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Tag Archives: English

Book of the Week – Madoc

20 Monday Oct 2014

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America, Azteca, English, engraved, Indians, Lake Poets, London, Madoc, Mandan, marbled endpapers, Missouri River, morocco, North Dakota, Ohio River, poem, poet, poet laureate, Robert Southey, Romantic Movement, Samuel Taylor Coleridge, Susquehanna River, United States, utopian community, Welsh


MADOC
Robert Southey (1774-1843)
London: Printed for Longman, Hurst, Rees, and Orme, and A. Constable and Co. Edinburgh, 1805
First edition
PR5464 M2 1805

Robert Southey was an English poet, a follower of the Romantic Movement, one of the “Lake Poets.” He was appointed poet laureate in 1813. Together with his good friend Samuel Taylor Coleridge (1772-1834), he planned to found a utopian community on the Susquehanna River in the United States. While this plan never came to fruition, it is probable that Madoc was inspired by this dream. The four hundred and forty-nine page poem, accompanied by one hundred and four pages of notes is the story of a Welsh king, who, around 1169, settled on the Missouri River in America and founded a great race of Indians, the “Aztecas.” The legend of Madoc is more familiarly associated with the Mandan tribe of North Dakota. During the eighteenth century, white explorers and trappers heard stories of a small, peaceful tribe living in Western North Dakota, some of whom had blue eyes, blonde hair and spoke Welsh. It was believed that this tribe was descended from a Welsh settlement on the Ohio River in the mid-fourteenth century. Engraved title-page. Bound in contemporary three-quarter green morocco with marbled endpapers and edges.

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Book of the Week – Gray’s Elegy

29 Monday Sep 2014

Posted by rarebooks in Book of the Week, Uncategorized

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architect, chromolithography, Crystal Palace, designer, embossed, English, illustration, interior designer, leather, London, New York, Owen Jones, Thomas Gray


Gray’s Elegy
Thomas Gray (1716-1771)
London, New York: Longman. Wiley and Putnam, 1846
First edition
PR3502 E5 1846

Illuminated by Owen Jones in his characteristic spidery style, this is one of the earliest examples of chromolithography, a method of book illustration that Jones was instrumental in popularizing. Owen Jones was an English architect and designer. His work on the interior of the Crystal Palace and for the Great Exhibition of 1851 brought his name as an interior designer into prominence. This is the first book issued in a kind of binding heretofore generally reserved for illuminated books – deeply embossed to imitate carved wood. The embossing was built up underneath the leather as well as from the top.

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Book of the Week – Laboulaye’s Fairy Book

22 Monday Sep 2014

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American, drawings, Edouard Laboulaye, English, fairy tales, French, Harper, Mary Louise Booth, New York, pen-and-ink


Laboulaye’s Fairy Book. Fairy tales of all Nations
Edouard Laboulaye (1811-1883)
New York: Harper, 1867
First edition in English
PN6071 F15 L33 1867

Translated from French into English by Mary Louise Booth (1831-1889). Edouard Laboulaye added a special preface to this American edition. Twelve tales are included. Illustrated with black-and-white pen-and-ink drawings.

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Book of the Week – The Ladies Calling, in two parts by the author of…

11 Monday Aug 2014

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Christ Church, Dorothy Pakington, English, female, inequality, Oxford, Oxford University, Richard Allestree, Richard Stern, women


The Ladies Calling, in two parts by the author of…
Richard Allestree (1619-1681)
Oxford: Printed at the Theater, 1673
First edition
BJ1609 A45 1673

Authorship of this work is variously attributed to Lady Dorothy Pakington, Richard Stern, and others, but most frequently to Richard Allestree. Allestree was a student of Christ Church and considered a protégé. His later works were among the most popular of those in English published by the Oxford University press at the time. The Ladies Calling went through five editions within four years, republished into the 1720s.

In this work, Allestree wrote, “[L]adies need not be much at a loss how to entertain themselves, nor run abroad in a romantic quest after foreign divertissements, when they have such variety of engagements at home.” Allestree appeared to question the opinion that women were “naturally inferior to men.” He suggested that inequality between the sexes come down to a matter of educational opportunity, “and truly had women same advantage, I dare not say but they would make as good returns of it.” Still, Allestree believed that the female predicament was caused by “the first woman’s disobedience to God” and “that she (and all derived from her) should be subject to the husband.”

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Book of the Week – Ibrahim, the Thirteenth Emperour of the Turks…

15 Tuesday Jul 2014

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Christopher Rich, Drury Lane, English, George Pix, George Powell, Islamic, Jean Chardin, John Harding, London, Mary Pix, plagiarism, playwright, rape, Richard Wilkin, Susanna Verbruggen, Theatre Royal, Turks


Ibrahim, the Thirteenth Emperour of the Turks…
Mary Pix (1666-1709)
London: Printed for John Harding, at the Bible and Anchor in Newport-street, and Richard Wilkin, at the King’s-Head in St. Paul’s Church-Yard, 1696
First edition
PR3619 P58 I37 1696

Ibrahim, the first play written by novelist and playwright Mary Pix, was first performed by Christopher Rich’s patent company at Theatre Royal, Drury Lane, to good reviews. It was revived several times well into the eighteenth century. Pix drew on Jean Chardin’s (1643-1713) Travels to Persia, 1686, for her depiction of the Islamic world. She captivated English audiences with the sexual mysteries of the Harem. In the first production, Susanna Verbruggen (ca. 1667-1703) played the chief of the Eunuchs.

Pix wrote at least six other plays and five more anonymous plays are attributed to her.  Her work often put stronger emphasis on female perspective than was usual for the time. The exotic setting for Ibrahim allowed Pix to explore questions of rape, female power, and the dynamics of resistance to authority. It has two especially strong female characters; one ambitious and manipulative, the other doomed by her virtuousness.

Mary Griffith married George Pix, a merchant tailor, in 1689.  She had two sons, George (1689-1690) and William (b. 1691). About six years later, Pix became involved in a plagiarism scandal with George Powell, a rival playwright and theatrical company manager. Pix accused Powell of keeping a manuscript she had sent, reworking and renaming the play as his own. An anonymous writer published a letter attacking Pix for her bad spelling and the audacity to publish her work. In spite of the letter, Pix’s reputation remained stable and she continued to write, but mostly anonymously. It should be noted, however, that authorship was not generally advertised on playbills, nor always given when plays were printed at this time.

 

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Recommended Workshop – Sunlight on Paper: Prints of Blue

13 Friday Jun 2014

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artists' books, Book Arts Program, Book Arts Studio, Boston College, College Book Arts Association, cyanotype, English, J. Willard Marriott Library, letterpress printing, Marnie Powers-Torrey, philosophy, photography, Red Butte Press, The University of Utah, Utah State Board of Education

The Book Arts Program presents
Sunlight on Paper: Prints of Blue

Saturday, August 16
1:30PM-5PM
Book Arts Studio, Level 4
J. Willard Marriott Library
Workshop Fee: $45
Materials Fee: $15

Produce vivid blue prints from opaque silhouettes, hand-drawn imagery, transparent photocopies, ortholithographic film, or digitally produced transparencies. With a simple set-up that can be repeated at home, expose hand-coated sheets to natural light for a unique, tactile photographic print. A thrilling new technology in the 1840s, the cyanotype is celebrated today for its hand-generated possibilities through low-tech practices.

Instructor Marnie Powers-Torrey holds an MFA in photography from the University of Utah and a BA in English and Philosophy from Boston College’s Honors Program. She is the Managing Director of the Book Arts Program and Red Butte Press, an Associate Librarian (Lecturer), and academic advisor for the minor and certificate in book arts. Marnie teaches letterpress printing, artists’ books, and other courses for the Book Arts Program and elsewhere. She is master printer for the Red Butte Press, harnessing the mighty printing power of a full staff of excellent printers. A founding member of the College Book Arts Association, she served as Awards Chair for three years and currently serves on the board of directors. Her work is exhibited and held in collections nationally.

Relicensure points are available from the Utah State Board of Education.

For more information:bookartsprogram@utah.edu or 801-585-9191

The Rare Books Division supports the Book Arts Program through its collections.

Photographers in Arizona, 1850-1020: A History and Directory
Jeremy Rowe
Nevada City, CA: Carl Mautz Publishing, 1997
TR24 A7 R69 1997b

From the colophon: “This special edition…is limited to 100 numbered copies, each including an original cyanotype printed in 1996 by James Hajicek from a vintage dry plate negative in the collection of Jeremy Rowe…” University of Utah copy is no. 92, signed by the author.
TR24 A7 R69 1997b

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Artists’ Books Collection Anchors English Course

12 Friday Jul 2013

Posted by rarebooks in Courses

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artists' books, book arts, Book Arts Studio, bookbinding, creative writing, English, letterpress, Marriott Library, moveable type, rare books

English 2510 Fall 2013 flyer

Introduction to Creative Writing with Book Arts

THIS MEDIUM SPECIFIC APPROACH to creative writing introduces
emerging writers to the techniques and craft of inventive
writing as well as book arts. Students will consider the
generative process as a performance within a medium
and how the interplay of form and content operate within
the physics of that medium. The course includes six visits
to the Book Arts Studio at the Marriott Library, during
which students will view artists’ books from Rare Books,
get hands-on experience with bookbinding and letterpress
printing from moveable type, and collaborate to produce
a limited-edition book, of which every participant will
receive a copy. As a variation on the final portfolio, students
will be encouraged to produce chapbooks for their final
projects. In both the studio and classroom, we will ask:
What is a book? How might a book’s shape transfigure its
meaning? How do typographic decisions affect creative
texts? What is a creative text? No prior experience in the
book arts or imaginative writing is required.

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Book of the Week – A Compendious Dictionary of the English Language

01 Monday Jul 2013

Posted by rarebooks in Book of the Week

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American, Benjamin Franklin, Britain, dictionary, English, John Quincy Adams, language, lexicon, Noah Webster, spelling, United States

Webster, A Compendious Dictionary…. 1806, Title Page
Webster, A Compendious Dictionary…. 1806, OPI-ORT
Webster, A Compendious Dictionary…. 1806, Chronological Table

A Compendious Dictionary of the English Language
Noah Webster (1758-1843)
Hartford: From Sidney’s Press, for Hudson & Goodwin, Book-sellers; New-Haven: Increase Cooke & Co., Book-sellers, 1806
First edition
PE1625 W3 1806

Noah Webster’s goal was to produce an “American” dictionary. He envisioned something bigger and better than the English pocket dictionaries that were the standard fare of the time in the new United States. Webster was an enthusiastic patriot. He wanted to use the dictionary to promote national unity and cultural independence from Britain.

Influenced by his friend Benjamin Franklin, Webster worked for “a reformed mode of spelling” but rejected the radical phonetic innovations proposed by Franklin. He did make enough changes, however, to produce a distinct American spelling for some words.

This American spelling first appeared in the Compendious Dictionary. It was immediately adopted by American printers. Webster was struck by the inconsistencies of English spelling. His spelling reform was based upon a combined sense of logic and aesthetics. He changed the ‘-ce’ in words like defence and offence to ‘–se;’ abandoned the second silent “l” in verbs such as travel and cancel when forming the past tense; dropped the “u” from words such as humour and colour; and dropped the “k” from words such as publick. Webster included thousands of words – chowder, hickory, skunk, subsidize, and caucus, for instance – which were in daily use in America but not listed in any lexicon.

John Quincy Adams, a future president, was shocked by some of these “vulgarisms.” Appended to the Dictionary, Webster included a list of the Post Offices in the United States, the number of its inhabitants, and the amount of its exports.

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