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Tag Archives: Karen Hanmer

Looking forward to Book Arts Program workshop, “All Shook Up: Text & Image in Flag Books”

01 Friday Jul 2016

Posted by rarebooks in Recommended Workshop

≈ Comments Off on Looking forward to Book Arts Program workshop, “All Shook Up: Text & Image in Flag Books”

Tags

1954, American, Anchorage Museum of History and Art, artist, artists' books, Book Arts Studio, Brooklyn Museum, Canadian Bookbinders & Artists' Guild, Center for Book Arts, Designer Bookbinders (US), digital printing, flag book structure, Florence, Florida Atlantic University, Fogg Museum of Art, Glenview, Graceland, Guild of Book Workers, Harvard University, Hedi Kyle, history, Illinois, image, Italy, J. Willard Marriott Library, jig, Karen Hanmer, Kentucky Museum of Art and Craft, Les Amis de la Reliure d'Art du Canada, Library of Congress, military, New York City, non-adhesive, photograph, Photoshop, politics, science, Tate Britain, text, UCLA, University of West England Bristol

Text & Image in Flag Books
Karen Hanmer, instructor

July 7
Thursday, 9:00–5:00
Book Arts Studio, J. Willard Marriott Library, Level 4
Application for this workshop is closed.

The foundation of Hedi Kyle’s deceptively small and simple book flag book structure is an accordion folded spine. Flaps attached to both sides of each of the spine’s mountain folds allow the artist to fragment and layer a number of complementary or contrasting images and narratives. When the flag book spine is pulled fully open, the fragmented images on the flaps come together to create a large, panoramic image. Participants experiment with complementary and contrasting text and images and discuss the effects of different spine and page dimensions, direction of motion, and which images are most successful. Students learn a tidy, non-adhesive method of covering boards and use a jig to facilitate quicker, more precise assembly. While this is not a computer class, digital printing and setting up Photoshop templates for pages, covers and spines is demonstrated.
– – – – –
Karen Hanmer’s artists’ books are physical manifestations of personal essays intertwining history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. Hanmer exhibits widely, and her work is included in collections ranging from Tate Britain and the Library of Congress to UCLA and Graceland. Solo exhibition venues include Florida Atlantic University, University of the West of England Bristol, and the Center for Book Arts (NYC). Curated exhibition venues include the Anchorage Museum of History and Art, Brooklyn Museum, Harvard University’s Fogg Museum of Art, the Kentucky Museum of Art and Craft; and traveling exhibitions sponsored by the Guild of Book Workers (US), Designer Bookbinders (UK) the Canadian Bookbinders and Book Artists’ Guild, and Les Amis de la Reliure d’Art du Canada.

Rare Books is proud to support the Book Arts Program with its collections.

N7433.4-H357-L48-2004-front N7433.4-H357-L48-2004-back

Letter Home
Karen Hanmer
Glenview, IL: K. Hanmer, 2004
N7433.4 H357 L48 2004

Hedi Kyle flag book structure. One side of each flag has text, the other side of each flag has a color image which is part of a family photograph. The family photograph becomes whole when the accordion folds are stretched and the pages fall open. Text is from a letter written from Italy in 1954 by a military wife to her relatives. Upper and lower boards are covered in reproduction of a photograph of an American woman [the artist’s mother] on a balcony overlooking Florence, Italy. Issued in an artist-made phase box of green map folder stock with fabric hook-and-loop fasteners.

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Rare Books/Book Arts Collaborative Exhibition Featured in Utah Daily Chronicle

15 Friday Jan 2016

Posted by rarebooks in Chronicle, Newspaper Articles, Physical Exhibitions

≈ 1 Comment

Tags

Allison Milham, Allyn Hart, artists' books, Becky Thomas, Book Arts Program, calligraphy, Claire Taylor, Crane Giamo, cyanotype, digital letterpress, Emily Tipps, encaustics, flag book, ink, J. Willard Marriott Library, Karen Hanmer, Keiji Shinohara, leather binding, linocut, Louanna Tanner, Luise Poulton, Marnie Powers-Torrey, Michelle Macfarlane, painting, Pamela Smith, paper marbling, rare books, Rare Books Department, Special Collections Gallery, Stacy Phillips, Utah Daily Chronicle, woodcut, xerox lithography

“We are embracing the process of making the book.” — Allison Milham, Book Arts Program Community Outreach Coordinator.

Glimpse gallery at the Marriott Library, Monday December 7, 2015.

Glimpse, Special Collections Gallery — Photo courtesy of Utah Daily Chronicle

Allison Milham (Book Arts Program) and Luise Poulton (Rare Books) teamed up to curate an exhibition featuring the work of library and guest instructors for the Book Arts Program’s 2016 workshop schedule. Read more about it in the Utah Daily Chronicle.

The exhibition, “Glimpse,” in the Special Collections Gallery on level 4 of the J. Willard Marriott Library, includes artists’ books held in the Rare Books collection. 2016 Book Arts Program guest instructors include Keiji Shinohara (Woodcut), Karen Hamner (Flag Book and Leather Binding), Pamela Smith (Paper Marbling), Michelle Macfarlane (Cyanotype), Claire Taylor (Linocut on Fabric), Allyn Hart (Xerox Lithography), Becky Thomas (Experimental Ink Techniques), Stacy Phillips (Painting with Encaustics), Louanna Tanner (Calligraphy). Additional workshops are offered by Book Arts Program faculty and staff Crane Giamo and Marnie Powers-Torrey (Digital Letterpress), Emily Tipps (Narrative Pages), and Allison Milham (Bookmaking). For more information about these workshops visit the Book Arts Program.

Rare Books is proud to work with our colleagues in Book Arts!

 

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Book Arts Exhibition – Glimpse

10 Tuesday Nov 2015

Posted by rarebooks in Physical Exhibitions

≈ 2 Comments

Tags

A Fowl Alphabet, Alan James Robinson, Allison Milham, Allyn Hart, Becky Williams Thomas, book artists, Book Arts Program, bookbinding, bookmaking, Cheloniidae Press, Claire Taylor, collage, Crane Giamo, Easthampton, Emily Tipps, encaustics, Glenville, Illinois, intaglio printing, J. Willard Marriott Library, Japanese, Julianna Christie, Karen Hanmer, Keiji Shinohara, leather bindings, letterpress printing, Luise Poulton, Marnie Powers-Torrey, Massachusetts, Michelle Macfarlane, National Endowment for the Arts, Pamela Smith, paper decorating, papermaking, photo engraving, photography, printers, rare books, relief printing, Special Collections Gallery, Stacy Phillips, Suzanne Moore, The University of Utah, type, wood engravings

GlimpsePoster

Rare Books is pleased to support the Book Arts Program with its historic, fine press, and artists’ books collections. Glimpse features these and many other book artists represented in our collections.

DODOe

A FOWL ALPHABET
Alan James Robinson
Easthampton, MA: Cheloniidae Press, 1986

Wood engravings by author. Lettering by Suzanne Moore. Title printed in brown and black; initials and headings printed in brown and gold. Issued in cloth clamshell box. Edition of fifty copies, signed. University of Utah copy is no. 36.


AAAZZZ

AAAAAZZZZZ
Karen Hanmer
Glenville, IL: Karen Hammer, 2002
N7433.4 H357 A6 2002

Housed in box. Title on box shows the letter “A” turning into the letter “Z.” Edition of eight copies. University of Utah copy is no. 6, signed by the author.


AtoZ

THE SPECTRUM A TO Z
Karen Hanmer
Glenview, IL: K. Hanmer, 2003
N7433.4 H357 S6 2003

Accordion-style alphabet book. Edition of twenty copies. University of Utah copy is no. 4.


UV

PATRIOT ALPHABET
Karen Hanmer
Glenview, IL: K. Hanmer, 2004
N7433.4 H357 P37 2004

Karen Hanmer layers fragments of text and image, evoking personal memory within cultural context. Intimate but strong, her books are designed to be handled, their sculptural elements giving way to the physicality of reading the old-fashioned way, by turning a page.

alluNeedSingleLine

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