceived as a threat, and perhaps, to raise concern among others such that the issue of foreign intrusion would gain attention, and the Mexican government would respond sufficiently. By handling the text, and accepting Castañares’s intentions as previously described, it is easy to imagine the serious political conversations that must have been happening in California during the 1840s, and the types of information that would have informed Mexicans on the state of the territory. Moreover, the text serves as an interesting reminder that California was not always a part of the United States, and that the history of American expansion is not necessarily one of peaceful acquisition.


Somewhere, At Some Time, Someone, from Carlos Ixta

[
Tratado de Paz, Amistad, limites y, arreglo
Mexico: Impr. De I. Cumplido, 1848
Second printing
E408 M62 1848


Treaty of peace, friendship, limits, and settlement between the United States of America and the Mexican Republic: concluded at Guadalupe Hidalgo, February 2, and ratified, with the amendments, by the American Senate, March 10, also ratified by the Mexican Congress, May 25, 1848
Washington, 1848
E408 U583

The Spanish version of this text was printed months after the English edition of the text. I had the opportunity to be able to look at both of them and to compare and contrast the two. The history of these texts is very powerful to me. As a Mexican-American, I have always had a special interest in the events surrounding the American colonization of the U. S., as well as the Mexican-American war, and other historical events. Seeing, reading, and holding the texts in the rare books collection was a profound experience for me. I imagine being back in such a time, perhaps living in California — or even Utah for that matter — both of which were Mexican territories at one time. Then, after years of war, and thousands of deaths, to receive a really small book, perhaps not even suitable to be called a book, somewhat of a 2-page decree from either the Mexican Republic or the United States government stating that the land I’ve lived on my whole life suddenly belongs to a whole different government. How peculiar that must be! Many people had a hard time believing what had just happened and for this reason the Mexican government printed an edition of the peace treaty with an added forward which basically stated that it was true, that this is really happening, and the people must accept it.

As I sat there imagining what it must have been like or how strange an experience that is, it only added to the feeling to be able to hold physical copies of a books such as these. I realized, that these are originals, that somewhere, at some time, someone had helf up the exact copy that I was able to hold and that this really happened to them. Overall, it was an honorable experience to see these and many other books like these at university. There is definitely a difference in reading about the history of things like this in high school history class and being able to hold the actual books published at the time being studied.


Same Event, Two Different Books, Two Different Ways, from Dylan Slavens


Tratado de Paz, Amistad, limites y, arreglo
Mexico: Impr. De I. Cumplido, 1848
E408 M62 1848


Treaty of peace, Friendship, limits, and settlement between the United States of America and the Mexican Republic: Concluded at Guadalupe Hildalgo, February 2, and ratified with the amendments, by the American Senate, March 10, also ratified by the Mexican Congress, May 25, 1848
Washington, 1848
E408 U55 1848

I had the opportunity to hold in my hands these two books during my visit to the Rare Books Department in The University of Utah’s Marriott Library. Although these two books were printed examples of The Treaty of Guadalupe Hidalgo between the U.S. and Mexican governments, I observed many differences between the two. One of these books was written and published in Mexico while the other was written and published in the U.S.

One of the first differences I noticed about the two books was that the physical quality and appearance of the one printed in the U.S. was a lot better than the one from Mexico. The cover and the paper of the U.S. copy were all in a lot better condition. The Mexican copy seemed to be falling apart and the physical materials used to make the book seemed to be cheaper. The U.S. copy had many more pages than the one from Mexico, which surprised me because the Mexican version had both the Spanish and English translations on both sides of the pages.

Having physical contact with these two books helped me process and analyze the differences between the two much more easily. The U.S. copy was written more like a dialog and a journal while the Mexican copy seemed to be more straightforward and official.

The book from Mexico officially explained the protocols necessary for the conclusion of the treaty, including the amendments made to the treaty by the United States. In my short 45 minutes of analyzing and observing these two books I can see many differences not only physically but also literally between the two. Same event, two different books, two different ways of writing and presenting the information of what happened. It was such a unique experience of actually having and holding the two books in my hands.


Revealing Something A Glowing Wall of Text Never Could, from Marc Jackson


Gobierno general: Ministerio de justicia
Benito Juarez (1806-1872)
Chihuahua: 1859
KG3035 A5 1859

The newspaper article is gently held in place by a protective sleeve. Frayed edges and discoloration characterize its tattered face. When turning the pages it almost seems like they could split in two if one was careless. The irony is that this article’s pages were never meant to be turned carefully. The thin paper and poor condition reveal something a glowing wall of text never could. They reveal that this article was not written for royalty, politicians, or clergy but for the masses. The Mexican government printed this newspaper cheaply so it could be sent to as many people as possible. Knowing that the author, Benito Juarez, wrote Gobierno general for the public opens up a deeper analysis. Instead of simply setting up new laws concerning marriage, the purpose of the text becomes gaining public support for dramatic social changes. Instead of the verse-like statements representing legal language, they can represent scripture and therefore the fight Juarez pushed to lower the influence of the Catholic Church on the government. In other words, the purpose of the article is to incite social change and the theme is the replacement of Catholic doctrine with democratic law.

Without feeling the thin pages and physically interacting with the original work it would be much harder to conclude that the audience is the general public. If the reader only had the words themselves it’s likely they would conclude that Juarez only wrote it for lawyers. However, touching the original page transports the reader to 1859. A lawyer doesn’t hand over the newspaper, an excited Indian does. He talks about how much it means to him that an indigenous Mexican is representing him and that the government is openly talking about issues that until recently were taboo. This newspaper article proves that information essential to understanding literature is hidden everywhere the words aren’t, preserving words isn’t enough, the physical objects and their connection to the past must be preserved or our understanding of older texts might never dive beneath the surface.


Bound Together in Honor of Its Memory, from Marisol Padilla Fragosso


Madrid Comico
Madrid, 1885-1897?
AP111 M347

The book that caught my eye on my third visit to the Rare Books section of the Marriott Library, or as I and several of my classmates have called it, the “Restricted Area,” was Madrid Comico, “Comical Madrid” in English, a Spanish magazine published between 1880 and 1923. This magazine contained anti-Modernism propaganda and was full of humorous stories and comics, as the title implies. The issues in Rare Books have been bound together in what appears to be a binding contemporary to the time period of the magazine’s run. At some point, the owner of these issues had them bound together, giving the sense of a commemorative book. Who did this and why they did so is not known, however, it would be appropriate to guess that this book came to be because the magazine shut down in 1923, as if the issues were bound together in honor of its memory.

From all of my experiences and interactions in the Rare Books area, I have learned to appreciate books even more than I did before. Some of these books are centuries old and are in incredible condition, which is great for the reader because this means the text is legible instead of smudged, pages contain no significant rips or tears (if any), and no pages appear to be missing. This is important to the reader’s experience. There is no gap in the flow of the text, due to illegibility, a condition that might ruin the world of the reader and what the author had in mind.

When you touch a book that is over a hundred years old, you can’t help but feel awestruck and humbled; of course, precautionary measures are taken so that the oils in human skin don’t harm the books (that’s what the baby wipes are for) and you have to be gentle with the binding — opening, closing, and flipping through the pages gingerly. Another thing that I realized from my experience with these rare books, is that books truly are precious treasures: If they were not to be treasured, someone would not have taken the time to carefully preserve them in the best condition possible.

While holding these amazing books, I couldn’t help but apply textual analytic tools that I learned in my textbook for my Spanish class, Aproximaciones al estudio de la literatura hispánica, 6ª ed. The main tool that I used was looking at the Who, Where, When, Why, and How. Once you are able to answer these questions about a book, you are better able to understand the depth of the text and the author’s, as well as the publisher’s, vision for it. When I apply this tool to my analysis of texts, I feel as though I am tapping into the mind of the author and publisher, almost as if I was a profiler looking at a crime scene, figuring out who did it, when they did it, how it was done, and the motive behind the crime.


A Personality Distinct From All Others, from Tosh Noskowski


Siluetas: con retratos y…
Urbano Gonzalez Serrano (1848-1904)
Madrid: R. Serra, 1899
PQ6072 G6

Urbano Gonzalez Serrano was a literary critic as well as philosopher and professor. Siluetas is a compilation of brief biographies about various authors of his time.

Each biography begins with a picture of each author and a copy of something handwritten by him that includes a signature.

The book, in and of itself, is really small — it can fit in the palm of your hand. This makes is very approachable, as many large books can be intimidating and bring a sense of prestige with them. A small book makes the literary analysis easier because it does not give the impression of being above reproach.

Literary analysis can be augmented by being in physical contact with the book because it brings to light how the book was meant to be read, and can even help identify target audiences for the text. The size and weight of it may limit those who were meant to read it, which can be a key factor when analyzing aspects of a text.

The literary analysis tools focus on trying to understand the meaning and purpose of any given text. It can be approached via different questions and angles depending on the genre of the text, but seeing the books in person truly gives weight to these questions. It’s not just a bunch of words in a textbook any more, it gives purpose to what the literary analysis is trying to do. Simply analyzing a text on a screen or in a textbook doesn’t represent the work as it was meant to be. The physical form, age, and wear and tear of a work gives it a personality distinct from all others. From here, the analytic tools learned through a textbook can be applied in a much more meaningful way.


The Search for Truth, from Camille Morgenstern


González Videla, el laval de la America Latina: Breve biografía de un traidor
Mexico City, 1949
First edition
F3099 G6 N4

When perusing the rare texts around the themes of “ensayo” and “decir la verdad,” i.e. the search for truth, this folleto by Pablo Neruda caught my eye because of the interesting and rich historical context surrounding the piece, but also because of Neruda’s specific use of the book as a medium for disseminating his truth.

The folleto is presented as a collection of brief pieces in a wide range of genres, from poems to essays to letters to testimonies, all denouncing Gabriel González Videla. Neruda was, at the time, a Communist Party senator and member of the Communist Party of Chile. Videla was a presidential candidate representing the Radical Party and asked Neruda to be his campaign manager. Once in office, Videla turned against the Communist Party, violently repressing a Communist-led miner’s strike. Neruda disassociated from Videla, and began to publicly critique him in speeches, which carried over into the form of the folleto. In this text, Neruda compares González to Pierre Laval, prime minister of collaborationist France during German occupation in WWII.

What fascinated me most was Neruda’s use of the physical book to convey his truth. The book itself is very small and lightweight, facilitating the circulation and distribution of the text. The cover art, by renowned Spanish (and Communist) muralist Josep Renau, is strikingly bold, and is the only color found throughout the book. His use of strong imagery here mirrors the forceful tone of the texts inside, and his use of other images such as posters and photographs to supplement the vignettes strengthens his story and allows the book to reach a wider audience as well. The folleto contains a number of different essays in forms such as denouncements, poems, records, and more, with titles such as “El Complice de los Nazis,” “Violader de Convenios Internacionales,” and “El Traidor Contra su Pueblo,” presented together in a format resembling a newspaper. This method enhances the underlying argument that Neruda’s experiences are truth, and breaks the truth down into simple yet poignant terms.

Interacting with the physical form of the book was a much richer form of literary analysis because it provided another layer of understanding. By holding the form in which the text was intended to be absorbed, I was able to connect the text itself to the physical format and understand more clearly Neruda’s intentions behind creating the folleto in the way he did. Additionally, it connected me more closely to the historical context in general, because I was in contact with a tangible object from that time.


I Will Be Coming Back, from Cameron Dower


Excavator, Barcelona, Excavador
Jake Tilson (b. 1958)
London: Woolley Dale, 1986

During the time I had the opportunity to visit the Rare Books Department at the J. Willard Marriott Library at the University of Utah, I found some amazing books. One that really reached out to me was Excavator, Barcelona, Ecavador. This book has photographs and text. It was made from a clandestine pro-terrorist publication on police detecting methods. The chapters are as follows: 1-1 Burial attempt. 1-2 Immortal Man. 2-1 Horizontal Clock, Barrio Gatico. 2-2 Department of Correction. 3-1 How to Film a Panic. 3-2 Making Impressions Visible Again. 4-1 The Killing Jar. Thought provoking, no? Just the titles themselves make you want to take a second glance.

The cover has aspects of the world, people, secrets and color you would not normally find in modern day art, or in classical art.

Each picture contains answers to questions you want to ask. Slices of humans, places, world politics and personal views are riddled into the art. Tilson uses maps and locations in sections. The style seems almost crude. It has a very rough yet very thought-out look. It feels as if you could look at only one part of the painting and feel enraptured.

The text is in the art itself. It is rarely in a paragraph. Tilson adds poetry in and around the vivid yet vague images. This invokes an uneasiness in the reader. In only short verses Tilson alludes to politics, science, government and controversial social topics. As the reader turns the page, he fears that he will miss something important in each corner of the painting. Tilson uses symbols. The reader may see them in each of the photographic works. This reader found symbols of government, Egypt, cartography, cities, numbers, dials, clocks, measurements, footprints, fingerprints, hidden societies, and landmarks, all seeming to mean completely different things within the art. Within each piece and as a collection, there is tension and the suspicion that all have aspects in common, yet part of a puzzle — we don’t see the big picture…yet.

This was a fantastic experience and I would recommend it to anyone who has an interest in the rare, the historical and the bizarre, an experience not the same as we have every day from mainstream media. Thank you. I will be coming back.


*Editor’s note: minimal changes of one form or another have been made to each of these short essays, reflecting a few minor corrections in spelling and punctuation, or in slight clarification of the text, or in reducing the text to fit the blog format.

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Book of the Week — Tablettes De La Vie et De La Mort

18 Monday Sep 2017

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attorney, bibliophile, ceremonies, Christine A. Jones, Eugène Paillet, fidelity, fleurs de lys, French, Greek, Hebrew, Jean Thomas, Jesuits, judge, King Henri IV of France, Latin, law, Louis XIII, Lyon, Montauban, morocco, ornaments, Paris, Penard Fernández, Pierre Mathieu, quatrains, reception, religion, royal, Royal Historiographer, Société des Amis du Livre, The University of Utah, Toulouse, tragedies, translation, Valence, war, World Languages and Cultures

PQ1820-M28-T11-1629-Cover
“It seems that from a King, the Majesty fades
Without many servants trailing his royalty
It may be grand to engage them in spades
But it is a great pain to depend on their loyalty.”

Tablettes de la vie et de la mort
Pierre Mathieu (1593-1621)
A Paris: Iean Petit-Paz, rue S. Iacques, à l’eseu de Venise, près les Mathurins, MDCXXIX (1629) avec privilege dv Roy
First and only complete edition with Latin translation
PQ1820 M28 T11 1629

Pierre Mathieu studied under the Jesuits and mastered Latin, ancient Greek and Hebrew. When he was nineteen his first tragedy, “Esther” was performed and published in Lyon in 1585. Before his death, Mathieu published four more allegorical tragedies, exploring contemporary issues of war in defense of religion. He studied law at Valence, receiving his doctorat in 1586. He was chosen and sent by the residents of Lyon to King Henri IV of France in 1594 to represent to him their fidelity. A year earlier, he had been put in charge of organizing the ceremonies of the king’s royal reception during his visit to Lyon. In Paris Mathieu became Royal Historiographer and was privileged guest of the royal court and the king. He fell ill accompanying Louis XIII at the siege of Montauban and died in Toulouse.

This collection of cultivated admonitions was written by Matheiu for Henri IV and then Louis XIII, Henri IV’s son. It is made up of individual parts that were published over a period of sixteen years (the last posthumously) — and were printed alone, in pairs, or all together, often in this irresistible little palm-sized format. Matheiu intended his readership to memorize the three suites, or volumes, each of one hundred quatrains. Attorney Jean Thomas (act. 1645) translated the French into Latin, printed in just this edition.

The present copy belonged to Louis XIII or was for presentation by him. It bears the book plate of Eugène Paillet (1829-1901) and the stamp of one Penard Fernández.

Paillet was a Parisian lawyer and judge and one of the great French bibliophiles of the nineteenth century. He was particularly interested in acquiring a number of different editions of the same work in order to illustrate the history of the publication. He was a founding member of the Société des Amis du Livre in 1874.

The translation of the quatrain above is by Christine A. Jones, Professor, World Languages and Cultures, The University of Utah. She explained that this was a “quick, unpolished” translation “to give the reader a sense of the irony and juicy moral ambiguity of the poems.”

French text facing the Latin translation, ornaments throughout. Each page bears various hand ruled borders in light faded red ink. Bound in contemporary gilt red morocco, chain-and-bloom roll around a central panel diapered with a dotted roll, interstices with fleurs de lys, which also fill the single vertical spine compartment. Marbled pastedowns, all edges gilt.

PQ1820-M28-T11-1629-Pastedown

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Book of the Week — Remember the Light

08 Monday May 2017

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8th century, acrylic, Arches BFK, bamboo, Barcham Green Mill, bas-relief, California, Coleman Barks, concertina guards, copper, Dante, debossing, earthquake, egg tempura, Egypt, etchings, Florence, gouache, Goudy Engraved, Italy, Japanese, Jelaluddin Rumi, laced-cords, laser print, Laura Wait, Leonard Cohen, letterpress, light, mantras, Mary Laird, Michael Burke, Murshid, Nefertiti, ostrich, polymer plates, Quelquefois Press, relief roll etching, religion, Rosicrucian Museum, San Jose, sepia, Somerset, Sufi, sumi, Tibet, Valley of the Kings, Wisconsin, wooden board binding, Xerox

Yellow
“Thus shall ye think of this fleeting world:
A star at dawn, a bubble in a stream,
A flash of lightning in a summer’s cloud,
A flickering lamp, a phantom, and a dream.”
— Buddha Shakyamuni

REMEMBER THE LIGHT
Mary Risala Laird
Quelquefois Press, 2007

Artist’s statement in an email to the curator: “My best friend was diagnosed with non smokers lung cancer in 2005 and given 3 months to live. I asked myself what I would want to do if given the same. I had always wanted to make an artist book. So I spent two years letting an edition of 7 Remember the Lights come to fruition. I chopped up some etchings I made called Earthquake, the one of 1989 when I moved to California from Wisconsin.

Earthquake

And put another relief roll etching (when Murshid sings) in the back of the book, writing over it with acrylic matte or glossy, mantras of the world religions. The Mantras are written throughout the book. I incorporated 7 quotes on Light, and 6 poems I wrote when I went to Tibet with a Sufi group in 1986. The title page has a plate from the Rosicrucian Museum in San Jose. Another one from them appears as the image of the Valley of the Kings in Egypt, which is printed twice in grey, right side up and upside down, doesn’t matter where we are in space. Little holes of light, like Leonard Cohen suggested, let in the light, in this case by using Japanese hole punches. I had always wanted to add color to my traditional book making. So I brushed gouache on the pages with cotton balls. I also loved using colored pencils and straight lines to connect the pages, as well as printing blocks of wood used in printing, making them type high so the wood grain would shine through. Lobsong’s Mother’s page has a sumi painting I did of Japanese ink, of bamboo; I had a polymer plate made and printed it pink, because it is a color I don’t often use and I wanted to experiment.

LobsongsMother

I had fun drawing ladders into my etchings, connecting things, like thoughts, of planes of consciousness.
And stringing along the trajectory of human experience, you know, birth, life, death birth, life, death.

Life

In the signature where I have iconized my mother, and also did Xerox of her and me, I used end signatures I had left over from an edition of poems from a Rumi book I printed for Coleman Barks.
I like using Xerox and commercial papers in conjunction with the hand made papers (blue green) I made in Wisconsin many years ago.

Faces

I had learned a blanket stitch from Michael Burke and used that around the hole I cut with the hand showing through (One Handed Basket Weaving/Jelaluddin Rumi. Versions by Coleman Barks.)

Stitch

On the colophon page I started each line with a cap, spelling out my name, vertically as you read down.

Colophon

And hiding at the end of book is another poem about being on retreat in a hut, with an etching printed relief rolled and worked into, based on a courtyard in Florence, Italy, from a sepia print I inherited from my Grandfather who got it there in 1896.

The stories go on. My friend lived 5 years longer.”

Colophon: “Resurrected and transmogrified etchings form the basis for this Infinitesimal edition, primarily printed letterpress. Actual copies: Seven, using Dante and Goudy Engraved. Text papers include Arches BFK, and Somerset. Endpapers & concertina guards: Nefertiti, Long ago made by hand at Barcham Green Mill, and hoarded by me Awaiting the right project! Overprinted relief-roll etchings When Murshid Sings and Earthquake, may include laser-print, egg tempura, Assorted colored pencils, polymer plates, Xerox, cut-outs, sewing & Reticulated energy patterns. The laced-cords wooden board binding You are holding, is based on an 8th c. model. Hand-planed covers, Laboriously covered with deer or goatskin, are fitted with brass Ornaments. Thanks to both Laura Wait & Michael Burke, models of Undying inspiration. Copies are hand numbered.” Rare Books copy is no. 2.”

Artist’s addendum to colophon: “Maple and cherry covers are not covered. Bas-relief of right and left hand, carved into the front and back covers.

Hand

Books come enclosed in drop spine boxes. Trays are black calf or goatskin lined with white deer or golden elk skin. Outer covers: there are two purple ostrich and two of teal ostrich; two more of lime green bovine; and one in lime green goatskin.

Cover

Leather straps match the outer covers, and attach to brass hand-filed knobs on the fore-edge. A copper disc is inlaid on the front cover, a debossed crescent moon at its base. My Opus.”

Photographs by Scott Beadles

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We recommend – Religion of a Different Color: Race and the Mormon Struggle for Whiteness

25 Thursday Jun 2015

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citizenship, history, Mitt Romney, Mormon, Mormonism, Mormons, New York, Oxford University Press, polygamy, Protestant, race, racial, religion, The University of Utah, United States, W. Paul Reeve


Religion of a Different Color: Race and the Mormon Struggle for Whiteness
W. Paul Reeve
New York: Oxford University Press, 2015

The Protestant white majority in nineteenth-century United States was convinced that Mormonism represented a racial – not merely religious – departure from the mainstream and they spent considerable effort attempting to deny Mormon whiteness. Being white equaled access to political, social, and economic power, all aspects of citizenship in which outsiders sought to limit or prevent Mormon participation. At least a part of those efforts came through persistent attacks on the collective Mormon body, ways in which outsiders suggested that Mormons were physically different, racially more similar to marginalized groups than they were white. Medical doctors went so far as to suggest that Mormon polygamy was spawning a new race. Mormons responded with aspirations toward whiteness. It was a back and forth struggle between what outsiders imagined and what Mormons believed. Mormons ultimately emerged triumphant, but not unscathed. A portion of the cost of their struggle came at the expense of their own black converts. Mormon leaders moved away from universalistic ideals toward segregated priesthood and temples, policies held firmly in place by the early twentieth century. So successful were they at claiming whiteness for themselves, that by the time Mormon Mitt Romney sought the Presidency in 2012, he was labelled “The whitest white man to run for office in recent memory.” Mormons once again found themselves on the wrong side of white.

W. Paul Reeve is Associate Professor, History, The University of Utah.

BX8611-R44-2015-cover

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Book of the Week – Bishop Burnet’s History of his Own Time

30 Monday Mar 2015

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anti-Catholic, Commonwealth of England, Dutch, Elizabethan Religious Settlement, English Civil War, English Reformation, French, Gilbert Burnet (1643-1715), Greek, Hebrew, Henry VIII, Henry Woodfall, James II, Joseph Downing, Latin, London, Nicholas Sanders, politics, religion, Salisbury, Scotland, theology, Thomas Ward, Treaty of Utrecht, William of Orange


Bishop Burnet’s History of his Own Time
Gilbert Burnet (1643-1715)
London: Thomas Ward, Joseph Downing & Henry Woodfall, 1724-34
First edition
DA430 B955

Scottish theologian and religious leader Gilbert Burnet was an influential advisor to William and Mary. Burnet’s anti-Catholic writing and preaching gained him the friendship of William of Orange at The Hague. He became bishop of Salisbury. He was fluent in Dutch, French, Latin, Greek, and Hebrew. In the mid-1670s a French translation of Nicholas Sanders’ De origine et progressu schismatio Anglicani librie tres (1585) appeared. Sanders attacked the English Reformation as a political act carried out by a corrupt king. Several of Burnet’s friends wished him to publish a rebuttal of the work.

In 1679 the first volume of The History of the Reformation of the Church of England was published. It covered the reign of Henry VIII. The second volume (1681) covered the reign of Elizabeth and the Elizabethan Religious Settlement. The third volume (1714) consisted of corrections and additional material. Burnet began his History of His Own Time in 1683, covering the English Civil War and the Commonwealth of England to the Treaty of Utrecht of 1713. This chronicle of the political and religious events during his lifetime demonstrated his fierce bias against James II and was a celebrated book at the time of publication.

Undecorated sheep over six raised double cords. Striped cloth bands pasted to head and tail.

 

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SHHHHHH!

24 Tuesday Mar 2015

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anonymous, ASUU, banned, books, censored, College of Humanities, consumption, Department of English, expurgated, forbidden, Galileo, J. D. Salinger, J. Willard Marriott Library, Jonathan Swift, magazines, Mark Twain, newspapers, Octavio Paz, pamphlets, paper, philosophy, poetry, politics, press, public, published, Rare Books Division, redacted, religion, S. J. Quinney College of Law, science, Tanner Humanities Center, The University of Utah, Thomas Hobbes, XMission

Secrecy_UBN
When: Thursday, April 9, 3-5PM
Where: Rare Books Classroom, level 4, J. Willard Marriott Library, The University of Utah

This event is free and open to the public.

“Shhhhhh!:Books Banned, Forbidden, Censored, Redacted, Expurgated, Published Anonymously and Otherwise Attempted to be Kept from Public Consumption”

“…the danger of certain books is not in the books themselves but in the passions of their readers.” – Octavio Paz

The Rare Books Division presents a hands-on display of books, pamphlets, newspapers, and magazines that were banned, forbidden, censored, redacted, expurgated, published anonymously and otherwise attempted to be kept from public consumption. From religious and political writings to science, philosophy and poetry; from 14th century Haggadah’s to 20th century novels, hold pieces of paper that were deemed by some too dangerous to exist. This presentation includes first editions of Galileo’s Dialogo (1632), Hobbes’ Leviathan (1651), Swift’s Travels (1726), Twain’s Adventures of Huckleberry Finn (1884), Salinger’s Catcher in the Rye (1951) and many other books too hot to handle when they were hot off the press.

Secrecy Week is sponsored by

College of Humanities LogoCollege of Humanities

XMissionXMisson

ASUU LogoASUU

Additional sponsors

Tanner Humanities Center

J. Willard Marriott Library

S. J. Quinney College of Law

Department of English

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A Donation Makes Poly Poly’s

26 Wednesday Nov 2014

Posted by rarebooks in Donations

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agriculture, alphabet, Amsterdam, anatomy, Antonio Blado, Antwerp, architecture, astrology, astronomy, Barbara Chavira, Basel, Bible, Bonaventura Elzevir, bookbinders, booksellers, celibacy, censored, Christianity, Christopher Plantin, commerce, creation, Daniel Elzevir, Elizabeth Isengrin, England, English, engraved, Ethiopian Church, Europe, expurgated, fable, festivals, French, frontispiece, German, God, Greek, Hebrew, heresy, hunting, Index of Forbidden Books, indulgences, initials, Italian, italic, Judaism, King Arthur, Latin, law, Leonhart Fuchs, libraries, Louis Elzevir, Lucovico Arrighi, Lyons, magic, Martin Luther, mathematics, medicine, Michael Isengrin, minerology, monks, music, navigation, paganism, painting, pharmacology, physics, Polydore Vergil, Pope Gregory XIII, priest, printer, printing, Protestant, Rare Books Division, Reformation, religion, Roman, Roman Catholic Church, Rome, Salt Lake City Public Library, Shakespeare, Spanish, sports, theater, Thomas Guarin, Tournai, trade, typography, Utrecht, vellum, vignettes, weaponry, winemaking, writing

The Salt Lake City Public Library donated a sixteenth century book to the Rare Books Division, thanks to the well-trained eye of City Library staffer Barbara Chavira. Barbara worked part-time in the Rare Books Division for many years. Her passion for the art of books, in all forms and over the centuries, brought us this important and welcome addition to the rare book collections. Thank you, Barbara ! Thank you, City Library !

PA8585-V4-D4-1576-a4

 

 

 

 

 

 

 

 

POLYDORI VIRGILII VRBINATIS DE RERVM INVENTORIBVS…
Romae, apud haeredes antonij, Bladij, Impressores Camerales: Anno. M.D. LXXVI (1576)

Polydore Vergil (ca. 1470-1555), an Italian priest, spent much of his life in England. He is recognized for his history of England, a work that Shakespeare is known to have used as one of his sources. Vergil used critical analysis in his narration of historical events. His thesis that King Arthur was little more than fable, for instance, shocked contemporary readers.

It is his second published work, however, for which he was best known in his time. First printed in 1499, De rerum inventoribus (On Discovery), was a work unlike anything that had been published before. An inventory of historical “firsts,” it combined a wide array of subjects in an attempt to determine which individual or culture first invented things such as the alphabet, astronomy, magic, printing, libraries, hunting, festivals, writing, painting, weaponry and religion. Vergil culled much of his work from a wide range of ancient and contemporary writers. He focused on the genius of man in the origin or invention of all things – heretical thinking at the time.

In Book I he investigated the creation of the world, the origin of religion, the origin of the concepts of “god” and the word “God.” He suggested that much of Christianity had been adapted from Judaism or Roman paganism. Books II and III were studies of a wide-range of topics, mostly concerning the practical and mechanical arts including anatomy, astrology, law, medicine, commerce, mathematics, mineralogy, music, pharmacology, physics, trade, agriculture, architecture, sports, theater, navigation, and winemaking. The work was translated into French in 1521, German in 1537, English in 1546, and Spanish in 1551.

In 1521, more than two decades after he wrote the first three books, and at the dawn of Martin Luther’s protestant reformation, Vergil added five more books concentrating on Christianity. Vergil reworked his discussion of Christianity in deference to the Roman Catholic Church, which objected to Vergil’s reference to religion as a matter of scientific investigation. In spite of this concession, Vergil anticipated the scientific approach to religion that would become the norm a century later. The intended salve to the church failed when Vergil criticized monks, priestly celibacy, and indulgences. In 1564 the work was declared heretical and all editions were added to the Index of Forbidden Books. However, the work was so popular that two censored editions were printed after the ban.

This 1576 expurgated edition was sanctioned by Pope Gregory XIII in its front matter.

PA8585-V4-D4-1576-a2

PA8585-V4-D4-1570-CaGlorius

It is significant that this edition was printed by the heirs of Antonio Blado’s shop.

PA8585-V4-D4-1576-titlepage

PA8585-V4-D4-1576-regestvm

Blado worked in Rome from 1515 to 1567 as a printer in the service of the papacy. He was well-known for his scholarly works in Latin, Greek, and Hebrew; and a 1549 document in Ethiopic type for the Ethiopian Church. Blado is also known for his use of an early italic type created by Ludovico Arrighi. The Rare Books Division holds five books printed by Antonio Blado.

This 1576 edition of Vergil joins an edition from 1570 and another from 1671, already in the rare book collections.

PA8585-V4-D4-1570-titlepagePA8585-V4-D4-1570-colophon

POLYDORI VERGILII VRBINATIS, DE RERUM INVENTORIBUS…
Polydore Vergil (1470? – 1555)
Basilea: 1570

Printer Thomas Guarin (1529-1592) was born in Tournai. He worked in Lyons as a bookseller, but by 1557 was in Basel, where he married Elizabeth Isengrin, the daughter of a printer. Guarin took over his father-in-law’s small press at Michael Isengrin’s death. Michael Isengrin had printed one of the many editions of De rerum inventoribus to be published in Vergil’s lifetime. Each of these editions contained significant variations. Isengrin printed Leonhart Fuchs’s sumptuous De Historia stirpivm. Along with the reprint of classical works, Guarin issued several editions of the Bible, published in both Latin and German, and one in Spanish. His printer’s device was a palm tree.

PA8585-V4-D4-1570-printersdevice

 

 

 

 

 

 

 

 

PA8585-V4-D4-1671-frontispiece

POLYDORI VERGILII URBINATIS, DE INVENTORIBUS RERUM…
Polydore Vergil (1470?-1555)
Amstelodami: apud Danielem Elzebirius, 1671

Daniel Elzevir came from a distinguished family of booksellers, bookbinders, printers and publishers. Louis Elzevir (1546-1617), a Protestant émigré, began the business in Antwerp in about 1565, after he left a job with Christopher Plantin’s print shop. The Elzevir enterprise became one of Europe’s largest printing houses. Louis’s sons expanded the business with branches in The Hague, Utrecht, and Amsterdam. The Amsterdam branch was established in 1638 by Louis III. His partner was Daniel Elzevir, son of Bonaventura Elzevir, son of Louis. Daniel continued the family reputation for fine typography and design work. This edition of De Rerum inventoribus also contains another of Vergil’s works, Prodigiis, written in 1526 but not printed until 1531. The engraved frontispiece for this edition includes the invention of printing as one of its main themes. Numerous carved initials and vignettes. Bound in contemporary vellum.

Shakespeare is coming! The First Folio will arrive at the City Library in October.

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Book of the Week – Ladies’ Companion

14 Tuesday Oct 2014

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education, Lyman Gale, manners, marriage, religion, Spy Office, Worcester


Ladies’ Companion: containing first, politeness of…
Lyman Gale, compiler
Worcester: printed at the Spy Office, 1824
First edition
BJ1681 L15 1824

Sections include lessons on manners, education, religion, marriage and “Fables for the Female Sex.” From the preface, “In offering this work to the public, the compiler was actuated by a desire to place before the female sex, some rules of conduct, and traits of character, which she deemed essential, in order to render their lives useful and pleasant, and make them amiable and agreeable, to those with whom they associate here; and to point out to them, the inestimable value of religion and virtue…” Bound in contemporary mottled sheep with gild burgundy morocco label.

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Book of the Week – An Alphabetical Compendium of Various Sects…

25 Monday Aug 2014

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bookselling, Boston, Edes, England, geography, Greek, Hannah Adams, Jewry, John Adams, Latin, logic, Massachusetts, religion, Shakers, Unitarian, United States


An Alphabetical Compendium of Various Sects…
Hannah Adams (1755-1831)
Boston: Printed by B. Edes & Sons, 1784
First edition
BL31 A3 1784

Hannah Adams was one of the first women in the United States to make a living as writer. Born in Massachusetts, Adams was a distant cousin of President John Adams and the daughter of a lifelong bibliophile called “Book” Adams, who failed an attempt at bookselling. Too frail to go to school, she was taught Latin, Greek, geography and logic along with theological students who boarded with her family.

One of the students introduced her to Broughton’s Dictionary of Religions, which led to her interest in writing on religion. At the age of seventeen, her father faced bankruptcy. Adams helped sustain the family by selling her lace and by teaching. The sale of her books added to her income.

Alphabetical Compendium was an important contribution to American religious literature. In her book, Adams (a Unitarian) represented denominations from the perspective of their adherents, without injecting her own opinions. It includes one of the earliest accounts of the Shakers and a description of contemporary Jewry. This work went through four editions in the United States, each under a different title, and was also published in England.

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