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Monthly Archives: March 2014

Book of the Week – De la Lingua che si Parla & Scriue in Firenza…

31 Monday Mar 2014

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Antwerp, Arnoldus Arlenius, Basel, Bologna, Cosimo, Duke Cosimo I, Duke of Florence, Dutch, Filipo Giunta, Florence, France, Germany, Greek, Italian, Italy, Ivie J. and Jeanne M. Nielson, Latin, Lorenzo Torrentinus, Lyon, Netherlands, Pierfrancesco Giambullari, printer, printing, Torrentino, type foundry, typographic, Venice

Giambullari, De la Lingua…, 1551, Title Page
Giambullari, De la Lingua…, 1551, Portrait
Giambullari, De la Lingua…, 1551

De la Lingua che si Parla & Scriue in Firenza…
Pierfrancesco Giambullari (1495-1555)
Firenze: Torrentino, 1551

Printer Lorenzo Torrentinus (1499-1563) was a Dutch-Italian humanist and printer for Cosimo, Duke of Florence. He was born in the Netherlands into a wealthy family. After his studies, he began working for printers and booksellers in Antwerp, Basel, Lyon, Venice and Bologna. There, he worked as a bookseller with Arnoldus Arlenius, a well-known and well-respected Greek scholar. They imported books in Greek and Latin from France and Germany, selling them throughout Italy. They also acted as liaisons between authors and printers.

After the death of Filippo Giunta, the great Florentian pressman, printing in Florence deteriorated from an art to a trade. Duke Cosimo I brought Torrentino to Florence to improve the quality of printing in his city. In 1577 Torrentino opened his own press in Florence. He produced nearly two hundred and seventy-five editions. His work was of high quality and his reputation and business flourished. In 1562 he became director of a type foundry. His press was managed by his sons. His careful and artful typographic skills enabled him to contribute to the development of Italian languages. Like the best printers of the era, Torrentino carried equally the roles of editor, translator and commentator.

University of Utah copy gift of Ivie J. and Jeanne M. Nielson.

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Book of the Week – Vue de la Colonie Espagnole du Mississipi, ou des…

24 Monday Mar 2014

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abolition, colonist, commerce, cotton, Florida, French, government, Haiti, Haitian Revolution, indigo, law, Louisiana, Mississippi, Mississippi River, New Orleans, rice, slavery, slaves, sugar, tobacco, trade, wood

Berquin-Duvallon, Vue de la Colonie…, 1803, Title Page
Berquin-Duvallon, Vue de la Colonie…, 1803, Chapter 11
Berquin-Duvallon, Vue de la Colonie…, 1803, Map

Vue de la Colonie Espagnole du Mississipi, ou des…
Pierre Louis Berquin-Duvallon (1769 – aft 1804))
Paris : Imprimerie Expeditive, 1803
First edition
F373 B53

This work on Louisiana and the western part of Florida gives a general survey of the area, with special attention paid to the Mississippi River and New Orleans. The author writes of the climate; soil; flora and fauna; production of sugar, cotton, indigo, tobacco, rice and wood ; as well as trade, commerce, law and government. Berquin-Duvallon was a planter who lived in Louisiana from 1799 until 1802. A French colonist, he fled San Domingo in 1803, after slaves successfully revolted. The Haitian Revolution resulted in the abolition of slavery on Haiti.

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Recommended Workshop – The Naked Book: Casebound Without Cloth

19 Wednesday Mar 2014

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acrylic, Alabama, Book Arts Program, Book Arts Studio, Brigham Young University, Chris McAfee, Christopher McAfee, Church History Library, gouache, ink, J. Willard Marriott Library, Small & Simple Press, Tuscaloosa, University of Alabama

The Book Arts Program presents

The Naked Book: Casebound Without Cloth

Saturday, April 12
9:00a – 5:00p
Book Arts Studio, Level 4
J. Willard Marriott Library
Workshop fee: $80; Materials fee: $25

Turn a hardbound book into an artist’s canvas with bookbinder and conservator, Chris McAfee. Make a cover for a pre-sewn text block and finish it – not with cloth, paper, or leather – but with acrylic modeling paste. Then texture, scribe, and wax the covers to create a personal design. While spinning traditional techniques into innovative processes, investigate how bookbinding materials react to moisture and how to counteract related problems.

The Rare Books Division holds an example of this technique:

THE BOOK OF THE APOCALYPSE
Christopher Mcafee
Springville, UT: C. McAfee, 2001
N7433.4 M257 B666 2001

McAfee, The Book of the Apocalypse, 2001, Cover
McAfee, The Book of the Apocalypse, 2001
McAfee, The Book of the Apocalypse, 2001

Chris, who for many years taught the Book Arts Program’s bookbinding courses, received a BFA in printmaking from Brigham Young University and an MFA in bookbinding from the University of Alabama. He is Senior Conservator at the Church History Library.

The Rare Books Division holds many of his works:

JUNKYARD DOG
Christopher McAfee
Tuscaloosa, AL: Small & Simple Press, 1993
PS3563 A225 J85 1993

Edition of twenty copies. University of Utah copy is no. 16.

McAfee, Junkyard Dog, 1993, Cover
McAfee, Junkyard Dog, 1993
McAfee, Junkyard Dog, 1993

SPIRAL TRILOGY
Christopher Mcafee
Tuscaloosa, AL: Small & Simple Press, 1995
N7433.4 M257 S65 1995

Edition of ten copies. University of Utah copy is no. 5

McAfee, Spiral Trilogy, 1995
McAfee, Spiral Trilogy, 1995
McAfee, Spiral Trilogy, 1995

RODENTIA ABECEDARIUM
Christopher Mcafee
Tuscaloosa, AL: Small & Simple Press, 1998
N7433.4 M257 R63 1998

Illustrated with acrylic, gouache, and ink. Bound in goat and rabbit with hemp cords and leather endbands.

McAfee, Rodentia Abcedarium, 1998, Cover
McAfee, Rodentia Abcedarium, 1998, Porcupine
McAfee, Rodentia Abcedarium, 1998, Utah Prairie Dog

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Book of the Week – Calendarium

17 Monday Mar 2014

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almanacs, astronomers, border, calendar, Calendarium, Easter, eclipses, Erhard Ratdolt, imprint, initial, instruments, Italian, lunar, Nuremburg, printer, printing, Regiomontanus, title page, Venice, woodcut

Mueller, Calendarium, 1482, First Page
Mueller, Calendarium, 1482, Solar Chart
Mueller, Calendarium, 1482, March Measurements

Calendarium
Johannes Mueller, Regiomontanus (1435 – 1476)
Venice; Erhard Ratdolt, 1482
CE73 M8 1482

Regiomontanus’ Calendarium was first printed at his own press in Nuremberg in 1474. In 1476, master printer Erhard Ratdolt published it in Venice, the capital of Italian printing, followed by this edition in 1482. Regiomontanus was one of the first publishers of astronomical material. His Calendarium represents the first application of modern scientific methods of astronomical calculation and observation to the problems of the lunar calendar, such as Easter, and the accurate prediction of eclipses.Regiomontanus’ almanacs contained planetary positions for a particular year as calculated from astronomical tables, freeing astronomers from performing the laborious task themselves.

This edition also contains verses by J. Sentius in praise of the author, and by Santritter in praise of the printer. Santritter would later become a printer himself. The last two leaves of this book are printed on four pages of thick paper pasted together to form astronomical instruments. The ingenuity of the instruments demonstrates Ratdolt’s technical skill in overcoming the challenges posed by early scientific publishing. This edition was not only technically innovative but artistically elegant as well. The title page is ornamented with an intricate border. The title-page initial is printed in red and black. Other woodcut initials are printed in black and white. Ratdolt included imprint details – that is, the information which tells us when and by whom the book was printed – at the end of the opening verses on the verso of the title-page.

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Join Us! – Book Collector’s Evening

12 Wednesday Mar 2014

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Alta Club, Book Collectors' Evening, Fort Union, J. Willard Marriott Library, Karl Bodmer, libraries, Missouri, Nicolas Basbanes, rare books, University of Utah

Bodmer, Fort Union of the Missouri#b50101

Bodmer, Fort Union of the Missouri

Mark your calendar for the fourth annual Book Collector’s Evening

March 25, 2014
6:00 PM
Alta Club 100 East South Temple

Join the University of Utah’s Friends of the J. Willard Marriott Library for an eventful evening including a display of rare books, a silent auction, and a presentation by well-known speaker, bibliophile and writer, Nicolas Basbanes. In his presentation,  “Fruits of a Gentle Madness,” Basbanes will use anecdotal, specific, up-to-the-minute examples to illustrate how great libraries and important research collections have relied on, over decades and to this day, the passion and eccentricities of the private collector.

The evening will provide an opportunity to share your book collecting adventures and favorite books with fellow aficionados.

Reservations: Please contact Judy Jarrow by March 20, 2014 at 801-581-3421 or judy.jarrow@utah.edu. $40 per person

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Book of the Week – The Works of Geoffrey Chaucer: Compared With…

10 Monday Mar 2014

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copper engravings, Geoffrey Chaucer, John Urry, London, Pigue, Vertue, vignette, woodcut initials

Chaucer, The Works of Geoffrey Chaucer, 1721, Title Page
Chaucer, The Works of Geoffrey Chaucer, 1721, The Nun’s Tale
Chaucer, The Works of Geoffrey Chaucer, 1721, The Monk’s Tale

The Works of Geoffrey Chaucer: Compared With…
Geoffrey Chaucer (d. 1400)
London: Printed for B. Lintot, 1721
First edition
PR1851 U7 1721

John Urry’s intent was to establish an authoritative text for Chaucer, but he altered the text wherever he thought that he could better achieve the essential mood established by Chaucer. A later editor of Chaucer wrote of Urry’s edition, “Mr. Urry’s edition should never be opened by any one for the purpose of studying Chaucer.” Maybe not, but the illustrations in this edition have often been reprinted.

John Urry’s illustrated folio edition of Chaucer’s work contains three previously unpublished tails: “The Coke’s Tale of Gamelyn,” “The Merchant’s Second Tale,” and “The Adventure of the Pardoner and Tapster at the Inn at Canterbury.” The edition includes a preface, a Life of Chaucer, and a glossary of Middle English terms. Urry died before the edition was finished. It was completed by others before publication.

The thirty copper-engraved illustrations include portraits of Chaucer by Vertue and Urry by Pigue, the pilgrims (set within the text), a title page vignette (Chaucer’s tomb), the pilgrims leaving the Tabard Inn, and woodcut initials and head and tail pieces throughout.

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Rare Books on Access Utah

05 Wednesday Mar 2014

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Access Utah, Bob Lippman, Brave Cowboy, Earth First!, Edward Abbey, J. Willard Marriott Library, Ken Sanders, Ken Sanders Rare Books, Luise Poulton, ML Lincoln, Moab, rare books, Salt Lake City, Tim DeChristopher, University of Utah, Utah Public Radio

The Legacy of Ed Abbey on Access Utah

Luise Poulton, Managing Curator of Rare Books at the J. Willard Marriott Library, University of Utah, joined Bob Lippman, (retired) environmental lawyer, activist and educator; Ken Sanders from Ken Sanders Rare Books in Salt Lake City; and filmmaker ML Lincoln on Utah Public Radio’s Access Utah.

The group discussed Edward Abbey’s political philosophies, rooted in traditions of anarchism and civil disobedience; the rise of Earth First! out of Abbey’s writings; and “monkeywrenching” today, including Abbey’s influence on activists like Tim DeChristopher. A screening of ML Lincoln’s new film about Abbey and his legacy,“Wrenched,” shows in Salt Lake City on March 6th and an Abbey retrospective takes place in Moab on March 14th and 15th.

Listen on Utah Public Radio’s Access Utah

View the Rare Books’ online exhibition, “Brave Cowboy: An Edward Abbey Retrospective” 

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Book of the Week – Das Backerbuch

03 Monday Mar 2014

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cookbook, Frank Pusch, German, Stuttgart

Pusch, Das Backerbuch, 1901, Cover
Pusch, Das Backerbuch, 1901, Bakery
Pusch, Das Backerbuch, 1901, Bread

Das Backerbuch
Frank Pusch
Stuttgart: F. Krais, 1901

This German cookbook is a practical handbook of baking for all countries, with twenty-five plates printed in color and 445 illustrations within the text.

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