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Tag Archives: legends

Book of the week – Preghiera alla vergine…

02 Monday May 2016

Posted by rarebooks in Book of the Week

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Tags

Antiochia, aristocracy, art, Cappadocia, Christ in Majesty, Christian, church, divine, dragon, Emperoro Diocletian, evangelists, facsimile, faith, folios, fresco, George of Cappadocia, Georgius, Goreme, Gothic rotunda, Gothic semi-Italic, holy, Il Bulino edizion d'arte, illuminated manuscript, illuminations, legends, Margherita, message, miniatures, Modena, monastery, monastery of Santa Maria Maddalena, mother, Olibrio, Pisanello, prayer, prefect, preghiera, rebellion, Roman, Roman Empire, Saint Anastasia, Saint Christopher, Saint George of Cappadocia, Saint Margherita of Antiocha, shepherdess, Syrian, Tiziano, torture, Turkey, vellum, vernacular, Verona, Veronese, Virgin Mary, virgine

SaintGeorge

Preghiera alla Vergine…
Modena: Il Bulino edizioni d’arte, 2007

Facsimile. This illuminated manuscript belonged to a young woman of the Veronese aristocracy. Produced on vellum in the second half of the thirteenth century, it is illustrated throughout with miniatures and consists of forty-two folios, or eighty-four pages. The first two folios are written in a Gothic semi-italic hand. The text is a prayer to the Virgin Mary and one of the oldest known prayers written in the Veronese vernacular.

The rest of the manuscript consists of the legends of Saint George of Cappadocia and Saint Margherita of Antiochia. The script for the legends is Gothic rotunda. At the end of the manuscript are two full page illuminations: Christ in Majesty surrounded by the four evangelists, and Saint Christopher.

A note of ownership indicates that the manuscript was entrusted to the Monastery of Santa Maria Maddalena in 1350. This monastery thrived between 1200 and 1300 as a harbor for young women.

Graphic miniatures illustrate the story of the tribulations of George of Cappadocia, from the time he declared to the Emperor Diocletian his Christian faith, until, after seven years of torture, he was beheaded for not recanting. The story ends with an illumination for which this legend is best known: St George astride a horse, piercing with a lance a dragon led on a leash by a princess. In 1435 the painter Pisanello used this subject on his fresco in the church of Saint Anastasia in Verona. Georgius (ca. 275-23 April 303), born of a Roman army officer from Cappadocia (present-day Turkey) and a Syrian mother, served as an officer in the Roman army.

The legend of the holy Margherita, a shepherdess of Antiochia, tells the story of the prefect Olibrio, who falls in love with Margherita. Her refusal of his advances was deemed an act of rebellion against the Roman Empire. Margherita was tortured and beheaded. Her story became a favorite subject of Christian art, in both the East (tenth century frescos adorn a church in Goreme, Cappadocia) and in the West, including a painting by Tiziano in 1550.

The manuscript is an exceptional example of early interconnection between text and illustration, as small paintings weave in and out amidst the written word. This interplay of text and image was used as an instrument in helping the viewer, if not the reader, comprehend the divine message.

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A Gift from the Past – A story from one of our readers

25 Friday Dec 2015

Posted by scott beadles in Uncategorized

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Albuquerque, American Legion, Amherst, attorney, bibliophile, Charles Scribner's Sons, childhood, Dallas, Depression, Dred Scott, Eugene Field, Fannie Smith, folk songs, fugitive slave, hero, initial, legends, Los Angeles, Luise Putcamp jr, lullabies, Massachusetts, Maxfield Parrish, migrant workers, Missouri, New York, newspaperman, Pecos, Placitas, poems, rare books, San Francisco, San Leandro, Sarmento, Texas

PS1667-P6-1904-pl28
Poems of Childhood
Eugene Field (1850-1895)
New York: C. Scribner’s Sons, 1904
PS1667 P6 1904

Newspaperman Eugene Field was born in Missouri. His father, an attorney, successfully defended Dred Scott, a fugitive slave. Field’s mother died when he was six. He and his younger brother grew up in Amherst, Massachusetts, cared for by a paternal cousin. Field was the father of eight children. He worked for the St. Louis Evening Journal, St. Joseph Gazette, St. Louis Times-Journal, and the Kansas City Times. He wrote a column for the Chicago Morning News until his death. On the one hand a sharp satirist, on the other Field wrote sentimental verse. He is best known for “Little Boy Blue” (1888), a poem memorized by thousands of school children for many decades. He published several books of verse, some specifically about childhood. With Trumpet and Drum (1892), included “Wynken, Blynken and Nod” and lullabies, legends, and folk songs from different countries, a study of particular interest to him. Love-Songs of Childhood (1894) included “The Gingham Dog and the Calico Cat.” Field, a bibliophile, collected rare and unusual books of beauty. He also made his own books, often rubricating the first initial of a poem with various color inks. Much of his published work was illustrated by Maxfield Parrish, including this popular collection of his poetry.

“A Gift From the Past”

Night was coming on.

The old car carrying the parents and their three stairstep children was headed south, down the highway from San Francisco. No destination. No money.

The year was 1933.

The hand-lettered sign stood in front of an orchard near San Leandro. Fruit Pickers Wanted. The dad pulled into the yard and knocked at the house door.

Three children? They’ll stay out of the way. There’s a house you can use.

We piled out of the car. With broom and mop and rags the parents soon had the corners of the two-room house swept, the worn linoleum clean, the gas-burner stove sanitary.

The mother told the orchard owner, Mr. Sarmento, that she had no money for food. He gave her an advance on fruit picker pay. She loaded up on staples. A roof! Food money! In an exuberance of relief, she made pies from peaches gleaned from beneath a nearby tree and gave one pie to the Sarmentos.

Migrant workers. Anglo braceros. 

After the fruit was picked, the Sarmentos found more work around the orchard for the parents. For the three kids, it was an idyllic time.

The oldest daughter spent much of it perched in a big old tree behind the Sarmento house, reading the few books salvaged in an earlier hegira from Los Angeles.

The big, beautiful books were presents from The Aunt Who Always Gave Books, Aunt Fannie Smith, in Dallas.One of them was the 1904 edition (still going in 1932) of Eugene Field’s Poems of Childhood with illustrations by Maxfield Parrish.
PS1667-P6-1904-frontis

Even at eight years old, this daughter knew that most of the poems were a mediocre mishmash. Mostly she immersed her mind in the Maxfield Parrish pictures that transported her so far from drab surroundings.

But there was an old faithful, “Just Fore Christmas.” How often she’d heard her Daddy Bill recite that!
“Father calls me William, sister calls me Will,
 “Mother calls me Willie but the fellers call me Bill.”
 
    PS1667-P6-1904-spread116-117
 
And she did memorize the lugubrious “Little Boy Blue.”

Over in Texas, the boy who would grow up to marry her would memorize it, too. He got an American Legion medal for making the best grades of any elementary school kid in Pecos. He blew the last lines in reciting “Little Boy Blue” but he was a hero, anyway.

The girl’s family left the Sarmento orchard behind and went on to other Depression Day adventures. Books and other treasures were left behind or lost in unpaid storage.

Fast forward to the late 1980’s, in Placitas.

From one of those bookfind places, the aging Depression child was able to buy, for $35, a battered copy of the memory-laden old book.

And this year, Scribner’s reissued Poems of Childhood. The Maxfield Parrish illustrations look true to the original.

Now the next generation (and the next) can wince at the poems and marvel at the illustrations.

Albuquerque, NM 1996
Luise Putcamp, jr.
PS1667-P6-1904-swing

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