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Tag Archives: College Book Arts Association

Looking Forward to Book Arts Program Workshop, “Up-cycled Stories: Books as Process”

20 Friday May 2016

Posted by rarebooks in Recommended Workshop

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Tags

Arches Text Wove, artists' books, Big Caslon, binding, blind-embossed, Book Arts Program, Book Arts Studio, bookmaking, books, Boston College, Bugra, Center for Book Arts, collage, College Book Arts Association, color, Emily Tipps, English, Granary Books, handmade, Harvard, High5 Press, ink, J. Willard Marriott Library, Julianna Christie, letterpress, literature, Marnie Powers-Torrey, New York City, photograpy, photopolymer plates, pochoir, Red Butte Press, Salt Lake City, shape, Stonehenge, storytelling, text, texture, University of Alabama, University of Colorado, University of Utah, Utah, Vandercook SP-15, Wellesley College, Wesleyan University

Rare Books is proud to support the Book Arts Program with its collections. For more information about the Book Arts Program and future workshops, visit their website or like them on Facebook.

Up-cycled Stories: Books as Process
Julianna Christie, Marnie Powers-Torrey & Emily Tipps

May 28 
Saturday, 10:00–6:00
Book Arts Studio, J. Willard Marriott Library, Level 4
Free spots are limited; please apply here. The application deadline is April 14.
Additional spots: $110, register here.
Registration is closed!

Bring a personally challenging story to retell in a new light or a daily routine to reconsider and reframe. With a focus on finding joy and beauty in the everyday, participants stamp out insecurities, recontextualize shortcomings, and re-imagine the self in book form. In this workshop, employ ink, brushes, stamps, mark-making tools, text, and re-collected common objects to produce process pages. Through a reimagining of the past, reinvent present perspective with an open heart, mind, and eyes toward gratitude and compassion. Instructors demonstrate a binding to be completed post-workshop from produced sheets. Come with a willingness to play with color, shape, narrative, and texture.
– – – – –

Julianna Christie graduated from Wellesley College and holds a BA in English Literature and Studio Art, with an emphasis in bookmaking. Upon graduating, she worked at the Center for Book Arts and Granary Books in New York City. She has been making books for over 20 years, with books held in Special Collections libraries at Wellesley College and Harvard. She incorporates collage, photography, sewing and love into her books. Julianna is also a life coach, specializing in personal growth and transformation. In her coaching, she invites clients to explore the art of storytelling, using words and imagery to examine and ultimately re-conceive a happy life.

Marnie Powers-Torrey holds an MFA in photography from the University of Utah and a BA in English and Philosophy from Boston College’s Honors Program. She is the Managing Director of the Book Arts Program and Red Butte Press, an Associate Librarian (Lecturer), and academic advisor for minor and certificate students in Book Arts. Marnie teaches letterpress printing, artists’ books, and other courses for the Book Arts Program and elsewhere. She is master printer for the Red Butte Press, harnessing the mighty printing power of a full staff of excellent printers. A founding member of the College Book Arts Association, she served as Awards Chair for three years and currently serves on the board of directors. Her work is exhibited and held in collections nationally.

N7433.4-P69-E8-2000-Front
N7433.4-P69-E8-2000-back

Evidence
Marnie Powers-Torrey
Salt Lake City, UT: M. Powers-Torrey, 2000
N7433.4 P69 E8 2000

Edition of ten copies. University of Utah copy is no. 4, signed by the author.

Emily Tipps is the Binding Instructor, Program Manager, and an Assistant Librarian (Lecturer) at the Book Arts Program at the University of Utah, as well as the proprietor of High5 Press, which publishes innovative writing in the form of handmade artists’ books. She holds a BA in English from Wesleyan University, an MA in Creative Writing from the University of Colorado, and an MFA in Book Arts from the University of Alabama. Emily’s work is exhibited and held in collections nationally.

N7433.4-T574-O73-2007-spread
N7433.4-T574-O73-2007-spread2

Orders
Emily Tipps
Tuscaloosa, AL: High5 Press, 2007
N7433.4 T574 O73 2007

Letterpress printed from photopolymer plates on a Vandercook SP-15. Paper is Arches Text Wove and Stonehenge. Text type is Big Caslon. Pochoir illustrations. Endsheets are gray Bugra paper. Handsewn binding in black Stone Henge paper covers. Front cover blind-embossed. Edition of sixty copies. University of Utah copy is no. 42.

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Recommended Workshop – Sunlight on Paper: Prints of Blue

13 Friday Jun 2014

Posted by rarebooks in Recommended Workshop

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Tags

artists' books, Book Arts Program, Book Arts Studio, Boston College, College Book Arts Association, cyanotype, English, J. Willard Marriott Library, letterpress printing, Marnie Powers-Torrey, philosophy, photography, Red Butte Press, The University of Utah, Utah State Board of Education

The Book Arts Program presents
Sunlight on Paper: Prints of Blue

Saturday, August 16
1:30PM-5PM
Book Arts Studio, Level 4
J. Willard Marriott Library
Workshop Fee: $45
Materials Fee: $15

Produce vivid blue prints from opaque silhouettes, hand-drawn imagery, transparent photocopies, ortholithographic film, or digitally produced transparencies. With a simple set-up that can be repeated at home, expose hand-coated sheets to natural light for a unique, tactile photographic print. A thrilling new technology in the 1840s, the cyanotype is celebrated today for its hand-generated possibilities through low-tech practices.

Instructor Marnie Powers-Torrey holds an MFA in photography from the University of Utah and a BA in English and Philosophy from Boston College’s Honors Program. She is the Managing Director of the Book Arts Program and Red Butte Press, an Associate Librarian (Lecturer), and academic advisor for the minor and certificate in book arts. Marnie teaches letterpress printing, artists’ books, and other courses for the Book Arts Program and elsewhere. She is master printer for the Red Butte Press, harnessing the mighty printing power of a full staff of excellent printers. A founding member of the College Book Arts Association, she served as Awards Chair for three years and currently serves on the board of directors. Her work is exhibited and held in collections nationally.

Relicensure points are available from the Utah State Board of Education.

For more information:bookartsprogram@utah.edu or 801-585-9191

The Rare Books Division supports the Book Arts Program through its collections.

Photographers in Arizona, 1850-1020: A History and Directory
Jeremy Rowe
Nevada City, CA: Carl Mautz Publishing, 1997
TR24 A7 R69 1997b

From the colophon: “This special edition…is limited to 100 numbered copies, each including an original cyanotype printed in 1996 by James Hajicek from a vintage dry plate negative in the collection of Jeremy Rowe…” University of Utah copy is no. 92, signed by the author.
TR24 A7 R69 1997b

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Recommended Workshop – Photopolymer Intaglio Printing

17 Thursday Apr 2014

Posted by rarebooks in Recommended Workshop

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Tags

Asbern, Book Arts Guild, Book Arts Program, College Book Arts Association, Diane Fine, etching press, Gravel Press, gum bichromate prints, intaglio, Mare Blocker, Marnie Powers-Torrey, MKimberly Press, Moonkosh Press, National Museum for Women in the Arts, photolithographs, photopolymer, photopolymer plates, Twentieth Century Medium Italic, University of Idaho, University of Utah, University of Washington

The Book Arts Program presents

Photopolymer Intaglio Printing

Friday & Saturday, May 9 & 10
9:00a – 5:00p
Book Arts Studio, Level 4
J. Willard Marriott Library
Workshop fee: $160; Materials fee: $45

In this two-day printmaking powwow, Mare Blocker outlines methods for making images on transparencies as well as strategies for photopolymer intaglio printing and registration. Participants use black or tonal artwork on clear transparency to expose and develop a light sensitive photopolymer plate. By hand-wiping the photopolymer plate, participants create an original intaglio print using an etching press. Suitable for recreating an impression of a photographic image, rather than a highly detailed version. This method is ideal for those who want to reduce toxic materials in their studios. Discussion topics include ink, paper, and dampening choices. Open to all ages. Drawing experience preferred but not required.

Mare Blocker has been making limited edition and unique books since 1979 and established the MKimberly Press in 1984. She earned a BFA in Ceramic Sculpture at the University of Washington and an MFA at the University of Idaho. Her work can be found in over 85 public collections and museums including The Victoria and Albert, the J. Paul Getty Museum, The University of Washington Special Collections, The Albertson Library at Boise State University, and The Library of Congress. Mare has been a Library Fellow award winner from the National Museum for Women in the Arts, Washington, DC and a Sally R Bishop Artist in Residence at the Center for Book Arts in New York. She is the President of the Book Arts Guild, and is on the Board of Directors for the College Book Arts Association.

The Rare Books Division holds examples of these techniques:

A Casual Commentary: front seat, u.s.a.
Marnie Powers-Torrey
Salt Lake City: UT: M. Powers-Torrey, 1999
N7433.4 P69 C37 1999

Typeface is Twentieth Century Medium Italic. Handset and printed on an Asbern letterpress. Photographs are gum bichromate prints, photolithographs, and intaglio prints from photopolymer plates. Edition of 15 copies, signed and numbered. University of Utah copy is no. 4.

Powers-Torrey, A Casual Commentary, 1999
Powers-Torrey, A Casual Commentary, 1999
Powers-Torrey, A Casual Commentary, 1999

Powers-Torrey, A Casual Commentary, 1999

Sojourn
Diane Fine
San Francisco, CA: Gravel Press; Plattsburgh, NY: Moonkosh Press, 2002
N7433.4 F55 S64 2002

Fine, Sojourn, 2002
Fine, Sojourn, 2002
Fine, Sojourn, 2002

Fine, Sojourn, 2002

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Rare Books Welcomes CBAA

10 Tuesday Sep 2013

Posted by rarebooks in Uncategorized

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Tags

artists' books, Book Arts Program, CBAA, College Book Arts Association, J. Willard Marriott Library, Luise Poulton, rare books, Rare Books Division, Salt Lake City

The Book Arts Program at the J. Willard Marriott Library hosts the 2014 College Book Arts Association meeting with Print, Produce, Publish in January 2014.

The conference features a variety of events including member’s exhibition, invited speakers, panel presentations, studio demonstrations, roundtable discussions, vendor’s fair, Salt Lake City area tours, local exhibitions, student member portfolio reviews, members’ showcase, auction and Cornered – a folded-form exchange.

As part of the conference, the Rare Books Division offers two hands-on sessions of forty artists’ books selected from the rare book collections by Luise Poulton, on Thursday, January 2.

On Friday, January 3, Luise moderates the panel discussion, “Artists’ Book Collections and the Classroom.”

For more information and to register, please go to the conference webpage.

See you there!

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