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Tag Archives: Venice

Book of the Week – De la Lingua che si Parla & Scriue in Firenza…

31 Monday Mar 2014

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Antwerp, Arnoldus Arlenius, Basel, Bologna, Cosimo, Duke Cosimo I, Duke of Florence, Dutch, Filipo Giunta, Florence, France, Germany, Greek, Italian, Italy, Ivie J. and Jeanne M. Nielson, Latin, Lorenzo Torrentinus, Lyon, Netherlands, Pierfrancesco Giambullari, printer, printing, Torrentino, type foundry, typographic, Venice

Giambullari, De la Lingua…, 1551, Title Page
Giambullari, De la Lingua…, 1551, Portrait
Giambullari, De la Lingua…, 1551

De la Lingua che si Parla & Scriue in Firenza…
Pierfrancesco Giambullari (1495-1555)
Firenze: Torrentino, 1551

Printer Lorenzo Torrentinus (1499-1563) was a Dutch-Italian humanist and printer for Cosimo, Duke of Florence. He was born in the Netherlands into a wealthy family. After his studies, he began working for printers and booksellers in Antwerp, Basel, Lyon, Venice and Bologna. There, he worked as a bookseller with Arnoldus Arlenius, a well-known and well-respected Greek scholar. They imported books in Greek and Latin from France and Germany, selling them throughout Italy. They also acted as liaisons between authors and printers.

After the death of Filippo Giunta, the great Florentian pressman, printing in Florence deteriorated from an art to a trade. Duke Cosimo I brought Torrentino to Florence to improve the quality of printing in his city. In 1577 Torrentino opened his own press in Florence. He produced nearly two hundred and seventy-five editions. His work was of high quality and his reputation and business flourished. In 1562 he became director of a type foundry. His press was managed by his sons. His careful and artful typographic skills enabled him to contribute to the development of Italian languages. Like the best printers of the era, Torrentino carried equally the roles of editor, translator and commentator.

University of Utah copy gift of Ivie J. and Jeanne M. Nielson.

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Book of the Week – Calendarium

17 Monday Mar 2014

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almanacs, astronomers, border, calendar, Calendarium, Easter, eclipses, Erhard Ratdolt, imprint, initial, instruments, Italian, lunar, Nuremburg, printer, printing, Regiomontanus, title page, Venice, woodcut

Mueller, Calendarium, 1482, First Page
Mueller, Calendarium, 1482, Solar Chart
Mueller, Calendarium, 1482, March Measurements

Calendarium
Johannes Mueller, Regiomontanus (1435 – 1476)
Venice; Erhard Ratdolt, 1482
CE73 M8 1482

Regiomontanus’ Calendarium was first printed at his own press in Nuremberg in 1474. In 1476, master printer Erhard Ratdolt published it in Venice, the capital of Italian printing, followed by this edition in 1482. Regiomontanus was one of the first publishers of astronomical material. His Calendarium represents the first application of modern scientific methods of astronomical calculation and observation to the problems of the lunar calendar, such as Easter, and the accurate prediction of eclipses.Regiomontanus’ almanacs contained planetary positions for a particular year as calculated from astronomical tables, freeing astronomers from performing the laborious task themselves.

This edition also contains verses by J. Sentius in praise of the author, and by Santritter in praise of the printer. Santritter would later become a printer himself. The last two leaves of this book are printed on four pages of thick paper pasted together to form astronomical instruments. The ingenuity of the instruments demonstrates Ratdolt’s technical skill in overcoming the challenges posed by early scientific publishing. This edition was not only technically innovative but artistically elegant as well. The title page is ornamented with an intricate border. The title-page initial is printed in red and black. Other woodcut initials are printed in black and white. Ratdolt included imprint details – that is, the information which tells us when and by whom the book was printed – at the end of the opening verses on the verso of the title-page.

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Book of the Week – Hoc in Libro Nunqua[m] Ante Typis Aeneis in Lucem…

18 Monday Nov 2013

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aphorisms, chart, Greek, Joachim Camerarius, Latin, Matthaeus Guarimbertus, Nuremberg, planets, Ptolemy, stars, Tetrabiblos, Venice, zodiac

Ptolemy, Hoc in Libro, 1535
Ptolemy, Hoc in Libro, 1535
Ptolemy, Hoc in Libro, 1535

Hoc in Libro Nunqua[m] Ante Typis Aeneis in Lucem…
Ptolemy (2nd century)
Nuremberg, Ionnem Petreium, 1535
PA4404 Q3 1535

Editio princips in Greek. This work was first printed in Venice in 1484 in a different translation. The Greek text of Ptolemy’s “Tetrabiblos” (so called because it consists of four books) and that of the “Karpos” (a collection of 100 ‘karpos’ in Greek – astrological aphorisms erroneously attributed to Ptolemy) are followed by the first edition of Joachim Camerarius’ Latin translation of the first two books and of passages from the third and fourth of the Tetrabiblos (there is some disagreement among scholars as to whether these last two are Camerarius’ translations), and by Geovanni Pontano’s Latin version of the Karpos.

Next come seven pages of annotations by Camerarius on the first two books of the Tetrabiblos, Matthaeus Guarimbertus’ complete translation of the third and fourth books of the Tetrabiblos. Ptolemy’s Tetrabiblos is considered one of the most important astrological textbooks of antiquity. The Greek text here is well-printed and interspersed with graphic symbols representing the zodiac and the most important planets and stars. A chart explaining these ‘abbreviations’ is at the beginning of the book.

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Book of the Week – Elementa Geometriae

04 Wednesday Sep 2013

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Abelard of Bath, Arabic, Campanus of Novara, Erhardt Ratdolt, Euclid, geometry, Greek, initial, littera moderna, printing, rotunda, Venice, woodblock, woodcut

Euclid, Elementa Geometriae, First, 1482
Euclid, Elementa Geometriae, Arc, 1482
Euclid, Elementa Geometriae, Triangle, 1482

Elementa Geometriae
Euclid
Venice, Erhardt Ratdolt, 1482
QA31 E86 E5 1482

This is the editio princeps, or first printed edition, of Euclid’s Elements of Geometry, the oldest mathematical textbook still in common use today. The Greek mathematician Euclid compiled the work around 300 BC. Its success can be attributed to its simple structure where each theorum follows logically from its predecessor.

In 1482, Erhardt Ratdolt, famous for his beautifully produced scientific books, printed eight works – Euclid’s Elements among them. Ratdolt’s fame largely rests upon this edition of Elements. It is the first printed book to contain geometrical figures. An elegant three-sided woodblock and a white-vine style woodcut initial, several hundred small ornamental capitals, and more than four hundred and twenty carefully designed and perfectly printed marginal diagrams, confirm its standing as a landmark publication.

The page layout, particularly the first page, is an outstanding example of Ratdolt’s consideration of the overall look and readability of his work. Note the closeness of the type to the initial and the close set of the text page. For the text, Ratdolt used a type called “rotunda” or “round-text.” The Italian writing-masters called this littera moderna.

Ratdolt’s book was based on the standard Euclid of the later Middle ages: Abelard of Bath’s twelfth-century translation from the Arabic, revised in the following century by Campanus of Novara (d. 1296). In his dedication to this edition, Ratdolt suggested that the scarcity of printed mathematical works was due to the problems involved in printing the geometrical diagrams.  He then happily announced that he had discovered a method of printing them as easily as the text. He did not elaborate upon this method, but it most likely involved the use of type-metal rule arrangements that could be printed along with the text.

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