Pulitzer Prize winner Mark Strand taught at The University of Utah from 1981 to 1993.

“And though it was brief, and slight, and nothing
To have been held onto so long, I remember it,
As if it had come from within, one of the scenes
The mind sets for itself, night after night, only
To part from quickly and without warning.”

From “Luminism,” The Continuous Life

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Sleeping With One Eye Open
Iowa City: Stone Wall Press, 1964
PS3569 T69 S55 1964

Printed by K. K. Merker from Romanée type on Curtis Rag paper. Edition of two hundred and twenty-five copies. University of Utah copy is no. 60.

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[

Reasons for Moving
New York: Atheneum, 1968
PS3569 T69 R4 1969

University of Utah copy is poet’s autographed copy.

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Darker
New York: Atheneum, 1970
PS3569 T69 D3 1970

University of Utah copy autographed by the poet.

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Elegy for my father: Robert Strand, 1908-1968
Iowa City: Pillar Guri Press, 1973
PS3569 T69 E44 1973

Photo-silkscreens by Gretchen Esping. Printed by Shari Madsen in 14 pt. Bembo on handmade Japanese Shogun paper. Edition of one hundred and fifty copies.

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The Story of Our Lives
New York: Atheneum, 1973
PS3569 T69 S7

University of Utah copy autographed by the poet.

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Texas
Jorge Luis Borges (1899-1986)
Austin: Humanities Research Center, University of Texas at Austin, 1975
PQ7797 B635 T4 1975

Translation by Mark Strand. Keepsake for the members of The Manuscript Society of America, designed by William R. Holman. Set in Linotype Janson. Edition of two hundred and ninety-five copies.

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[

The Night Book
New York: C. N. Potter: Distributed by Crown Publishers, 1985
First edition
PS3569 T69 N55 1985

Illustrations by William Pène du Bois (1916-1993)

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[

Prose
Portland, OR: Charles Seluzicki, 1987
PS3569 T69 P76 1987

Drawings by Josef Albers. Printed by Barbara Cash at the Ives Street Press, Sweden, Maine. Text set in Monotype Univers. Titles hanset in Stempel Helvetica. Blind-stamp throughout. Paper is Rives BFK. Edition of one hundred and eighty-seven copies. University of Utah copy is no. 80, signed by the poet.

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Blizzard of one
New York: Alfred A. Knopf: Distributed by Random House, 1998
PS3569 T69 B57 1998

Uncorrected proof.

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The Continuous Life
Iowa City: Windhover Press, 1990
PS3569 T69 C66 1990

Woodcuts by Neil Welliver. Printed by Kim Merker and Don Howell using a Vandercook Test press from handset Spectrum types on Windhover paper. Binding by Larry Yerkes. Edition of two hundred and twenty-five copies, numbered.

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Selected Poems
New York: Knopf: Distributed by Random House, 1990
PS3569 T69 A6 1990

Uncorrected proof.

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A poet’s alphabet of influences
Salt Lake City: Red Butte Press, 1993
PS3569 T69 P64 1994

Drawings by Bonnie Sucec, hand-painted by the artist. Designed, set by hand and printed damp on an 1846 Columbian handpress by Day Christensen. Type is 16 pt Van Dijck. Paper is handmade cotton rag from Twinrocker Paper Mill. Bound and boxed in linen case by BookLab. Edition of seventy-five copies plus 20 copies hors de commerce. This is copy XX, signed by the poet, artist, and printer.