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Tag Archives: wood engravings

Book of the Week — The Pit and the Pendulum

29 Monday Oct 2018

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Edgar Allan Poe, John DePol, New York, South Street Seaport Museum, wood engravings


Very suddenly there came back to my soul motion and sound — the tumultuous motion of the heart, and, in my ears, the sound of its beating. Then a pause in which all is blank. Then again sound, and motion, and touch — a tingling sensation pervading my frame. Then the mere consciousness of existence, without thought — a condition which lasted long. Then, very suddenly, thought, and shuddering terror, and earnest endeavor to comprehend my true state. Then a strong desire to lapse into insensibility. Then a rushing revival of soul and a successful effort to move.

The Pit and the Pendulum
Edgar Allan Poe (1809-1849)
New York: South Street Seaport Museum, 1991
PS2618 P5 1991

Wood engravings by John DePol. Edition of 150 copies, signed by the artist.

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Book of the Week — The Riding to Lithend

01 Monday Oct 2018

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1909, Alfred Fowler, Arthur Knowles Sabin, Bognor Regis, bookplate, Dante Gabriel Rossetti, drawings, Edgar Allan Poe, England, Essex, Flansham, Georgian, Gordon Bottomley, Harting, Ingrave, James J. Guthrie, Keeper at the Victorian and Albert Museum, Kent, London, medieval, Pear Tree Cottage, Pear Tree Press, Pickford Waller, Pre-Raphaelites, Shorne, Sussex, Sybil Waller, The Great War, William Morris, wood engravings


We have laid low to earth a mighty chief:
We have laboured harder than on greater deeds,
And maybe won remembrance by the deeds
Of Gunnar when no deed of ours should live;
For this defence of his shall outlast kingdoms
And gather him fame till there are no more men.

The Riding to Lithend
Gordon Bottomley (1874-1948)
Flansham, Sussex: Pear Tree Press, 1909
First edition
PR6003 O67 R5 1909

Gordon Bottomley was influenced by Pre-Raphaelites such as Dante Gabriel Rossetti and William Morris. Like Morris’s work, Bottomley’s draws on medieval sensibilities. His poetry is driven by a strong command of meter and atmospheric imagery. Like many of the Pre-Raphaelites, Bottomley was a pastoralist, anxious about the Industrial Revolution and the havoc it continued to wreak on the English environment and social equity. Bottomley was known for his verse plays, such as Midsummer Eve and The Riding to Lithend. While he enjoyed some success, his work, like that of many Georgian poets and artists, lost favor after the madness of The Great War. The world no longer swayed to the rhythm of a single heroic death.

James J. Guthrie (1874-1952), a Scotsman raised in London, and, like Bottomley, inspired by William Morris, founded Pear Tree Press in 1899 while he was living at Pear Tree Cottage in Ingrave, Essex, England. Guthrie moved the press to Shorne in Kent, then Harting in Sussex, before settling at Flansham, near Bognor Regis, Sussex in 1907. The first book issued by his Pear Tree Press was Some Poems of Edgar Allan Poe, 1901. Guthrie set type, printed and made drawings and wood engravings for the press. Guthrie made the drawings for The Riding to Lithen, but the book was printed by Arthur Knowles Sabin (1879-1959), also a poet. The same year he printed this book, Sabin took up a post as Keeper at the Victoria and Albert Museum and established his own press.

Presentation copy from Sybil Waller to “Mrs. Fowler.” Sybil Waller was the daughter of Pickford Waller (1849-1930), a bookplate artist and an illustrator for Pear Tree Press. Our copy has the bookplate of Alfred Fowler, author of a publication on bookplates. Fowler’s bookplate here does not appear to be one of Pickford Waller’s. Quarter tan linen over brown paper boards, printed paper label on front cover. Edition of one hundred and twenty copies.

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Book of the Week — Wrenching Times: Poems from Drum-Taps

15 Sunday Apr 2018

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Abraham Lincoln, Alan Wood, assassination, Brooklyn, Capitol, David Esslemont, democratic, frontier, Gaylord Schanilec, Gwasg Gregynog, Hugh Willmer, lilacs, M. Wynn Thomas, memorial, Monotype Baskerville, New York, Newton, North Wales Arts Association, poet, Powys, President, rare books, Rhian Ticehurst, typeface, Union, Wales, Walt Whitman, Washington, Western, wood blocks, wood engravings, Zerkall mould-made paper

PS3211-A3-1991-Portrait

“When lilacs last in the door-yard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d…and yet shall mourn with ever-returning spring.”

Wrenching Times: Poems from Drum-Taps
Walt Whitman (1819-1892)
Newton, Powys, Wales: Gwasg Gregynog, 1991
PS3211 A3 1991

From notes by M. Wynn Thomas: “Whitman was in New York, seeing Drum-Taps through the press, when Lincoln was assassinated on the evening of 14 April 1865, at the very time when he had finally secured victory for the Union. Whitman had come to identify very closely with the president, having supported him when others dismissed him as a mere country hick, and having seen him pass every day under Whitman’s window in Washington on his journey to and from the Capitol. Lincoln was, for the poet, the very epitome of Western, frontier qualities and his steadfast adherence, through the worst of times, to his principled belief in a democratic Union had won Whitman’s unqualified and undying admiration. Years later, in his old age, he would still endeavour, whenever his health allowed, to deliver an annual memorial lecture on the day of Lincoln’s death. On that occasion he always ensured that lilacs were placed on the table in front of him.

“The lilac was in flower near his Brooklyn home when Whitman heard of Lincoln’s murder.”

PS3211-A3-1991-Locomotive

Wood engravings by Gaylord Schanilec, made at Gregynog during a residency, supported by the North Wales Arts Association, and printed from the original wood-blocks. Designed and printed by David Esslemont with the assistance of Hugh Willmer on Zerkall mould-made paper. Typeface is Monotype Baskerville. Edition of four hundred and fifty copies, one of four hundred copies bound in quarter leather by Alan Wood and Rhian Ticehurst at Gregynog.

Gregynog Press was a Welsh private press, started and run by two wealthy sisters, whose interests were more artistic than literary. All of the work of the books from this press happened under one roof – design layout, composition, presswork, design and execution of woodblocks, hand-coloring and binding – an unusual circumstance for early twentieth century presses.

Rare Books copy is number 201 with unpublished wood engraving laid in.

PS3211-A3-1991-Horse

April is National Poetry Month.

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Edgar Allan Poe (Jan. 19, 1809-Oct. 7, 1849)

07 Friday Oct 2016

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Alan James Robinson, Bruce Rogers, Centaur type, Cheloniidae Press, David Bourbeau, Easthampton, Edgar Allen Poe, etchings, Harold McGrath, Massachusetts, Raven, wood engravings

EApoe

“Doubting, dreaming dreams no mortal ever dared to dream before”

THE RAVEN
Edgar Allan Poe (1909-1949)
Easthampton, MA: Cheloniidae Press, 1980

This is the first book from Alan James Robinson and his Cheloniidae Press. Text is hand-set and printed by Harold McGrath in Bruce Rogers’ 24pt. Centaur type in red and black ink. Illustrated with five etchings and two wood engravings by Alan James Robinson, who printed the etchings. Each plate is titled and signed by the artist. Laid in artists’ proof of the “Crow Quill” on the title-page and proof of the “Raven” that appears on the colophon. Bound by David Bourbeau in a specially painted dark grey paper over boards: Bird wings in black with red highlights on spine extending to front and rear panels. Housed in black cloth clamshell. Signed by the artist.

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Book Arts Exhibition – Glimpse

10 Tuesday Nov 2015

Posted by rarebooks in Physical Exhibitions

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A Fowl Alphabet, Alan James Robinson, Allison Milham, Allyn Hart, Becky Williams Thomas, book artists, Book Arts Program, bookbinding, bookmaking, Cheloniidae Press, Claire Taylor, collage, Crane Giamo, Easthampton, Emily Tipps, encaustics, Glenville, Illinois, intaglio printing, J. Willard Marriott Library, Japanese, Julianna Christie, Karen Hanmer, Keiji Shinohara, leather bindings, letterpress printing, Luise Poulton, Marnie Powers-Torrey, Massachusetts, Michelle Macfarlane, National Endowment for the Arts, Pamela Smith, paper decorating, papermaking, photo engraving, photography, printers, rare books, relief printing, Special Collections Gallery, Stacy Phillips, Suzanne Moore, The University of Utah, type, wood engravings

GlimpsePoster

Rare Books is pleased to support the Book Arts Program with its historic, fine press, and artists’ books collections. Glimpse features these and many other book artists represented in our collections.

DODOe

A FOWL ALPHABET
Alan James Robinson
Easthampton, MA: Cheloniidae Press, 1986

Wood engravings by author. Lettering by Suzanne Moore. Title printed in brown and black; initials and headings printed in brown and gold. Issued in cloth clamshell box. Edition of fifty copies, signed. University of Utah copy is no. 36.


AAAZZZ

AAAAAZZZZZ
Karen Hanmer
Glenville, IL: Karen Hammer, 2002
N7433.4 H357 A6 2002

Housed in box. Title on box shows the letter “A” turning into the letter “Z.” Edition of eight copies. University of Utah copy is no. 6, signed by the author.


AtoZ

THE SPECTRUM A TO Z
Karen Hanmer
Glenview, IL: K. Hanmer, 2003
N7433.4 H357 S6 2003

Accordion-style alphabet book. Edition of twenty copies. University of Utah copy is no. 4.


UV

PATRIOT ALPHABET
Karen Hanmer
Glenview, IL: K. Hanmer, 2004
N7433.4 H357 P37 2004

Karen Hanmer layers fragments of text and image, evoking personal memory within cultural context. Intimate but strong, her books are designed to be handled, their sculptural elements giving way to the physicality of reading the old-fashioned way, by turning a page.

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Book of the Week – The Romance of Parzival and the Holy Grail

02 Monday Feb 2015

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chivalry, Chrétien de Troyes, compassion, English, German, Gwasg Gregynog, Holy Grail, humility, medieval, Middle High German, Monotype Bembo, mould-made, Newton, Parzival, Percival, Powys, romance, spirituality, Stefan Mrozewski, Wolfram von Eschenbach, wood engravings, Zerkall

PT1682-P8-E56-1990(1)The Romance of Parzival and the Holy Grail
Wolfram von Eschenbach (12th century)
Newtown, Powys: Gwasg Gregynog, 1990

The story of the knight Parzival is a medieval German romance written in Middle High German, dating from the first quarter of the thirteenth century. The story is based on Chrétien de Troyes’s “Perceval, the Story of the Grail” which in turn centers on the Arthurian hero Parzival, or Percival in English, and his quest for the Holy Grail. All of the versions emphasize the importance of humility, compassion and spirituality. Heroic acts of chivalry, inspired by true love, dominate the story. Illustrated with twelve full-page wood engravings by Stefan Mrozewski. The engravings were intended for a 1936 book, aborted by the outbreak of war. Abridged version translated by Carl Lofmark. Typeset and in 14 and 16 pt. Monotype Bembo. Printed on Zerkall mould-made paper. Bound in quarter leather and red decorated boards. Edition of one hundred and ninety-five copies. University of Utah copy is no. 106.

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Donation keeps Alice collection growing

02 Wednesday Jul 2014

Posted by rarebooks in Alice, Donations

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Dalziel Brothers, Fritz Kredel, George Salter, John Tenniel, Lewis Carroll, Monotype Scotch, Rare Books Division, Ronald Rubin, wood engravings

“You’ve got no right to grow here,” said the Dormouse.
“Don’t talk nonsense,” said Alice more boldly: “you know you’re growing too.”
– Lewis Carroll, Alice’s Adventures in Wonderland

Dr. Ronald Rubin has donated a set of Lewis Carrol’s Alice’s Adventures in Wonderland and Through the Looking Glass and What Alice Found There.

Dr. Rubin, with his frequent and diverse gifts to the Rare Books Division, helps add to the breadth and depth of our collections. Thank you, Dr. Rubin, for helping the rare book collections grow.

Alice’s Adventures in Wonderland/Through the Looking Glass and What Alice Found There
Lewis Carroll (1832-1898)
New York: Random House, 1946
“Special Edition”
PR4611 A7 1946

This edition was designed by George Salter using John Tenniel’s illustrations from the first edition, colored by Fritz Kredel. Dalziel Brothers were the wood-engravers. Type face is Monotype Scotch. Two matched volumes issued in one slipcase.


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Recommended Workshop – Quarter Leather Flatback Lap-Case Binding

22 Thursday May 2014

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Acme Bookbinding, Alcoa, alum-tawed, aluminum, Austin, Ben Verhoeven, Book Arts Program, BookLab II, Bridgeport National Bindery, Brigham Young University, Cartier Magnani, Christopher Stern, cloth, Columbian handpress, Craig Jensen, Dartmouth College, Dearborn, Didot, Don Etherington, engraving, Environment Defense Fund Headquarters, flatback, Ford Motor Company, Gary Frost, Gary McLerran, Gaylord Schanilec, gold, Gregynog Prize, Harold B. Lee Library, Harry Ransom Humanities Research Center Conservation Department, Italy, Japanese, Jennifer Sorensen, Jensen Bindery, Jim Larsen, laid paper, lap-case binding, leather, lettering, letterpress, letterpress printed, Marnie Powers-Torrey, Michael Bixler, Michigan, Midnight Paper Sales, milling, Monotype Bembo, Monotype Univers, mould-made, National Design Award, Oxford Book Fair, paper mill, Paul Parisi, Peter Waters, Presidential Award for Sustainable Development, Provo, Rare Books Division, Red Butte Press, relief prints, Salt Lake City, San Marcos, slipcase, Smithsonian Cooper-Hewitt National Design Museum, sycamore, Texas, The Guild of Book Workers, The Library of Congress Restoration Office, tooled, trees, University of Texas, Utah, Utah State Board of Education, William McDonough, Winifred Bixler, Wisconsin, wood cuts, wood engravings, Yale University, Zerkall

The Book Arts Program presents
Quarter Leather Flatback Lap-Case Binding

Thursday, Friday, & Saturday, June 19-21
9PM – 5PM
Book Arts Studio, Level 4
J. Willard Marriott Library
Workshop fee: $240 plus materials fee

This workshop focuses on the construction of a flatback lap-case binding. The lap-case binding, sometimes mistakenly called a modified Bradel binding, has been used frequently over the years for editions bound by Jensen Bindery, BookLab, Inc. and BookLab II. The structure has continuously evolved through its many applications. This workshop tracks that evolution, specifically addressing structure, materiality, and the relationships between parts to make a beautiful looking and functioning book. Examples of various lap-case bindings are available for students to examine. Previous bookbinding experience required, preferably previous leather working skills.

Instructor Craig Jensen began his career in 1977 when he was appointed Library Conservator for the Harold B. Lee Library at Brigham Young University in Provo Utah. From 1977–1978 Craig served an internship at The Library of Congress Restoration Office under the direction of Peter Waters and Don Etherington. In 1981, Craig was recruited by Don to serve as Head of Book Conservation at the Harry Ransom Humanities Research Center Conservation Department at the University of Texas at Austin. In 1988 Craig became President and CEO of BookLab, Inc., a partnership with Gary Frost, Paul Parisi of Acme Bookbinding and Jim Larsen of Bridgeport National Bindery. BookLab expanded its offerings beyond edition binding and box making to include library repair services, and pioneered preservation photocopy and digital reproduction of out-of-print brittle books. BookLab was one of the first companies to digitize a book. Following the close of BookLab in 1998, Craig worked for Acme Bookbinding as Vice President for Imaging. In January 2003, Craig returned to his roots and predilection for hand work by forming BookLab II in San Marcos, Texas. He continues to produce custom designed housings and fine limited edition bindings for some of the best-known libraries and private presses in the world. In 2011 Craig received the Lifetime Achievement Award from The Guild of Book Workers.

http://www.oxfordamerican.org/articles/2014/feb/20/solost-most-beautiful-books/

Relicensure points are available from the Utah State Board of Education.

 For more information:bookartsprogram@utah.edu or 801-585-9191

The Rare Books Division supports the Book Arts Program through its collections.

Sylvae: Fifty Specimens Printed Directly from the Wood with Historical Anecdotes and…
Ben Verhoeven
Stockholm, WI: Midnight Paper Sales, 2007
N7433.4 V45 S9 2007

Artists’ statement: “Twenty wooded acres surround Midnight Paper Sales in western Wisconsin. This book documents the journey Ben Verhoeven and Gaylord Schanilec into the woods to create a work not only about these trees, but of these trees. In all, 24 species have been catalogued through image, historical anecdotes, and notes taken during the cutting, milling, engraving and printed. The 53 images consist primarily of long grain and end grain specimens which have been taken from this property. In each case the image is manipulated through either color, impression, engraving, or some combination of the above to emphasize a certain characteristic of a species. The text varies as well from tree to tree, focusing on what role each played in the local history and in this project.” Illustrated by Gaylord Schanilec with 53 relief prints (wood cuts and wood engravings) printed by reduction process engraving directly from the wood specimens; including two fold-out illustrations of the maple grove and a map of Farm 590 indicating where the wood was harvested. Letterpress printed by Ben Verhoeven and Gaylord Schanilec on Zerkall mould-made laid paper. Michael and Winifred Bixler cast the Monotype Bembo. Lapped case binding by Craig Jensen and Gary McLerran in quarter leather over bare quarter-sawn white oak boards, white alum-tawed goat skin spine with tooled title lettering in gold. Issued in a dark blue Japanese cloth slipcase, lined with black paper. Awarded the Gregynog Prize at the Oxford Book Fair, 2007. Edition of one hundred and twenty copies. University of Utah copy is no. 105, signed by the author and the artist.


 

Something Lived, Something Dreamed
William McDonough
Salt Lake City: Red Butte Press, 2004
HT167.5 W47 M33 2004

In 1981 William A. McDonough founded William McDonough + Partners which designs environmentally sustainable buildings and industrial manufacturing processes. He attended Dartmouth College and Yale University. His first major commission was in 1984 for the Environmental Defense Fund Headquarters. He re-engineered Ford Motor Company’s River Rouge Plant in Dearborn, Michigan, covering more than ten acres of the roof of the truck assembly plant with a low-growing ground cover. He is the only individual recipient (1996) of the Presidential Award for Sustainable Development. In 2004 he received a National Design Award from the Smithsonian Cooper-Hewitt National Design Museum. His essay, “Something Lived, Something Dreamed” was commissioned by the Red Butte Press. Printed with Monotype Univers and Didot on cotton paper commissioned from Cartier Magnani paper mill in Italy by Marnie Powers-Torrey and Jennifer Sorensen using an 1846 Columbian handpress. Illustrated by Christopher Stern (d. 2007). Bound at Book Lab II (San Marcos, Texas) by Craig Jensen in recycled aluminum donated by Alcoa, over sycamore boards. Edition of one hundred and twenty-five copies. University of Utah copies are nos. 34 and 47.


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Book of the Week – Emblemata et Aliqvot Nvmmi Antiqvi…

31 Friday Jan 2014

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Arnold Nicolai, Christopher Plantin, Cornelis Muller, emblem book, emblemata, engraving, Ferdinand I, Geoffroy Ballain, Gerard Janssen van Kampen, humanism, Hungarian, Janos Zsamboki, Kenneth Lawrence Ott, Lucas d'Heere, Maximilian II, Okanagan County Museum, Pieter Huys, Plantin, Plantini, Roman coins, Rudolf II, vignettes, wood engravings, woodcuts

Zsamboki, Emblemata, 1569, Cover
Zsamboki, Emblemata, 1569, Title Page
Zsamboki, Emblemata, 1569

Emblemata et Aliqvot Nvmmi Antiqvi…
Janos Zsamboki (1531-1584)
Antverpiae: Ex officina Christophori Plantini, mdlxix [1569]

The emblem book addressed a wide range of interests within humanist culture, among them the purpose of poetry and the relative power of the visual and the verbal. The first edition of physician Janos Zsamboki’s Emblemata was printed by the Plantin press in 1564. It was the first new emblem book to appear outside of Italy or France and is one of the largest and most influential examples of the genre at an early state of its development. An expanded edition was published in 1566 and was reprinted four times.

Janos Zsamboky was a Hungarian humanist who spent much of his life in Vienna as court-historiographer to the Habsburg emperors Ferdinand I, Maximilian II, and Rudolf II. This edition opens with an emblem dedicated to the newly elected emperor Maximilian II. Zsamboky prepared his emblem book at the end of two decades of traveling throughout Germany, France, Italy, and the Low Countries, before he entered the court in Vienna. Other works from Zsamboki include editions of classical texts and historiographical works. His was renowned for his scholarly patronage and an impressive collection of books and old manuscripts.

Emblemata consists of single pages containing a motto, a woodcut illustration and an epigram. Nearly a third of the emblems are also accompanied by dedications to well-known humanists, powerful courtiers, clergymen and friends and relatives. Zsamboki commissioned Lucas d’Heere to draw the illustrations. Christopher Plantin had half of d’Heere’s designs redrawn by Geoffory Ballain and Pieter Huys. The woodcuts were produced by Gerard Janssen van Kampen, Cornelis Muller and Arnold Nicolai. The Plantin printer’s device appears on the title-page. A full-page engraving of Zsamboki faces the preface. Various decorative vignettes throughout. Several leaves with wood engravings of Roman coins at the end of the book.

From the Kenneth Lieurance Ott Collection donated to the Okanagan County Museum, Washington.

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