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KUED’s VERVE features Rare Books in “Artists’ Books”

20 Friday Jul 2018

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accordion, acrylic paint, Alicia Bailey, Alise Alousi, altered books, American Southwest, American West, Arches 90 lb., artists' books, Barry McCallion, Basingwerk, BFK, binding, birch, blankets, bookseller, Bradypress, bullet, Canson, Carolyn Hull, Carrier Pigeon, chapbook, Chinese, CMC, collage, collector, Connecticut, Daniel Kelm, deceit, desert, East Hampton, embossed paper, enamel, feathers, felt tip marker, Ferrum Wheel Press, galley proofs, gelatin, gesso, goatskin, gold tooling, Goudy, Goudy Bold, Granary Books, graph paper, Graphite, handmade paper, Harvard, hatchet, hoax, ink, inkjet, James Turrell, Japanese, Jen Bervin, Joelle Webber, John Van Dyke, KUED, l;oop, Lake City, laserfoil, laserprinted, leather, leporello, letterpress, maps, metal, Middletown, mixed media, Mohawk Via, Nebraska, New York, New York City, Omaha, Owen Wister, paper-mache, pens, photograph, pigment, pistol, poem, Portland, rare books, Ravenpress, Richard de Bas, Rick Moody, rifle, Robin Price, Roden Crater, Rutgers University, Saint Armand, Santa Monica, shovel, silk, stones, suede, sumi, Thomas Ingmire, Timothy C. Ely, trains, VERVE, voyeurism, Walt Whitman, watercolor, Wave Books Poetry Bus Tour, wax, white-out correction, Wide Awake Garage, wooden nickel

“Artists’ books are…a blown-up conference of multiple elements.”

KUED‘s online video series, VERVE, features artist’s books from the rare book collections in “Artists’ Books,” episode 5, season 6, “Its All About the Book.”

Here are some of the pieces chosen by the Rare Books staff for this episode:


ARKA
Timothy C. Ely
Portland, OR: T. Ely, 1995
N7433.4 E35 A7 1995

The book is drawn on BFK gray paper that was brush-sized with gelatin and CMC, then under painted with CMC and acrylic paint. Other materials include ink, Graphite, and watercolor. Each folio is sewn onto four raised cords that, on completion of the sewing, were laced into birch plywood boards. The end bands are silk worked over cores of leather. The spine of the book is goatskin. The board pastedowns are painted paper. The boards have a small amount of gold tooling suggestive of one part of the history and technology of the art of binding. Otherwise the cover boards are painted. The book is contained in a wooden box.



Hunting the Burn
Alicia Bailey
Lake City, CO: Ravenpress, 1998
N7433.4 B22 H86 1998

Two-sided leporello with self in-folded covers and removable spines. One side is Carolyn Hull’s poem “Hunting the Burn,” laserprinted on Basingwerk, overcoated with wax and pigment; the other side is a panoramic painting by Alicia Bailey, digitally reworked and printed with color inkjet on Arches 90 lb. cover and overcoated with wax. Four of the twelve panels have hand-cut rectangular openings with mixed media insertions. Covers are black Canson with hand applied enamel. Title piece is laserfoil on black paper. Spine pieces are black embossed paper laminated to black Canson. The box is paper-mache, gesso and pigmented wax. Box top has metal mesh and hemp-wrapped, wax-covered bullet attached. Inside box are stones and feathers. Edition of twenty copies, signed by Alicia Bailey and Carolyn Hull. Rare Books copy is no. 10.



Surplus Value Books: Catalog Number 13
Rick Moody
Santa Monica, CA: Danger! Books, 2002
N7433.4 M644 S6 2002

Deluxe edition presented as a collector’s box, containing two pens, one felt tip marker, one white-out correction pen, one pencil, one wooden nickel, one photograph with loop, seven photographs of “original artwork for placement only,” and other items. Text is composed in the form of galley proofs. Upon removing the galley holding the text, the reader is presented with a removable panel resembling a hospital release checklist. Holes cut into this panel reveal the objects contained below. The collectible objects in the box act as literal illustrations to the story. The narrator of the story is a bookseller, collector, mental patient. The story is told through the description of books for sale in the bookseller’s catalog. Values are assigned to each item in the catalog according to the bookseller’s inherent personal desire for each item. Themes of value, voyeurism, and deceit are presented as a pathology of collecting through the multiple layering of information and the revealing of objects of desire that are contained in the collector’s box. This work was first published in offset. Collector’s box constructed by Daniel Kelm at Wide Awake Garage. Rare Books copy is lettered “H.”



43, According to Robin Price with Annotated…
Robin Price
Middletown, CT: Robin Price, 2007
N7433.4 P753 A15 2007

From the colophon: “Paper maps from locations along the 43rd parallel are bound in an accordion that structurally supports the main text, which is printed on graph paper and also hinged together as an accordion (opening to 20 ft.)…The unusual double-layer accordion, housed in a printed cloth-covered clamshell box, is co-designed and co-produced by Daniel Kelm at Wide Awake Garage…” Edition of eighty-six plus twelve deluxe copies. Rare books copy is no. 23.



The Desert: Further Studies in Natural Appearances
Jen Bervin
New York City: Granary Books, 2008
N7433.4 B47 D47 2008

An altered book is a form of mixed media artwork that takes a book from its original form into a different form, altering its meaning. The artist may take an old or new book and cut, tear, glue, burn, fold, paint, add collage, create pop-ups, rubber-stamp, drill, bolt or be-ribbon the book to create a new work that is the expression of the artist. In this case, it is the text that is altered — by sewing over certain passages and leaving others exposed. The text from which Jen Bervin’s poem emerges is The Desert, written by John Van Dyke (1856-1932), a professor of Art History at Rutgers University. Van Dyke, the author of several books on art theory of the Art-For-Art’s-Sake school, claimed to have spent three years in the American Southwest desert with only his fox terrier for company and a pony for transportation. According to Van Dyke, he carried with him a rifle, a pistol, a hatchet, a shovel, blankets, tin pans and cups, dried food and a gallon of water. His romantic rhapsody of this trip, published in 1901, was a big hit, extremely influential and remains in print. In fact, Van Dyke saw most of the great desert over which he swooned looking out the windows of trains on his way from one first-class hotel to another. The Desert, version 1901, is the fact-faulted, fantastic hoax of a well-bred, well-educated Easterner, in much the same way that Harvard-educated New Englander Owen Wister’s novel The Virginian (1902) is a glorification of an American West culture that didn’t exist. Prose poem adaptation with overlay of zig zag stitches in pale blue thread. Composed and sewn at James Turrell’s Roden Crater on the Wave Books Poetry Bus Tour in October, 2006. Housed in a hinged archival case. Issued in a wrapper of white muslim cloth and white felt stitched together with blue thread.



Justice: What is Justice?
Thomas Ingmire
T. Ingmire, 2009
N7433.4 I48 J87 2008

Handmade paper mounted over board, Chinese Sumi ink, wide-edged pen (Automatic pen), Japanese brush.



Tangent
Alise Alousi
Omaha, NE: Bradypress, 2011
PS3551 L665 T36 2011



The Latest Things in Kites
Christopher Fritton
Ferrum Wheel Press, 2014
PS3606 R58 L37 2014

Artist’s statement: “A chapbook produced for Carrier Pigeon magazine as as tip-in, The Latest Things in Kites borrows language and its title from a chapter in the book, Fun for Boys. The chapbook is a single-sheet, four-page fold-over with rounded corners and a small embroidery thread tail. Handset in 14pt Goudy Bold and 10pt Goudy with antique copper cuts on Mohawk Via vellum. Hand letterpressed.” Edition of 1200 copies.



Whitman Crosshatch
Walt Whitman (1819-1892)
East Hampton, NY: 2015
PS3222 A7 2015

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You are invited! — Sixth Annual Book Collector’s Evening

09 Wednesday Mar 2016

Posted by rarebooks in Events

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Alta Club, Book Collectors' Evening, Essex House Press, First Folio, J. Willard Marriott Library, Judy Jarrow, Oregon, Paul Collins, poems, Portland, Portland State University, rare books, Salt Lake City, Sixth Annual Book Collector's Evening, University of Utah, Utah, William Shakespeare

"S" copy

image from “The Poems of William Shakespeare, According to the Text of the Original Copies, Including the Lyrics, Songs, and Snatches Found in His Dramas,” Essex House Press, 1899 PR2841 A2 E55, Rare Books

You are invited to join the University of Utah’s Friends of the Library for its Sixth Annual Book Collector’s Evening. Keynote speaker this year is Paul Collins, author of Book of William: How Shakespeare’s First Folio Conquered the World.”

Paul Collins

“From the Bottom of the Sea to the Great Salt Lake: The Many Lives and Deaths of Shakespeare’s First Folio”
Shakespeare’s First Folio of 1623 is a unique work: the sole edition edited by those who actually knew and worked with the playwright. Yet for its first century, it was simply another used book in bookseller stalls. The stories of individual copies are the story of books themselves: of volumes lost through shipwreck and fire, of copies scribbled on by children and stored in bank vaults, and of a cultural heritage read and gazed upon by millions. This is the story of these volumes — where they live, how they sometimes die, and their unlikely route to literary immortality.

Collins300dpi

Paul Collins is a writer specializing in history, memoir, and unusual antiquarian literature. His nine books have been translated into eleven languages, and include The Book of William: How Shakespeare’s First Folio Conquered the World (2009) and Edgar Allan Poe: The Fever Called Living (2014). Collins’s recent work includes pieces for the New Yorker, Lapham’s Quarterly, and New Scientist. In addition to appearances on NPR’s Weekend Edition as its “literary detective,” he is also the editor of the Collins Library imprint of McSweeney’s Books.
Collins lives in Portland, Oregon, where he is Professor and Chair of English at Portland State University.

A selection of pieces from the Marriott Library’s rare book collections highlights the story. Dinner, a silent auction of wonderful books for your own library, and an opportunity to share your book collecting adventures with fellow bibliophiles await you.

Its really fun!

March 22, 2016 / 6:00PM
Alta Club
100 East South Temple
Salt Lake City, UT

For reservations contact:
Judy Jarrow by March 16, 2016 at 801-581-3421 or judy.jarrow@utah.edu
$50 per person

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Shakespeare is coming! The First Folio will arrive at the City Library in October.

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Mark Strand (April 11, 1934 – November 29, 2014), In Memorium

11 Saturday Apr 2015

Posted by rarebooks in Uncategorized

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A Poet's Alphabet of Influences, Alfred A. Knopf, Atheneum, Austin, Barbara Cash, Bembo, blind-stamp, Blizzard of One, Bonnie Sucec, BookLab, C. N. Potter, Charles Seluzicki, Columbian handpress, Crown Publishers, Curtis Rag, Darker, Day Christensen, Don Howell, Elegy for My Father: Robert Strand, Gretchen Esping, handset, Humanities Research Center, Iowa City, Ives Street Press, Jorge Luis Borges, Josef Albers, K. K. Merker, Kim Merker, Larry Yerkes, Linotype Janson, Luminsim, Maine, Mark Strand, Monotype Univers, Neil Welliver, New York, Oregon, Photo-silkscreens, Pillar Guri Press, Portland, Prose, Pulitzer Prize, Random House, Reasons for Moving, Red Butte Press, Rives BFK, Romanee, Salt Lake City, Selected Poems, Shari Madsen, Sleeping With One Eye Open, Spectrum, Stempel Helvetica, Stone Wall Press, Sweden, Texas, The Continuous Life, The Manuscript Society of America, The Night Book, The Story of Our Lives, Twinrocker Paper Mill, uncorrected proof, University of Texas at Austin, University of Utah, Van Dijck, Vandercook Test, William Pène du Bois (1916-1993), William R. Holman, Windhover, Windhover Press, woodcuts

Pulitzer Prize winner Mark Strand taught at The University of Utah from 1981 to 1993.

“And though it was brief, and slight, and nothing
To have been held onto so long, I remember it,
As if it had come from within, one of the scenes
The mind sets for itself, night after night, only
To part from quickly and without warning.”

From “Luminism,” The Continuous Life


PS3569-T69-S55-1964-pg-28

Sleeping With One Eye Open
Iowa City: Stone Wall Press, 1964
PS3569 T69 S55 1964

Printed by K. K. Merker from Romanée type on Curtis Rag paper. Edition of two hundred and twenty-five copies. University of Utah copy is no. 60.


PS3569-T69-R4-1969-title[

Reasons for Moving
New York: Atheneum, 1968
PS3569 T69 R4 1969

University of Utah copy is poet’s autographed copy.


PS3569-T69-D3-1970-title

Darker
New York: Atheneum, 1970
PS3569 T69 D3 1970

University of Utah copy autographed by the poet.


PS3569-T69-E44-1973-pg-6

Elegy for my father: Robert Strand, 1908-1968
Iowa City: Pillar Guri Press, 1973
PS3569 T69 E44 1973

Photo-silkscreens by Gretchen Esping. Printed by Shari Madsen in 14 pt. Bembo on handmade Japanese Shogun paper. Edition of one hundred and fifty copies.


PS3569-T69-S7-1973-title

The Story of Our Lives
New York: Atheneum, 1973
PS3569 T69 S7

University of Utah copy autographed by the poet.


PQ7797-B635-T4-1975-Texas-poem

Texas
Jorge Luis Borges (1899-1986)
Austin: Humanities Research Center, University of Texas at Austin, 1975
PQ7797 B635 T4 1975

Translation by Mark Strand. Keepsake for the members of The Manuscript Society of America, designed by William R. Holman. Set in Linotype Janson. Edition of two hundred and ninety-five copies.


PS2569-T69-N55-1985-title-spread[

The Night Book
New York: C. N. Potter: Distributed by Crown Publishers, 1985
First edition
PS3569 T69 N55 1985

Illustrations by William Pène du Bois (1916-1993)


PS3569-T69-P76-1987[

Prose
Portland, OR: Charles Seluzicki, 1987
PS3569 T69 P76 1987

Drawings by Josef Albers. Printed by Barbara Cash at the Ives Street Press, Sweden, Maine. Text set in Monotype Univers. Titles hanset in Stempel Helvetica. Blind-stamp throughout. Paper is Rives BFK. Edition of one hundred and eighty-seven copies. University of Utah copy is no. 80, signed by the poet.


PS3569-T69-B57-1998-cover

Blizzard of one
New York: Alfred A. Knopf: Distributed by Random House, 1998
PS3569 T69 B57 1998

Uncorrected proof.


PS3569-T69-C66-1990

The Continuous Life
Iowa City: Windhover Press, 1990
PS3569 T69 C66 1990

Woodcuts by Neil Welliver. Printed by Kim Merker and Don Howell using a Vandercook Test press from handset Spectrum types on Windhover paper. Binding by Larry Yerkes. Edition of two hundred and twenty-five copies, numbered.


PS3569-T69-A6-1990-cover

Selected Poems
New York: Knopf: Distributed by Random House, 1990
PS3569 T69 A6 1990

Uncorrected proof.


PS3569-T69-P64-1994-spread

A poet’s alphabet of influences
Salt Lake City: Red Butte Press, 1993
PS3569 T69 P64 1994

Drawings by Bonnie Sucec, hand-painted by the artist. Designed, set by hand and printed damp on an 1846 Columbian handpress by Day Christensen. Type is 16 pt Van Dijck. Paper is handmade cotton rag from Twinrocker Paper Mill. Bound and boxed in linen case by BookLab. Edition of seventy-five copies plus 20 copies hors de commerce. This is copy XX, signed by the poet, artist, and printer.

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Book of the Week – Nowhere to Go

04 Tuesday Nov 2014

Posted by rarebooks in Book of the Week

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Alan Loney, Hahnemuhle German Etching, Inge Bruggeman, INK!-A Press, Joanna type, letterpress, photopolymer plates, Portland, University of Utah, watercolor


Nowhere to Go
Alan Loney (b. 1940)
Portland, OR: INK-A! Press, 2009
PR9639.3 L6 N69 2009

From the publisher: “This book…is an attempt at capturing the beauty, brevity, and fragility of life through words, image, and structure.” Poem letterpress printed from handset 14 point Joanna type. Illustrated with hand-processed photopolymer plates painted with watercolor on Hahnemuhle German Etching paper. Issued in linen-covered case. Book production by Inge Bruggeman. Edition of thirty copies plus five numbered artists proof copies. University of Utah copy is no. 15, signed by the poet and the artist.

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Donations feature American Judaica

14 Wednesday May 2014

Posted by rarebooks in Donations

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advertisements, Ahitophel, American history, American Judaica, American Revolution, Barbados, bookstore, British, chocolate, Christian, Christianity, coffee, colonial British America, Congregational Church, Continental Army, Cork, economy, Europe, fig, France, genealogy, George Washington, ginger, goldsmith, Halle, Haym Solomon, Hebrew, Isaac Franks, Jewish, Jews, King David, King of Sweden, Long Island, Maine, Manhattan, molasses, Moors, Moses Cohen, Napoleon, New Jersey, New York, newspapers, Paris, Philadelphia, Poland, Portland, prunes, Prussia, Prussian, raisins, Rare Books Division, Ronald Rubin, rum, runaway apprentice, sherry, sugar, Talleyrand, tea, treaty, United States, vinegar, Yorktown

Dr. Ronald Rubin has donated five newspapers to the Rare Books Division with notices that depict American Judaica in late colonial British America and the early United States.

Dr. Rubin, with his frequent and diverse gifts to the Rare Books Division, helps add to the breadth and depth of our collections. Thank you, Dr. Rubin, for each of these important pieces of American history.

The Pennsylvania Journal and Weekly Advertiser
Philadelphia
Saturday, April 26, 1783

Two Jewish brokers ran advertisements in this issue. Haym Solomon (1740-1784) informed readers that he arranged for Bills of Exchange with France. Isaac Franks (1759-1822), on George Washington’s staff during the American Revolution, invited the public to his office on Front Street where he bought and sold Bills of Exchange. Also advertised in this issue are a goldsmith, a bookstore, the sale of raisins and figs, and a reward for the return of a runaway apprentice. The lead story was the signing of a treaty between the King of Sweden and the United States, signed at Paris.

Haym Solomon immigrated to New York from Poland in 1772. In 1777, he married Rachel Franks, sister to Isaac. Solomon helped convert French loans into ready cash, aiding the Continental Army. Completely short of funds, George Washington is said to have made this direct order for help: “Send for Haym Solomon.” Solomon quickly raised $20,000 to help Washington conduct his Yorktown campaign, the final battle of the American Revolution.

Solomon’s obituary in the Philadelphia newspaper, Independent Gazetteer, described him as “an eminent broker of this city…a native of Poland, and of the Hebrew nation. He was remarkable for his skill and integrity in his profession, and for his generous and humane deportment.”

Although Isaac Franks was Jewish, he married into the Christian faith. At the age of 17, he joined the Continental Army and fought the British in the battles of Long Island. Captured in Manhattan, he escaped to New Jersey where he joined Washington. The Pennsylvania Journal and Weekly Advertiser was founded in 1767.

The Pennsylvania Journal and Weekly Advertiser, 1783
The Pennsylvania Journal and Weekly Advertiser,1783
The Pennsylvania Journal and Weekly Advertiser,1783

The Pennsylvania Packet and Daily Advertiser
Philadelphia
Tuesday, August 8, 1786

In an advertisement on the front page of this issue of The Pennsylvania Packet, broker Moses Cohen informed his readers that he had moved his office. Also advertised in this issue were voyages to Cork, Barbados, and other ports; the sale of a schooner; a lost and found notice; the lease of homes; the sale of a Negro; the services of a private tutor; the lease of a forge; the sale of sugar, rum, port wine and sherry; groceries such as molasses, tea, coffee, chocolate, ginger, vinegar, prunes and raisins; cotton cloths including chintzes, calicos, and jeans; and the burglary of a store.

Moses Cohen opened one of the first employment agencies in the newly formed United States. For 18 cents, Cohen would contact workers about job openings. Through his brokerage, Cohen also sold cloth.

The Pennsylvania Packet was founded in 1771 as a weekly. In 1784 the paper became a daily publication, adding “and Daily Advertiser”to its title. This was the first daily newspaper printed in the United States. On September 21, 1796, it was the first to publish George Washington’s “Farewell Address.”

The Pennsylvania Packet, 1786

The Pennsylvania Packet, 1786

United States Gazette for the Country
Philadelphia, Pennsylvania
December 11, 1806

An article, in the form of a translated letter, enthusiastically reported what Jews in Europe felt about Napoleon’s recent triumph over Prussian troops, including a genealogy connecting Napoleon to King David: “From him is our emperor and king descended, of this doth he now make his boast, and called us together, to prove his high descent and restore Sion. And he has also vouchsafed to inform us that the great Talleyrand is no less a personage that the sage Ahitophel resuscitated, to regulate the world by his counsels; who hath in his turn made known unto us, that the emperour and king with his whole court will in grand gala, in presence of the empress, and queens, and all the princesses of his august House, submit to the operation enjoined by our holy law; and moreover he hath commanded the pope and cardinals in full conclave, together with all the kings of his creation, to submit to a curtailment, which will secure to us a complete triumph over the uncircumcised!”

The United States Gazette for the Country was published between 1823 and 1847.

United States’ Gazette, 1806
United States’ Gazette, 1806

Salem Gazette
Salem, Massachusetts
June 12, 1817

A front page report by an anonymous writer described an ancient battle to the death between six Jews traveling with loaded donkeys and a group of Moors in a place called, for this reason, “The Jews Leap.” “It is,” said the writer, “enough to produce dizziness, even in the head of a sailor, and if I had been told the story before getting on this frightful ridge, I am not certain but that my imagination might have disturbed my faculties, and rendered me incapable of proceeding with safety along this perilous path.”

The Salem Gazette was founded in 1790. Other front page news included a report on the European economy and an essay on courage.

Salem Gazette,1817

Salem Gazette,1817

Christian Mirror
Portland, Maine
November 28, 1828

The Christian Mirror was published between 1822 and 1829 on behalf of the Congregational Church in Maine. Its focus, as the name suggests, was Christianity. In this issue, a front page article, in the form of a letter written from Halle, discussed the problems facing the American Society for Meliorating of the Jews in Prussia and Poland.

Christian Mirror, 1828

Christian Mirror, 1828

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Book of the Week – Types and Bookmaking: Containing Notes on the…

07 Monday Apr 2014

Posted by rarebooks in Book of the Week

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book collector, bookmaking, bookplate, Boston, Bruce Rogers, D.B. Updike, Denmark, Estelle Doheny, Fred Anthoensen, Frederick William Anthoesen, Maine, morocco, Portland, Southworth Press, The Southworth-Anthoensen Press, type, type specimens, typographic, typographic ornaments, typography, United States

Anthoensen, Types and Bookmaking, 1943, Title Page
Anthoensen, Types and Bookmaking, 1943, Type
Anthoensen, Types and Bookmaking, 1943, Decoration

Types and Bookmaking: Containing Notes on the…
Fred Anthoensen (1892-1969)
Portland, ME: The Southworth-Anthoensen Press, 1943

Frederick William Anthoensen was born in Denmark, but came to the United States as an infant. He attended school in Portland, Maine. He became interested in printing under the influence of D.B. Updike and Bruce Rogers, both of Boston, and both heavy hitters of early US twentieth-century typography. In 1901, Anthoensen began working as a compositor for Southworth Press. Seventeen years later he became its managing director. In 1934, the name of the press changed its name to Southworth-Anthoenson Press. After 1944, it became Anthoensen Press. Anthoensen was recognized as an exemplary craftsman in his day.

Contains type specimens, typographic ornaments and flowers, and specimen pages, accompanied by a descriptive catalogue. Bound in full charcoal linen buckram with black morocco spine.  Issued in slipcase. University of Utah copy contains bookplate of book collector Estelle Doheny.

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