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Tag Archives: Barbara Hodgson

Rare Books Help Illustrate VERVE, Season 6, Episode 1

23 Wednesday May 2018

Posted by rarebooks in Video

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Tags

Asbern, Barbara Hodgson, Bernard Moitessier, Book Arts Program, booklets, Florida, Florida State University, French, gum bichromate prints, intaglio, letterpress, Marnie Powers-Torrey, Michelle Ray, Neenah Environment, Optimal, photographs, photolithographs, photopolymer, Salt Lake City, Tallahassee, The Small Craft Advisory Press, Trajan, Twentieth Century Medium Italic, University of Utah, Utah, VERVE, yachtsman

Several pieces from the rare book collections were used to help illustrate “What Makes A Book So Special,” episode 1, season 6, Its All About the Book, from VERVE, featuring Marnie Powers-Torry, director of the Book Arts Program.

A Casual Commentary: front seat, u.s.a.
Marnie Powers-Torrey
Salt Lake City: UT: M. Powers-Torrey, 1999
N7433.4 P69 C37 1999

Typeface is Twentieth Century Medium Italic. Handset and printed on an Asbern letterpress. Photographs are gum bichromate prints, photolithographs, and intaglio prints from photopolymer plates. Edition of 15 copies, signed and numbered. University of Utah copy is no. 4.


God Created the Sea and Painted it Blue So We’d…
Michelle Ray
Tallahassee, FL: The Small Craft Advisory Press, Florida State University, 2013
N7433.4 R395 G63 2013

Title is derived from a quote by Bernard Moitessier, a French yachtsman. Eleven unpaged booklets issued in a basswood box attached to linen hardcover with embossed title and printed endsheet. Inside the box are two compartments. One contains a tunnel of cut-out illustrations. The second compartment holds a cardboard box with title printed above tab enclosure and which contains the booklets. Images and text created with photopolymer plates, using Trajan and Optima typefaces on handmade cotton/abaca, French Construction, and Neenah Environment papers.


Mrs. Delany Meets Herr Haeckle
Barbara Hodgson
Vancouver: HM Editions, 2015
N7433.4 H63 M77 2015

From the publisher’s website: [Mrs. Delany] is an “imagined collaboration between Mrs. Mary Delany (1700-1788), an English widow, woman of accomplishment, and creator of imaginative botanical ‘paper mosaics’ and Herr Ernst Haeckel (1852-1911), a distinguished and controversial German biologist and artist who devoted much of his time to the study and rendering of single-celled creatures.”

Cut paper image of a microscopic organism affixed to frontispiece with another cut-paper image affixed to the recto of the same sheet; eleven cut-paper interpretations of microscopic organisms tipped on to captioned plates; tipped-in cut-paper initials, numerous smaller cut-paper decorations. The paper cuttings are adapted from Ernst Haeckel’s Die Radiolarien (1862) and Kunstformen der Natur (1899-1904). They are cut from a variety of papers, including Yatsuo, Kozuke, mulberry, Gifu, Kitikata, and Kiraku kozo from Japan; Ingres and unidentified wove from Europe; and Reg Lissel handmade papers from Canada. Some were cut from papers previously marbled in the Turkish or Suminigashi styles. Some were dyed by the papermaker; some were dyed or otherwise hand-colored for this book. The cuttings are mounted on one of Arches text wove (white), Arches MBM Ingres (black) or Hahnemuhle Ingres (black).

Bound in full polished morocco, ruled and stamped decoratively in red and gilt with a gilt-lettered spine by Claudia Cohen. Marbled endpapers. Issued in orange clamshell case with a gilt-lettered spine label.

Edition of twenty-five copies plus six hors de commerce, each signed by the author, printer, and binder. Rare Books copy is XXII.

MrsD&HerrHCover2


Jabberwocky
Barry McCallion
East Hampton, NY: 2015
PR4611 J32 2015 oversize

India ink washes, various collage and drawing elements incorporating metallic gold paper and aluminum foil with text from newspaper type, copied on various papers, each letter cut out and collaged in a myriad of shapes and sized as well as colors. Richard de Bas cream wove paper. Bound by Joelle Webber: hand-sewn yellow colored silk over boards with title on front panel, a reduced reproduction of the title-page. Blue and silver endpapers by St. Armand, terracotta colored guards. Housed in tan linen over boards, clamshell box, title in red reproduced from the title-page with yellow and red reproduction of first page inset on front panel. Signed and dated by the artist.

Jabberwocky


The Arctic Plants of New York City
James Walsh (b. 1961)
New York City: Granary Books, 2015
N7433.4 W355 A73 2016

From the publisher’s website: “The Arctic Plants of New York City combines personal letters, poetry, prose essays, scholarly research, botanical exploration and artistic investigation, and ranges from the Doctrine of Signatures to the sleep of plants, and from Jean-Jacques Rousseau and John Muir on mental travel to Giacomo Leopardi and Charles Baudelaire on the necessity of illusion for art and life. Interspersed throughout the book are a number of two-page spreads that focus on a single plant, such as Common Mugwort, with a mounted botanical specimen of that plant surrounded by texts drawn from earlier writers on botany and set in verse, creating a field of word-objects interacting with plant-objects. The letters that open the book lead into a prose essay that touches on the souls of plants, their use in medicine and as spurs to mental travel, their transience, their migrations, their meaning. A bibliography lists the most essential works from the author’s research and the book concludes with a reproduction of the index from Nicholas Polunin’s Circumpolar Arctic Flora (1959), in which the author has marked in red pen the eighty-eight Arctic plants that occur in New York City. Written, designed, and printed letterpress by James Walsh, with eighteen botanical specimens pressed and mounted by the author. Bound by Daniel Kelm at Wide Awake Garage.” From the colophon: “All the plants were gathered in Brooklyn.” Printed by the author using two Vandercook proof presses at the Center for the Book Arts. Text paper is Somerset Book White, endsheets are Hahnemuhle Ingres Blue Green. Cloth bound in Dover Oxford Black. Edition of forty copies, 34 of which are for sale.

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Book of the Week — Mrs. Delany Meets Herr Haeckel

06 Monday Mar 2017

Posted by rarebooks in Book of the Week

≈ 2 Comments

Tags

Arches, Arches MBM Ingres, artist, Barbara Hodgson, biologist, botanical, Canada, Claudia Cohen, cut-paper, decorations, English, Ernst Haeckel, Europe, German, Gifu, gilt, Hahnemuhle Ingres, hand-colored, handmade, HM Editions, Ingres, initials, Japan, Kiraku kozo, Kitikata, Kozuke, marbling, Mary Delany, microscopic organism, morocco, mulberry, paper, papermaker, Reg Lissel, single-cell, Suminigashi, Turkish, Vancouver, wove, Yatsuo

MreD&HerrHTitle

“Mrs. Delany’s was an age when genteel women, whether amateur or professional, were occupied with crafts, decorative works, design and fine arts. Embroidery, quilling, shellwork, japanning, silhouette making, drawing, painting in oils and watercolours, knitting, sewing, flower making, modelling in wax and clay, miniature painting, and horticulture were among the arts practiced.”

MRS. DELANY MEETS HERR HAECKEL
Barbara Hodgson
Vancouver: HM Editions, 2015
N7433.4 H63 M77 2015

From the publisher’s website: [Mrs. Delany] is an “imagined collaboration between Mrs. Mary Delany (1700-1788), an English widow, woman of accomplishment, and creator of imaginative botanical ‘paper mosaics’ and Herr Ernst Haeckel (1852-1911), a distinguished and controversial German biologist and artist who devoted much of his time to the study and rendering of single-celled creatures.”

MreD&HerrHPlateVIII

Cut paper image of a microscopic organism affixed to frontispiece with another cut-paper image affixed to the recto of the same sheet; eleven cut-paper interpretations of microscopic organisms tipped on to captioned plates; tipped-in cut-paper initials, numerous smaller cut-paper decorations. The paper cuttings are adapted from Ernst Haeckel’s Die Radiolarien (1862) and Kunstformen der Natur (1899-1904). They are cut from a variety of papers, including Yatsuo, Kozuke, mulberry, Gifu, Kitikata, and Kiraku kozo from Japan; Ingres and unidentified wove from Europe; and Reg Lissel handmade papers from Canada. Some were cut from papers previously marbled in the Turkish or Suminigashi styles. Some were dyed by the papermaker; some were dyed or otherwise hand-colored for this book. The cuttings are mounted on one of Arches text wove (white), Arches MBM Ingres (black) or Hahnemuhle Ingres (black).

Bound in full polished morocco, ruled and stamped decoratively in red and gilt with a gilt-lettered spine by Claudia Cohen. Marbled endpapers. Issued in orange clamshell case with a gilt-lettered spine label.

MrsD&HerrHCover2

MrsD&HerrHMarble

Edition of twenty-five copies plus six hors de commerce, each signed by the author, printer, and binder. Rare Books copy is XXII.

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Book of the Week — The Temperamental Rose

24 Monday Oct 2016

Posted by rarebooks in Book of the Week

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Tags

Arches Cover, Arthur Rimbaud, Barbara Hodgson, BFK Rives, Black Stone Press, British Columbia, Claudia Cohen, color wheels, colors, Da Vinci, Daler-Rowney, David Clifford, Francoise Giovannangeli, Heavenly Monkey Editions, Holbein, Johann Wolfgang von Goethe, Kroma, letterpress, M.-E. Chevreul, Monotype Fournier, pigments, polymer plates, Seattle, Vancouver, watercolors, Winsor & Newton

n7433-4-h625-t4-2007-covern7433-4-h625-t4-2007-title

A Black, E white, I red, U green, O blue: vowels,
I will someday speak of your unseen births:
A, black corset bristling with glittering flies
That buzz around cruel smells,

Gulfs of shadow; E, innocent vapours and tents,
Lances of proud glaciers, white kings, frissons of an inflorescence;
I, crimsons, spit blood, laughter of lovely lips
In anger or drunken penitence;

U, cycles, divine thrill of a viridian sea,
Peace of pastures sprinkled with animals, peace of wrinkles
Imprinted on broad, thoughtful brows of alchemy;

O, Supreme Clarion full of strange strident cries,
Silence traversed by Worlds and Angels:
—O Omega, violet ray of Her Eyes!

— Arthur Rimbaud (1854-1891)

n7433-4-h625-t4-2007-goethe

The Temperamental Rose: And Other Ways of Seeing Colour
Barbara Hodgson & Claudia Cohen
Vancouver, British Columbia: Heavenly Monkey Editions, 2007
N7433.4 H625 T4 2007

From the Heavenly Monkey website: “A collaboration between author and book designer Barbara Hodgson, and bookbinder Claudia Cohen. The Tempermental Rose & Other Ways Seeing Colour was borne during the collaborators’ first meeting, in the summer of 2006, when they discovered mutual passions for color wheels and other systems for charting and codifying colors. Inspired by centuries of color studies, including those of Johann Wolfgang von Goethe and M.-E. Chevreul, the authors reproduce existing color wheels as well as create new and fanciful ways of seeing color. An introductory essay discusses the history of color, and each of the charts is accompanied by explanatory text.”

From the colophon: “This book was designed and set in digital Monotype Fournier by Barbara Hodgson. Francoise Giovannangeli edited it. It was printed letterpress from polymer plates by David Clifford at Black Stone Press, Vancouver, on Arches Cover and BFK Rives. The watercolours used in the charts are from Winsor & Newton, Daler-Rowney, Holbein and Da Vinci.” Edition of thirty numbered and five A.P. copies, each signed by the two authors. Each copy has been bound by Claudia Cohen in her Seattle studio. All hand colouring and other embellishments have been done by the authors. The six vials in each case contain fine artists’ pigments from Kroma, Vancouver.”

Black leather diaper-patterned embossed binding embellished with multi-colored geometric shapes on front and back boards. Spine is red leather with title embossed in gold. Issued in a clam-shell box.

University of Utah copy is no. 5, signed by the authors.

n7433-4-h625-t4-2007-ostwald

n7433-4-h625-t4-2007-euclid

n7433-4-h625-t4-2007-rauschenberg

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Book of the Week – Good and Evil in the Garden

27 Monday Oct 2014

Posted by rarebooks in Book of the Week

≈ 1 Comment

Tags

Barbara Hodgson, British Columbia, engravings, gampi, Garamont, Heavenly Monkey, HM Text, Reg Lissel, Rollin Milroy, Shinsuke Minegushi, Simone Mynen, University of Utah, Vancouver, Washington handpress


GOOD AND EVIL IN THE GARDEN
Barbara Hodgson
Vancouver, British Columbia: Heavenly Monkey, 2003
First edition

Designed by the author. Illustrated with engravings by Shinsuke Minegishi printed from the blocks on gampi. Typeface is Garamont. Printed on damp HM Text, an all-cotton paper made by Reg Lissel with a Washington handpress by Rollin Milroy. Issued in slipcase made by Simone Mynen. Edition of fifty copies, signed by the author and the artist. University of Utah copy is no. 24.

 

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