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Tag Archives: typography

A Donation Makes Poly Poly’s

26 Wednesday Nov 2014

Posted by rarebooks in Donations

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agriculture, alphabet, Amsterdam, anatomy, Antonio Blado, Antwerp, architecture, astrology, astronomy, Barbara Chavira, Basel, Bible, Bonaventura Elzevir, bookbinders, booksellers, celibacy, censored, Christianity, Christopher Plantin, commerce, creation, Daniel Elzevir, Elizabeth Isengrin, England, English, engraved, Ethiopian Church, Europe, expurgated, fable, festivals, French, frontispiece, German, God, Greek, Hebrew, heresy, hunting, Index of Forbidden Books, indulgences, initials, Italian, italic, Judaism, King Arthur, Latin, law, Leonhart Fuchs, libraries, Louis Elzevir, Lucovico Arrighi, Lyons, magic, Martin Luther, mathematics, medicine, Michael Isengrin, minerology, monks, music, navigation, paganism, painting, pharmacology, physics, Polydore Vergil, Pope Gregory XIII, priest, printer, printing, Protestant, Rare Books Division, Reformation, religion, Roman, Roman Catholic Church, Rome, Salt Lake City Public Library, Shakespeare, Spanish, sports, theater, Thomas Guarin, Tournai, trade, typography, Utrecht, vellum, vignettes, weaponry, winemaking, writing

The Salt Lake City Public Library donated a sixteenth century book to the Rare Books Division, thanks to the well-trained eye of City Library staffer Barbara Chavira. Barbara worked part-time in the Rare Books Division for many years. Her passion for the art of books, in all forms and over the centuries, brought us this important and welcome addition to the rare book collections. Thank you, Barbara ! Thank you, City Library !

PA8585-V4-D4-1576-a4

 

 

 

 

 

 

 

 

POLYDORI VIRGILII VRBINATIS DE RERVM INVENTORIBVS…
Romae, apud haeredes antonij, Bladij, Impressores Camerales: Anno. M.D. LXXVI (1576)

Polydore Vergil (ca. 1470-1555), an Italian priest, spent much of his life in England. He is recognized for his history of England, a work that Shakespeare is known to have used as one of his sources. Vergil used critical analysis in his narration of historical events. His thesis that King Arthur was little more than fable, for instance, shocked contemporary readers.

It is his second published work, however, for which he was best known in his time. First printed in 1499, De rerum inventoribus (On Discovery), was a work unlike anything that had been published before. An inventory of historical “firsts,” it combined a wide array of subjects in an attempt to determine which individual or culture first invented things such as the alphabet, astronomy, magic, printing, libraries, hunting, festivals, writing, painting, weaponry and religion. Vergil culled much of his work from a wide range of ancient and contemporary writers. He focused on the genius of man in the origin or invention of all things – heretical thinking at the time.

In Book I he investigated the creation of the world, the origin of religion, the origin of the concepts of “god” and the word “God.” He suggested that much of Christianity had been adapted from Judaism or Roman paganism. Books II and III were studies of a wide-range of topics, mostly concerning the practical and mechanical arts including anatomy, astrology, law, medicine, commerce, mathematics, mineralogy, music, pharmacology, physics, trade, agriculture, architecture, sports, theater, navigation, and winemaking. The work was translated into French in 1521, German in 1537, English in 1546, and Spanish in 1551.

In 1521, more than two decades after he wrote the first three books, and at the dawn of Martin Luther’s protestant reformation, Vergil added five more books concentrating on Christianity. Vergil reworked his discussion of Christianity in deference to the Roman Catholic Church, which objected to Vergil’s reference to religion as a matter of scientific investigation. In spite of this concession, Vergil anticipated the scientific approach to religion that would become the norm a century later. The intended salve to the church failed when Vergil criticized monks, priestly celibacy, and indulgences. In 1564 the work was declared heretical and all editions were added to the Index of Forbidden Books. However, the work was so popular that two censored editions were printed after the ban.

This 1576 expurgated edition was sanctioned by Pope Gregory XIII in its front matter.

PA8585-V4-D4-1576-a2

PA8585-V4-D4-1570-CaGlorius

It is significant that this edition was printed by the heirs of Antonio Blado’s shop.

PA8585-V4-D4-1576-titlepage

PA8585-V4-D4-1576-regestvm

Blado worked in Rome from 1515 to 1567 as a printer in the service of the papacy. He was well-known for his scholarly works in Latin, Greek, and Hebrew; and a 1549 document in Ethiopic type for the Ethiopian Church. Blado is also known for his use of an early italic type created by Ludovico Arrighi. The Rare Books Division holds five books printed by Antonio Blado.

This 1576 edition of Vergil joins an edition from 1570 and another from 1671, already in the rare book collections.

PA8585-V4-D4-1570-titlepagePA8585-V4-D4-1570-colophon

POLYDORI VERGILII VRBINATIS, DE RERUM INVENTORIBUS…
Polydore Vergil (1470? – 1555)
Basilea: 1570

Printer Thomas Guarin (1529-1592) was born in Tournai. He worked in Lyons as a bookseller, but by 1557 was in Basel, where he married Elizabeth Isengrin, the daughter of a printer. Guarin took over his father-in-law’s small press at Michael Isengrin’s death. Michael Isengrin had printed one of the many editions of De rerum inventoribus to be published in Vergil’s lifetime. Each of these editions contained significant variations. Isengrin printed Leonhart Fuchs’s sumptuous De Historia stirpivm. Along with the reprint of classical works, Guarin issued several editions of the Bible, published in both Latin and German, and one in Spanish. His printer’s device was a palm tree.

PA8585-V4-D4-1570-printersdevice

 

 

 

 

 

 

 

 

PA8585-V4-D4-1671-frontispiece

POLYDORI VERGILII URBINATIS, DE INVENTORIBUS RERUM…
Polydore Vergil (1470?-1555)
Amstelodami: apud Danielem Elzebirius, 1671

Daniel Elzevir came from a distinguished family of booksellers, bookbinders, printers and publishers. Louis Elzevir (1546-1617), a Protestant émigré, began the business in Antwerp in about 1565, after he left a job with Christopher Plantin’s print shop. The Elzevir enterprise became one of Europe’s largest printing houses. Louis’s sons expanded the business with branches in The Hague, Utrecht, and Amsterdam. The Amsterdam branch was established in 1638 by Louis III. His partner was Daniel Elzevir, son of Bonaventura Elzevir, son of Louis. Daniel continued the family reputation for fine typography and design work. This edition of De Rerum inventoribus also contains another of Vergil’s works, Prodigiis, written in 1526 but not printed until 1531. The engraved frontispiece for this edition includes the invention of printing as one of its main themes. Numerous carved initials and vignettes. Bound in contemporary vellum.

Shakespeare is coming! The First Folio will arrive at the City Library in October.

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Vesalius, Part 2 – Down to the Bones

09 Wednesday Jul 2014

Posted by rarebooks in Physical Exhibitions, Vesalius

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Andreas Vesalius, Arabic, cadavers, Classical, De Humani Corporis Fabrica, Galen, Greek, Hippocrates, human anatomy, Latin, Luise Poulton, modern science, Renaissance Europe, Special Collections Gallery, Syriac, typography

Down to the Bone PosterJuly 7 – October 5

Exhibition: Down to the Bones 

Curator: Luise Poulton

Location: Special Collections Gallery, J. Willard Marriott Library, level 4

Gallery hours: Monday–Friday, 8:00–6:00; Saturday, 9:00–6:00; Hours differ during University breaks and holidays.

The exhibition is FREE and open to the public.

De Humani Corporis Fabrica of Andreas Vesalius (1514-1564) was an exquisite piece of creativity that blended observation; organization of information, format, typography; and illustration into an integrated whole to accurately describe the human body. The intense collaboration between scientist, artist, and printer was unprecedented. Prior to the publication of this book, medical texts were mostly derived from the medieval Arabic medical tradition or from translations of the works of Classical authors, whose texts had been corrupted by translation and re-translation: from Greek into Syriac, Syriac into Arabic, Arabic into Latin. Renaissance Europe embraced the classical works of Hippocrates and the Greco-Roman Galen. Vesalius, however, chose to further his knowledge of human anatomy by studying human cadavers. From these studies, Vesalius formed his position that the validity of any hypothesis rested solely upon facts established by observational methodology. His work marked the beginnings of modern science.

alluNeedSingleLine

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Book of the Week – Types and Bookmaking: Containing Notes on the…

07 Monday Apr 2014

Posted by rarebooks in Book of the Week

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Tags

book collector, bookmaking, bookplate, Boston, Bruce Rogers, D.B. Updike, Denmark, Estelle Doheny, Fred Anthoensen, Frederick William Anthoesen, Maine, morocco, Portland, Southworth Press, The Southworth-Anthoensen Press, type, type specimens, typographic, typographic ornaments, typography, United States

Anthoensen, Types and Bookmaking, 1943, Title Page
Anthoensen, Types and Bookmaking, 1943, Type
Anthoensen, Types and Bookmaking, 1943, Decoration

Types and Bookmaking: Containing Notes on the…
Fred Anthoensen (1892-1969)
Portland, ME: The Southworth-Anthoensen Press, 1943

Frederick William Anthoensen was born in Denmark, but came to the United States as an infant. He attended school in Portland, Maine. He became interested in printing under the influence of D.B. Updike and Bruce Rogers, both of Boston, and both heavy hitters of early US twentieth-century typography. In 1901, Anthoensen began working as a compositor for Southworth Press. Seventeen years later he became its managing director. In 1934, the name of the press changed its name to Southworth-Anthoenson Press. After 1944, it became Anthoensen Press. Anthoensen was recognized as an exemplary craftsman in his day.

Contains type specimens, typographic ornaments and flowers, and specimen pages, accompanied by a descriptive catalogue. Bound in full charcoal linen buckram with black morocco spine.  Issued in slipcase. University of Utah copy contains bookplate of book collector Estelle Doheny.

alluNeedSingleLine

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Book of the Week – Strabon Peri Geografias

18 Monday Mar 2013

Posted by rarebooks in Book of the Week

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Aldus, ethnology, font, geography, italic, metallurgy, Petrarch, press, Strabo, typography

Strabon Peri Geografias, 1516
Strabon Peri Geografias, 1516
Strabon Pero Geografias, 1516, Printers Mark

Strabon Peri Geografias. Strabo de Sitv orbis
Strabo
Venetiis, in aedibvs Aldi, et Andreae soceri, 1516
First printed edition of the original Greek text

Strabo’s Geographia was the first attempt to collect all the geographical knowledge available at the time and to compose a general treatise on geography. Strabo designed his work for the statesman, rather than for the student, giving a general sketch of the character, physical peculiarities and natural productions of each country. The descriptions were invaluable for their wealth of information regarding ethnology, trade, and metallurgy.

The impact of early printers on their world was extraordinary. The works Aldus Manutius chose to print reflected the great diversity of the interests of his day. He printed Greek and Latin classical texts, grammars, religious writings, secular writings, political and scientific writings, histories, and geographies.

Aldus influenced his world with his craft as well as his scholarly pursuits. His work was recognized for its attractive and readable typography, clean lines and fine design. He designed and cut the first complete font of the Greek alphabet. He helped design a type after Italian cursive script said to be based upon the handwriting of Petrarch. This was the first italic font used in books. Well aware of the power of the press, he was particularly concerned with producing books of small format and low cost for the benefit of students.

 

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