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Category Archives: Book of the Week

Books of the week — Off with her head!

08 Friday Feb 2019

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Anthony Babington, assassination, bibliophile, Brogyntyn, Brogyntyn Hall, Cardinal of Como, cellar, Christopher Barker, confession, Earl of Leicester, Edmund Neville, England, English, execution, Flanders, Harlech Brogyntyn, Houses of Parliament, imprisonment, Jesuit, limp vellum, London, Lord Chancellor, Lord Harlech, manuscripts, Mary Queen of Scots, National Library of Wales, Oswestry, Parliament, petition, poets, Pope Pius V, Ptolomeo Galli, Queen Elizabeth I, recusants, Robert Cecil, Selatyn, seminarians, Shropshire, Sir Robert Owen, St James', Tower of London, Walsingham, Welsh, William Allen, William Crichton, William Parry


“The Queene of Scotland is your prisoner, let her be honorably entreated, but yet surely guarded.” – William Parry

A true and plaine declaration of the horrible…
At London by C. Barker Cum priuilegio, 1585
First edition, second issue

A contemporary report of William Parry’s plot to assassinate Queen Elizabeth I (1533-1603), including an account of his discovery, imprisonment, confession, and execution (2 March 1585) together with documents of the confession of Parry’s fellow-conspirator, Edmund Neville (ca. 1555-ca. 1620), outlining in detail Parry’s plans to kill Elizabeth with his dagger in her private gardens or, failing that, to shoot her at St James’; and Parry’s confession, written by his own hand before Walsingham in the Tower of London.

This is followed by two more letters of confession by Parry, the first addressed to the queen; the next addressed to Burghley and the Earl of Leicester. Also included are documents that further incriminate Parry and provide details of the early stages of his plotting. The first of these is a letter written by the Jesuit William Crichton (from his imprisonment at the Tower) recalling a conversation with Parry concerning the lawfulness of assassinating the queen.

Finally, a letter to Parry by Ptolomeo Galli, Cardinal of Como, in which he approves a letter that Parry had written to Pope Pius V, allegedly offering to assassinate the queen, and for which service the Pope granted him a plenary indulgence. Following the account of Parry’s trial and execution by hanging, the printer has added “A few observations gathered out of the very words and writing of William Parry, the traytour, applied to prove his trayterous coniuration, with a resolute intent, imagination, purpose, and obstinate determination to have killed her Maiestie.” This account of Parry’s efforts implicates the Jesuits, English recusants and seminarians, and the Pope himself.


“But the matter is cleare, the conspiracie, and his traiterous intent it too plaine and evident: it is the Lorde that reuealed it in time, and preuented their malice: there lacked no wil, or readinesse in him to execute that horrible fact. It is the Lorde that hath preserued her Maiestie from all the wicked practises and conspiracies of that hellish rable: it is hee that hath most graciously deliuered her from the hands of this traiterous miscreant. The Lord is her onely defence in whome shee hath alwayes trusted.”

The revelation that Parry conceived of his plan by reading the works of William Allen, English Cardinal of the Roman Catholic Church, prompted this editorial note: “See how the smoothe words of that Catholique booke are enterpreted and conceived. One Spirite occupieth the Catholique reader with the Catholique writer, and therefore can best expound the writers sence in his readers mouth, even to bee a booke fraught with emphaticall speeches of energeticall perswasion to kill and despose her maiestie, and yet doeth the hypocrite writer, that traitour Catholique, dissemble and protest otherwise.”

The little booklet ends with three prayers for Elizabeth, the last of which “vsed in the Parliament onely.”


“…we gladly acknowledge, that by thy fauour standeth the peaceable protection of our Queene and Realme, and likewise this fauorable libertie graunted unto us at this time to make our meeting together…”



Copie of a letter to the right honourable the…
London: By Christopher Barker, printer to the Queenes most excellent Maiestie, 1586
First edition, variant
DA356 S27 1586

This slim volume contains printed documents of an exchange between Parliament and Queen Elizabeth on the proposed execution of Mary, Queen of Scots, beginning with a letter to the Earl of Leicester dated November 25th, 1586 and signed by R. C. (Robert Cecil) in which Cecil announces that he has transcribed “the speaches delivered by the Queene’s most excellent maisestie in a late and weightie cause dealt in this parliament” together with the “petitions presented to hir Maiestie and the 12th and 24th of November at Richmond by the Lord Chauncelour and Speaker.”

In the first petition, Elizabeth is urged to take action against the Scottish Queen for her traitorous actions. A number of “divers apparent and imminent dangers that may grow to her Maiesties most royal person and her realme” are enumerated. Chief among these are Mary’s confessed complicity in the plot of Anthony Babbington to assassinate the queen, as well as her intention to return England “into the thralldome of Popish tyrannie.”


“She is obdurate in malice against your royall person, notwithstanding you have shewed her all fauour and mercie, as well in preseruing her kingome, as saving her life, and faluing her honour. And therefore there is no place for mercie; since there is no hope that shee will desist from most wicked attempts…”

The first petition is followed by Elizabeth’s response, in which she promises to give the matter “due consideration” but declines to offer an immediate resolution: “I haue had goode experience and tryall of this world: I know what it is to be subiect, what to be Soueraigne: what to haue good neighbors, and sometime meete euill willers. I haue founde treason in trust, seene great benefits litle regarded, & in stead of gratefulness, courses of purpose to crosse. These former remembrances, present feeling and future expectation of euils, I say, haue made me thinke, An euill, is much the better, the lesse while it endureth: and so, them happiest that are soonest hence: & taught me to beare with a better minde these treasons, then is common to my sexe: yea, with a better heart perhaps, then is in some men.”


“But I must tell you one thing more, that in this last Acte of Parliament you haue brought me to a narowe straight, that I must giue direction for her death, which cannot be to mee but a most grieuous and irksome burthen.”

A few days after this exchange, Elizabeth “in some conflict with herself what to do” asked the Parliament to find “some other way of remedy” than the execution of Mary.

In the resultant second petition (24th November), Parliament announced that further deliberations upon the matter yielded no alternate solution that would ensure the safety of queen and country. The queen was once again urged to authorize Mary’s execution.

Elizabeth, in her second reply, offers “an answere without answere”: “It was of a willing minde & great desire I had, that some other means might be found out, wherein I should have taken more comfort, than in any under thing under the Sunne. And since now it is resolved, that my suretic can not bee established without a Princesse ende, I have just cause to complaine, that I, tho have in my time pardoned so many Rebels, winked at so many treasons, and shoulde nowe be forced to this proceeding, against such a person.”


“…an answere without answere…”

Elizabeth’s equivocal response to the November 24th petition concludes the present work. Soon after, on December 4th, Parliament obtained a public proclamation from Elizabeth of the sentence of death. Mary was executed on February 8th, 1587.

Rare Books copy has contemporary handwritten annotations in the text. In the first, the annotator directs the reader to the confession of Anthony Babington, who had conspired to kill Elizabeth and place Mary, Queen of Scots on the English throne. Babington was captured and executed in 1586, the year that this book appeared. Three other annotations give the names of contemporary owners.

A recent owner, Harlech Brogyntyn, one of the barons of Brogyntyn Hall, a mansion in the parish of Selatyn, northwest of Oswestry in Shropshire, England, left the following note on the flyleaf of the current binding. The estate had been a family home since the sixteenth century. A further note, on the second flyleaf states that the book was “found bound in damaged limp vellum in a bundle in the cellar…”

“This volume is of great historical interest in that it shows the pressure put by both Houses of Parliament on Queen Elizabeth to “eliminate” Mary Queen of Scots in the autumn of 1586. (The actual execution took place in 1587.)

The arguments are set-out (1) by [the Lord Chancellor] for the Lords…much perturbed by the revelation of the “Babington” plot…Queen Elizabeth’s characteristic replies are prefaced by a letter signed R. C. to Lord Leicester. Lord Leicester had been in Flanders during these events and this volume was printed by the “official” printer to acquaint him with what had passed in this matter in his absence.

H”

Sir Robert Owen of Brogyntyn (d. 1698) was a bibliophile who followed a family tradition of patronage of poets and collecting printed English literature. Later family members continued collecting early printed books. The library also had a collection of manuscripts, possibly culled from other estate libraries in the surrounding area. The third Lord Harlech gave thirty Welsh language manuscripts to the National Library of Wales in 1934, making it the largest collection of manuscripts in Welsh at that time. The fourth Lord Harlech gave the National Library another fifty-nine manuscript in 1935 and more in 1945. The remaining manuscripts were purchased from the sixth Lord Harlech in 1993.

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Book of the Week — Divi Gregorii, episcopie Nysseni, fratris Basilii Magni, opera quae adipisci licuit omnia…

10 Thursday Jan 2019

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Basil, Bishop of Nyssa, Cappadocia, Christian, doctrine, Hebrew Bible, Ingolstadt, Latin, Laurentius Sifanus, New Testament, Nicene Creed, Nicolus Episcopius the Younger, Origen, Philo of Alexandria, philology, Saint Basil, Saint Greogry of Nyssa, theology, Trinity, Turkey


“…by an ever greater and greater desire, the soul keeps rising constantly to another that lies ahead, and thus it makes its way through ever higher regions towards the Transcendent.” — Saint Gregory of Nyssa

Divi Gregorii, episcopie Nysseni, fratris Basilii Magni, opera quae adipisci licuit omnia…
Saint Gregory of Nyssa (ca. 335-ca. 395)
Basil: Nicolus Episcopius the Younger, 1562
BR65 G7 1562

This is the most complete Latin translation of the works of Saint Gregory, Bishop of Nyssa, to its time, and the first translated by philologist Laurentius Sifanus (ca. 1510-1579), who taught at university in Ingolstadt. The translation has been found by modern scholars to be faithful to manuscript copies of the text. Printed marginal references to passages from the Hebrew Bible and the New Testament are throughout the book.

Gregory of Nyssa (ca. 335-ca. 395) was born in Cappadocia, modern-day Turkey. An erudite theologian, he made significant contributions to the doctrine of the Trinity and the Nicene Creed. He was strongly influenced by Origen (ca. 185-254) and the Jewish philosopher Philo of Alexandra (ca. 20BCE – ca. 54CE). He and his older brother, Saint Basil, are credited with defining Christian orthodoxy in the Eastern Roman Empire just as Augustine (354-430) was to do later for the Western Roman Empire.

It is likely that Gregory was taught by his older brother Basil, who attended school in Constantinople and Athens. Gregory drew inspiration from pagan Greek philosophy as well as Jewish tradition. He was well-acquainted with the works of Plato (427-347 BCE) and Aristotle (384-322 BCE).

Basil established a monastery in Pontus, which he directed for five years. He wrote a monastic rule still practiced by monks of the Eastern Orthodox Church. Basil was the leader in the fight against Arianism (which denied the divinity of Christ).

Both Basil and Gregory were very close to their sister, Macrina, who also attained sainthood in the Eastern Orthodox Church. After Basil and Macrina died, Gregory continued Basil’s fight against Arianism. He participated in the Council of Antioch against those who refused to recognize the perpetual virginity of the Mother of God. He visited the churches of Palestine, where he asserted the Orthodox teaching about the Most Holy Theotokos, and visited Jerusalem. In 383, he participated in a Council at Constantinople, where he preached a sermon on the divinity of the Son and the Holy Spirit. He returned to Constantinople in an official capacity twice more before his death, sometime around 395.

Printer-publisher Nicolaus Episcopius the Younger of Basel used a printer’s device that featured a crane, the symbol of watchfulness and discernment. The crane holds a stone in one of its claws so as not to fall asleep. A hand extending from a cloud grasps a bishop’s crozier upon which the crane is perched. Written across the top of the staff is EPISCOP, a shortened form for the Latin word for bishop, and a play on the name of the printer, a latinized form of the name Bischoff.

Nicolaus Episcopius the Elder married Justina Froben, daughter of the well-known printer Johann Froben. Episcopius the Elder printed in partnership with Hieronymus Froben, son of Johann. Nicolaus the Younger learned to print in his father’s shop. Between 1553 and 1565 he concentrated on printing editions of the classics, philosophy and history, including the works of Philo, Livy and Sir Thomas More. His interests were very much in line of other important printers of the time.

Large woodcut device on title, woodcut printer’s device on verso of last leaf. Woodcut historiated initials throughout. Rare Books copy bound in contemporary pigskin over wooden boards, covers tooled in blind with roll-tools. Three of four brass catches remain, clasps lacking.

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Book of the Week — Prayers Written at Vailima

03 Monday Dec 2018

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Allwyn O'Mara, Bembo, Bonnie Thompson Norman, California, Catherine Kanner, Fanny Stevenson, french-fold, Hiromi-Sansui, letterpress, linoleum cuts, Pacific Palisades, poet, prayer, Robert Louis Stevenson, Samoa, Scottish, The Melville Press, The Windowpane Press, Vailima

“Deliver us from fear and favor; from mean hopes and cheap pleasures. Have mercy on each in his deficiency; let him not be cast down; support the stumbling on the way, and give at last rest to the weary.” — Robert Louis Stevenson

Prayers Written at Vailima
Robert Louis Stevenson (1850-1894)
Pacific Palisades, CA: The Melville Press, 1999
PR5488 P75 1999

In 1889, Robert Louis Stevenson moved his family to Vailima in the South Sea island of Samoa. The Scottish novelist and poet was in failing health. His doctors hoped that a change in climate would help. Stevenson believed in the power of prayer and composed many of his own. He held evening prayer services in his home, attended by his family members and his Samoan servants. The Samoans had a strong tradition of closing each day with prayer and hymns.

Stevenson lived for another four years, dying on December 3rd. In 1910, Fanny Stevenson had her husband’s prayers published as an ornate gift book, to which she added her own introduction. There is a morning prayer and two evening prayers, a prayer for time and a prayer for rain, a prayer for separation, a prayer for friends and a prayer for family, a prayer for Sunday, a prayer for self-blame and a prayer for self-forgetfulness, and a prayer for joy.

In this edition, both book and jacket have a delicate, handmade quality that reflects the subject matter of native prayers in a far corner of the world. Designed by Catherine Kanner, with her linoleum cuts used directly to print the many illustrations. The text was composed using handset Bembo types and printed letterpress by Bonnie Thompson Norman of The Windowpane Press. The paper used is natural white Hiromi-Sansui paper in the 24 gsm weight, in French-folded signatures. The binding design is a collaboration between the book’s designer and Allwyn O’Mara, the binder.

Edition of two hundred numbered copies. Rare Books copy is no. 95, signed by the designer.

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Book of the Week — The Pit and the Pendulum

29 Monday Oct 2018

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Edgar Allan Poe, John DePol, New York, South Street Seaport Museum, wood engravings


Very suddenly there came back to my soul motion and sound — the tumultuous motion of the heart, and, in my ears, the sound of its beating. Then a pause in which all is blank. Then again sound, and motion, and touch — a tingling sensation pervading my frame. Then the mere consciousness of existence, without thought — a condition which lasted long. Then, very suddenly, thought, and shuddering terror, and earnest endeavor to comprehend my true state. Then a strong desire to lapse into insensibility. Then a rushing revival of soul and a successful effort to move.

The Pit and the Pendulum
Edgar Allan Poe (1809-1849)
New York: South Street Seaport Museum, 1991
PS2618 P5 1991

Wood engravings by John DePol. Edition of 150 copies, signed by the artist.

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Book of the Week — Queen Moo’s Talisman

22 Monday Oct 2018

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Africa, Alice Dixon Le Plongeon, American Antiquarian and Oriental Journal, archaeologist, Asiatic, Atlantic, Augustus Le Plongeon, Brahma, British Isles, brooch, Buddha, cataclysms, Chichén Itzá, Cloverland Magazine, Codex Cortesianus, copperplate, cultural, Daily Mining Journal, dance, earthquake, Egypt, English, Flood, frescos, gold, Greece, Henry Dixon, Ida Simmons, immortality, India, inscriptions, island, jadeite, John Olof Viking, Khans, linguistic, macaw, manuscripts, Maya, Mayan, maypole, Mediterranean, Mexico, Michigan, mural, musci, New York, ocean, pastedown, Peru, Peter Eckler, photographer, Prince Chaacol, printer, prospectus, Queen Moo, Ramayana, rare books, reincarnation, serpent, Siam, songs, Swedish, talisman, The Word, Theosophical Publishing Company, Troano Codex, Uxmal, vocabulary, Yucatan


When grief shall rend thy heart, seek thine own soul;
Shut out life’s din, and find that sacred goal.

Queen Moo’s Talisman: The Fall of the Maya Empire
Alice Dixon Le Plongeon (1851-1910)
New York: Peter Eckler, Publisher, 1902
First edition

Alice Dixon Le Plongeon was an English photographer, amateur archaeologist, traveler, and author. She was the daughter of Henry Dixon, a copperplate printer and photographer.

She travelled with her husband, Augustus Le Plongeon, to Mexico in 1873. They were early excavators of the ancient Mayan sites of Chichén Itzá and Uxmal.

While studying the artifacts at Chichén Itzá, the Le Plongeon’s pieced together a narrative of Queen Moo (the Mayan word for “macaw”), an ancient Mayan ruler, and her brother and consort Prince Chaacmol (“powerful warrior”). In November 1875, they unearthed a large statue and other artifacts near the Platform of the Eagles and Jaguars at Chichén Itzá, including a piece of jadeite that Augustus had set in a gold brooch. Alice wore the talisman for the rest of her life.

A talisman I give thee — jadeite green,
‘Twill ever lend thee intuition keen,
Its wearer may with love herself surround,
For with attractive force it doth abound.
Would one deceive, and traitor prove to thee,
His mind with this thou wilt quite plainly see.
Thro’ centuries this talisman can bind
Two souls — desiring this, the way thou ‘lt find.
But keep it sacredly for thee alone;
If thou lose this a foe will seize thy throne.

Even though the archaeological community was not receptive to the Le Plongeons’ theories about Queen Moo, Alice publisher her epic poem. In the introduction, the author discusses the connections, linguistic and cultural, her husband, made between the Maya empire, Egypt, India, Buddha, Brahma, the Ramayana, the Mediterranean, Africa, Greece, Peru, Siam; and the maypole dance — practiced in the Yucatan and the British Isles.

Referring to the Troano Codex and the Codex Cortesianus, he connected the word “CAN,” “the generic word for serpent,” found inscribed in ancient Yucatan ruins with the Khans of Asiatic nations. Dr. Plongeon interpreted inscriptions in both manuscripts as the story of a great flood caused by an earthquake, submerging a “great island in the Atlantic ocean,” suggesting that the Troano Codex dates the disappearance of the island 8,060 years before the writing of the manuscript. “Judging from Egyptian records, the cataclysms must have occurred between ten and eleven thousand years ago.”

The publisher’s prospectus described the work as “a dramatic…account of events which caused the dismemberment of the Maya empire, according to Maya [manuscripts], mural inscriptions and frescos at Chichén in Yucatan. Interesting data are also given concerning ancient rites and religious ideas of the Mayas, their belief in the immortality of the soul, its reincarnation in human form, and its power to manifest, while disembodied, to those in the flesh.”

At the back of the book is included several songs with music, words by Alice Le Plongeon and accompaniment by Ida Simmons.

Rare Books copy is inscribed by John O. Viking, a correspondent of Alice Le Plongeon’s, on the front free flyleaf, “From/John O. Viking/Ishpeming, Mich./April 30th 08/To Sister Benediction/ 8/28, 1950.”

An autographed letter from the author to Viking dated June 22nd in the original mailing envelope and regarding the purchasing of copies of Queen Moo, some Mayan vocabulary, and a few printer’s errors in her book, A Dream of Atlantis, mounted on front pastedown; a typed letter signed by the author to John O. Viking dated May 6th, 1908 regarding the possible publication of A Dream of Atlantis in the magazine The Word also laid in at rear; typed letter signed by an associate of the Theosophical Publishing Company of New York dated August 25th, 1910 addressed to Viking and informing him of Alice Le Plongeon’s death in original mailing envelope affixed to the rear pastedown.

John Olof Viking (b. 1874) was a Swedish-born writer who settled in Michigan with his family in 1882. He worked as a staff writer for the American Antiquarian and Oriental Journal. His articles also appeared in other publications, including Cloverland Magazine and Daily Mining Journal.  

Frontispiece of the author with tissue guard captioned in red. Further illustrated with thirteen black-and-white numbered drawings and three headpieces. Title-page printed in red and black. Bound in publisher’s gray cloth lettered in gilt on front board and spine. Top edge gilt.

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Book of the Week — Ada’s Echo

09 Tuesday Oct 2018

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accordion format, Ada Lovelace, Analytical Engine, British, Charles Babbage, computer, computer programmer, Difference Engine, grommett, handwritten, inkjet, Jacquard looms, Kelly Whitman, Lord Byron, mathematics, punch cards, The Enchantress of Numbers, this is my body press, typewritten


“The valleys filled with silicon and I was forced to learn a new language. Now I speak in bits and bytes. Strings of zeros and ones. I navigate a new topography.” –Kelly Wellman

“Imagination…is that which penetrates into the unseen worlds around us, the worlds of Science. It is that which feels & discovers what is, the real which we see not, which exists not for our senses.” — Ada Lovelace in a letter to Charles Babbage

Ada’s Echo
Kelly Wellman
California: this is my body press, 2001
N7433.4 W448 A32 2001

Countess Ada Lovelace (1815–1852), a British mathematician and musician, was the first computer programmer. In 1833, Lovelace, daughter of Lord Byron (who abandoned her as a child), befriended Charles Babbage (1791–1871), the designer of the Difference Engine, considered by many to be the first computer. Babbage died before completing the machine. The Difference Engine was designed to run on punch cards like those used at the time to run Jacquard looms.

Lovelace helped Babbage refine and direct his ideas, editing, footnoting and often correcting his work. Her writings are considered among the earliest texts on modern computer programming. Lovelace and Babbage carried on a lifelong correspondence. Babbage called her “The Enchantress of Numbers.” Lovelace’s friend, Florence Nightingale, explained her prowess in mathematics as “vitality of the brain.”

Pages are inkjet printed and composed of layered sheets. Translucent paper forms the top and main text page through which the secondary text and shadowy images are seen. By layering the pages, progress is depicted as a process of accrual, in which many hands and voices contribute over time.

The modified accordion binding was produced by weaving pages together through grommetted corners (at both the head and foot) with plastic paper strips. Pages are punched with different configurations of holes to recall punch cards. Plasticized paper over board covers are also punched.

Handwritten text excerpted from Ada Lovelace’s letters to Charles Babbage. Typewritten text by Kelly Whitman. Issued in handmade box. Rare Books copy is no. 7 in an open edition, signed by the author.

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Book of the Week — The Riding to Lithend

01 Monday Oct 2018

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1909, Alfred Fowler, Arthur Knowles Sabin, Bognor Regis, bookplate, Dante Gabriel Rossetti, drawings, Edgar Allan Poe, England, Essex, Flansham, Georgian, Gordon Bottomley, Harting, Ingrave, James J. Guthrie, Keeper at the Victorian and Albert Museum, Kent, London, medieval, Pear Tree Cottage, Pear Tree Press, Pickford Waller, Pre-Raphaelites, Shorne, Sussex, Sybil Waller, The Great War, William Morris, wood engravings


We have laid low to earth a mighty chief:
We have laboured harder than on greater deeds,
And maybe won remembrance by the deeds
Of Gunnar when no deed of ours should live;
For this defence of his shall outlast kingdoms
And gather him fame till there are no more men.

The Riding to Lithend
Gordon Bottomley (1874-1948)
Flansham, Sussex: Pear Tree Press, 1909
First edition
PR6003 O67 R5 1909

Gordon Bottomley was influenced by Pre-Raphaelites such as Dante Gabriel Rossetti and William Morris. Like Morris’s work, Bottomley’s draws on medieval sensibilities. His poetry is driven by a strong command of meter and atmospheric imagery. Like many of the Pre-Raphaelites, Bottomley was a pastoralist, anxious about the Industrial Revolution and the havoc it continued to wreak on the English environment and social equity. Bottomley was known for his verse plays, such as Midsummer Eve and The Riding to Lithend. While he enjoyed some success, his work, like that of many Georgian poets and artists, lost favor after the madness of The Great War. The world no longer swayed to the rhythm of a single heroic death.

James J. Guthrie (1874-1952), a Scotsman raised in London, and, like Bottomley, inspired by William Morris, founded Pear Tree Press in 1899 while he was living at Pear Tree Cottage in Ingrave, Essex, England. Guthrie moved the press to Shorne in Kent, then Harting in Sussex, before settling at Flansham, near Bognor Regis, Sussex in 1907. The first book issued by his Pear Tree Press was Some Poems of Edgar Allan Poe, 1901. Guthrie set type, printed and made drawings and wood engravings for the press. Guthrie made the drawings for The Riding to Lithen, but the book was printed by Arthur Knowles Sabin (1879-1959), also a poet. The same year he printed this book, Sabin took up a post as Keeper at the Victoria and Albert Museum and established his own press.

Presentation copy from Sybil Waller to “Mrs. Fowler.” Sybil Waller was the daughter of Pickford Waller (1849-1930), a bookplate artist and an illustrator for Pear Tree Press. Our copy has the bookplate of Alfred Fowler, author of a publication on bookplates. Fowler’s bookplate here does not appear to be one of Pickford Waller’s. Quarter tan linen over brown paper boards, printed paper label on front cover. Edition of one hundred and twenty copies.

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Book of the Week — The Peril of the Times Displayed, or, The Danger of Mens taking up with a Form of Godliness…

17 Monday Sep 2018

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1700, Benjamin Eliot, Boston, Concord, demonic possession, Elizabeth Knapp, English, Great Migration, Groton, Harvard College, Increase Mather, Judge Samuel Sewell, King Philip's War, Massachusetts, Massachusetts Bay Colony, New England, Newtowne, Old South Church, piety, Puritans, Salem, Samuel Willard, scabboard, seizures, Simon Willard, Third Church, witch, witchcraft

The Peril of the Times Displayed, or, The Danger of Mens taking up with a Form of Godliness, But Denying the Power of it…
Samuel Willard (1640-1707) and Increase Mather (1639-1723)
Boston: Printed by B. Green & J. Allen. Sold by Benjamin Eliot, 1700
First and sole edition

Born in Concord, Massachusetts, Samuel Willard was the sixth child of the town’s founder, Simon Willard, and his wife, Mary. The Willards were part of what is called the “Great Migration” of English Puritans to the Massachusetts Bay Colony. After first residing in Newtowne, (later Cambridge), the family moved in 1635 to the frontier to settle Concord with the Reverend Peter Bulkeley (1583-1659). Simon Willard died in 1676, serving as a major in King Phillip’s War. As a young minister in the New England backwoods Samuel Willard contended with a notorious case of demonic possession and the destruction of the town of Groton, Massachusetts during King Philip’s War. In 1671, sixteen year-old Elizabeth Knapp, who had been bound out as a servant in Willard’s household, began having seizures. Willard described her fits: “she was scarce to be held in bounds by three or four” and “sudden shriekings…roarings and screamings.”

In 1676 Groton was attacked by 400 natives who burned the town to the ground. Willard moved to Boston. During the next three decades, as pastor of Boston’s wealthy Third (Old South) Church, Willard confronted such threats to the Puritan social and spiritual order as declining church membership, the revocation of New England’s original charter, and the Salem witchcraft trials. Willard argued, regarding the infamous 1662 episode in Salem, that the court’s reliance on spectral evidence, the testimony of accusers who claimed to see the spirits of their attackers, contradicted scripture. Willard was, himself, accused of being a witch, although that charge was never taken seriously. When Judge Samuel Sewell later recanted his part in the execution of the condemned witches, he made his confession to Willard.

Willard published hundreds of sermons and other writings, responding to social, political, and doctrinal controversies by aligning theological rigor with social moderation, attempting to forge strategies by which orthodox Puritanism could accommodate the realities of a changing world. In this sermon, Samuel Willard addresses the decline in religious observance and piety in Puritan New England. This work was printed the same year that Willard was appointed vice-president of Harvard College. A letter by Increase Mather is included in the printing of this work, ironical, perhaps, since following the controversial dismissal of him as president of Harvard a year later, Willard assumed Mather’s duties, although not his official position.

Rare Books copy bound in contemporary American speckled sheep, ruled in blind, over thin wooden boards, called “scabbard.”

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Book of the Week — Duineser Elegien

10 Monday Sep 2018

Posted by rarebooks in Book of the Week

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abstractions, alchemy, angel, birth, Castle of Duino, Count Harry Kessler, Cranach Press, crush, destruction, discontent, disdain, driven, E. Prince, Edward Johnston, Edward Sackville West, endure, English, Eric Gill, fugitives, G. T. Friend, Gaspard and Aristide Maillol, German, Germany, Hans Schulze, heart, Hogarth Press, humanities, Insel -Verlag, italic type, itinerants, landscapes, Leipzig, London, Maillol-Kessler paper, Max Goertz, metaphysical, Rainer Maria Rilke, sobs, Tavistock Square, terrible, terror, visions, Vita Sackville-West, Walter Tanz, watermark, will, Willi Laste, wood initials


Who would give ear, among the angelic host,
Were I to cry aloud? and even if one
Amongst them took me swiftly to his heart,
I should dissolve before his strength of being.
For beauty’s nothing but the birth of terror,
Which we endure but barely, and, enduring,
Must wonder at it, in that it disdains
To compass our destruction, every angel
Is terrible, and thus in self-control
I crush the appeal that rises with my sobs.

Duineser Elegien
Rainer Maria Rilke (1875-1926)
London: Printed for the Hogarth Press, 1931
First edition in English

From the translator’s note: “Something remains to be said of the actual content of the poem (for it is really a single poem in ten sections). This is admittedly exceedingly complex and arcane, and will not yield to a first, or even to a second reading. For Rilke’s poetry is of the metaphysical order and consists for the most part of an elaborate alchemy of hypostatised ideas, in the expression of which the invention of grammatical quips and subtleties plays…is an important part. His imagination seems naturally to have dealt in visions of embodied abstractions, and…he pushed the vision as far as possible, creating detailed landscapes and humanities of abstract categories…”


But tell me, who are these itinerants,
These fugitives more hasty than ourselves,
Urgently driven from the start, — by whom?
To gratify what discontented will?

From the colophon: “Count Harry Kessler planned the format of this volume. Eric Gill designed and himself cut on wood the initials. The Italic type was designed by Edward Johnston and cut by E. Prince and G. T. Friend. The paper was made by a hand process devised in joint research by Count Harry Kessler and Gaspard and Aristide Maillol. The book was printed in the winter and spring of 1931. Count Harry Kessler and Max Goertz supervised the work of setting the type and printing. Compositors: Walter Tanz and Hans Schulze. Pressman: Willi Laste.

The book was printed for the Hogarth Press, 52 Tavistock Square, London W. C. 1, and both the English and the German texts were reproduced by the courtesy of Insel-Verlag in Leipzig who are also the Agents for the book in Germany.

The whole edition consists of two hundred and thirty numbered copies for sale on handmade Maillol-Kessler paper with the watermark of the Cranach Press, and signed by the translators; and eight numbered copies on vellum for sale with hand-gilded initials, signed by the translators. This is copy Nr. 63.”

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Book of the Week — Blitz: Letters from London September and October 1940

07 Friday Sep 2018

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aquatints, blitz, box brownie camera, British, cities, drawings, Earls Court, Evelyn Lister, German Luftwaffe, goatskin, Granby Light Italic, Grotesque, Grotesque Italic, hand-coloring, handmade paper, handwriting, letterpress, London, metallic onlays, morocco, Saunders Waterford, Susan Allix


“I will not try to describe the horrid sight of houses spilled across the streets instead of standing upright, of gunfire and screaming and whistling bombs, while we sit in the basement feeling it must be us next.”

Blitz: Letters from London September and October 1940
Evelyn Lister, Susan Allix
London, 2014

On September 7, 1940 the German Luftwaffe began bombing London and other British cities for over 50 consecutive nights.

From the artist’s statement: “As it will never be possible to have this same experience, designing the book seemed sometimes similar to creating an historical novel. Descriptions, film, artifacts and related reconstructions can help to provide brief windows and snapshots of the time…”

From the colophon: “The letters between Mildred, ‘Billie,’ and Evelyn, “Ana,’ are selected from a small collection that came to light when Billie died. They are accompanied here by later prints and photographs. Of the 5 photographs, 3 were taken in the early 1960s with a ‘box Brownie’ camera. The handwriting is reproduced from the original letters. The aquatints, printed in black and brown with hand colouring, are from drawings made at demolition sites and in the underground. The burning and smoking give different results on each copy. The letterpress is hand set and printed in 18pt. Grotesque 215 with 12pt. Grotesque Italic and 18pt. Granby Light Italic. The paper is Saunders Waterford.”

Bound in black goatskin and light brown textured handmade paper, with morocco, reversed leather, and metallic onlays. Issued in slate gray cloth clamshell slipcase. Edition of fifteen copies. Rare Books copy is no. 14, signed by the artist/bookmaker, Susan Allix.


“Earls Court tube is full of poor folk at night, with rugs and eats spread out on the platform; it’s an awful sight as you know how stuffy and dirty the deep undergrounds are, and all the people bring their little children with them.”


“You’ll have some idea of the state of the collapse and debris when I tell you that there are still 4 bodies that they can’t reach…”

Somewhere in the world, something similar is happening now.

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