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Tag Archives: wood engraving

Book of the week — Of the Small Silver-Coloured Book-Worm

20 Monday Aug 2018

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Abigail Rorer, bookworm, Catawba Press, Don Guyot, handsewn, James Allestry, John Martyn, London, marbled paper, Massachusetts, Northampton, Robert Hooke, wood engraving


This Animal probably feeds upon the Paper and covers of Books, and perforates in them several small round holes, finding, perhaps, a convenient nourishment in those hulks of Hemp and Flax, which have pass’d through so many scourings, washings, dressings and dryings, as the parts of old Paper must necessarily have suffer’d; the digestive faculty, it seems, of these little creatures being able yet further to work upon those stubborn parts, and reduce them into another form. — Robert Hooke

Of the Small Silver-Coloured Book-Worm
Robert Hooke (1635-1703)
Northampton, MA: Catawba Press, 1980
Z701 H66 1980

From Robert Hooke’s “Observation LII” from Micrographia… London, Printed by John Martyn and James Allestry, 1665. Illustrated with a wood engraving by Abigail Rorer. Handsewn binding covered with marbled paper wrappers by Don Guyot. Edition of one hundred and seventy-five copies. Rare Books copy is no. 155.

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Book of the Week — A New Hieroglyphical Bible, for the Amusement and Instruction of Children

31 Monday Jul 2017

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Alexander Anderson, America, American, Augsburg, Baltimore, Bible, children, Dutch, emblem books, English, French, hieroglyphical, Isaiah Thomas, New York, Samuel W. Wood & Co., Samuel Wood & Sons, wood engraving

BS560-H54-1818-pg32spread
“…so also can nothing be more unprofitable, than the too customary mode of charging the infant memory with verses, or even chapters of abstract doctrines, or passages, about the true meaning of which, schoolmen themselves have hitherto been divided in opinion.” — from the Preface

A New Hieroglyphical Bible, for the Amusement and Instruction of Children
Alexander Anderson (1775-1870)
New York: Published by Samuel Wood & Sons, And Samuel W. Wood & Co…Baltimore, 1818
BS560 H54 1818

Hieroglyphic Bibles were a natural development from emblem books, in which often complex visual images served as emblems for intellectual or aesthetic ideas presented as moral or religious lessons. The first one was published in Augsburg in 1687. French and Dutch editions followed in the eighteenth century. The first English edition appeared fairly late, but it was followed by at least thirteen other editions before the end of the eighteenth century. The first American hieroglyphic Bible was published in 1788 by Isaiah Thomas.

Alexander Anderson has been called the father of wood engraving in America, and was certainly one of its masters. His work included prints, almanacs, fiction, travel, children’s books, Bibles, religious tracts, medical texts, and broadsides.

BS560-H54-1818-title

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Book of the Week – Walden; or, Life in the Woods

19 Monday Oct 2015

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American, Baker-Andrew, Boston, engraved, environmentalism, first edition, Henry David Thoreau (1817-1862), individualism, John G. Chandler, lithography, nature, S. W. Chandler & Bro., Samuel W. Chandler, self-reliance, Sophia E. Thoreau (1819-1876), Ticknor and Fields, title page, vignette, Walden, Walden Pond, wood engraving

PS3048-A1-1854-TitlePageWALDEN; OR, LIFE IN THE WOODS
Henry David Thoreau (1817-1862)
Boston: Ticknor and Fields, 1854
First edition
PS3048 A1 1854

Embraced today as a precursor of the modern environmentalist movement, Walden is one of the most celebrated examples of American individualism and self-reliance. Thoreau’s writing emphasizes an appreciation of nature for itself rather than as a resource to be exploited – a sharp departure from the prevailing economic and religious views of the period. The engraved plan of Walden Pond inserted at page 307 was drawn by Thoreau, a professional surveyor, and lithographed by S. W. Chandler & Bro. (Samuel W. & John G. Chandler) of Boston. The vignette of Thoreau’s hut on the title-page was engraved in wood by the firm of Baker-Andrew after a sketch by Sophia E. Thoreau (1819-1876), the author’s youngest sister. Sophia adored her brother, encouraging and aiding him during his lifetime and later serving as his literary executor. Unfortunately, as an artist she was not particularly talented. Her sketch has been condemned as a feeble version of the actual structure. Eight pages of publisher’s ads (dated May, 1854) inserted between back endpapers. Original brown vertically-ribbed cloth, stamped in blind, spine ruled in blind and lettered in gilt. Original yellow coated endpapers. Edition of two thousand copies.

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