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Tag Archives: printing

Book of the Week – Calendarium

17 Monday Mar 2014

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almanacs, astronomers, border, calendar, Calendarium, Easter, eclipses, Erhard Ratdolt, imprint, initial, instruments, Italian, lunar, Nuremburg, printer, printing, Regiomontanus, title page, Venice, woodcut

Ornate illuminated manuscript page with intricate Celtic knot border. Text in Latin, initial letter "L" decorated with floral motifs. Historic and artistic tone.
Mueller, Calendarium, 1482, First Page
Ancient manuscript page showing a circular astronomical chart with concentric rings of numbers and symbols. Central sun with radiating flames.
Mueller, Calendarium, 1482, Solar Chart
A medieval calendar page for March in Latin script, featuring saints' feast days in red and black on a grid. Gothic style, historical document.
Mueller, Calendarium, 1482, March Measurements

Calendarium
Johannes Mueller, Regiomontanus (1435 – 1476)
Venice; Erhard Ratdolt, 1482
CE73 M8 1482

Regiomontanus’ Calendarium was first printed at his own press in Nuremberg in 1474. In 1476, master printer Erhard Ratdolt published it in Venice, the capital of Italian printing, followed by this edition in 1482. Regiomontanus was one of the first publishers of astronomical material. His Calendarium represents the first application of modern scientific methods of astronomical calculation and observation to the problems of the lunar calendar, such as Easter, and the accurate prediction of eclipses.Regiomontanus’ almanacs contained planetary positions for a particular year as calculated from astronomical tables, freeing astronomers from performing the laborious task themselves.

This edition also contains verses by J. Sentius in praise of the author, and by Santritter in praise of the printer. Santritter would later become a printer himself. The last two leaves of this book are printed on four pages of thick paper pasted together to form astronomical instruments. The ingenuity of the instruments demonstrates Ratdolt’s technical skill in overcoming the challenges posed by early scientific publishing. This edition was not only technically innovative but artistically elegant as well. The title page is ornamented with an intricate border. The title-page initial is printed in red and black. Other woodcut initials are printed in black and white. Ratdolt included imprint details – that is, the information which tells us when and by whom the book was printed – at the end of the opening verses on the verso of the title-page.

alluNeedSingleLine

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Book of the Week – An Embassy From the East-India Company of the…

20 Monday Jan 2014

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Athanasius Kircher, China, Chinese, East-India Company, engravings, Holland, Jesuit, Johannes Nieuhof, John Ogilby, printers, printing, Wenceslaus Hollar

Old book cover with faded writing and an embossed coat of arms. The cream-colored surface shows signs of age, conveying a vintage feel.
Nieuhof, An Embassy…, 1669, Cover
Old book spread with an ornate portrait on the left of a man in period clothing. Right page shows a detailed, historical illustration of people in a gathering with a globe. Pages are aged and worn.
Nieuhof, An Embassy…, 1669
Open book displaying two pages of text and etchings. Left page shows figures in traditional attire. Right page depicts a landscape with people and palm trees. The tone is informative, offering historical and cultural insights.
Nieuhof, An Embassy…, 1669, p.210-211

An Embassy From the East-India Company of the…
Johannes Nieuhof (1618-1672)
London: Printed by J. Macock for the author, 1669
First printing in English translation

Johann Nieuhof was delegation secretary under ambassadors Pieter de Goyer and Jocab de Keyser for Holland’s mission to China, arriving there in 1656. His book describing his travels in China quickly became a best seller of its day. First published in Leyden in 1665, it was reprinted in Dutch in 1670 and again in 1693. It was translated into French (1665), German (1666) Latin (1668) and English (1669). The English translation was reprinted in 1673.

Nieuhof’s book was richly illustrated with 150 maps and engravings of cities, flora and fauna, and costumes, all based on drawings by Chinese artists. The illustrations provided western Europeans with one of its earliest and most accurate depictions of the exotic Far East. John Ogilby, the English translator, included only about a third of the illustrations for the English edition.

The English artists, including Wenceslaus Hollar, who copied the original engravings, replaced the original artist’s signatures with their own, a standard practice at the time. Ogilby added nearly twenty-five illustrations that were not in the Dutch editions, some of which were copied from the works of Athanasius Kircher, an early Jesuit visitor to China.

Nieuhof included a history of China in the second half of his book, the first full history using Chinese sources to reach European readers. Among Nieuhof’s detailed discussions about what he saw in China, he included printing. He was impressed with the speed of the Chinese printers and compared their technique and the quality of their printing favorably with that of European printers. He wrote “…they print…with so much ease and quickness that one man is able to print 5000 sheets in a day…”

 

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Book of the Week – Elementa Geometriae

04 Wednesday Sep 2013

Posted by rarebooks in Uncategorized

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Abelard of Bath, Arabic, Campanus of Novara, Erhardt Ratdolt, Euclid, geometry, Greek, initial, littera moderna, printing, rotunda, Venice, woodblock, woodcut

Euclid, Elementa Geometriae, First, 1482
Open book displaying geometric diagrams alongside dense Latin text on both pages. The left page shows triangle-based sketches, while the right page includes triangles and a rectangular diagram. The tone is scholarly and historical.
Euclid, Elementa Geometriae, Arc, 1482
Open book displaying geometric diagrams alongside dense Latin text on both pages. The left page shows triangle-based sketches, while the right page includes triangles and a rectangular diagram. The tone is scholarly and historical.
Euclid, Elementa Geometriae, Triangle, 1482

Elementa Geometriae
Euclid
Venice, Erhardt Ratdolt, 1482
QA31 E86 E5 1482

This is the editio princeps, or first printed edition, of Euclid’s Elements of Geometry, the oldest mathematical textbook still in common use today. The Greek mathematician Euclid compiled the work around 300 BC. Its success can be attributed to its simple structure where each theorum follows logically from its predecessor.

In 1482, Erhardt Ratdolt, famous for his beautifully produced scientific books, printed eight works – Euclid’s Elements among them. Ratdolt’s fame largely rests upon this edition of Elements. It is the first printed book to contain geometrical figures. An elegant three-sided woodblock and a white-vine style woodcut initial, several hundred small ornamental capitals, and more than four hundred and twenty carefully designed and perfectly printed marginal diagrams, confirm its standing as a landmark publication.

The page layout, particularly the first page, is an outstanding example of Ratdolt’s consideration of the overall look and readability of his work. Note the closeness of the type to the initial and the close set of the text page. For the text, Ratdolt used a type called “rotunda” or “round-text.” The Italian writing-masters called this littera moderna.

Ratdolt’s book was based on the standard Euclid of the later Middle ages: Abelard of Bath’s twelfth-century translation from the Arabic, revised in the following century by Campanus of Novara (d. 1296). In his dedication to this edition, Ratdolt suggested that the scarcity of printed mathematical works was due to the problems involved in printing the geometrical diagrams.  He then happily announced that he had discovered a method of printing them as easily as the text. He did not elaborate upon this method, but it most likely involved the use of type-metal rule arrangements that could be printed along with the text.

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Brooke Hopkins, In Memoriam

23 Friday Aug 2013

Posted by rarebooks in Donations

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19th century, Alexander Pope, apprentice, Baltimore, Baltimore Sun, Basil Manly, Benjamin Edes, bookselling, Boston, Boston Tea Party, Brooke Hopkins, Cambridge, cartographer, Charles Manly, Childe Harold, cholera, Columbian press, compositor, Daniel Boone, Dante Alighieri, descriptive letterpress, engraved, engraved plates, engraved vignettes, Eton, Europe, Fielding Lucas, Francis Scott Key, George Gordon Byron, Greek, Henry Franci Cary, Henry St. John Bolingbroke, Homer, Horace Walpole, Iliad, initials, James Adams, John Conrad, John Dryden, John Fox, Jon Filson, Jr., Kentucky, law, letterpress, Lord Byron, M. Gustave Dore, Maine, manuscript, maps, Maryland Historical Society, Maryland Institute College of Art, melancholy, Negro suffrage, newspaper, Norwich, Ohio, pamphlets, Pennsylvania, Pennsylvania Convention, Peter Edes, Philadelphia, Philidelphia Library, Philip H. Nicklin, poetry, print, printer, printing, printing shop, publisher, Raleigh, rare book collections, Rare Books Division, Richard Bentley, Robert Strange, Roman Catholic, Samuel Sands, Sir Thomas Browne, Star Spangled Banner, stationer, Thomas Gray, Tory, typesetting, United States, University of Alabama, University of North Carolina, vignettes, Virgil, War of 1812, Washington Monument, William Fry, Wilmington

The staff of the Rare Books Division extends its heartfelt condolences to the family of Brooke Hopkins. Professor Hopkins was a friend of the rare book collections through his donation of several books, each of which has been used by students for research and the Rare Books staff for lectures, presentations, and exhibitions. We are ever grateful for his generous support. Thank you, Brooke. Memory eternal!

Brooke Hopkins

 

The beings of the mind are not of clay;
Essentially immortal, they create
And multiply in us a brighter ray
And more beloved existence…
–Lord Byron from Childe Harold

 

 

U Mourns Death of Beloved English Professor Brooke Hopkins

PSEUDODOXIA EPIDEMICA
Sir Thomas Browne (1605 – 1682)
London: Printed by R.W. for N. Ekins, at the Gun in Paul’s church-yard, 1658
Third edition, corrected and enlarged by the author

In this famous book, the writer and physician from Norwich demonstrated the absurdity of commonly presumed truths. Among the traditions which Thomas Browne deposed of were the beliefs that “The Elephant hath no joynts, That an Horse hath no Gall, That the Chameleon lives only by Aire, That the Ostridge digesteth Iron; That the forbidden fruit was an Apple; That our Savior never laughed, That a man have one rib lesse than a woman, That there was no Rainbowe before the flood.” University of Utah copy gift of Brooke Hopkins.

An aged book cover titled "Pseudodoxia Epidemica: or, Enquiries into Very many Received Tenents and commonly presumed Truths" by Thomas Brown, 1658.
Browne, Pseudodoxia Epidemica, 1658
An open antique book titled "To the Reader" with aged pages and handwritten notes in the margins. The text is densely written, conveying a formal tone.
Browne, Pseudodoxia Epidemica, 1658

DESIGNS BY MR. R. BENTLEY FOR SIX POEMS
Thomas Gray (1716-1771)
London: R. Dodsley, 1753
First edition

English poet Thomas Gray was educated at Eton in Cambridge. There he met Horace Walpole, the father of the Gothic novel, and traveled with him throughout Europe. After his return to Cambridge, where he remained for most of his life, Gray lived in seclusion. Much of Gray’s poetry was tinged with melancholy. Richard Bentley (1708-1782), another friend of Walpole’s, created illustrations for several of Gray’s poems. Gray admired the drawings very much. This book contains six engraved plates, thirteen engraved vignettes, and six engraved initials by Muller and Grignon based upon designs by Robert Bentley. University of Utah copy on loan from Brooke Hopkins.

Antique book open to a title page reading: “Designs by Mr. R. Bentley for Six Poems by Mr. T. Gray.” An illustration depicts two figures near a tree. The tone is historic and literary.
Gray, Designs by Mr. R. Bentley, 1753
Page with text and an illustration of a man and two dogs in a boat inside a cave. The poem talks about caution and the deceptive nature of appearances.
Gray, Designs by Mr. R. Bentley, 1753


THE DISCOVERY, SETTLEMENT, AND PRESENT STATE OF KENTUCKE: AND AN ESSAY TOWARDS THE TOPOGRAPHY AND NATURAL HISTORY OF THAT IMPORTANT COUNTRY; TO WHICH IS ADDED, AN APPENDIX, CONTAINING, I. THE ADVENTURES OF COL. DANIEL BOON, ONE OF THE FIRST SETTLERS, COMPREHENDING EVERY IMPORTANT OCCURRENCE IN THE POLITICAL HISTORY OF THAT PROVINCE. II. THE MINUTES OF THE PIANKASHAW COUNCIL, HELD AT POST ST. VINCENTS, APRIL 15, 1784. III. AN ACCOUNT OF THE INDIAN NATIONS INHABITING WITHIN THE LIMITS OF THE THIRTEEN UNITED STATES…IV. THE STAGES AND DISTANCES BETWEEN PHILADELPHIA AND THE FALLS OF THE OHIO; FROM PITTSBURGH TO PENSACOLA AND SEVERAL OTHER PLACES. THE WHOLE ILLUSTRATED BY A NEW AND ACCURATE MAP OF KENTUCKE AND THE COUNTRY ADJOINING, DRAWN FROM ACTUAL SURVEYS…
John Filson (ca. 1747-1788)
Wilmington, DE: Printed by James Adams, 1784
First edition

Land speculator John Filson’s early history of Kentucky contained, among other appendices, a narrative of Daniel Boone. Filson was the first American to write about the area. The book was very popular and helped influence the decision of many to migrate to this newly opened land. A tipped-in map is missing in most copies, as it is in this one. The map is so rare that antiquarians began to suspect that there never was one, in spite of reference to it on the title page. However, the Philadelphia Library has a copy with map intact. The map, drawn by Filson, was printed separately in Philadelphia. Filson was killed by Indians of the Ohio. University of Utah copy gift of Brooke Hopkins.

Page from an old book titled "The Discovery, Settlement and Present State of Kentucke" by John Filson, printed in 1784. The text details essays, adventures of settlers, council minutes, and maps.
Filson, The Discovery…,1784
Page spread from an old book featuring text about the Piankashaw Council held in 1784. The left page discusses peace treaties and Native American alliances.
Filson, The Discovery…,1784
Old document with worn edges, dated May 12, 1784. It includes a testimonial about Kentucky's settlement. Signed by Daniel Boon, Levi Todd, and James Harrod.
Filson, The Discovery…,1784


AN ESSAY ON MAN: IN FOUR EPISTLES TO H. ST. JOHN, LORD BOLINGBROKE
Alexander Pope (1688-1744)
New York: Printed and sold by Smith & Forman, 1809

Alexander Pope’s Essay on Man, first published in 1733, was a philosophical work consisting of four epistles in couplets and addressed to his friend, Henry St. John Bolingbroke, head of the Tory ministry. University of Utah copy gift of Brooke Hopkins.

Old, weathered book cover titled "An Essay on Man in Four Epistles" by Alexander Pope, printed and sold in New York, 1809. Text-heavy, historical.
Pope, An Essay on Man, 1809
Old book pages displaying "Universal Prayer" by Alexander Pope. The text is in a serif font, with aged paper showing wear and age. Mood: reflective, reverent.
Pope, An Essay on Man, 1809
Old book page titled "Universal Prayer," featuring a poem. Text is slightly faded and the pages are aged. The tone is reflective and contemplative.
Pope, An Essay on Man, 1809


THE ILIAD OF HOMER TRANSLATED FROM THE GREEK BY ALEXANDER POPE
Homer
Baltimore: Philip H. Nicklin, 1812

Stationer Philip H. Nicklin (1786-1842) studied law. Due to financial difficulties after the death of his father in 1807, Nicklin began selling books, first in Baltimore then in Philadelphia. After 1827, he confined his bookshop’s inventory to law. He retired in 1839, having earned enough money to live out his life in comfort. He occupied the rest of his short life with writing, mostly about literary copyright. This book, although sold from Baltimore, was printed in Philadelphia by Fry and Kammerer. William Fry (d. 1854) formed a printing partnership with Joseph L. Kammerer in 1806. Fry was a well-respected pressman, compositor and proof-reader. Fry and Kammerer separated in 1810, but renewed their joint printing efforts a year later. In 1814, Kammerer died. Fry was the first to use the newly developed Columbian press, and ordered several of them for his large print shop. Added title-page engraved. University of Utah copy gift of Brooke Hopkins.

Title page of "The Iliad of Homer," translated by Alexander Pope. Published in Baltimore, 1812. Handwriting at the top reads "Joseph Coates, 1923."
Pope, An Essay on Man, 1809
Old book with worn pages; left page features an engraved illustration of a reclining figure and ethereal beings. Right page shows the title "Iliad of Homer" in ornate script.
Pope, An Essay on Man, 1809


THE POETICAL WORKS OF LORD BYRON…: CONTAINING ALL HIS POEMS, ORIGINAL AND TRANSLATED, FROM THE LATEST EDITIONS
George Gordon Byron (1788-1824)
Baltimore: B. Edes, 1814

Benjamin Edes, the son and grandson of printers from Maine and Boston, continued the family business in Baltimore, where he worked as job printer and printed the newspaper, The Minerva and Emerald. Benjamin was an officer in the 27th Militia during the War of 1812 and supposedly printed the first version, in the form of handbills, of Francis Scott Key’s poem, “The Star Spangled Banner.” According to one story, the manuscript was taken to Edes’ printing shop, located on the corner of Baltimore and Gay Streets. Edes was on duty with his regiment, so the typesetting and printing was done by his apprentice, Samuel Sands, only twelve years old. Benjamin’s father, Peter Edes, moved from Boston to work for Benjamin, typesetting and keeping account books until 1832. Peter’s wife and Benjamin died that year of cholera. Peter returned to Maine, where he died in 1840. At the time of his death, according to his obituary in the Baltimore Sun, he was the oldest printer in the United States. Benjamin Edes’ grandfather, after whom he was named, participated in the Boston Tea Party. He was the printer of The Boston Gazette and Country Journal. University of Utah copy gift of Brooke Hopkins.

The image shows the title page of "The Poetical Works of Lord Byron, Vol. II," printed in 1814 by B. Edes in Baltimore. The page is aged and worn.
Byron, Poetical Works, 1814
Alt text: A page from an old book titled "Childe Harold's Pilgrimage, A Romaunt," featuring Canto I. The page is worn, with visible age spots. The text is in a serif font, organized into three stanzas, and conveys a classical tone with poetic language.
Byron, Poetical Works, 1814
Page from an aged book with a quote and "Shakspeare" attribution at the top. The word "FINIS" is centered below, indicating the end. The paper appears yellowed and stained.
Byron, Poetical Works, 1814


THE WORKS OF VIRGIL TRANSLATED INTO ENGLISH VERSE, BY JOHN DRYDEN
Virgil
Baltimore, MD: F. Lucas, Jun., 1814

Fielding Lucas, Jr. (1781-1854) was a prominent publisher and cartographer in the early 19th century. He was especially recognized for his excellently produced maps. Lucas founded his first print shop in 1804 and became the first stationer of the newly formed United States. In 1806, Lucas became a partner in the Philadelphia publisher and bookselling firm, M. & J. Conrad, which focused on schoolbooks, maps, atlases, art instruction, children’s literature and Roman Catholic religious material. Baltimore, in most part because of Lucas, became the major center for Roman Catholic publishing through the beginning of the twentieth century. Lucas was a leader in the effort to raise funds for the Washington Monument. He was a founder of the Maryland Historical Society and the Maryland Institute College of Art. Added engraved title-page printed in Philadelphia by John Conrad. University of Utah copy gift of Brooke Hopkins.

Open book showing an illustration and text. The illustration depicts a classical scene with a woman embracing a man in a pastoral setting. Right page reads "The Works of Virgil, Translated into English Verse by John Dryden, 1814."
Virgil, Works, 1814
An aged book page titled "Æneis. Book IV" contains a poetic passage. The text, in serif font, discusses themes of love, dreams, and inner conflict.
Virgil, Works, 1814
Page from "The Works of Virgil," featuring text in a worn, old-style font. The page ends with "THE END," indicating the conclusion of the text.
Virgil, Works, 1814


THE POETICAL WORKS OF ALEXANDER POPE: IN THREE VOLUMES COMPLETE, WITH HIS LAST CORRECTIONS, ADDITIONS, AND IMPROVEMENTS, TOGETHER WITH ALL HIS NOTES AS THEY WERE DELIVERED TO THE EDITOR A LITTLE BEFORE HIS DEATH TOGETHER WITH THE COMMENTARY AND NOTES OF MR. WARBURTON
Alexander Pope (1688-1744)
Philadelphia: S. A. Bascom, 1819

University of Utah copy gift of Brooke Hopkins.

Title page of "The Poetical Works of Alexander Pope, Volume III." Includes corrections, notes by Warburton, published in 1819, Philadelphia.
Pope, Poetical Works, 1819
An open book with visible pages 154 and 155 of "The Dunciad." Text includes verses, remarks, variations, and an imitation section. A formal, literary tone is conveyed. The pages are slightly yellowed, indicating age.
Pope, Poetical Works, 1819


ADDRESS DELIVERED BEFORE THE ALUMNI AND THE SENIOR CLASS OF THE UNIVERSITY OF NORTH CAROLINA…
Charles Manly (1795-1871)
Raleigh, NC: Printed by T. Loring, 1838

A collection of miscellaneous pamphlets including, “An address delivered before the two literary societies of the University of North Carolina” by William B. Shepard; “Opinion of John Fox against the exercise of Negro suffrage in Pennsylvania, also, The vote of the members of the Pennsylvania Convention; Address of his excellency Governor Bagby: when inducting into office the president of the University of Alabama, together with The address of the president Rev. Basil Manly; An address delivered before the two literary societies of the University of North Carolina by Robert Strange; and Report of Chas. B. Shae on the drainage of the swamp lands of North Carolina. University of Utah copy gift of Brooke Hopkins.

Front page of an 1838 address booklet from the University of North Carolina, featuring old-fashioned serif text on yellowed paper, with ornate headings.
Manly, An Address…, 1838
Open book showing two pages. Left page ends a text about "successive generations." Right page, titled "An Address," by Hon. Robert Strange, June 1837, printed in Raleigh.
Manly, An Address…, 1838
Old book page titled "Opinion of the Hon. John Fox, Against the Exercise of Negro Suffrage in Pennsylvania," printed in 1838. The tone is formal and historical.
Manly, An Address…, 1838


THE VISION OF HELL
Dante Alighieri (1265-1321)
London: Cassell, Petter, and Galpin, 1866
New edition: with critical and explanatory notes, life of Dante, and chronology

Translated by Henry Franci Cary. Illustrated with the designs of M. Gustave Doré. Each plate accompanied by leaf with descriptive letterpress. University of Utah copy on loan from Brooke Hopkins.

Open book featuring a detailed engraving of Dante Alighieri on the left, wearing a laurel wreath. The right page displays the title "The Vision of Hell" by Dante, translated by Rev. Henry Francis Cary, illustrated by Gustave Doré, with publication details below. The tone is historical and scholarly.
Dante, The Vision of Hell, 1866
Open book displaying a dark, detailed engraving of two figures on a rocky path amid jagged cliffs. The atmosphere is ominous and tense.
Dante, The Vision of Hell, 1866
An open book shows an illustration of a muscular, crouching giant with a crown, beside two smaller figures. On the right page is a quote from Dante's Inferno.
Dante, The Vision of Hell, 1866

 

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Book of the Week – An Essay Concerning Humane Understanding

07 Monday Jan 2013

Posted by rarebooks in Book of the Week

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David Hume, Elizabeth Holt, Immanuel Kant, John Locke, paneled calf, printer, printing, Thomas Basset

An Essay Concerning Human Understanding, 1690

An Essay Concerning Human Understanding, 1690

An Essay Concerning Humane Understanding
John Locke (1632-1704)
London: Printed by Elizabeth Holt for Thomas Basset, 1690
First edition, first issue
B1290 1690

The foundation work of English political theory, this work is also fundamental in the history of psychology. Between 1763 and 1776, John Locke’s work was especially popular reading among English colonists in North America. Locke’s Essay was the first “modern” attempt to analyze the whole range of human knowledge. He applied an Anglo-Saxon penchant for facts to the study of philosophy (a field long-dominated by speculative enquiry) and concluded that most knowledge emanated from experience. Locke’s Essay was twenty years in the making. He completed the initial draft in 1671, but was unable to work on it further until his escape to Holland in 1683. Final revisions were completed by the time he returned to England in 1689. Although Locke was uncertain about the book’s reception, it quickly ran to several editions. Locke’s theories were continued by David Hume and Immanuel Kant. A busy man, philosopher Locke was also a physician and practiced medicine, although to a limited extent. Printer Elizabeth Holt carried on her husband’s business after his death in 1671. In 1688, she was ordered to “lay down the trade of printing,” part of growing strict control of the printing trade. To continue printing risked having her shop closed down. This may have been one of her last printing jobs. University of Utah copy bound in contemporary paneled calf.

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