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Tag Archives: Civil War

Banned! La ligue, ou, Henry le Grand: Poemes Epique

25 Tuesday Sep 2018

Posted by rarebooks in Uncategorized

≈ Comments Off on Banned! La ligue, ou, Henry le Grand: Poemes Epique

Tags

censors, Civil War, France, French, Geneve, Henri IV, king, Mokpap, monarch, poem, Protestant, religious toleration, Rouen, royal, Viret, Voltaire

La ligue, ou, Henry le Grand: Poemes Epique
Voltaire
A Geneve: Chez Jean Mokpap, MDCXXIII (1723)
PQ2080 H4 1723

This epic poem was first published in 1723 as a pirated edition of 216 pages, followed by a genuine first edition of 231 pages. In spite of the imprint, the pirated edition was published in Rouen, at the press of Viret, not in Geneva by Jean Mokpap (a made-up name).

La Ligue, later enlarged to become La Henriade, contained what censors deemed heresy. Voltaire lovingly portrayed Henri IV, the French monarch who brought France’s civil wars to an end. In the poem, Voltaire treats the king as the forerunner of religious toleration, depicting him as a liberal who supported the Protestant cause.

Royal censors demanded suppressions to the poem that Voltaire refused to make. He took the manuscript to Rouen where it was printed in secret.

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On Jon’s Desk: Uncle Tom’s Cabin — not just some backwoods book

24 Wednesday Aug 2016

Posted by Jonathan Bingham in On Jon's Desk

≈ 2 Comments

Tags

Abraham Lincoln, American Frontier, Civil War, Clarke & Co., Early Great Britain Edition, Harriet Beecher Stowe, Jewett Proctor & Worthington, John P. Jewett & Company, Jon Bingham, slavery, U.S. First Edition, Uncle Tom's Cabin

PS2954-U5-E52a- title_page

Title Page, U.S. First Edition, March 1852

PS2954-U5-1852-title_page

Title Page, Early Great Britain Edition, May 1852

Title: Uncle Tom’s Cabin; or, Life Among the Lowly (United States) / Uncle Tom’s Cabin; or, Negro Life in the Slave States of America (Great Britain)

Author: Harriet Beecher Stowe

First Edition (U.S.) / Early Edition (G.B.)

Published: Boston: John P. Jewett & Company, 1852; Cleveland, Ohio: Jewett, Proctor & Worthington, 1852 (U.S.) / London: Clarke & Co., 1852 (G.B.)

Pages: U.S. edition comprised of two volumes; volume one with 312 pages and volume two with 322 pages. G.B. edition is single volume containing 380 pages. U.S. edition contains six full page illustrations; G.B. edition contains fifty full page illustrations.

Call Number: PS2954 U5 E52a (U.S.) / PS2954 U5 1852 (G.B.)

PS2954-U5-E52a-page_62_plate

U.S. First Edition, Illustration, Page 62

PS2954-U5-1852-page_125_plate

Early Great Britain Edition, Illustration, Page 125

When Harriet Beecher Stowe conceived Uncle Tom’s Cabin during the early 1850’s she was living in Cincinnati, Ohio, at the time part of the western frontier. Living in Cincinnati, directly across the Ohio River from the slave state of Kentucky, Stowe was exposed to fugitive slaves and often heard firsthand accounts of the horrors experienced by formerly enslaved people. Sympathetic to their suffering, she wrote Uncle Tom’s Cabin to expose the tragedies she was hearing about and included many aspects of the firsthand accounts she had heard into the story.

In her concluding remarks Stowe assures us the story is based on true events. She wrote,

“The writer has often been inquired of, by correspondents from different parts of the country, whether this narrative is a true one; and to the inquiries she will give one general answer.

The separate incidents that compose the narrative are to a very great extent authentic, occurring, many of them, either under her own observation or that of her personal friends. She or her friends have         observed characters and the counterparts of almost all that are here introduced; and many of the sayings are word for word as heard herself, or reported to her.”

Stowe’s story from the backwoods of the western frontier became immediately successful throughout the country and quickly thereafter throughout the Western Hemisphere. Initially released as a weekly serial in a newspaper called The National Era from June 1851 to April 1852, Uncle Tom’s Cabin was then printed by John P. Jewett and released March 20, 1852. It sold 3,000 copies the first day, 10,000 copies in the first week, and in the United States 300,000 copies the first year. In Great Britain 200,000 copies were sold the first year, with sales there reaching 1.5 million copies after only a few years. Many of these were infringing, or pirated, editions, having been printed and sold without permission by the copyright owner.

In today’s terms we would say Uncle Tom’s Cabin went viral overnight. Stowe ignited a spark with her writing that caused flames to rise on multiple continents. Her novel brought compassion to the heated economic debate already centuries old, an emotion many had worked hard to suppress. The pen and paper Stowe put to incredible use in a city on the edge of the American frontier played an unquestionable role in history. Ten years after the novel’s publication, when U.S. President Abraham Lincoln met Stowe in 1862, he remarked, “So you’re the little woman who wrote the book that made this great war!”

Stowe’s concluding admonition in the novel’s final comments is a strong rebuke on the nation and, as seen by the popularity of Uncle Tom’s Cabin in Great Britain, was found completely fitting for application on the world at the time as a whole. She wrote,

“Not by combining together to protect injustice and cruelty, and making a common capital of sin, is this Union to be saved – but by repentance, justice, and mercy; for not surer is the eternal law by which the millstone sinks in the ocean, than that stronger law by which injustice and cruelty shall bring on nations the wrath of Almighty God!”

Harriet Beecher Stowe wrote Uncle Tom’s Cabin as a critique on the most divisive topic of her time more than one hundred and sixty years ago. Holding these historic editions and reading these words helps us to realize that even after all this time there is a great deal left to accomplish in protecting justice and mercy. Little wonder millions of copies of Uncle Tom’s Cabin have been sold; perhaps a few million more need to be.

Contributed by Jon Bingham, Rare Books Curator

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Memorial Day 2015

25 Monday May 2015

Posted by rarebooks in Book of the Week

≈ 1 Comment

Tags

Alfred H. Guernsey (1824-1902), Chicago, Civil War, engravings, Harper's Weekly, Henry M. Alden, Kaleidograph Press, Luise Putcamp jr, New York, Sonnets for Survivors, Thomas Nast, United States, Winslow Homer

AFTERMATH

My heart’s a scrapbook pasted by a child.
The lines run rampant and the colors wild
In pictures unrelated, and the words
Hop inconsistent like the tracks of birds.
And every other page holds empty space
Where time tore out the pictures of your face.

Luise Putcamp jr from Sonnets for Survivors, Kaleidograph Press, 1952
“Aftermath” published here with permission of the author



Harper’s Pictorial History of the Great Rebellion
Alfred H. Guernsey (1824-1902)
Chicago, IL: McDonnell Bros, 1866-1868
E468.7 G932 1866 oversize

Culled from the pages of Harper’s Weekly, the most popular magazine of its day, Harper’s Pictorial History of the Great Rebellion illustrated the chronology of the Civil War and a brief history of the United States with an emphasis on the causes of the war. Most of the copy was taken directly from issues of the magazine as it covered the war. Harper’s sent both reporters and artists with the troops. Nearly one thousand original engravings kept recent past in memory: battle scenes, camps, marches, soldier life, portraits of officers, and maps. Artists such as Thomas Nast and Winslow Homer contributed to the magazine. Editors Alfred H. Guernsey and Henry M. Alden worked to compile and publish a definitive history of the war, using their own magazine as their main source, adding unpublished information as well. The Chicago edition was issued contemporaneously with the New York first edition, using the same sheets.

 

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“Time travel exists” – University of Utah student Mary Royal writes about Rare Books impact

22 Friday May 2015

Posted by rarebooks in Uncategorized

≈ 1 Comment

Tags

1790, Alison Conner, America, American Revolution, Benjamin Franklin, Civil War, Euclid, First Acts of the First Session of Congress of the United States, Gutenberg Bible, history, John Locke, Luise Poulton, Marriott Library, Mary Alicia Royal, Nathaniel Rochester, New York, printing, rare books, Reformation, Rochester, S. J. Quinney College of Law, Special Collections, University of Utah, War of 1812

Time travel exists. On the fourth floor of the Marriott Library I have sat with the founding fathers as they pondered the questions facing the new nation on the heels of the American Revolution, been astounded at the invention of movable type in the revolution of the printing process, and solved mathematical principles with Euclid. While the famous people who turned the wheels of history are not miraculously hiding out on the U’s campus, the works they created are.

QA31-E86-E5-1482-FirstPage

The rare books collection holds treasures from all corners of the globe that are available to anyone who wishes to uncover the magical milestones in history that helped to shape our present reality. A simple trip to the rare books will undoubtedly inspire and present questions that will lead to more trips back to the collection.

My freshman year at the U I took a class on the Reformation. The syllabus for the course dictated that on a certain day we would gather at the rare books collection at the library. At the time I didn’t know what to expect, and I certainly didn’t realize that this one time excursion out of the classroom and into the library would forever change my experience at the U and my understanding and passion for the study of history.

My class filed into the special collections classroom and were told to wipe our hands with baby wipes. As we cleaned our hands a large hardbound book was set before us. The book was obviously old and as the cover was opened to reveal the pages inside, it was clear it was not of this era. The thickness of the pages, paired with the indentation of the lettering on the page served as clues into a past that was far richer than any normal book in the shelves standing in the library below.

As I stared at the pages, completely enamored by their coloration, markings and engravings, the curator explained that the page sitting before us was an original leaflet of the Gutenberg Bible. Yes, that Gutenberg Bible, the first book printed after the invention of movable type. My heart started racing. I was standing in the same room, feet away from one of the most influential pieces of history in the world. This excitement I felt was multiplied when we were informed that we could come forward and hold it in our hands.


I think I partly expected to have to put on special gloves and admire the copy under glass. But as I moved up in the line, it became clear that I could hold the copy, no gloves, no glass, just me and the book. When the curator put the book in my hands, it was a feeling that I had never felt before. I can only explain it as a mixture of admiration, gratitude, and awe. For those brief moments that I held the leaflet of the Gutenberg Bible in my bare hands, the past and present collided. I was touching the same pages that came off the press nearly 550 years earlier.

I ran my hand over the page and could feel the indentations of the letters, and smell the old fibers of the paper. From this point on my experience at the U was forever changed. It wasn’t long after that trip to the rare books that I made the decision to declare my academic major in history. Every history class I took from that moment until my graduation I would find myself returning to the rare books.

Walking through the doors of the collection, for me, was like taking a step outside of the busy world we live in, to spend a few unadulterated moments with my historical friends. There have been times over the years that I have admittedly been moved to tears at the sight of certain books, and have felt completely unworthy to be in their presence. This happened recently during a project for my Worlds of Benjamin Franklin class.

As a requirement of the course we had to pick a book in the rare books to study and report on. After meeting with Luise Poulton, who was more than willing to sit down with me and explore options for the project, I decided upon the First Acts of the First Session of Congress of the United States. The cover of the book had completely separated from the spine of the book and the pages were old, some of them bent, with writing and notes filling the inside.


As I carefully turned the pages, I was overcome with the sense that I was holding a piece of America. This book is a first edition that was printed in 1790. As I researched the book, I discovered that this particular one was once the property of Nathaniel Rochester, a veteran of the Revolutionary War and the founder of Rochester, New York. As I began to unveil the history lurking behind the signatures on the inside cover I discovered that the book had also gone through the hands of veterans of the War of 1812 and the Civil War as well as influential legal minds in our country’s formative years. And finally, as I sat in the rare books reading room, I became the next person in the storied line of individuals who had the fortune of being part of this book’s history.

As a new graduate of the University of Utah’s History department I’ve spent recent days reflecting on my time at the U. During this reflection I have pondered on both the people that shaped my experiences as well as places that aided in the enrichment of educational pursuits. Although I have encountered multiple people and places that influenced the completion of my degree, I can say, without hesitation, that the rare books collection had the greatest impact on my desire to study history.

While my time in undergrad has come to an end, my relationship with the rare books collection is far from over. As I begin my legal studies at the U’s SJ Quinney College of Law this fall, I know I will find myself visiting a new set of historical friends. I’m confident the writings of John Locke have untold stories and lessons to teach me as I pursue my juris doctorate.


I have told Luise Poulton and Alison Conner, curators in the rare books department, on multiple occasions that I wish I could spend all day in the collection, going through the pages of history that the U has been charged with the immense responsibility of caring for. My wish for future generations of students at the U is that they have the opportunity, to visit the collection and experience the unparalleled feeling and emotion that accompany the opportunity to hold history in your hands. How lucky we are, as students past and present of the U, to have access to such a resource!

Mary Alicia Royal, BA, Class of 2015

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Book of the Week – WEST INDIES, LTD.: POEMAS

23 Monday Mar 2015

Posted by rarebooks in Book of the Week

≈ Comments Off on Book of the Week – WEST INDIES, LTD.: POEMAS

Tags

Civil War, Communist Party, Cuba, drums, Garcia, Gerardo Machado, Havana, Hispanic, journalism, Nicolás Guillén (1902-1989), poetry, Spain, typography, United States, University of Havana, West Indies

West Indies, Ltd., 1934

WEST INDIES, LTD.: POEMAS
Nicolás Guillén (1902-1989)
La Habana: Imp.Ucar, Garcia y cia., 1934
First edition
PQ7389 G84 W4 1934

Nicolás Cristóbal Guillén Batista was a Cuban journalist, political activist and poet. Born of Afro-Cuban parents, he studied law at the University of Havana, but abandoned a legal career for typography and journalism. West Indies, Ltd. was his first collection of poetry with political overtones, reflecting the 1933 overthrow of Gerardo Machado’s dictatorial regime and the political repression that followed.

In 1936, Guillén was arrested and jailed. In 1937 he joined the Communist Party. He covered Spain’s Civil War as a reporter. In 1941 he was refused entry into the United States but traveled the rest of the world extensively. He was the inaugural winner of Cuba’s National Prize for Literature in 1983. His poetry is representative of “poesía negra,” a synthesis of black and Hispanic cultures, and is noted for its imitations of drums and drum-like rhythms.

alluNeedSingleLine

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Book of the Week – East of Eden

07 Tuesday Oct 2014

Posted by rarebooks in Book of the Week

≈ 1 Comment

Tags

American, Cain and Abel, Civil War, East of Eden, John Steinbeck, New York, Nobel Prize for Literature, Viking Press, World War I


East of Eden
John Steinbeck (1902-1968)
New York: Viking Press, 1952
First edition
PS3537 T3234 E18

This is the story of two American families between the Civil War and World War I. Of this retelling of the tale of Cain and Abel, John Steinbeck wrote, “[it] has everything in it I have been able to learn about my art or craft or profession in all these years…I think everything else I have written has been…practice for this.” He later called the novel, “the story of my country and the story of me.”

A contemporary reviewer wrote, “Steinbeck is never dull and, even if you miss his message, you’ll not be bored. There is only one Steinbeck and no one writes about ‘his people’ as well.” However, the novel was not generally well-accepted by most reviewers at the time, who judged it heavy-handed and pedantic.

Ten years later, Steinbeck would be awarded the Nobel Prize for Literature. East of Eden, published in September of 1952 was number one on the bestseller list by November of that year. It has never gone out of print.

alluNeedSingleLine

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