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Tag Archives: woodcut

Book of the Week – Miscellaneous Poems

06 Wednesday May 2015

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"To His Coy Mistress", Andrew Marvell, Cornhill, English, engraved, frontispiece, Jesuits, London, Mary Marvell, Mary Palmer, Oliver Cromwell, poems, portrait, Robert Boulter, title page, Turks-Head, woodcut


 

“Had we but world enough, and time”

Miscellaneous Poems
Andrew Marvell (1621-1678)
London: [By Simon Miller?], 1681 for Robert Boulter, at the Turks-Head in Cornhill
First edition

This collection marks the first appearance of the majority of Andrew Marvell’s poems, including “To His Coy Mistress,” one of the most celebrated lyric poems in the English language. The collection was “taken from exact copies, under his own handwriting, found since his death among his other papers, witness my hand this 15th day of October, 1680. Mary Marvell.” So states the “Letter to the Reader.” However, the edition was published under mysterious circumstances.

There is no record that Marvell ever married. Mary Palmer was Marvell’s housekeeper. It is thought that friends of Marvell’s added the erroneous announcement, for reasons still hypothesized today. Some modern-day Marvell scholars accept that Mary Palmer was married to Marvell.

Leaves S1 and X1 are cancels, replacing thirteen leaves, necessitated by the suppression of three long poems in honor of Oliver Cromwell, the publication of which was thought to be impolitic. The suppressed leaves are missing in all but two known copies of the printed folio, these two copies being incomplete. Popular rumor attributed Marvell’s death to poisoning by Jesuits.

Illustrated with engraved frontispiece portrait of Marvell. Woodcut publisher’s device on title-page.

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Book of the Week – Direction of the Road

11 Tuesday Nov 2014

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Aaron Johnson, anamorphic art, Canada, Foolscap Press, Le Papeterie Saint-Armand, Leonardo da Vinci, Montreal, Santa Cruz, woodcut


Direction of the Road
Ursula K. Le Guin
Santa Cruz, CA: Foolscap Press, 2007

Short story printed on white linen paper made by Le Papeterie Saint-Armand paper mill in Montreal, Canada. Binding is Saint-Armand’s Green Umbrella cover paper. Woodcut by Aaron Johnson. The woodcut is seen by using a reflective polymer mirror in a technique called anamorphic art, first recorded in a codex of Leonardo da Vinci. Book, mirror and woodcut housed in cloth-covered portfolio box covered in green Japanese cloth. Edition of one hundred and twenty, signed by the author and the artist. University of Utah copy is no. 53.

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Book of the Week – The American Ladies’ Memorial: an Indispensable…

15 Monday Sep 2014

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American, arrangements, behaviour, Boston, Cornhill, embroidery, etiquette, floral, guide, illustrations, lacework, ladies, lady, memorial, millinery, patterns, spine, toilette, woodcut, wrappers


The American Ladies’ Memorial: an Indispensable…
Boston: Published at 60 ½ Cornhill, 1850
First edition
HQ1221 A534 1850

A guide to acceptable behavior for nineteenth-century American ladies, with emphasis on acceptable occupations and amusements. From this little book, the lady may learn about etiquette, embroidery, lacework, dress-making, millinery, floral arrangements, toilette and much, much more. The lady is helped with woodcut illustrations throughout, including numerous embroidery and lacework patterns. Yellow printed wrappers, stitched at the spine.

 

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Book of the Week – Calendarium

17 Monday Mar 2014

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almanacs, astronomers, border, calendar, Calendarium, Easter, eclipses, Erhard Ratdolt, imprint, initial, instruments, Italian, lunar, Nuremburg, printer, printing, Regiomontanus, title page, Venice, woodcut

Mueller, Calendarium, 1482, First Page
Mueller, Calendarium, 1482, Solar Chart
Mueller, Calendarium, 1482, March Measurements

Calendarium
Johannes Mueller, Regiomontanus (1435 – 1476)
Venice; Erhard Ratdolt, 1482
CE73 M8 1482

Regiomontanus’ Calendarium was first printed at his own press in Nuremberg in 1474. In 1476, master printer Erhard Ratdolt published it in Venice, the capital of Italian printing, followed by this edition in 1482. Regiomontanus was one of the first publishers of astronomical material. His Calendarium represents the first application of modern scientific methods of astronomical calculation and observation to the problems of the lunar calendar, such as Easter, and the accurate prediction of eclipses.Regiomontanus’ almanacs contained planetary positions for a particular year as calculated from astronomical tables, freeing astronomers from performing the laborious task themselves.

This edition also contains verses by J. Sentius in praise of the author, and by Santritter in praise of the printer. Santritter would later become a printer himself. The last two leaves of this book are printed on four pages of thick paper pasted together to form astronomical instruments. The ingenuity of the instruments demonstrates Ratdolt’s technical skill in overcoming the challenges posed by early scientific publishing. This edition was not only technically innovative but artistically elegant as well. The title page is ornamented with an intricate border. The title-page initial is printed in red and black. Other woodcut initials are printed in black and white. Ratdolt included imprint details – that is, the information which tells us when and by whom the book was printed – at the end of the opening verses on the verso of the title-page.

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Book of the Week – The Garden

09 Monday Sep 2013

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accordion, double leaves, gilt, handset, Inanna Press, Maureen Cummins, printed, Vandercook Universal I, woodcut, woodcuts

Cummins, The Garden, 1993, Title Page
Cummins, The Garden, 1993, Unicorn
Cummins, The Garden, 1993, Planets


The Garden: A Meditation on Man and Nature
Maureen Cummins (1963-)
New York: Inanna Press, 1993

Maureen Cummins was born in New York and received a BFA from Cooper Union School of Art in printmaking and book arts. Her imprint, Inanna Press, specializes in literature of the east. Inanna Press books are handset and printed on a Vandercook Universal I. Illustrated with thirty hand-colored woodcuts. Printed on double leaves. Accordion bound with patterned paper boards and a beige cloth spine lettered in gilt. Issued in beige buckram-bound slipcase with mounted woodcut illustration on the front. Edition of 30 copies, signed. University of Utah copy is no. 17.

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Book of the Week – Elementa Geometriae

04 Wednesday Sep 2013

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Abelard of Bath, Arabic, Campanus of Novara, Erhardt Ratdolt, Euclid, geometry, Greek, initial, littera moderna, printing, rotunda, Venice, woodblock, woodcut

Euclid, Elementa Geometriae, First, 1482
Euclid, Elementa Geometriae, Arc, 1482
Euclid, Elementa Geometriae, Triangle, 1482

Elementa Geometriae
Euclid
Venice, Erhardt Ratdolt, 1482
QA31 E86 E5 1482

This is the editio princeps, or first printed edition, of Euclid’s Elements of Geometry, the oldest mathematical textbook still in common use today. The Greek mathematician Euclid compiled the work around 300 BC. Its success can be attributed to its simple structure where each theorum follows logically from its predecessor.

In 1482, Erhardt Ratdolt, famous for his beautifully produced scientific books, printed eight works – Euclid’s Elements among them. Ratdolt’s fame largely rests upon this edition of Elements. It is the first printed book to contain geometrical figures. An elegant three-sided woodblock and a white-vine style woodcut initial, several hundred small ornamental capitals, and more than four hundred and twenty carefully designed and perfectly printed marginal diagrams, confirm its standing as a landmark publication.

The page layout, particularly the first page, is an outstanding example of Ratdolt’s consideration of the overall look and readability of his work. Note the closeness of the type to the initial and the close set of the text page. For the text, Ratdolt used a type called “rotunda” or “round-text.” The Italian writing-masters called this littera moderna.

Ratdolt’s book was based on the standard Euclid of the later Middle ages: Abelard of Bath’s twelfth-century translation from the Arabic, revised in the following century by Campanus of Novara (d. 1296). In his dedication to this edition, Ratdolt suggested that the scarcity of printed mathematical works was due to the problems involved in printing the geometrical diagrams.  He then happily announced that he had discovered a method of printing them as easily as the text. He did not elaborate upon this method, but it most likely involved the use of type-metal rule arrangements that could be printed along with the text.

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