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Category Archives: Book of the Week

Book of the Week — Opuscula mathematica

14 Monday May 2018

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Charles II, Duke of Parma, engraver, fonts, geometry, Giambattista Bodoni, Greek, hydraulics, Isaac Newton, Italy, mathemathics, matrices, musical notation, ornamental devices, Parma, Piedmont, Pietro Giannini, printer, printshop, publisher, punchcutter, punches, Roman, Russian, Saluzzo, Seville, Spain, type designer, type foundry, typographer, Vincenzo Riccati


“…the function of our Art is to put before our eyes…representation of anything which the human mind can split up and divide into a definite number of different parts, not infinitesimally small, which frequently recur in exactly the same form to play a part in that representation.” — Giambattista Bodoni, Manuale tipographica (1818)

Opuscula mathematica
Pietro Giannini (1740-1810)
Parma: Ex Typographia Regia, 1773
First edition
QA3 G43 1773

This scarce mathematical work on hydraulics and geometry was printed by Giambattista Bodoni. Bodoni was born in Saluzzo, Piedmont, Italy in 1740. He died in Parma, Italy in 1813. An engraver, type designer, printer and publisher, Bodoni was invited by the Duke of Parma to set up and run a printshop. In 1779, Bodoni opened his own type foundry. In 1782 Charles II of Spain named Bodoni his court typographer.

Bodoni is still recognized for his roman, Greek, Gothic, Asian and Russian fonts, and lines, borders, symbols, numbers and musical notation. He was the most prolific punchcutter in the history of printing: an inventory of his shop, compiled by his widow, revealed 25,491 punches and 50,283 matrices, each cut by hand. He was friend to kings, ministers and others in power, dubbed by them as “Re dei tipografi, tipografo dei re” (king of typographers, typographer of kings). He basked in popularity, receiving numerous high honors.

This plain edition, with simple yet gracious chapter-heading ornamental devices, is a great example of the beginnings of Bodoni’s signature style: wide margins; clear, solid type; and exquisitely designed and printed mathematical figures all point to Bodoni’s typographical genius.

Oh, yeah. And then there’s the math. Pietro Giannini was a student of Vincenzo Riccati (1707-1775) who urged Giannini to publish Opuscula Mathematica (1773). Opuscula is divided into three parts. In the first part, Giannini studied water falling through a hole. Isaac Newton had addressed this in his Principia, but Giannini’s work is less experimental, more mathematical. Giannini was appointed a professor of mathematics in Seville, Spain.

This edition contains ten engraved folding copper-engraved plates, each with multiple diagrams. It is illustrated with a woodcut device on title-page. Our copy is bound in original wrappers with an old manuscript spine label.

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Book of the Week — Clavis Historia Thuanae

07 Monday May 2018

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archivists, curia, Edict of Nantes, Edward Gibbon, England, French Enlightenment, French Revolution, Geneva, Germany, heresy, humanism, Index of Prohibited Books, Jac, Jacques Auguste de Thou, Jacques Dupuy, Keeper of the Royal Library, librarians, Parlement, philosophes, Portugal, Protestant, rare books, Roman Catholic, scholars, Spain, vellum, Voltaire, William Pitt

Clavis historiae thuanae: id est, nomenclature…
Jacques Dupuy (1591-1656)
Ratisponae: Sumtibus J. Z. Seidelii, 1696
Editio altera
D228 T552

Originally published in Geneva in 1634, this revised edition includes the word “Clavis” as the beginning of its title. The title translated into English reads: Nomenclature of Proper Names in the Historical Work of Jacques Auguste de Thou. Thou (1553-1617) was a historian whose fame and acclaim lasted well into the nineteenth century. His “History of His Own Time” (Historiarum sui temporis libri CXXXVIII) was added to the Index of Prohibited Books in 1609 for its humanist bent.

In spite of the ban and the humanism, his work received praise across the Roman Catholic/Protestant spectrum from Spain and Portugal to England and Germany. It was read by the curia it condemned and was a favorite of the Philosophes of the French Enlightenment. Voltaire referred to the “truthful eloquence” of Thou several times in his works. William Pitt quoted Thou, “the great historian of France,” in the early years of the French Revolution, and historian Edward Gibbon referred to Thou as the “authority of my masters.”

Thou was a leading member of Parlement. A Roman Catholic, he nonetheless counted many Protestants as his friends and helped negotiate the Edict of Nantes. He was appointed the Keeper of the Royal Library. His own library contained nearly 6,000 volumes, vast even by the standards of a private library-owning upper class. His “History” appeared in parts between 1604 and 1610. But the work was considered heresy in that it failed to condemn all Protestants outright. For this he fell from royal and papal favor.

The other indexer of Thou’s history was Jacques Dupuy, one of the many archivists and librarians who organized meetings of scholars at Thou’s home and, here, organized his book.

Rare Books copy bound in vellum, using loose leaves from another work. Pages are in double column format.

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Book of the Week — The Emigrant’s Guide to Oregon and California

30 Monday Apr 2018

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California, California Trail, Cincinnati, Conclin, cookstove, Dan Rhoads, deserts, Donner-Reed Party, emigrants, entrepreneur, Fort Bernard, Fort Bridger, Fort Hall, Friends of the Library, grandmother, Great Salt Lake, guidebook, Humboldt River, Illinois, Indians, Jacob Donner, James Reed, Lansford Warren Hastings, Mexicans, Mexico, Michael Wallis, mountains, Nevada, New York, Ohio, Oregon, piano, real estate, Roman Catholic Church, San Francisco, Sierra Nevada, Springfield, Sutter's Fort, Truckee Lake, United States, Utah, Virginia Reed, Wasatch Mountains, Weber Canyon


“Remember, never take no cutoffs and hurry along as fast as you can.” — Virginia Reed

The Emigrant’s Guide to Oregon and California
Lansford Warren Hastings (1819-1870?)
Cincinnati: G. Conclin, 1845
F864 H345

On April 29, 1847 the nearly three month-long rescue of survivors of the now-infamous Donner-Reed Party ended. The last surviving member arrived at Sutter’s Fort more than a year after the original party had departed from Springfield, Illinois. The first of the lost souls, located near Truckee Lake in the Sierra Nevada, had been found on February 18. Dan Rhoads, one of the rescuers wrote, “They were gaunt with famine and I never can forget the horrible ghastly sight they presented. The first woman spoke in a hollow voice very much agitated and said ‘are you men from California or do you come from heaven?'”

To get from Illinois to California, the Donner-Reed party had relied, in part, on a bestselling book called The Emigrant’s Guide to Oregon and California. The author was Lansford Warren Hastings, a young real-estate entrepreneur from Ohio who had financial and political interests in California. Hastings, at age twenty-three, had made a trip west in 1842.

The book had almost no practical advice, in spite of the crowing in its preface of providing “a description of the different routes; and all necessary information relative to the equipment, supplies, and the method of traveling” with the caveat that “all excrescences have been cautiously lopped off, leaving scarcely any thing more than a mere collection of interesting, important and practical facts.”

To make up for the lack of “excrescences,” Hastings regaled the reader with lengthy and snarky anecdotes regarding “Californians,” gamblers and drunks all. “How different are the priests of California from those of the same denomination of christians in our own country?”

In his “guide” he depicted Indians as lazy and Mexicans as dishonest, blaming much of the latter on the priests of the Roman Catholic Church.

“At times, I sympathize with these unfortunate beings, but again, I frequently think, that perhaps, are thus ridden and restrained and if they are thus priest ridden, it is, no doubt, preferable, that they should retain their present riders. ”

As for Indians, Hastings’ wrote, with no irony, that they “in numerous instances, abandoned their old haunts, and re-established in other portions of the country, but for what cause, it is difficult to ascertain, with any degree of certainty, for the sites which have been thus abandoned, appear in many instances, to possess advantages much superior, to those which have been subsequently selected.”

Hastings’ “little work,” as he called it, was inspirational to those wishing to escape the crowded conditions and poor economy of the east and Midwest. Hastings’ book promoted the land and climate of California as ideal companions for hardworking “Americans.” His book was read by one of the drivers of the Donner family wagons. A copy of the book, owned by Jacob Donner, much-handled, was found in the saddlebag of one of the travelers.

Hastings’ guidebook had bad information and good.

Good: In Chapter XV Hastings discussed “The Equipment, Supplies, and the Method of Traveling.” First, “All persons, designing to travel by this route, should, invariably, equip themselves with a good gun.” (Indians and/or buffalo.) Second, “It would, perhaps, be advisable for emigrants, not to encumber themselves with any other, than those just enumerated; as it is impracticable for them, to take all the luxuries, to which they have been accustomed; and as it is found, by experience, that, when upon this kind of expedition, they are not desired, even by the most devoted epicurean.”

The Reed family brought with them an invalid grandmother, a piano and an iron cookstove.

Bad: Hastings, eager to sell land in California, encouraged travelers to forget about Oregon and make their way to California, suggesting a cutoff through the Wasatch Mountains, passing to the south of the Great Salt Lake and then across the salt flats to rejoin the California Trail at the Humboldt River. Hastings, who had not, in fact, traveled this route, was sure the shortcut would save travelers valuable time. The passage in Hastings’ guidebook was short and carried no description: “The most direct route, for the California emigrants, would be to leave the Oregon route, about two hundred miles east from Fort Hall; thence bearing west southwest to the Salt Lake; and thence continuing down to the bay of San Francisco, by the route just described.”

The Donner-Reed Party, stopping at Fort Bernard, were warned not to take the route. Still, they had been delayed for one reason or another almost from the start and needed to make up time. The shortcut would enable them to do so. A meeting with an emissary of Hastings, on his way back to Ohio, convinced the Donner-Reed Party even more of this need. In a letter, Hastings warned of the war between the United States and Mexico and advised travelers to take his shortcut of about two hundred miles, promising to meet the emigrants at Fort Bridger and to guide them over the deserts and mountains of his new route, crossing what would become the states of Utah and Nevada. It was a convincing proposal. Hastings never met them. The party found another guide to take them as far as the salt plain west of the Great Salt Lake. Again, others warned against taking this route.

At the mouth of the Weber Canyon the Donner party found a note from Hastings, now guiding another group, advising them that the canyon was impassable with wagons and offering to provide them with yet another route. The company waited while James Reed rode ahead to meet Hastings, who refused to act as guide but showed Reed a potential route to follow. No one in the party saw Hastings again, although they heard from him one more time in the form of a wind-ripped note that warned of two days and nights of hard driving across the desert to reach water. The company plodded on, ignoring a sentence buried only pages away from the cutoff passage in the Hasting guide: “…for, unless you pass over the mountains early in the fall, you are very liable to be detained, by impassable mountains of snow, until the next spring, or, perhaps, forever.”

Thank you, Friends of the Library, for your many gifts to Rare Books over the years, including this historic guide.

Recommended reading:
Wallis, Michael. The Best Land Under Heaven: The Donner Party in the Age of Manifest Destiny. New York: Liveright Publishing Corporation, 2017
General Collection, Level 2
F868 N5 W36 2017

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Book of the Week — Faster Than Birds Can Fly

23 Monday Apr 2018

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birds, Granary Books, Hermetic Press, John Ashbery, Judith Ivry, New York City, Philip Gallo, poem, Silicon Gallery Fine Art Prints, The World, Trevor Winkfield, typography

“But to go on from here
When it has all come back, bread
On the waters, for life is
This emptying and filling the

Rivers big at their head
Swollen as big as at the mouth,
Shall we begin earlier next time,
Push the seeds to the surface?”

Faster Than Birds Can Fly
John Ashbery (1927-2017)
New York City: Granary Books, 2009
PS3501 S475 F37 2009

This poem first appeared in The World #20 (1970). Illustrations by Trevor Winkfield. Typography by Philip Gallo at the Hermetic Press. Printing by Silicon Gallery Fine Art Prints. Binding by Judith Ivry. Edition of forty copies. Rare Books copy is no. 40, signed by the poet and the artist.

April is National Poetry Month.

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Book of the Week — Wrenching Times: Poems from Drum-Taps

15 Sunday Apr 2018

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Abraham Lincoln, Alan Wood, assassination, Brooklyn, Capitol, David Esslemont, democratic, frontier, Gaylord Schanilec, Gwasg Gregynog, Hugh Willmer, lilacs, M. Wynn Thomas, memorial, Monotype Baskerville, New York, Newton, North Wales Arts Association, poet, Powys, President, rare books, Rhian Ticehurst, typeface, Union, Wales, Walt Whitman, Washington, Western, wood blocks, wood engravings, Zerkall mould-made paper

PS3211-A3-1991-Portrait

“When lilacs last in the door-yard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d…and yet shall mourn with ever-returning spring.”

Wrenching Times: Poems from Drum-Taps
Walt Whitman (1819-1892)
Newton, Powys, Wales: Gwasg Gregynog, 1991
PS3211 A3 1991

From notes by M. Wynn Thomas: “Whitman was in New York, seeing Drum-Taps through the press, when Lincoln was assassinated on the evening of 14 April 1865, at the very time when he had finally secured victory for the Union. Whitman had come to identify very closely with the president, having supported him when others dismissed him as a mere country hick, and having seen him pass every day under Whitman’s window in Washington on his journey to and from the Capitol. Lincoln was, for the poet, the very epitome of Western, frontier qualities and his steadfast adherence, through the worst of times, to his principled belief in a democratic Union had won Whitman’s unqualified and undying admiration. Years later, in his old age, he would still endeavour, whenever his health allowed, to deliver an annual memorial lecture on the day of Lincoln’s death. On that occasion he always ensured that lilacs were placed on the table in front of him.

“The lilac was in flower near his Brooklyn home when Whitman heard of Lincoln’s murder.”

PS3211-A3-1991-Locomotive

Wood engravings by Gaylord Schanilec, made at Gregynog during a residency, supported by the North Wales Arts Association, and printed from the original wood-blocks. Designed and printed by David Esslemont with the assistance of Hugh Willmer on Zerkall mould-made paper. Typeface is Monotype Baskerville. Edition of four hundred and fifty copies, one of four hundred copies bound in quarter leather by Alan Wood and Rhian Ticehurst at Gregynog.

Gregynog Press was a Welsh private press, started and run by two wealthy sisters, whose interests were more artistic than literary. All of the work of the books from this press happened under one roof – design layout, composition, presswork, design and execution of woodblocks, hand-coloring and binding – an unusual circumstance for early twentieth century presses.

Rare Books copy is number 201 with unpublished wood engraving laid in.

PS3211-A3-1991-Horse

April is National Poetry Month.

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Book of the Week — The Saint John’s Fragment: Against the Odds

09 Monday Apr 2018

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Bernard Grenfell, California, calligraphy, Cave, codex, David Annwn, Egyptian, English, Foolscap Press, Frankfurt Cream, Gospel of John, Greek, Hadrian, Hadrianic, leaves, Mark Knudsen, paper, papyrus, pochoir, poem, Roman Emperor, Saint John, Saint John's Fragment, Santa Cruz, script, scroll, sheet, stencils, Thomas Ingmire, Tiepolo, translation

PR6051-N615-S3-2015-spread1

a King I am. For this I have been born
and I have come into the world so that I would
testify to the truth. Everyone who is of the truth
hears of me my voice.” Said to him
Pilate “What is truth?” and this
having said, again he went out unto the Jews
and said to them,” I find not one
fault in him.”
–translation of a fragment of St. John’s Fragment

The Saint John’s Fragment: Against the Odds
David Annwn
Santa Cruz, CA: Foolscap Press, 2015
PR6051 N615 S3 2015

Poem inspired by the St. John’s fragment, a papyrus fragment now in the collection of the Rylands Library at the University of Manchester (Rylands Library Papyrus P52), dated between 100 and 150 CE and thought to be the earliest extant manuscript of a New Testament text.

From the Afterword: “The piece of papyrus called the St. John’s Fragment was acquired in an Egyptian market in 1920 by Bernard Grenfell, an English scientist and Egyptologist…

Written on both sides of the papyrus, it must have been part of a a codex, that is, a collection of sewn and folded leaves, not a scroll or an isolated sheet. That being the case, it would be among the earliest surviving examples of a literary codex. It was written in Greek in a script known as Hadrianic, named after Hadrian (76-CE – 138 CE), the Roman Emperor of the time…

Specifically, the text on this piece of papyrus is from the Gospel of John 18:31-33 and the verso holds a snippet of verses 237-38…”

From the colophon: “Thomas Ingmire’s calligraphy shows the image of the actual Fragment, then the restored page, then the English translation of the restored page. Mark Knudsen made the stencils for the pochoir painting of the Fragment. The poem is printed in Tiepolo type to complement the Fragment…The book is printed on Frankfurt Cream and bound in Cave paper.” Edition of one hundred and sixteen copies. Rare Books copy is no. 41, signed by the poet and the calligrapher.

PR6051-N615-S3-2015-spread2

 

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Book of the Week — Anatomy of Plants with an Idea of a Philosophical History of Plants and Several Other Lectures…

02 Monday Apr 2018

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Carl Linnaeus, Charles II, Christopher Wren, flowers, fruits, leaves, London, Marcello Malpighi, microscope, microscopy, Nehemiah Grew, physiology, plant anatomy, plant morphology, Robert Boyle, Robert Hooke, Royal Society, seeds, vegetables


“At a Meeting of the Council of the Royal Society, Fe. 22. 1681/2 Dr. Grew having read several Lectures of the Anatomy of Plants, some whereof have been already printed at divers times, and some are not printed; with several other Lectures of their Colours, Odours Tasts, and Salts, as also of the Solution of Salts in Water; and of Mixture; all of them to the satisfaction of the said Society; It is therefore Ordered, that He be desired, to casue the to printed [sic] together in one Volume.” — Chr. Wren P.R.S.

Anatomy of Plants: With an Idea of a Philosophical History of Plants and Several Other…
Nehemiah Grew (1641-1712)
London: Printed by W. Rawlins, for the author, 1682
First edition
QK41 G82

Rare Books was recently graced with a visit from a member of the Royal Society and two other guests, all three royalty in the world of science. This visit and the accompanying bright blue spring skies brought to mind flowers, vegetable gardens, herb gardens and this book. The great Sir Christopher Wren, founder and then-president of the Royal Society, “Ordered” Nehemiah Grew to publish the work presented here.

Nehemiah Grew was a physician, but made his reputation in the fields of plant morphology and anatomy. At the Royal Society, he met Robert Hooke, who was progressing in his studies in the field of microscopy. At the same time that Marcello Malpighi presented papers to the Society, Grew presented his The Anatomy of Vegetables Begun (1672). Both men reported on the cellular construction of the woody parts of plants, the beginning of a hypothesis of a cellular theory of plant life. Grew’s work led him to the announcement  that there were two sexes in plants.

This book is based on three earlier publications, “The Anatomy of Vegetables Begun (1672),” “An Idea of Phytological History Propounded (1673),” and “The Comparative Anatomy of Trunks (1675)”, together with a fourth unpublished book, “The Anatomy of Leaves, Flowers, Fruits, and Seeds,” dedicated to Robert Boyle, and six discourses that had been delivered before the Royal Society.

In Grew’s dedicatory epistle to King Charles II, he wrote, “Your Majesty will here see, That there are those things within a Plant, little less admirable, than within an Animal. That a Plant, as well as an Animal, is composed of several Organical Parts; some whereof may be called its Bowels. That every Plant hath Bowels of divers kinds, conteining divers kinds of Liguors. That even a Plant lives partly upon Aer; for the reception whereof, it hath those Parts which are answerable to Lungs. So that A Plant is, as it were, an Animal in Quires; as an Animal is a Plant, or rather several Plants bound up into Volume.”

Nehemiah Grew’s work turned the anatomy and physiology of plants into a new science. This is the first book in which Robert Hooke’s newly invented microscope is demonstrated for the examination plants.

Grew began his studies with naked-eye observations and then continued with observations seen at the higher magnifications made possible with Hooke’s microscope.

“…all the Observations conteined in the First Book, except one or two, were made with the Naked Eye. The the end, I might first give a proof, How far it was possible for us to go, without the help of Glasses: which many Ingenious Men want; and more, the patience to manage them. For the Truth of these Observations, Seignior Malpighi, having procured my Book to be translated into Latin for his private us, speaks his own sense, in some of his Letters to Mr. Oldenburge, printed at the end of his Anatomy of Plants…Having thus begun with the bare Eye; I next proceeded to the use of the Microscope. And the Observations thereby made, first on Roots, and afterwards on Trunks and Branches, together with the figures…”

Through these observations he was able to describe the structure of stems and roots by the combined use of transverse, radial, and tangential longitudinal sections.

“In the Plates, for the clearer conception of the Part described, I have represented it, generally, as entire, as its being magnified to some good degree, would bear…Yet have I not every where magnify’d the Part to the same degree; but more or less, as was necessary to represent what is spoken of it. And very highly, only in some few Examples, as in Tab. 40. which may suffice to illustrate the rest. Some of the Plates, especially those which I did not draw to the Engravers hand, are a little hard and stiff: but they are all well enough done, to represent what they intend.”

Swedish botanist Carl Linnaeus dedicated a genus of trees to Grew in appreciation of his work. Few important advances on the ideas of Grew would be made for nearly another one hundred years.

Illustrated with eighty-three engraved plates, some double-page, showing microscopic sections of plant structures.

 

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Book of the Week — Promenade de Longchamp, Optique no. 4

28 Wednesday Mar 2018

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Archbishop de Beaumont, Bois-de-Boulogne, Champs-Élysées, concertina, convent, Easter Parade, fashion, hats, Holy Week, Kentucky Derby, Napoleon, Paris, Paris Opera, peepshow, Promenade de Longchamp, Tenebrae, tunnel book

Facade
— Photographs by Scott Beadles

PROMENADE DE LONGCHAMP, OPTIQUE NO. 4
Paris, ca. 1810

The Promenade de Longchamp was an annual social event which took place on the Wednesday, Thursday, and Friday of Holy Week every spring along the Champs-Élysées and through the Bois-de-Boulogne. The tour ended at the abbey of Longchamp, where the nuns sang the office of Tenebrae, a village four miles from Paris. A convent there, established in 1256, had long been a destination for religious pilgrims. In the late seventeenth century, the pilgrimage became unauthorized secular spectacle.

Through

The nun’s choir was fortified with singers from the Paris Opera. The theater in Paris was closed during Lent, which made the Promenade one of the few ways in which high society could flaunt their new spring fashions. A procession of people in festive costume traveled on horseback, in carriages, and on foot. Wealthy citizens of Paris vied to have the most elaborate carriages and clothing, while the lower classes, including laborers, soldiers, and prostitutes, lined the route to gawk. Police turned out in force, to keep the parade participants safe. The Paris Archbishop de Beaumont tried to halt the parade by ordering the convent closed during Holy Week. The parade did not stop. Participants were there to see and be seen.

Through2

In 1789, the Promenade was disrupted by an angry mob. The convent, by then wholly peripheral to the show, was closed by the Revolutionary government. Napoleon revived the parade in the 19th century, in part as a way to bolster the fashion industry, but the later parades did not match the lush grandeur of those in the 18th century. Still, the parade contributed to later fashion phenomena. The American “Easter Parade” and the big, ostentatious hats of the Kentucky Derby can be traced back to the Promenade de Longchamp.

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This early 19th century concertina-style peepshow depicting the Promenade de Longchamp in Paris is etched on the front and back panes and contains four cut-out sections in-between, all hand-colored. The front panel has a circular viewing aperture. It is housed in its original marbled paper slip-case with engraved label.

Slipcase2

Slipcase

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Book of the Week — Atlas céleste de flamsteed…

13 Tuesday Mar 2018

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atlas, cartography, celestial, Edmund Halley, engineer, English, engravings, French, Isaac Newton, Jean Nicolas Fortin, John Flamsteed, maps, Paris, stars


“Newton’s design was to make me come to him, force me to comply with his humors, and flatter him and cry him up as Dr. Halley did. He thought to work me to his ends by putting me to extraordinary charges. Those that have begun to do ill things never blush to do worse to secure themselves. Sly Newton had still more to do and was ready at coining new excuses and pretenses to cover his disingenuous and malicious practices… I met his cunning forecasts with sincere and honest answers and thereby frustrated not a few of his malicious designs. I would not court him, for, honest Sir Isaac Newton (to use his own words) would have all things in his own power, to spoil or sink them; that he might force me to second his designs and applaud him, which no honest man would do nor could do; and, God be thanked, I lay under no necessity of doing.” – John Flamsteed

Atlas céleste de flamsteed…
John Flamsteed (1646-1719)
Paris: Chez F. G. Deschamp [et chez] l’auteur, 1776
Second edition in French, the third edition after the first in English of 1729
QB65 F5 1776

John Flamsteed was England’s first Astronomer Royal. He was a lecturer at Gresham College. Flamsteed used a telescope with an aperture smaller than the smallest modern telescope, including those we might give to a child today. Telescopes used by the most casual amateur astronomers have apertures ten times that of Flamsteed’s telescope.

When first published, this altas represented a new era in celestial cartography, recording the 3000 stars John Flamsteed observed using equatorial and ecliptic coordinates. Flamsteed quarreled bitterly with Isaac Newton and Edmund Halley about his findings. His own findings often contradicted those of Christiaan Huygens. The sky was a battleground, fought over with primitive instruments and by the best minds of the day. 

For the French edition, engineer Jean Nicolas Fortin reduced the size of the maps, and fixed the location of the stars for 1780 instead of 1690, the date at which they had been fixed by Flamsteed. Fortin also added new discoveries to this edition. Illustrated with thirty double-page engraved plates.


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Books of the Week — Sara Langworthy

26 Monday Feb 2018

Posted by rarebooks in Book of the Week

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Tags

blotters, Book Arts Program, Bulmer, Cave Paper, clamshell, College Book Arts Association Conference and Annual Meeting, cotton, Dante, drum leaf binding, Emilie Bach, flax, handmade paper, hemp, Iowa, J. Willard Marriott Library, Kitakata, Kozo Kiga, linoleum, Oxford, photopolymer plates, Salt Lake City, Sara Langworthy, sewing manual, sumi ink, tatting manuals, The University of Utah, UICB Papercase Natural, University of Iowa Center for the Book, Utah, Vandercook #4


Everything Speaks In Its Own Way
Sara Langworthy
2003
N7433.4 L355 E8 2003

Printed from photopolymer plates and linoleum on blotters using a Vandercook press. Drum leaf binding. Edition of twenty copies. Rare Books copy is no. 14, signed by the author/bookmaker.


New Patterns in Old Style
Sara Langworthy
Oxford, IA: Sara Langworthy, 2013
N7433.4 L355 N48 2013

From Sara Langworthy’s website: “[This] began as an investigation of two opposing definitions of the word ‘CLEAVE’…The book combines images and text printed from photopolymer plates with hand-brushed sumi ink painting…The text…was constructed from a series of random/chance exercises using [the words from the definitions]. The first signature sets the scene of the word ‘cleave’ fighting itself; a passionate joining with a violent separation. The second signature examines the results of the repeated joining and separating. The first signature is printed primarily in pale greys and greens; the second signature is equally monochromatic, but uses a pink/orange/yellow palette…The papers used are Kitakata, Kozo Kiga, University of Iowa Center for the Book handmade text sheets in a variety of fibers including hemp, flax and cotton, and overbeaten flax/cotton combination, and offcut left over from paper specially commissioned from Cave Paper…The book is sewn into a modified limp paper binding, cover paper is UICB Papercase Natural. The book is housed in a clamshell.”

From the colophon: “Text is digitally set in Dante and Bulmer, and printed…on Vandercook number 4.” The images originat[ed] from scanned leaves and tracing of plants. The text is assembled from two sources: the definition of the word ‘CLEAVE’ and instructional language found in tatting manuals. The title of this book is borrowed from a sewing manual of the same name by Emilie Bach.

Edition of twenty-four copies. Rare Books copy is no. 5, signed by the author/bookmaker.

This book was exhibited as part of the fifth annual College Book Arts Association Conference and Annual Meeting, January 2-4, 2014, Salt Lake City, Utah, hosted by the Book Arts Program, J. Willard Marriott Library, The University of Utah.

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