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Tag Archives: German

Book of the Week — Faust

14 Monday Nov 2016

Posted by rarebooks in Book of the Week

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Antiqua, Bremer Press, Faust, font, Frankfurt, German, Johann Wolfgang von Goethe, Louis Hoell, printing, Tolz, twentieth century, type, typecutter, University of Utah, Willy Wiegand

pt1916-a1-1920-title

He only earns both freedom and existence
Who must reconquer them each day.”
― Johann Wolfgang von Goethe, Faust

FAUST
Johann Wolfgang von Goethe (1749-1832)
Tolz: Bremer Press, 1920
PT1916 A1 1920

Printed using a proprietary type (an Antiqua) designed for Bremer Press by the director of the press, Dr. Willy Wiegand. The font was cut in Frankfurt by Louis Hoell (a typecutter who cut many types for designers in the heyday of German printing in the early twentieth century). The two sat side by side for days, cutting, filing, and proofing the font. Edition of two hundred and seventy copies. University of Utah copy is no. 8.

pt1916-a1-1920-pg6-7spread

“I hope we shall get on together, you and I;
I’ve come to cheer you up – That’s why
I’m dressed up like an aristocrat
In a fine red coat with golden stitches,
A stiff silk cape on top of that,
A long sharp dagger in my breeches,
And a cockerel’s feather in my hat.
Take my advice – if I were you,
I’d get an outfit like this too;
Then you’d be well equipped to see
Just how exciting life can be.”
― Johann Wolfgang von Goethe, Faust

pt1916-a1-1920-faust

 

 

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Book of the week — Decalogus

15 Monday Aug 2016

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blindstamped, bookbinder, Bridwell Library, Case Western Reserve University, cross, Czech, Czech Republic, Czechoslovakia, Decalogus, Dutch, English, French, German, handmade paper, inlays, Italian, Jan Sobota, Jarmila Sobota, Latin, Loket, morocco, Old Testament, Pilzen, Portuguese, Prague, Slovak, Spanish, Switzerland, ten commandments, United States, University of Utah

N7433.4-S657-T46-1999

DECALOGUS
Loket, Czech Republic: Jan and Jarmila Sobota, 1999

The ten commandments of the Old Testament in Latin, Czech, English, German, French, Italian, Spanish, Portuguese, Dutch, and Slovak designed as a cross.

Master bookbinder Jan Bohuslav Sobota (1939-2012) was born in Czechoslovakia. He studied binding in Pilzen and Prague until 1957. In 1982 he defected to Switzerland. He took his family to the United States in 1984, where he worked as a conservator at Case Western Reserve University before going to Bridwell Library, where he was Director of the Conservation Laboratory from 1990 to 1997. He and his family returned to the Czech Republic in 1997

Handmade paper printed in gold. Bound in pale turquoise morocco with binder’s blindstamped monogram on rear cover, upper cover with colored morocco inlays, comprising a central square cross. Issued in gold pouch. Edition of one hundred copies, numbered and signed by the artists. University of Utah copy is no. 6.

N7433.4-S657-T46-1999-(Lord Thy God)N7433.4-S657-T46-1999-(Czech)

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Journal of the week — Vojvodjanski zbornik

23 Monday May 2016

Posted by rarebooks in Book of the Week

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Arad, art, artists, Begrade, Bogdan Ciplic, Bogdan Suput, Bogdan Teodorovic, Budapest, children's literature, colorism, cubism, culture, Europe, fascists, German, Hungarian, Hungary, impressionism, Ivan Tabakovic, journal, landscapes, linocuts, Milan Konjovic, Milenko Sevan, modernist, Munich, Nava Sudarska, Novi Sad, Paris, Petar Dobrovic, portraits, Prague, prisoner-of-war, Romania, Serbia, Serbian, Serbo-Hungarian Baranya-Baja Republic, Sima Cucic, Stepan Bonarov, Vojvodjansk, Vojvojdina, woodcuts, World War II, Yugoslavia, Zagreb

PG1400.15-V64-knij.1-portrait
PG1400.15-V64-knj.1-buildingimage PG1400.15-V64-knij.1-wagon

Vojvodjanski zbornik: almanah. vols. 1 (1938) and 2 (1939)
Novi Sad: S.n., 1938-1939
PG1400 I5 V64

This journal of art and culture was produced in Vojvojdina, an autonomous province of Serbia, on the eve of the second World War. The journal, published in these two issues only, assembled the work of modernist artists and writers of the region, including many contributors whose work is otherwise unpublished or unrecorded. Many of the artists and writers did not survive the war.

The journals include prose, poetry and, in the first volume, illustrations – including original graphic works (woodcuts and linocuts) by Bogdan Teodorovic, Stefan Bodnarov, Milan Konjovic (1898-1993), Milenko Servan, Bogdan Suput (1914-1942), Ivan Tabakovic (1898-1977), Nava Sudarska, Petar Dobrovic (1890-1942) and others.

The journal was edited by Bogdan Ciplic and writer and critic Sima Cucic (1905-1988). Today in Serbia, annual awards for achievements in the field of children’s literature are given in the name of Sima Cucic.

Milan Konjovic (1898-1993) became a prominent Serbian painter. He went to school in Prague, lived in Paris between 1924 and 1932 and traveled throughout Europe before returning to Vojvodjansk. He survived a German prisoner-of-war camp.

Bogdan Suput, considered one of the great Serbian painters of the first half of the twentieth century, was born in 1914. He also spent time in Paris. In 1939 he returned to Belgrade where he became a member of the art group, “Ten.” That April, the Germans invaded Yugoslavia. Suput survived German captivity, but was shot by Hungarian fascists in Novi Sad in 1942. An art school in Novi Sad, begun sixty years ago, is named after him.

Ivan Tabakovic was born in Arad, Hungary (now Romania). He studied art in Budapest and Zagreb. He traveled briefly in Munich. In 1930 he moved to Novi Sad and began teaching in Belgrade in 1938.

Petar Dobrovic, a proponent, along with Milan Konjovic, of Serbian colorism, was known for his portraits and landscapes. He experimented with impressionism and cubism. He was President of the short-lived, small Serbo-Hungarian Baranya-Baja Republic in 1921. He died in Belgrade during the German occupation.

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We recommend — Weller Book Works Presents FEATHERS, PAWS, FINS and CLAWS

19 Thursday May 2016

Posted by rarebooks in Events, Recommended Lecture, Recommended Reading

≈ 2 Comments

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ancient, animals, Anne Jamison, bears, Charles Perrault, Christine A. Jones, dancing, Danish, European, fairy tales, feast, Fillings & Emulsions, folklorists, French, frog prince, German, Giovannie Francesco Straparola, girls, Grimm Brothers, historical, Hodder & Stoughton, human, Index of Prohibited Books, Jennifer Schacker, Jørgen Engebretsen Moe, Kay Nielsen, Lina Kusaite, Little Red Riding Hood, London, magic, mythology, Norway, Norwegian, ogres, pagan, Passion Flour, Peter Christen Asbjørnsen, pigs, princess, punctuation, rare books, rats, Scandinavia, sheep, snakes, Spanish, spelling, stories, treats, Trolley Square, trolls, University of Guelph, University of Utah, Venetia, Venice, vernacular, Weller Book Works, witches, wolves

“It was all as grand as grand could be.”

Feathers-Paws-Fins-Cover

Feathers, Paws, Fins and Claws
Presentation and Reception
Christine A. Jones and Jennifer Schacker
Weller Book Works
Trolley Square
Thursday, May 26, 6:30PM

This event is free and open to the public

A wide variety of creatures walk, fly, leap, slither, and swim through fairy tale history. Marvelous animals are deeply inscribed in current popular culture — the beast redeemed by beauty, the frog prince released from enchantment by a young princess, wolves in pursuit of little girls and little pigs. Feathers, Paws, Fins, and Claws: Fairy-Tale Beasts presents lesser-known tales featuring animals, wild and gentle, who appear in imaginative landscapes and exhibit a host of surprising talents. The offbeat, haunting stories in this collection, illustrated by Lina Kusaite, are rich and relevant, and provoke the imaginations of readers of all ages.

Editors Christine Jones, University of Utah Associate Professor, and Jennifer Schacker, University of Guelph Associate Professor, chose ten stories that represent several centuries and cultural perspectives on fairy tale animals — rats as seductive as Little Red Riding Hood’s wolf, snakes who find human mates, dancing sheep and well-mannered bears. These beasts move between animal behavior and acts that seem more human than beastly. Each tale is presented as closely as possible to their original print versions, reflecting the use of historical spelling and punctuation.

Join Weller Book Works for a presentation by Jones and Schacker, and an interview by University of Utah Associate Professor Anne Jamison.

Read the tales, feast on treats from Fillings & Emulsions and Passion Flour, and have your very own copy of Feathers, Paws, Fins and Claws signed by the editors.

Feathers-Paws-Fins-Spread


Rare Books celebrates this publication with its own collection of fairy tales, including:

PQ4634-S7-P5-1580-title

Le XIII piaceuoli notti del S. Gio. Francesco Straparola di Carauaggion diuise in due libri…
Giovanni Francesco Straparola (ca. 1480- ca. 1557)
In Venetia: 1580
PQ4634 S7 P5 1580

The Pleasant Nights, a collection of seventy-five stories, was first published in 1550 with twenty-five stories. Giovanni Straparola added stories to the next two editions, including what are considered to be the first “fairy tales” printed in a European vernacular. The collection of stories was reprinted in at least twenty-three editions between 1550 and 1620 and translated into German, Spanish, and French within only a few years after the first printing. The book was placed on the Index of Prohibited Books in 1624, for its descriptions and seeming justification of magic.

Several of these tales, such as “Beauty and the Beast” and “Puss-in-Boots,” were retold and made famous by Charles Perrault and the Grimm Brothers.


PT8802-N813-1924-Bear

East of the Sun and West of the Moon: Old Tales from the North
Peter Christen Asbjørnsen (1812-1885)
London: Hodder & Stoughton, 1924
PT8802 N813 1924

First published in 1914 as a luxury gift book, East of the Sun and West of the Moon is a collection of fifteen fairy tales gathered by Norwegian folklorists Peter Christen Asbjørnsen and Jørgen Engebretsen Moe in the mid-nineteenth century. The two spent years traveling across Norway transcribing local lore made up of trolls, ogres, and witches from the ancient pagan mythology of Scandinavia.

London publisher Holder and Stoughton chose Danish artist Kay Nielsen (1886-1957) to illustrate their publication of the tales. The book has since become one of the most well-known and well-beloved of children’s books.

PT8802-N813-1924-pg23
PT8802-N813-1924-pg44

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Book of the Week — Fasciculus Temporum

09 Monday May 2016

Posted by rarebooks in Book of the Week

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Adam, annotations, Ark, Bible, Biblical history, Carthusian, Christ, Church Fathers, Cloister, Cologne, comets, creation, eclipses, editio princips, Evangleists, farmer, German, Hungary, incunable, Jesus Christ, Johan Pruss, Latin, manuscripts, Mathias Corvinus, monks, omens, page layout, paste-paper boards, pilgrim, print, printing, rainbow, secular history, Sodom and Gomorrah, St. Barbara, Strassburg, theology, timelines, Troy, University of Utah, Werner Rolewinck, Westphalia, woodcuts

“This is the art of arts, the science of sciences. The valuable treasures of wisdom and knowledge, desired by all men, come out of the deep shadow of hiding, enriching and illuminating a world in the hands of evil. The unlimited power of books…now spreads through [printing] to every tribe, people, nation and language to all parts of the world.”

Title

FASCICULUS TEMPORUM
Werner Rolewinck (1425-1502)
Strassburg: Johan Pruss, not before 1490

Werner Rolewinck’s Fasciculus temporum was one of the most popular chronicles of the incunable period and beyond. This title has the distinction of being one of only a few books printed in this period while the author still lived. At least thirty editions were printed between the editio princeps (1474) and the death of Rolewinck. Five of these editions were printed Johan Pruss, four in Latin, as is the present edition, and one in German.

Rolewinck’s history is heavy on the stories of the British Isles, including the story of King Lear and his daughters, later made famous by William Shakespeare, is told in detail on the same page with that of Lycurgus of Sparta and the founding of Rome; Merlin and Arthur, St. Patrick, St. Thomas of Canterbury, and King Alfred.

This edition is expanded from the first to include events which occurred since the first edition, such as the death of Mathias Corvinus, King of Hungary in 1490.

Rolewinck, born in Westphalia, was the son of a well-to-do farmer. In 1447 he entered the Carthusian cloister of St. Barbara in Cologne. He wrote at least thirty works, mainly on theology, and mostly for the edification of his fellow monks. Many of these manuscripts were never put into print.

The printing of this text was tricky. The page layout has a double-ruled strip in the middle of the page, separating the text above (Biblical history with commentary by the Church Fathers) from the text below (secular history). Within the strip are one, two or three circles containing the names of people, beginning with Adam. Dates above are calculated from the creation of the world (5199 B.C.) Dates below, printed upside down, indicate the number of years before the birth of Christ.

FoliumIIII

Illustrated with nine woodcuts, including a frontispiece on the verso of the half-title of an elderly pilgrim, in classic “going on three feet” pose; twelve town views; an Ark and rainbow; and a full-length portrait of Jesus Christ. A city in flames illustrates the destruction of Sodom and Gomorrah, Troy, and others. Three woodcuts illustrate omens, such as comets, eclipses and monstrous births. The page with the woodcut of Jesus Christ (fol. 37) is an example of sophisticated typesetting: the figure of Christ is surrounded on four corners by the names of the Evangelists with quotations from the Bible.

Pilgrim

FoliumXXXVIL

Burning-city

University of Utah bound in later, probably seventeenth century German, paste-paper boards. UU copy has contemporary ink annotations on half-title and top margin of frontispiece and several others throughout the text, including a drawing on fol. XLXIII.

Ink-face

 

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Thank you, Anonymous!

11 Friday Sep 2015

Posted by rarebooks in Donations

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1960s, 1970s, Albert Camus, Alfred Hitchcock, California, catalog, Curtis all-rag, DelMonico Books, e. e. cummings, educator, Frances Elizabeth Kent, German, Great Depression, Ian Berry, Immaculate Heart College, Immaculate Heart College Press, Italian, John Cage, judge, Lilian Marks, Lilian Simon, London, Los Angeles, love, Martin Luther King, Michael Duncan, Munich, museums, New York, nun, Ohio, peace, Pennsylvania, Pirandello, Plantin Press, plays, playwright, poems, poet, Poland, Prestel, Roman Catholic, Saul Marks, serigraphs, silkscreen, Sister Mary Corita, Sisters fo the Immaculate Heart of Mary, soldier, The Frances Young Yang Teaching Museum and Art Gallery at Skidmore College, theater, Ugo Betti, United States

A generous donation from Anonymous adds to our growing collection of material documenting the 1960s.

Spread

The Words of Ugo Betti. Innocence and the Process of Justification in the Late Plays…
Los Angeles: Immaculate Heart College Press, 1965

Ugo Betti (1892-1953) was an Italian judge and poet. He is considered by some to be the greatest Italian playwright since Pirandello. He wrote his first poems while a soldier in German captivity (1917-18). They were published as Il Re Pendieroso in 1922. After the success of his first play, La Padrona, he worked exclusively in theater, for which he wrote twenty-seven plays.

Illustrated with eight serigraphs by Sister Mary Corita (born Frances Elizabeth Kent) (1918-1986), a Roman Catholic nun and educator who worked with silkscreen —  incorporating scriptural quotation, excerpts from well-known authors such as e.e. cummings and Albert Camus, song lyrics, and grocery store signs into her art. Kent belonged to the order of Sisters of the Immaculate Heart of Mary. While teaching at Immaculate Heart College her students included John Cage and Alfred Hitchcock. Her work, focused on the themes of love and peace, were popular during the social upheavals of the 1960s and 1970s. One of her best known works is “Love Your Brother,” a 1969 piece that features photographs of Martin Luther King overlaid with words in her handwritings. She is famous for her 1985 “Love” stamp.

Sister Mary said, “I really love the look of letters – the letters themselves become a kind of subject matter even apart from their meaning – like apples or oranges are for artists.”

Printed on Curtis all-rag paper at the Plantin Press, Los Angeles. Edition of two hundred and seventy-five copies.

The Plantin Press, a small private press, was begun in 1931 by Saul and Lilian Marks. Saul Marks learned the printing trade in Poland during WWI. He emigrated to the United States in 1921, where he met and married Lilian Simon. The Marks’ moved to Los Angeles in 1930 and set up shop in the midst of the Great Depression. Lilian Marks continued the press after Saul died in 1974, until she sold the business in 1985.


The donation included a catalog accompanying the exhibition, “Someday is Now: The Art of Corita Kent,” curated by Ian Berry and Michael Duncan, which traveled to museums in New York, Ohio, Pennsylvania and California between 2013 and 2015.

Someday is Now: the Art of Corita Kent
The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College
DelMonico Books, Prestel: Munich, London, New York, 2013
Cover

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Your Dissertation Here !

10 Monday Aug 2015

Posted by rarebooks in Book of the Week

≈ 2 Comments

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Aldus Manutius, Basel, Bible, Byzantine, Cambridge, England, English, Erasmus, Froben, German, Greek, John Colet, Latin, Latin Vulgate, Martin Luther, New Testament, Nikolaus Gergel, Roman Catholic Church, Thomas More (1478-1535), University of Utah, Venice, Western European, William Tyndale

frontispiece

NOUUM TESTAMENTUM GRAECE
Argentorati : Apud Vuolfium Cephalaeum, 1524
BS1965 1524

First edition, first printing in octavo of the Erasmus New Testament in Greek. This edition, in its compact format, was much more affordable than Froben’s earlier editions, two facts that arguably gave Erasmus’ translation greater societal impact. The text closely follows the Nikolaus Gergel edition of 1521, the second edition of the Erasmus Greek New Testament.

Desiderius Erasmus (1466-1536) took monastic vows at the age of twenty-five. An independent scholar, he spent time at Cambridge where he befriended John Colet (1467-1519) and Thomas More (1478-1535) during a time of great stress in the English Church. He spent three years in Venice working as an editor in the publishing house of Aldus Manutius (1449-1515). He later worked with printer Johannes Froben (1460-1527) in Basel.

Vvovlivs spreadBioE Toy Arioy Eyar spread

While in England, Erasmus began a systematic examination of available manuscript copies of the New Testament. His resulting Greek New Testament, with Latin in parallel column, was first published by Froben in 1516. The 1516 Greek-Latin New Testament was used as a primary source for Martin Luther’s translation of the New Testament into German (1522), and for William Tyndale’s translation of the New Testament into English (1526).

Although Erasmus was criticized by later scholars for not having used all available manuscript copies of the Greek New Testament and for not using Byzantine copies, his translation is noted as the first Western European attempt to find a truer translation of the New Testament than that of the fourth century Latin Vulgate, the translation used almost exclusively by the Roman Catholic Church. The translation re-introduced the study of Greek biblical manuscripts and other Greek works on the Bible into Western Europe.

Page3 Page28

Only ten copies of this edition and printing are listed in WorldCat. University of Utah copy has extensive marginalia in multiple contemporary or just post-contemporary hands (possibly four) throughout.

 

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Book of the week – Historia mvndi

22 Monday Jun 2015

Posted by rarebooks in Book of the Week

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Basel, Basilae, Erasmus, Frobeniana, German, Hans Holbein, Historia Mvndi, Johannes Froben, manuscript leaves, medicine, natural history, pastedowns, Pliny, Venice


HISTORIA MVNDI
C. Plinii Secvndi
Basilae: in officina Frobeniana, 1530
QH41 P74

First printed in Venice in 1469, this is an account of medicine and natural history; in effect, an ancient encyclopedia of science. This edition came from the press of Johannes Froben (1460-1527), a German printer who established himself at Basel. Froben became famous for printing scholarly texts, in part because Erasmus edited many of Froben’s publications. Froben also employed the as yet unknown Hans Holbein as a designer. University of Utah copy binding pastedowns are manuscript leaves.

 

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Book of the Week – The Romance of Parzival and the Holy Grail

02 Monday Feb 2015

Posted by rarebooks in Book of the Week

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chivalry, Chrétien de Troyes, compassion, English, German, Gwasg Gregynog, Holy Grail, humility, medieval, Middle High German, Monotype Bembo, mould-made, Newton, Parzival, Percival, Powys, romance, spirituality, Stefan Mrozewski, Wolfram von Eschenbach, wood engravings, Zerkall

PT1682-P8-E56-1990(1)The Romance of Parzival and the Holy Grail
Wolfram von Eschenbach (12th century)
Newtown, Powys: Gwasg Gregynog, 1990

The story of the knight Parzival is a medieval German romance written in Middle High German, dating from the first quarter of the thirteenth century. The story is based on Chrétien de Troyes’s “Perceval, the Story of the Grail” which in turn centers on the Arthurian hero Parzival, or Percival in English, and his quest for the Holy Grail. All of the versions emphasize the importance of humility, compassion and spirituality. Heroic acts of chivalry, inspired by true love, dominate the story. Illustrated with twelve full-page wood engravings by Stefan Mrozewski. The engravings were intended for a 1936 book, aborted by the outbreak of war. Abridged version translated by Carl Lofmark. Typeset and in 14 and 16 pt. Monotype Bembo. Printed on Zerkall mould-made paper. Bound in quarter leather and red decorated boards. Edition of one hundred and ninety-five copies. University of Utah copy is no. 106.

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A Donation Makes Poly Poly’s

26 Wednesday Nov 2014

Posted by rarebooks in Donations

≈ 1 Comment

Tags

agriculture, alphabet, Amsterdam, anatomy, Antonio Blado, Antwerp, architecture, astrology, astronomy, Barbara Chavira, Basel, Bible, Bonaventura Elzevir, bookbinders, booksellers, celibacy, censored, Christianity, Christopher Plantin, commerce, creation, Daniel Elzevir, Elizabeth Isengrin, England, English, engraved, Ethiopian Church, Europe, expurgated, fable, festivals, French, frontispiece, German, God, Greek, Hebrew, heresy, hunting, Index of Forbidden Books, indulgences, initials, Italian, italic, Judaism, King Arthur, Latin, law, Leonhart Fuchs, libraries, Louis Elzevir, Lucovico Arrighi, Lyons, magic, Martin Luther, mathematics, medicine, Michael Isengrin, minerology, monks, music, navigation, paganism, painting, pharmacology, physics, Polydore Vergil, Pope Gregory XIII, priest, printer, printing, Protestant, Rare Books Division, Reformation, religion, Roman, Roman Catholic Church, Rome, Salt Lake City Public Library, Shakespeare, Spanish, sports, theater, Thomas Guarin, Tournai, trade, typography, Utrecht, vellum, vignettes, weaponry, winemaking, writing

The Salt Lake City Public Library donated a sixteenth century book to the Rare Books Division, thanks to the well-trained eye of City Library staffer Barbara Chavira. Barbara worked part-time in the Rare Books Division for many years. Her passion for the art of books, in all forms and over the centuries, brought us this important and welcome addition to the rare book collections. Thank you, Barbara ! Thank you, City Library !

PA8585-V4-D4-1576-a4

 

 

 

 

 

 

 

 

POLYDORI VIRGILII VRBINATIS DE RERVM INVENTORIBVS…
Romae, apud haeredes antonij, Bladij, Impressores Camerales: Anno. M.D. LXXVI (1576)

Polydore Vergil (ca. 1470-1555), an Italian priest, spent much of his life in England. He is recognized for his history of England, a work that Shakespeare is known to have used as one of his sources. Vergil used critical analysis in his narration of historical events. His thesis that King Arthur was little more than fable, for instance, shocked contemporary readers.

It is his second published work, however, for which he was best known in his time. First printed in 1499, De rerum inventoribus (On Discovery), was a work unlike anything that had been published before. An inventory of historical “firsts,” it combined a wide array of subjects in an attempt to determine which individual or culture first invented things such as the alphabet, astronomy, magic, printing, libraries, hunting, festivals, writing, painting, weaponry and religion. Vergil culled much of his work from a wide range of ancient and contemporary writers. He focused on the genius of man in the origin or invention of all things – heretical thinking at the time.

In Book I he investigated the creation of the world, the origin of religion, the origin of the concepts of “god” and the word “God.” He suggested that much of Christianity had been adapted from Judaism or Roman paganism. Books II and III were studies of a wide-range of topics, mostly concerning the practical and mechanical arts including anatomy, astrology, law, medicine, commerce, mathematics, mineralogy, music, pharmacology, physics, trade, agriculture, architecture, sports, theater, navigation, and winemaking. The work was translated into French in 1521, German in 1537, English in 1546, and Spanish in 1551.

In 1521, more than two decades after he wrote the first three books, and at the dawn of Martin Luther’s protestant reformation, Vergil added five more books concentrating on Christianity. Vergil reworked his discussion of Christianity in deference to the Roman Catholic Church, which objected to Vergil’s reference to religion as a matter of scientific investigation. In spite of this concession, Vergil anticipated the scientific approach to religion that would become the norm a century later. The intended salve to the church failed when Vergil criticized monks, priestly celibacy, and indulgences. In 1564 the work was declared heretical and all editions were added to the Index of Forbidden Books. However, the work was so popular that two censored editions were printed after the ban.

This 1576 expurgated edition was sanctioned by Pope Gregory XIII in its front matter.

PA8585-V4-D4-1576-a2

PA8585-V4-D4-1570-CaGlorius

It is significant that this edition was printed by the heirs of Antonio Blado’s shop.

PA8585-V4-D4-1576-titlepage

PA8585-V4-D4-1576-regestvm

Blado worked in Rome from 1515 to 1567 as a printer in the service of the papacy. He was well-known for his scholarly works in Latin, Greek, and Hebrew; and a 1549 document in Ethiopic type for the Ethiopian Church. Blado is also known for his use of an early italic type created by Ludovico Arrighi. The Rare Books Division holds five books printed by Antonio Blado.

This 1576 edition of Vergil joins an edition from 1570 and another from 1671, already in the rare book collections.

PA8585-V4-D4-1570-titlepagePA8585-V4-D4-1570-colophon

POLYDORI VERGILII VRBINATIS, DE RERUM INVENTORIBUS…
Polydore Vergil (1470? – 1555)
Basilea: 1570

Printer Thomas Guarin (1529-1592) was born in Tournai. He worked in Lyons as a bookseller, but by 1557 was in Basel, where he married Elizabeth Isengrin, the daughter of a printer. Guarin took over his father-in-law’s small press at Michael Isengrin’s death. Michael Isengrin had printed one of the many editions of De rerum inventoribus to be published in Vergil’s lifetime. Each of these editions contained significant variations. Isengrin printed Leonhart Fuchs’s sumptuous De Historia stirpivm. Along with the reprint of classical works, Guarin issued several editions of the Bible, published in both Latin and German, and one in Spanish. His printer’s device was a palm tree.

PA8585-V4-D4-1570-printersdevice

 

 

 

 

 

 

 

 

PA8585-V4-D4-1671-frontispiece

POLYDORI VERGILII URBINATIS, DE INVENTORIBUS RERUM…
Polydore Vergil (1470?-1555)
Amstelodami: apud Danielem Elzebirius, 1671

Daniel Elzevir came from a distinguished family of booksellers, bookbinders, printers and publishers. Louis Elzevir (1546-1617), a Protestant émigré, began the business in Antwerp in about 1565, after he left a job with Christopher Plantin’s print shop. The Elzevir enterprise became one of Europe’s largest printing houses. Louis’s sons expanded the business with branches in The Hague, Utrecht, and Amsterdam. The Amsterdam branch was established in 1638 by Louis III. His partner was Daniel Elzevir, son of Bonaventura Elzevir, son of Louis. Daniel continued the family reputation for fine typography and design work. This edition of De Rerum inventoribus also contains another of Vergil’s works, Prodigiis, written in 1526 but not printed until 1531. The engraved frontispiece for this edition includes the invention of printing as one of its main themes. Numerous carved initials and vignettes. Bound in contemporary vellum.

Shakespeare is coming! The First Folio will arrive at the City Library in October.

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