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Tag Archives: Church of England

Book of the Week — A Discourse upon the Pharisee and the Publicane

09 Monday Oct 2017

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Anglican Church, Bedford, books, Church of England, England, engraved frontispiece, jail, John Bunyan, John Milton, nonconformists, penal laws, pharisee, portrait, publican, The Pilgrim's Progress, tyranny

BT378-P5-B85-1685-Portrait
“See how ye Pharisee in the Temple stands
And justifies himself with lifted hands
Whilst ye poor publican with downcast eyes
Conscious of guilt to God for mercy cries.”

A Discourse upon the Pharisee and the Publicane…
John Bunyan (1628-1688)
London: Printed for Jo. Harris, at the Harrow, over against the Church in the Poultry, 1685
First edition
BT378 P5 B85 1685

John Bunyan was born about a mile from Bedford, England in 1628. He was arrested on November 12, 1660 for preaching without the approval of the Anglican Church. He was jailed for nearly thirteen years. His best known work, The Pilgrim’s Progress, was written while in the Bedford jail. During his lifetime, about one hundred thousand copies of the work were distributed throughout the British Isles and the British American colonies. It has been continuously in print since its first printing. In spite of the popularity of his work, Bunyan was nearly penniless, a traveling tinker like his father before him. While in prison, he made shoelaces to support his family.

Printed one year after the appearance of the authentic second part of The Pilgrim’s Progress and in the same year that the Bedford magistrates ordered penal laws against Nonconformists to be enforced, Bunyan’s Discourse is a critique of the tyranny of the Church of England and of those among his readers who, like the Pharisee in the parable, prided themselves in what he considered superficial religiosity.

John Bunyan wrote during a time of phenomenal political, religious and social upheaval in England. It was also a time of remarkable literary output. Bunyan’s works kept company with those of George Herbert, Thomas Browne, Thomas Hobbes, Richard Allestree, Andrew Marvell, and others.

Illustrated with an engraved frontispiece depicting the Pharisee and the publican in the temple, within a cross-vaulted arcade. Below this is a portrait of Bunyan at age 57.

BT378-P5-B85-1685-DiscourseBT378-P5-B85-1685-Reader

 

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Book of the Week — Herbert’s Remains, or, Sundry Pieces of that Sweet…

06 Monday Feb 2017

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American, Barnabas Oley, Church of England, George Herbert, Isaak Walton, London, metaphysics, poems, poet, Robert S. Pirie, Sotheby's, Timothy Garthwait, woodcut borders, woodcut initials

Herberts-Title

“Take heed of the wrath of a mighty man, and the tumult of the people.”

HERBERT’S REMAINS. OR, SUNDRY PIECES OF THAT SWEET…
George Herbert (1593-1633)
London: Printed for Timothy Garthwait, 1652
First edition
PR3507 A1 1652

George Herbert was a clergyman with the Church of England. He is known to this day as a poet of metaphysics, his poems notable for their controlled and inventive use of form. The famous central section (“The Church”) of his collection for The Temple (1633) contains more than 160 lyrics in stanza forms unique to their composition and subject. In tone and narrative mode, Herbert demonstrated his versatility with lyric conversations, allegories, fables, monologues, epigrams, meditations, and prayers.

The most significant of Herbert’s prose writings is A Priest to the Temple, a work on priestly conduct written during his final years. He wrote of the model church man and the fundamental principles of faith, human relations, and religious rhetoric.

Priest and Jacula, a collection of proverbial sayings, were published together as Herbert’s Remains, prefaced by Barnabas Oley’s “View of the life and vertues of the author,” which was a source for Isaak Walton’s Life of Mr. George Herbert (1670). A Priest to the Temple and Jacula Prudentum have separate title pages, the later dated 1651. Some copies of Herbert’s Remains exist without the previously stated titles. Jacula was first printed as Outlandish Proverbs in 1640 and contained 1,032 sayings; Jacula was augmented with an additional sixty-eight sayings in the present edition.

Woodcut borders and initials.

Rare Books copy bound in contemporary calf with gilt-lettered spine ruled in blind, marbled edges. Bookplate of Robert S. Pirie (1934-2015) on front pastedown. Robert Pirie was an American attorney. His extensive collection of rare books and manuscripts was auctioned by Sotheby’s in December of 2015.

Herberts-Author

Herberts-68-69Spread

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Book of the week – De rerum natura

04 Monday Jan 2016

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afterlife, Alexander Pope, biblical, blind-tooled, blindstamped, body, British, Cambridge, Church of England, classics, Constance, De rerum natura, decoration, engraved, Epicurus, fire, folio, French Revolution, frontispiece, Fulda, Germany, Gian Francesco Poggio Bracciolini, Gilbert Wakefield, gilt, gods, government, Greek, Hamilton, Homer, Horace, Jesus College, Londini, Lucretius, mathematics, ministry, morocco, mortal, nature, New Testament, pamphlets, poem, poet, portrait, punishment, rules, scholar, soul, Titus Lucretius Carus, tragedies, Tuscan, Unitarian, vicar, Virgil, Wa, Wakefield, world

PA6482-A2-1796-v.1-portraitPA6482-A2-1796-v.1-titlePA6482-A2-1796-v.1-pg1

DE RERUM NATURA LIBROS SEX, AD EXEMPLARIUM…
Titus Lucretius Carus (ca. 99 BCE – ca. 55 BCE)
Londini: Impensis editoris, typis A. Hamilton, 1796-7
PA6482 A2 1796 oversize

De Rerum Natura is the only surviving work of Lucretius. Only one manuscript copy of it is known to exist. This manuscript was found in 1417 in a monastery at Fulda in Germany by Gian Francesco Poggio Bracciolini, a Tuscan secretary to a church general council at Constance.

It is a didactic poem of 7,400 lines in six books, in which the poet expounds on the world view of the ancient Greek philosopher, Epicurus. The object was to abolish belief that the gods intervened in the world and that the soul could experience punishment in an afterlife. Lucretius demonstrated that the world is, instead, governed by mechanical laws of nature. He described the soul as mortal and posited that it perishes with the body.

This is the first edition of the “Wakefield” edition, the edition by Gilbert Wakefield (1756-1801). Wakefield was a biblical scholar. The son of a vicar, he entered Jesus College, Cambridge, through a scholarship. He studied mathematics and the classics. Although he took orders, he left the ministry and the Church of England and became a Unitarian. He earned his living as a tutor while writing controversial pamphlets attacking the government. He was imprisoned for two years for the publication of a pamphlet titled, “A Reply to some Parts of the Bishop of Landoff’s Address,” in which he defended the French Revolution. To support himself, he published a translation of the New Testament (1792), companion editions to Horace (1794) and Virgil (1796), an edition with commentary of Greek tragedies (1794), an annotated edition of Alexander Pope’s Homer (1796), and this, his Lucretius. He published his De Rerum Natura at his own expense.

The book established Wakefield as a leading British scholar. The large paper, folio edition was mostly destroyed by a fire in the printing-office in which they were stored.

Engraved portrait of Gilbert Wakefield on frontispiece. Bound in contemporary straight-grained black morocco, panelled covers with broad blind-tooled borders and gilt edges, spine with broad gilt rules and blindstamped decoration. Edition of fifty copies.

 

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Curiosity Killed the Cat

16 Thursday Apr 2015

Posted by rarebooks in Uncategorized

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Ben Jonson, Cambridge, Christmas, Church of England, E. Brewster, Ebenezer Cobham Brewer, England, English, Every Man in His Humour, G. Conyers, George Wither, H. Herringman, Henry Altemus, Horace, Innominate Press, James I, Kentucky, London, Louisville, M. Wotton, Much Ado About Nothing, Philadelphia, R. Chiswell, Robert Allot, T. Bassett, The New Inn, Thomas Cotes, Thomas Hodgkin, Trinity Hall, William Shakespeare


“Helter skelter, hang sorrow, care’ll kill a Cat, up-tails all, and a Louse for the Hangman.”

THE WORKS OF BEN JONSON WHICH WERE FORMERLY PRINTED IN TWO VOLUMES…
Ben Jonson (1573?-1637)
London: Printed by Thomas Hodgkin for H. Herringman, E. Brewster, T. Bassett, R. Chiswell, M. Wotton, G. Conyers, MDCXCII
Third folio

The Works of Ben Jonson was first published in 1616 in folio. It was reprinted in 1640. Both of these editions appeared in two volumes. This, the third folio, is the first Works to appear in one volume. The 1692 edition includes a comedy, “The New Inn,” appearing in the Works for the first time. Ben Jonson was a friend of William Shakespeare. In 1616, James I granted Jonson a pension, giving him a stature close to what might be termed the first Poet Laureate of England. That same year, the publication of his collected works, in folio format, helped elevate the acceptance of drama as literature. The 1692 folio contains Jonson’s plays and poetry, translations of Horace, and a collection of leges convivales, or rules of the house, used in the tavern where Jonson spent much time, this last also added to the Works for the first time. In the third folio, the “care’ll kill a Cat” line is in Act I, scene 4 of “Every Man in His Humour,” written in 1598. William Shakespeare acted in its first performance. The line in its earliest printed iteration uses the word “pox,” not “Louse.”


PR2751-A2-1632-pg-122

“What, courage man! what though care killed a cat, thou hast mettle enough in thee to kill care.”

[MR. WILLIAM SHAKESPEARE’S COMEDIES, HISTORIES, AND TRAGEDIES: PUBLISHED…]
William Shakespeare (1564-1616)
London: Printed by Tho. Cotes for Robert Allot, 1632
“The second impression”

About one year after Jonson wrote and produced “Every Man in His Humour,” William Shakespeare used a similar quote in his play, “Much Ado About Nothing.”



“Care killed the Cat. It is said that ‘a cat has nine lives,’ yet care would wear them all out.”

DICTIONARY OF PHRASE AND FABLE: GIVING THE DERIVATION, SOURCE, OR ORIGIN OF…
Ebenezer Cobham Brewer (1810-1897)
Philadelphia: Henry Altemus Co., 1898
New ed., rev., corrected, and enl., to which is added a concise bibliography of English literature
“Altemus edition”

Ebenezer Cobham Brewer attended Trinity Hall, Cambridge where he received his degree in law in 1835. He was ordained as a reverend in the Church of England in 1838. In 1856, he began putting together his “dictionary of phrase and fable.” Among many sources, he used correspondence with readers of his previous work, Guide to the Scientific Knowledge of Things Familiar (1841). Dictionary was first published in 1870, with a first revised edition in 1894. The work became so well-known that it is referred to simply as “Brewer.”

Since we are as curious as cats, here are a few more cat references from “Brewer:”

Cat I’ the Adage (The). The adage referred to is, the cat loves fish, but does not like to wet her paws.
– Letting I dare not wait upon I would,
Like the poor cat I’ the adage
Shakespeare, Macbeth [Shakespeare, again!]

Cat Proverbs.
A cat has nine lives. A cat is more tenacious of life than other animals, because it generally lights upon its feet.


And one more makes nine:


A CHRISTMAS CAROL

George Wither
Louisville, KY: Innominate Press, 1971
PR2392 .C4 1971

Shakespeare is coming! The First Folio will arrive at the City Library in October.

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