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Tag Archives: fire

Rare Books Goes to Detroit!

20 Tuesday Jun 2017

Posted by rarebooks in Uncategorized

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artists' books, Association for the Study of Literature and Environment, Book Arts Program, Detroit, Emily Tipps, fire, Lin Charlston, Michigan, peat bog, Scott Beadles, Tate Shaw, Welsh

N7433.4-C435-F7-2011-Sky
“That which is not said aloud often speaks louder (and, in instances, clearer) than that which is.” — from The Cave Protection Act of 2013

Emily Tipps, Program Manager and Instructor for the Book Arts Program is presenting a paper at the Association for the Study of Literature and Environment biennual conference, June 20-24, in Detroit, Michigan. The paper examines three artists’ books from the Rare Books Department.

Emily writes:
“The artists’ book is uniquely positioned to articulate narratives of environmental devastation. The power of this diverse medium stems from its rich permutation of form, image, text, texture, scale, and materiality. I examine artists’ books that address particular instances of traumatic environmental change.

Lin Charlston’s Fragment by Fragment: Signs of the Peat Bog Disperse into the Wind is a meditation on a fire that irreversibly damaged a Welsh peat bog. Charlston employs color, a landscapte format, and an attentive typeface derived from fragments of peat exposed by the fire and dispersed by wind — phenomena which scarred the landscape and the ecosystem.

N7433.4-S5416-G76-2013-cover

The Ground by Tate Shaw positions a personal essay detailing the author’s practice of burying and recovering a book — an act of experiment and catharsis — in the ground in rural Pennsylvania, the site of former coal mines and a current center for hydrofracking. The book’s ink jet-printed plates are treated with water to wash out certain areas — a process echoing the erosion of the landscape.

N7433.4-R395-C38-2013-ExteriorN7433.4-R395-C38-2013-Inside

The Cave Protection Act of 2013 by Michelle Ray, concerns the town of Centralia, Pennsylvania, where underground fires (a result of mining) opened sink holes into which the town disappeared. The book examines the sense of identity this disappearance gave the community. The book’s visual language is derived from the dryness of a government document, while its structure deals in negative space, holes opening in the pages, and the oulines of houses overlapping like ghosts or the framing of a new subdivision.

Using slides and physical books, I’ll take a closer look at these and other books, which are so effective in conveying tangible and intangible effects environmental destruction can have on individuals, communities, and ecosystems.”

For more about this conference see Rust/Resistance: Works of Recovery.

To read these books go to the Special Collections Reference Room, L4, J. Willard Marriott Library, The University of Utah and ask for:

Charlston, Lin. Fragment by Fragment: Signs of the Peat Bog Disperse into the Wind. Shropshire: Charlston Books, 2011 N7433.4 C435 F7 2011
Shaw, Tate.
The Ground.
Rochester, NY: Preacher’s Biscuite Books, 2013 N7433.4 S5416 G76 2013
Ray, Michelle. The Cave Protection Act of 2013. Small Craft Advisory Press and formLab, 2013 N7433.4 R395 C38 2013

Photographs by Scott Beadles

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Book of the week – De rerum natura

04 Monday Jan 2016

Posted by rarebooks in Book of the Week

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afterlife, Alexander Pope, biblical, blind-tooled, blindstamped, body, British, Cambridge, Church of England, classics, Constance, De rerum natura, decoration, engraved, Epicurus, fire, folio, French Revolution, frontispiece, Fulda, Germany, Gian Francesco Poggio Bracciolini, Gilbert Wakefield, gilt, gods, government, Greek, Hamilton, Homer, Horace, Jesus College, Londini, Lucretius, mathematics, ministry, morocco, mortal, nature, New Testament, pamphlets, poem, poet, portrait, punishment, rules, scholar, soul, Titus Lucretius Carus, tragedies, Tuscan, Unitarian, vicar, Virgil, Wa, Wakefield, world

PA6482-A2-1796-v.1-portraitPA6482-A2-1796-v.1-titlePA6482-A2-1796-v.1-pg1

DE RERUM NATURA LIBROS SEX, AD EXEMPLARIUM…
Titus Lucretius Carus (ca. 99 BCE – ca. 55 BCE)
Londini: Impensis editoris, typis A. Hamilton, 1796-7
PA6482 A2 1796 oversize

De Rerum Natura is the only surviving work of Lucretius. Only one manuscript copy of it is known to exist. This manuscript was found in 1417 in a monastery at Fulda in Germany by Gian Francesco Poggio Bracciolini, a Tuscan secretary to a church general council at Constance.

It is a didactic poem of 7,400 lines in six books, in which the poet expounds on the world view of the ancient Greek philosopher, Epicurus. The object was to abolish belief that the gods intervened in the world and that the soul could experience punishment in an afterlife. Lucretius demonstrated that the world is, instead, governed by mechanical laws of nature. He described the soul as mortal and posited that it perishes with the body.

This is the first edition of the “Wakefield” edition, the edition by Gilbert Wakefield (1756-1801). Wakefield was a biblical scholar. The son of a vicar, he entered Jesus College, Cambridge, through a scholarship. He studied mathematics and the classics. Although he took orders, he left the ministry and the Church of England and became a Unitarian. He earned his living as a tutor while writing controversial pamphlets attacking the government. He was imprisoned for two years for the publication of a pamphlet titled, “A Reply to some Parts of the Bishop of Landoff’s Address,” in which he defended the French Revolution. To support himself, he published a translation of the New Testament (1792), companion editions to Horace (1794) and Virgil (1796), an edition with commentary of Greek tragedies (1794), an annotated edition of Alexander Pope’s Homer (1796), and this, his Lucretius. He published his De Rerum Natura at his own expense.

The book established Wakefield as a leading British scholar. The large paper, folio edition was mostly destroyed by a fire in the printing-office in which they were stored.

Engraved portrait of Gilbert Wakefield on frontispiece. Bound in contemporary straight-grained black morocco, panelled covers with broad blind-tooled borders and gilt edges, spine with broad gilt rules and blindstamped decoration. Edition of fifty copies.

 

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