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Tag Archives: Austin

Book of the Week – Ozymandias

17 Monday Aug 2015

Posted by rarebooks in Book of the Week

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Arches Cover, Austin, Carol Kent, cartouche, Cochin, copper wire, Egypt, Egyptian, Erespin Press, French perle, Gene Valentine, Henry Wolf, mummy, Ozymandias, papyrus, Percy Bysshe Shelley (1792-1822), Ramses II (1303 BC - 1213 BC), Rives Heavyweight, Roulus, sonnet, Texas, The University of Utah, Wood & Sharwood Albion


OZYMANDIAS
Austin, TX: Erespin Press, 1984
DT88 O99 1984 oversize

Sonnet by Percy Bysshe Shelley (1792-1822) and excerpts from ancient and modern works about Egypt. Engraving of head of mummy of Ramses II (1303 BC – 1213 BC) by Henry Wolf. Researched, designed and printed by Carol Kent. Printed on an 1840 Wood & Sharwood Albion. Set in Roulus with Cochin numerals. Printed on dampened cream-colored Rives Heavyweight with Arches Cover portfolio. Issued in cream-colored portfolio embossed with two cartouches and fastened with a beeswax seal on Egyptian papyrus strip, affixed with braided French perle and lacquered copper wire. Edition of one hundred copies. University of Utah copy gift of Gene Valentine.

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Mark Strand (April 11, 1934 – November 29, 2014), In Memorium

11 Saturday Apr 2015

Posted by rarebooks in Uncategorized

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A Poet's Alphabet of Influences, Alfred A. Knopf, Atheneum, Austin, Barbara Cash, Bembo, blind-stamp, Blizzard of One, Bonnie Sucec, BookLab, C. N. Potter, Charles Seluzicki, Columbian handpress, Crown Publishers, Curtis Rag, Darker, Day Christensen, Don Howell, Elegy for My Father: Robert Strand, Gretchen Esping, handset, Humanities Research Center, Iowa City, Ives Street Press, Jorge Luis Borges, Josef Albers, K. K. Merker, Kim Merker, Larry Yerkes, Linotype Janson, Luminsim, Maine, Mark Strand, Monotype Univers, Neil Welliver, New York, Oregon, Photo-silkscreens, Pillar Guri Press, Portland, Prose, Pulitzer Prize, Random House, Reasons for Moving, Red Butte Press, Rives BFK, Romanee, Salt Lake City, Selected Poems, Shari Madsen, Sleeping With One Eye Open, Spectrum, Stempel Helvetica, Stone Wall Press, Sweden, Texas, The Continuous Life, The Manuscript Society of America, The Night Book, The Story of Our Lives, Twinrocker Paper Mill, uncorrected proof, University of Texas at Austin, University of Utah, Van Dijck, Vandercook Test, William Pène du Bois (1916-1993), William R. Holman, Windhover, Windhover Press, woodcuts

Pulitzer Prize winner Mark Strand taught at The University of Utah from 1981 to 1993.

“And though it was brief, and slight, and nothing
To have been held onto so long, I remember it,
As if it had come from within, one of the scenes
The mind sets for itself, night after night, only
To part from quickly and without warning.”

From “Luminism,” The Continuous Life


PS3569-T69-S55-1964-pg-28

Sleeping With One Eye Open
Iowa City: Stone Wall Press, 1964
PS3569 T69 S55 1964

Printed by K. K. Merker from Romanée type on Curtis Rag paper. Edition of two hundred and twenty-five copies. University of Utah copy is no. 60.


PS3569-T69-R4-1969-title[

Reasons for Moving
New York: Atheneum, 1968
PS3569 T69 R4 1969

University of Utah copy is poet’s autographed copy.


PS3569-T69-D3-1970-title

Darker
New York: Atheneum, 1970
PS3569 T69 D3 1970

University of Utah copy autographed by the poet.


PS3569-T69-E44-1973-pg-6

Elegy for my father: Robert Strand, 1908-1968
Iowa City: Pillar Guri Press, 1973
PS3569 T69 E44 1973

Photo-silkscreens by Gretchen Esping. Printed by Shari Madsen in 14 pt. Bembo on handmade Japanese Shogun paper. Edition of one hundred and fifty copies.


PS3569-T69-S7-1973-title

The Story of Our Lives
New York: Atheneum, 1973
PS3569 T69 S7

University of Utah copy autographed by the poet.


PQ7797-B635-T4-1975-Texas-poem

Texas
Jorge Luis Borges (1899-1986)
Austin: Humanities Research Center, University of Texas at Austin, 1975
PQ7797 B635 T4 1975

Translation by Mark Strand. Keepsake for the members of The Manuscript Society of America, designed by William R. Holman. Set in Linotype Janson. Edition of two hundred and ninety-five copies.


PS2569-T69-N55-1985-title-spread[

The Night Book
New York: C. N. Potter: Distributed by Crown Publishers, 1985
First edition
PS3569 T69 N55 1985

Illustrations by William Pène du Bois (1916-1993)


PS3569-T69-P76-1987[

Prose
Portland, OR: Charles Seluzicki, 1987
PS3569 T69 P76 1987

Drawings by Josef Albers. Printed by Barbara Cash at the Ives Street Press, Sweden, Maine. Text set in Monotype Univers. Titles hanset in Stempel Helvetica. Blind-stamp throughout. Paper is Rives BFK. Edition of one hundred and eighty-seven copies. University of Utah copy is no. 80, signed by the poet.


PS3569-T69-B57-1998-cover

Blizzard of one
New York: Alfred A. Knopf: Distributed by Random House, 1998
PS3569 T69 B57 1998

Uncorrected proof.


PS3569-T69-C66-1990

The Continuous Life
Iowa City: Windhover Press, 1990
PS3569 T69 C66 1990

Woodcuts by Neil Welliver. Printed by Kim Merker and Don Howell using a Vandercook Test press from handset Spectrum types on Windhover paper. Binding by Larry Yerkes. Edition of two hundred and twenty-five copies, numbered.


PS3569-T69-A6-1990-cover

Selected Poems
New York: Knopf: Distributed by Random House, 1990
PS3569 T69 A6 1990

Uncorrected proof.


PS3569-T69-P64-1994-spread

A poet’s alphabet of influences
Salt Lake City: Red Butte Press, 1993
PS3569 T69 P64 1994

Drawings by Bonnie Sucec, hand-painted by the artist. Designed, set by hand and printed damp on an 1846 Columbian handpress by Day Christensen. Type is 16 pt Van Dijck. Paper is handmade cotton rag from Twinrocker Paper Mill. Bound and boxed in linen case by BookLab. Edition of seventy-five copies plus 20 copies hors de commerce. This is copy XX, signed by the poet, artist, and printer.

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Recommended Workshop – Quarter Leather Flatback Lap-Case Binding

22 Thursday May 2014

Posted by rarebooks in Recommended Workshop

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Acme Bookbinding, Alcoa, alum-tawed, aluminum, Austin, Ben Verhoeven, Book Arts Program, BookLab II, Bridgeport National Bindery, Brigham Young University, Cartier Magnani, Christopher Stern, cloth, Columbian handpress, Craig Jensen, Dartmouth College, Dearborn, Didot, Don Etherington, engraving, Environment Defense Fund Headquarters, flatback, Ford Motor Company, Gary Frost, Gary McLerran, Gaylord Schanilec, gold, Gregynog Prize, Harold B. Lee Library, Harry Ransom Humanities Research Center Conservation Department, Italy, Japanese, Jennifer Sorensen, Jensen Bindery, Jim Larsen, laid paper, lap-case binding, leather, lettering, letterpress, letterpress printed, Marnie Powers-Torrey, Michael Bixler, Michigan, Midnight Paper Sales, milling, Monotype Bembo, Monotype Univers, mould-made, National Design Award, Oxford Book Fair, paper mill, Paul Parisi, Peter Waters, Presidential Award for Sustainable Development, Provo, Rare Books Division, Red Butte Press, relief prints, Salt Lake City, San Marcos, slipcase, Smithsonian Cooper-Hewitt National Design Museum, sycamore, Texas, The Guild of Book Workers, The Library of Congress Restoration Office, tooled, trees, University of Texas, Utah, Utah State Board of Education, William McDonough, Winifred Bixler, Wisconsin, wood cuts, wood engravings, Yale University, Zerkall

The Book Arts Program presents
Quarter Leather Flatback Lap-Case Binding

Thursday, Friday, & Saturday, June 19-21
9PM – 5PM
Book Arts Studio, Level 4
J. Willard Marriott Library
Workshop fee: $240 plus materials fee

This workshop focuses on the construction of a flatback lap-case binding. The lap-case binding, sometimes mistakenly called a modified Bradel binding, has been used frequently over the years for editions bound by Jensen Bindery, BookLab, Inc. and BookLab II. The structure has continuously evolved through its many applications. This workshop tracks that evolution, specifically addressing structure, materiality, and the relationships between parts to make a beautiful looking and functioning book. Examples of various lap-case bindings are available for students to examine. Previous bookbinding experience required, preferably previous leather working skills.

Instructor Craig Jensen began his career in 1977 when he was appointed Library Conservator for the Harold B. Lee Library at Brigham Young University in Provo Utah. From 1977–1978 Craig served an internship at The Library of Congress Restoration Office under the direction of Peter Waters and Don Etherington. In 1981, Craig was recruited by Don to serve as Head of Book Conservation at the Harry Ransom Humanities Research Center Conservation Department at the University of Texas at Austin. In 1988 Craig became President and CEO of BookLab, Inc., a partnership with Gary Frost, Paul Parisi of Acme Bookbinding and Jim Larsen of Bridgeport National Bindery. BookLab expanded its offerings beyond edition binding and box making to include library repair services, and pioneered preservation photocopy and digital reproduction of out-of-print brittle books. BookLab was one of the first companies to digitize a book. Following the close of BookLab in 1998, Craig worked for Acme Bookbinding as Vice President for Imaging. In January 2003, Craig returned to his roots and predilection for hand work by forming BookLab II in San Marcos, Texas. He continues to produce custom designed housings and fine limited edition bindings for some of the best-known libraries and private presses in the world. In 2011 Craig received the Lifetime Achievement Award from The Guild of Book Workers.

http://www.oxfordamerican.org/articles/2014/feb/20/solost-most-beautiful-books/

Relicensure points are available from the Utah State Board of Education.

 For more information:bookartsprogram@utah.edu or 801-585-9191

The Rare Books Division supports the Book Arts Program through its collections.

Sylvae: Fifty Specimens Printed Directly from the Wood with Historical Anecdotes and…
Ben Verhoeven
Stockholm, WI: Midnight Paper Sales, 2007
N7433.4 V45 S9 2007

Artists’ statement: “Twenty wooded acres surround Midnight Paper Sales in western Wisconsin. This book documents the journey Ben Verhoeven and Gaylord Schanilec into the woods to create a work not only about these trees, but of these trees. In all, 24 species have been catalogued through image, historical anecdotes, and notes taken during the cutting, milling, engraving and printed. The 53 images consist primarily of long grain and end grain specimens which have been taken from this property. In each case the image is manipulated through either color, impression, engraving, or some combination of the above to emphasize a certain characteristic of a species. The text varies as well from tree to tree, focusing on what role each played in the local history and in this project.” Illustrated by Gaylord Schanilec with 53 relief prints (wood cuts and wood engravings) printed by reduction process engraving directly from the wood specimens; including two fold-out illustrations of the maple grove and a map of Farm 590 indicating where the wood was harvested. Letterpress printed by Ben Verhoeven and Gaylord Schanilec on Zerkall mould-made laid paper. Michael and Winifred Bixler cast the Monotype Bembo. Lapped case binding by Craig Jensen and Gary McLerran in quarter leather over bare quarter-sawn white oak boards, white alum-tawed goat skin spine with tooled title lettering in gold. Issued in a dark blue Japanese cloth slipcase, lined with black paper. Awarded the Gregynog Prize at the Oxford Book Fair, 2007. Edition of one hundred and twenty copies. University of Utah copy is no. 105, signed by the author and the artist.


 

Something Lived, Something Dreamed
William McDonough
Salt Lake City: Red Butte Press, 2004
HT167.5 W47 M33 2004

In 1981 William A. McDonough founded William McDonough + Partners which designs environmentally sustainable buildings and industrial manufacturing processes. He attended Dartmouth College and Yale University. His first major commission was in 1984 for the Environmental Defense Fund Headquarters. He re-engineered Ford Motor Company’s River Rouge Plant in Dearborn, Michigan, covering more than ten acres of the roof of the truck assembly plant with a low-growing ground cover. He is the only individual recipient (1996) of the Presidential Award for Sustainable Development. In 2004 he received a National Design Award from the Smithsonian Cooper-Hewitt National Design Museum. His essay, “Something Lived, Something Dreamed” was commissioned by the Red Butte Press. Printed with Monotype Univers and Didot on cotton paper commissioned from Cartier Magnani paper mill in Italy by Marnie Powers-Torrey and Jennifer Sorensen using an 1846 Columbian handpress. Illustrated by Christopher Stern (d. 2007). Bound at Book Lab II (San Marcos, Texas) by Craig Jensen in recycled aluminum donated by Alcoa, over sycamore boards. Edition of one hundred and twenty-five copies. University of Utah copies are nos. 34 and 47.


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