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Tag Archives: Edmund Dulac

Book of the Week — Fairies I Have Met

16 Monday Oct 2017

Posted by rarebooks in Book of the Week

≈ Comments Off on Book of the Week — Fairies I Have Met

Tags

British, Edmund Dulac, Fairies, France, Japanese, John Lane, London, Mrs. Rodolph Stawell, New York, Outlook, Penelope, textile design, Toulouse

PZ8-S488-Fa-1907-Surprise
“She noticed that the girls and boys in the books were not altogether like the girls and boys who played with her in the Square and came to tea with her. The children in the books were wonderfully brave and clever; and when they were having their magnificent adventures they always did exactly the right thing at the right moment.”

FAIRIES I HAVE MET
Mrs. Rodolph Stawell
London; New York: John Lane, 1907?
First edition
PZ8 S488 Fa 1907

Mrs. Stawell wrote these tales for a little girl named Penelope. This book is illustrated with eight color plates by Edmund Dulac (1882-1953), one of the premier illustrators of the golden age of children’s book. Born in Toulouse, Dulac studied art in France. He became a British citizen in 1912. He is, perhaps, best known for his illustrations for Fairies. Reviewed in the British journal Outlook in November 1907, the reviewer focuses on the detailed and whimsical illustrations of bold design. Dulac took inspiration from textile design and Japanese prints to depict the vibrant stories.

PZ8-S488-Fa-1907

Recommended reading: For a modern-day, adult fairy tale, appropriately creepy to the season, we recommend The Changeling by Victor LaValle, in the Browsing Collection, PS3562 A8458 C48 2017

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We recommend — Mother Goose Refigured

29 Tuesday Nov 2016

Posted by rarebooks in Recommended Reading

≈ 1 Comment

Tags

Cassel & Company, Charles Perrault, chocolate, Christine A. Jones, Christine Jones, Cinderella, Circle Publishing Co., collotype, Detroit, Dunewald Printing Corporation, Edmund Dulac, fairy tale, folklore, France, history, Hollywood, Honors Humanities Professorship Lecture, Jennifer Schacker, Julian Wehr, Kathryn Kay, Leon Bakst, Little Red Riding Hood, luxury, magic, Matt Saunders, medicine, Mother Goose, Pierpont Morgan Library, rare books, Special Collections, The University Distinguished Teaching Award, tippet, trades, University of Utah, Wayne State University Press


cover art by Matt Saunders

cover art by Matt Saunders

“…its no surprise
If the wolf takes many a prize.
I say the wolf because not all wolves are the same.
There are those of courteous fame,
No noise or bile or rage,
But reserved, compliant, and sage,
Who will trail a girl well bred
All the way home, into her bed.
Ah! But as everyone knows, it’s the saccharine tongues,
Of all the wolves, who are the most dangerous ones.”
— Charles Perrault, “The Little Red Tippet”
—- translation by Christine Jones

Mother Goose Refigured: A Critical Translation of Charles Perrault’s Fairy Tales
Christine A. Jones
Detroit: Wayne State University Press, 2016

University of Utah Associate Professor Christine Jones is a specialist of seventeenth- and eighteenth-century France, with interests in the luxury trades and the fairy tale. She is the author of Shapely Bodies: The image of Porcelain in Eighteenth-Century France, as well as numerous articles on trade history. With folklore scholar Jennifer Schacker, she coedited Marvelous Transformations: An Anthology of Fairy Tales and Contemporary Critical Perspectives and Feathers, Paws, Fins, and Claws: Fairy-Tale Beasts.

Her work as a scholar and a teacher has been recognized with numerous honors and awards, including The University Distinguished Teaching Award (2014) and the Honors-Humanities Professorship (2015). For the Honors-Humanities Professorship Lecture she spoke to a packed house about “When Chocolate was Magic and Medicine.” She has introduced numerous undergraduate and graduate students to the enchantment of working with rare books and Rare Books.

We celebrate the publication of Christine’s latest book with an invitation to hold some of the rare magic for yourself by visiting Special Collections.

Tales of Mother Goose: the dedication manuscript of 1695 reproduced in collotype facsimile, Pierpont Morgan Library, 1956 Z115Z P43

Tales of Mother Goose: the dedication manuscript of 1695 reproduced in collotype facsimile, Pierpont Morgan Library, 1956
Z115Z P43

pq1877-c66-1955-v-2-portrait


“Cinderella is not a singular but plural, not a stable identity but a constantly shifting one. She is made of so many different versions of identity layered up in printed, oral, and visual media that she might be called a ‘palimpsest.'” — from the Introduction, Mother Goose Revisited

Possible Squeeze Play. This Advice I chanced Upon, That's Influenced Me Quit a Lot -- "If the shoe fits--put it on!" Just Look What Cinderella Got!, Kathryn Kay, Circle Publishing Co., 1942

Possible Squeeze Play. This Advice I chanced Upon, That’s Influenced Me Quite a Lot — “If the shoe fits–put it on!” Just Look What Cinderella Got!, Kathryn Kay, Circle Publishing Co., 1941 PS3521 A88 P677 1941


“Dressing the part so that people take you seriously as a way to draw attention to yourself when you would otherwise go unnoticed…sounds logical.” — from the Introduction, Mother Goose Refigured

A FAIRY GARLAND, BEING FAIRY TALES… Edmund Dulac, Cassel & Company, 1928 PZ8 F1685 1928 PZ8 F1685 1928

A FAIRY GARLAND, BEING FAIRY TALES…
Edmund Dulac,
Cassel & Company, 1928
PZ8 F1685 1928


“Even a wit of the dimmest cast,
Who is not so very worldly,
Will discover anon that this story
Is a tale of times long past.
No more the horrible husband of old
Whose demands were impossibly bold.
Though now he be discontent and domineering
Still with his wife he’s endearing.
The color of his beard no longer stands
To show among them who wears the pants.”
—Charles Perrault, “The Blue Beard”
—-translation by Christine Jones

L'Oeuvre de Leon Bakst pour La belle au bois dormant, M. de Brunhoff, 1922 ND699 B3 L38

L’Oeuvre de Leon Bakst pour La belle au bois dormant, M. de Brunhoff, 1922
ND699 B3 L38

nd699-b3-l38


“While she was crossing the woods, she ran into the neighborhood wolf, who very much wanted to eat her but did not dare because of the woodsmen in the forest. He asked her where she was going. The poor girl, who did not know that it is dangerous to stop and listen to wolves, told him…”
—Charles Perrault, “Little Red Tippet”
—-translation by Christine Jones

Little Red Riding Hood, animated by Julian Wehr, Dunewald Printing Corporation, 1944 PZ8 L783 We

Little Red Riding Hood, animated by Julian Wehr, Dunewald Printing Corporation, 1944
PZ8 L783 We

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Book of the Week – A Fairy Garland

14 Monday Dec 2015

Posted by scott beadles in Book of the Week

≈ 1 Comment

Tags

art, banknotes, book, British, Brontë, Cassel & Company, Charles Perrault, d'Aulnoy, designer, Ecole des Beaux Arts, Edmund Dulac, English, fairy, fairy tales, French, illustrator, law, London, magazine, novels, postage stamps, Puss 'n Boots, Queen Elizabeth II, sisters, stamp, twentieth century, University of Toulouse, University of Utah, World War II

PZ8-F1658-1928-TitlePZ8-F1685-1928-P&BPZ8-F1685-1928-bootsimagePZ8-F1685-1928-BluebirdPZ8-F1685-1928-BlueBirdImage

A FAIRY GARLAND, BEING FAIRY TALES…
Edmund Dulac (1882-1953)
London: Cassel & Company, Limited, 1928
PZ8 F1685 1928

A collection of fairy tales translated from French into English, including Charles Perrault’s “Puss ‘n Boots,” d’Aulnoy’s “The Blue Bird,” and Hamilton’s “Mayblossom.” Edmund Dulac was a French-born, British-naturalized magazine illustrator, book illustrator and stamp designer. While studying law at the University of Toulouse, he took courses from the Ecole des Beaux Arts. He chose art over law. He moved to London early in the twentieth century. In 1905, he received his first commission to illustrate the novels of the Brontë sisters. He designed banknotes during World War II and postage stamps, most notably those heralding the beginning of Queen Elizabeth II’s reign. Edition of one thousand copies. University of Utah copy is no. 653, signed by the author.

alluNeedSingleLine

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