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~ News from the Rare Books Department of Special Collections at the J. Willard Marriott Library, The University of Utah

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Boards: A-Book-Part-You-Never-Think-About-But-Is-Super-Important-Anyway

30 Thursday Aug 2018

Posted by scott beadles in Uncategorized

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Antoine Augereau, barf board, Benjamin Eliot, boards, book, bookbinders, bookmaking, Boston, Church of Jesus Christ of Latter-day Saints, Colonial America, conservators, Coptic, delaminate, Deseret News, exhibition, felts, fibers, fore-edge, Jim Croft, Jonathan Sandberg, medullary ray, Old Ways of Making Books, paper, paper mill, papermaking, Paris, pasteboard, rare book collections, Samuel Willard, scabbard, scaleboard, Scott Beadles, screen, Simon de Colines, vat, vellum, water, waterleaf, wood, wooden boards, workshop

Judge a book by it’s cover all you want. That cover just keeps on doing what it does best: protecting the book’s text. Covers allows a book to continue to convey information by taking the wear and tear of everyday use. Through the years different materials have been used to cover books.



Coptic Binding
Uncatalogued

Wood. Early books were most commonly covered with wooden boards. Rare Books has several manuscripts with Coptic bindings. These books are well-used, with uncovered wooden boards that are polished by handling, but they are often broken and then repaired with linen thread. The wood is sometimes cut similarly to modern lumber, in a straight line across the log. In the picture below you can see the curve of the tree’s growth rings. Wood is porous and expands and contracts as it takes on or loses moisture from the air. It will expand unevenly around that natural curve, warping and sometimes even cracking the board. The strongest wood boards are cut in a very different way.

Imagine you are looking down on the round end of a log. If you cut this log radially from the center as if it was a pie, two useful things happen. First, boards cut like this (called a quarter cut) resist warping because the grain of the wood is running straight up your board, instead of curving through it. Looking at the boards from the top you see little to none of the curve of the tree’s rings. This board will warp very little as humidity changes. Second, there is a structural feature in wood called the medullary ray. These rays go through the wood from the core out to the bark. They are perpendicular to the main grain of the wood, forming a remarkably durable natural plywood. Many Coptic boards break because they are made with wood that does not have prominent medullary rays.

In the above image, notice the faint curve of the grain near the middle of the left board.

In the image below, we can see the medullary rays and the tree’s grain weaving together. The lighter lines are medullary rays, the darker lines are the tree’s grain creating a strong internal structure.


Handmade book
by Jonathan Sandberg from raw materials
at Jim Croft’s “Old Ways of Making Books” workshop



He kaine diatheke
Paris: [Antoine Augereau for] Simon de Colines, [29 November or 22 December] 1534
BS1965 1534

Pasteboard. All this picky woodwork added complications to the bookmaking process. When bookmakers discovered that they could just paste together paper proofs, misprints, or offcuts to make functional boards, it became common practice to do just that. This has made for interesting discoveries as modern conservators re-bind historical books and find that their boards are made of interesting or rare texts.



Deseret News
By Church of Jesus Christ of Latter-day Saints
Volume 6. March 1856-March 1866
Uncatalogued

Waterleaf. Around the mid-sixteenth century, very soon after pasteboard began to be used, another technique for making boards was developed. If you are familiar with historical papermaking, or you’ve seen our recent paper exhibition, Paper is Fundamental, you know that paper was made by drawing suspended fibers out of a vat of water on a screen, which was then rolled onto a stack of felts. Paper makers found that if they took these raw, wet pieces of paper and compressed them together, it formed a variant of pasteboard that was less likely to separate between pages, or delaminate. Pictured here is a bound volume of the Deseret News from 1856. The very worn board is beginning to delaminate which gives us a great view of individual “pages.” Because the board is never printed on directly and almost always covered, papermakers could include fiber that would normally be unacceptable for papermaking. Here you see small pieces of cloth and thread. Historical bookmaker Jim Croft calls this kind of board “barf board” because of the jumble of reject fibers that go into its production.



The Peril of the Times Displayed
Samuel Willard
Boston : Printed by B Green & J Allen sold by Benjamin Eliot 1700
BX7233 W4292 P47 1700

Scaleboard. The first paper mill in Colonial America wasn’t established until 1690. Rather than using expensive, imported book boards, bookbinders often used thin scales of wood in their place. These scaleboards, originally called scabbards, were much too brittle for the task of protecting a book, but when covered in paper or leather they made perfectly usable covers. This book was printed in Boston in the year 1700. The leather is now peeling away, allowing us to look at the wood scale beneath. The end grain of the board is visible at the fore-edge and spine of the book, instead of the traditional head and tail. It may be quarter-cut, the end grain shows only a slight curve. The board is a little warped, but the book has been through a lot, and scaleboard wasn’t expected to do the same heavy structural work as early wooden book boards were.

~Contributed by Jonathan Sandberg, Rare Books Assistant, with photographs by Scott Beadles, Rare Books Specialist

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A Recipe for Disaster

12 Tuesday Jun 2018

Posted by rarebooks in Uncategorized

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Abraham Lincoln, Arctic, Arctic expeditions, Arthur Conan Doyle, bones, botany, British, British Isles, Brontë sisters, Canada, cannibalism, Captain William Parry, Charles Dickens, Coppermine River, Dante, deer, diarrhea, Dr. John Richardson, Edgar Allan Poe, Elisha Kent Kane, England, engravings, Esquimaux, exhaustion, explorers, exposure, Fort Enterprise, Frankenstein, fungus, geology, ichthyology, Inuit, Jane Austen, John Murray, Jules Verne, Junius, lead poisoning, lichen, literature, London, Lyuba Basin, Mary Shelley, Melville Sound, moosehide, Murder, national identity, naval prowess, nineteenth century, nineteenth-century polar fiction, North America, Northwest Passage, notebooks, Nunavut Territory, overland exploration, partridge, pemmican, polar expeditions, poles, racial prejudice, rare book collections, rare books, rations, rock tripe, Samuel Taylor Coleridge, scurvy, Sir John Franklin, Slave Lake, soup, starvation, tin cans, tripe de roche, Wilkie Collins, willows, winter

“At two P.M we set sail, and the men voluntarily launched out to make a traverse of fifteen miles across Melville Sound, before a strong wind and heavy sea. The privation of food, under which our voyagers were then laboring, absorbed every other terror; otherwise the most powerful persuasion could not have induced them to attempt such a traverse. It was with the utmost difficulty that the canoes were kept from turning their broadsides to the waves, though we sometimes steered with all the paddles.”


And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

  • “The Rime of the Ancient Mariner”, Samuel Taylor Coleridge

Narrative of a Journey to the Shores of the Polar Sea …
John Franklin (1786 – 1847)
London: J. Murray, 1823
First edition
G650 1819 F8

Throughout the shelves of the rare book collections, there are glimpses of a body of literature that remains largely overlooked: nineteenth-century polar fiction. Have you heard of it?

If you have ever read the works of Samuel Taylor Coleridge, Edgar Allan Poe, Jules Verne, Wilkie Collins, Charles Dickens, Jane Austen, the Brontë sisters, Arthur Conan Doyle or Mary Shelley (among many others), you might have glimpsed the brooding nature of the poles, where men become violent and mad, and the true horrors of humanity are displayed. As in Shelley’s Frankenstein; or, the Modern Prometheus, framing the stories in the Arctic allowed the writers to explore the themes of the dangerous pursuit of knowledge and the sublime, in addition to developing haunting allusions of Dante’s frozen inner circle of hell.

“We encamped at seven and enjoyed a substantial meal. The party were in good spirits this evening at the recollection of having crossed the rapid, and being in possession of provision for the next day. Besides we had taken the precaution of bringing away the skin of the deer to eat when the meat should fail. The temperature at six P.M. was 30.”

During the nineteenth century, polar expeditions and the search for a Northwest Passage enticed the people of England to the point that people sang polar-themed songs, had polar-themed dinner parties and even staged polar expedition reenactments, and read every single piece of polar-themed literature they could find. The uncharted territory and theories of the mysterious open, polar seas also provided England yet another opportunity to show off their naval prowess and further exert their national identity upon the world.

“My original intention, whenever the season should compel us to relinquish the survey, had been to return by the way of the Copper-mine River, and in pursuance of my arrangement with the Hook to travel to Slave Lake through the line of woods extending thither by the Great Bear and Marten Lakes, but our scanty stock of provision and the length of the voyage rendered it necessary to make for a nearer place.”

The explorers who were successful returned to the British Isles with stories of their adventures and went on to publish narratives of their journeys. In 1821, Captain William Parry published a best-selling account of that voyage which propelled him on a book tour, while Elisha Kent Kane’s 1856 Arctic Explorations sold 200,000 copies, which would be the equivalent of two million books today. When Kane died, his funeral procession was the second largest of the nineteenth century, following closely behind Abraham Lincoln.

“The reader will, probably, be desirous to know how we passed our time in such a comfortless situation: the first operation after encamping was to thaw our frozen shoes, if a sufficient fire could be made, and dry ones were put on; each person then wrote his notes of the daily occurrences, and evening prayers were read; as soon as supper was prepared it was eaten, generally in the dark, and we went to bed, and kept up a cheerful conversation until our blankets were thawed by the heat of our bodies and we had gathered sufficient warmth to enable us to fall asleep.”

Of all the Arctic expeditions, Sir John Franklin’s 1845 journey was, without a doubt, the most famous, due to the loss of 128 crew members and their two ships, the Erebus and the Terror. It took more than one hundred years to solve the mystery behind this fateful voyage, and once the ships were found, artifacts and skeletal remains proved the rumors of cannibalism that had been circulating since Captain Franklin and his crew originally went missing. Researchers have speculated that the ships were trapped in ice and that the men aboard likely died from a combination of scurvy, starvation, exposure and lead poisoning from the poorly soldered tin cans which held their rations for three years.

“We had already found that the country, between Cape Barrow and the Copper-mine River, would not supply our wants, and this it seemed probable would now be still more the case; besides, at this advanced season, we expected the frequent recurrence of gales, which would cause great detention, if not danger in proceeding along that very rocky part of the coast.”

Over the course of the century Franklin’s crew was among many that had perished. However, it is important to note that this area was home to the Inuit, or Esquimaux, as they are described in the journals: generations of people who have lived and thrived in the Arctic, raising children, hunting, and tending to their elderly. Unfortunately, racial prejudice of the colonial powers restrained the British explorers from imitating and learning the indigenous ways of traveling, hunting, eating and staying warm.

“Their spirits immediately revived, each of them shook the officers cordially by the hand, and declared they now considered the worst of their difficulties over, as they did not doubt of reaching Fort Enterprise in a few days, even in their feeble condition. We had indeed every reason to be grateful, and our joy would have been complete were it not mingled with sincere regret at the separation of our poor Esquimaux, the faithful Junius.”

Franklin first explored the Arctic in a series of three expeditions between 1819 – 1822. Narrative of a Journey to the Shores of the Polar Sea was published the following year by John Murray in London, a publishing company that took particular interest in the poles. The book discusses the four-year journey, revealing the hardships of the overland exploration in the Northwest territories of Canada, specifically around the Coppermine River of the Nunavut Territory. This publication also includes detailed color engravings depicting the landscapes and the many Intuit interpreters who helped along the way. Sadly, this voyage did not prove to be entirely successful either.

“Everyone was on the alert at an early hour, being anxious to commence the journey. Our luggage consisted of ammunition, nets, hatchets, ice chisels, astronomical instruments, clothing, blankets, three kettles, and the two canoes, which were each carried by one man. The officers carried such a portion of their own things as their strength would permit; the weight carried by each man was about ninety pounds, and with this we advanced at the rate of about a mile an hour, including rests.”

The final chapters describe the last months of the journey as the crew traversed the harsh Canadian landscape back to the Coppermine River. In addition to Captain Franklin, Dr. John Richardson, who kept notes and wrote the sections on geology, botany and ichthyology, included his own experience, during the time in which the party had split into three. Their final notes both emphasize the failing morale of the crew, the dropping temperatures, and the absence of food. Plagued by an early winter, the menu became scant: a small variety of berries before the frost; deer and musk-oxen, when possible; fish, until the nets were destroyed; a small supply of pemmican, a paste of dried and pounded meat mixed with melted fat; and partridge combined with tripe de roche.

“We supped off a single partridge and some tripe de roche; this unpalatable weed was now quite nauseous to the whole party, and in several it produced bowel complaints. Mr. Hood was the greatest sufferer from this cause.”

Tripe de Roche is the Canadian term for rock tripe, a type of lichen that grows on the rocks of North America. Although not at all nutritious, this edible fungus became the main source of food for the explorers and was often boiled with willows dug up beneath the snow. The taste is bitter and often causes severe stomach cramps and diarrhea and, combined with the extreme cold and deep snow, led to higher levels of exhaustion. A day’s worth of walking diminished from twelve miles to five, depending on the conditions.

“In the evening we encamped at the lower end of a narrow chasm through which the river flows for upwards of a mile. The walls of this chasm are upwards of two hundred feet high, quite perpendicular, and in some places only a few yards apart. The river precipitates itself into it over a rock, forming two magnificent and picturesque falls close to each other.”

To their dismay, even the lichen was all but plentiful in this barren country. Because of this, the men were sometimes forced to eat the leather from their moosehide shoes and scavenge the carcasses of rotting deer, boiling the bones in a soup only to retrieve the smallest amount of marrow. Desperation and despondency took hold of the party and in the final weeks, with many of the men becoming too weak to hunt or even walk. Towards the end of the journey, the group had separated into three, with Captain Franklin leading the pack to Fort Enterprise to find provisions and help from the Inuits. Unfortunately, only seventeen out of the twenty-eight party survived and suspicions of murder and cannibalism began to circulate among the survivors.

“At length we reached Fort Enterprise, and to our infinite disappointment and grief found it a perfectly desolate habitation. There was no deposit of provision, no trace of the Indians, no letter from Mr. Wentzel to point where the Indians might be found. It would be impossible for me to describe our sensations after entering this miserable abode, and discovering how we had been neglected.”

Leaving the men who were too weak to travel behind, Franklin went forward to look for provisions and help. The hunger, cold, and seemingly bleak chance of survival created hostility among some of the remaining crew, particularly between Dr. Richardson and Michel. In his final entry, Dr. Richardson recounts confronting Michel, who “reported that he had been in chase of some deer… and although he did not come up with them, yet that he found a wolf which had been killed by the stroke of a deer’s horn, and had brought part of it.” The meat was eaten with satisfaction but as time went on Michel’s strange and erratic behavior led Dr. Richardson to believe that Michel had either murdered two of the missing men, or found the bodies in the snow and took their flesh. After another man was mysteriously murdered, Dr. Richardson began to fear for his own safety and shot Michel point-blank without any further questions.

“A small quantity of tripe de roche was gathered; and Credit, who had been hunting, brought in the antlers and back bone of a deer which had been killed in the summer. The wolves and birds of pretty had picked them clean, but there still remained a quantity of the spinal marrow which they had not be able to extract. This, although putrid, was esteemed as a valuable prize, and the spine being divided into portions, was distributed equally. After eating the marrow, which was so acrid as to excoriate the lips, we rendered the bones friable by burning, and ate them also.”

Even in the coldest hour, Franklin and the explorers who came before and after saved the pages of their notebooks from the fire so that the people of the world could come to know their adventures. Murder, cannibalism, treacherous landscapes and perilous seas. It is no wonder that, upon returning to England, these narratives, the successes and failures of the Arctic Expeditions, excited the people to the point of inspiring a new genre of literature, one that has for so long been neglected.

~Contributed by Lyuba Basin, Rare Books

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Indigenous Peoples — student response

03 Tuesday May 2016

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accordion fold, American, ancient, animal hide, Ann Wilcox, Antonio del Rincon, Antonio Peñafiel (1831-1922), archaeology, Austria, background, bark paper, Book of Mormon, books, border culture, Brisa Zavala, cactus, Catholicism, Cecilia Vicuña, Chanccani, codex, Codex Tulane, códices, collage, colonial, colonized, colonizer, comic books, context, demographics, dictionary, English, Enrique Chagoya, experience, facsimiles, feathers, Felicia Rice, form, genealogical, genealogy, geography, grammar, Granary Books, Graz, Guillermo Gomez Peña, gum wrappers, handwritten, Incan kipu, indigenous peoples, indigenous populations, interdisciplinary, Isabel Dulfano, Japanese, Joe D'Ambrosio, knots, language, Latin America, library, linguistics, literature, Luise Poulton, manga, manuscripts, Marriott Library, Mary Elizabeth Smith, Maya, Mayan epigraphy, Melissa Gutierrez, Mesoamerican, metallic, Mexican, Mexico, Middle American Research Institute, Miranda Best, Mixtec, Moving Parts Press, Nahuatl, New Orleans, New York, Oaxaca, Pedro Balli, performance artist, Phoenix, pictographs, poem, pop-culture, pop-up, pre-Hispanic, priest, quipu, rare book collections, Rare Books Department, resources, saguaro, Salt Lake City, Santa Cruz, Spanish, surreal, Tulane University, University of Utah, wool, words, writing

These commentaries are excerpts from an assigned project for Humanities4900/6900, “Indigenous Peoples: Social and Cultural Perspectives,” taught by Isabel Dulfano, Spring semester 2016. Students studied demographics, Mayan epigraphy, Incan kipu, archaeology, linguistics and other topics as an interdisciplinary approach to critically expanding their understanding of indigenous peoples, historically and in a contemporary setting.

Dr. Dulfano arranged for two class periods to be devoted to working with pieces ranging from Mesoamerican codex facsimiles to 16th through 19th century books to 20th and 21st century artist’s books from the rare book collections. The students looked at books which reflected the colonized and the colonizer, the perspective of Church and State, and self-referential texts depicting imposed visions of time and place.

From Brisa Zavala:

F1219-P39-title
Nombres geograficos de Mexico…
Antonio Peñafiel (1831-1922)
Mexico: Oficina tip. De la Secretaria de foment, 1885
First edition
F1219 P39 1885

As part of a two-day class activity we visited the Marriott Library’s rare book collections and had the opportunity to interact with facsimiles and original copies of books pertaining to indigenous peoples of Latin America.

On the first day we interacted with pieces dating from the 8th century Common Era to 1899. One of the books that caught my eye was Nombres Geograficos de Mexico, 1885. This book contains names of various geographical places in Mexico, some of which still remain as the names of towns in present-day Mexico. The author, Antonio Peñafiel, was the Director General of the Census Department of Mexico. The book was bound and organized in a traditional western way, is about the size of a notebook, and written in Spanish. The first half contains detailed explanations of the meaning of each geographical name and the second half contains colored pictographs corresponding to each place name.

F1219-P39-pg11

I particularly enjoyed looking at this piece. I have traveled in Mexico and noticed many names of smaller towns in Nahuatl, but never knew the meaning of the name. I am studying Nahuatl at the University of Utah and I have some knowledge on how place names are formed but it was fascinating to not only learn the meaning behind the names but also see corresponding pictographs.

On the second visit to the Rare Books Department we looked at “contemporary” books, also pertaining to indigenous peoples of Latin America. My favorite piece was Codex Espangliensis: From Columbus to the Border Patrol.

N7433.4-G652-C63-1998-cover N7433.4-G652-C63-1998-Noctli
Codex espangliensis…
Guillermo Gomez-Peña
Santa Cruz, CA: Moving Parts Press, 1998
N7433.4 G652 C63 1998
Text in English and Spanish written by performance artist Guillermo Gomez-Peña, collage images by Enrique Chagoya and designed and printed by Felicia Rice.

This piece “confronts realities and surrealities of border culture, juxtaposing examples of graphic art from pre-Hispanic times to present-day Mexico with traditions of Western art and contemporary American pop-culture.” The book is structured as an accordion-fold similar to Mesoamerican codices. However, it is printed on one side only and thus can be read western-style. The print is black and red and the art style has a strong resemblance to Japanese manga and comic books. I plan to visit Rare Books soon and “read” this piece with more time to observe and pick up on the detail.

My experience with the rare book collections expanded my knowledge not only of what kinds of “books” exist, both in past and present times, but also how time periods effect contents and form.

As a student of the Nahuatl language it is very important to me to have access to codices and other material written in Nahuatl, from grammar to doctrines. It is also interesting to experience how the form of older texts, such as the accordion structure, has impacted contemporary texts and how these forms are used to make a statement. It is important to society to preserve these books in order to preserve knowledge and to allow for future studies of past societies. This opportunity was extremely enriching academically and all students should visit the rare book collections.

From Melissa Gutierrez:

At first I thought it was odd that we were going to the library to see old books, to be honest, at that moment I would rather have had a class discussion on the very many topics regarding the indigenous populations we had been learning about. However, going to see the rare book collections was a surreal experience. Having about 40 some books laid out on tables, waiting to be explored was an invitation to me. That invitation was to sit down and dive into history and discover. I found this experience to be powerful and enriching. The old books came to life, helping me picture and understand history on a whole new and different level. When I sat down with the books it gave me the opportunity to ask myself, “Do I value history?”

PM4063-R5-title

PM4063-R5
Arte mexicana
Antonio del Rincon (1556-1601)
En Mexico: en casa Pedro Balli, 1595
First edition
PM4063 R5

One of the books that I enjoyed analyzing was a book written in the 1500’s. This book was written by a Spanish priest who learned the language of Nahuatl. The book had grammar and a dictionary. The book was falling apart and not handwritten. While looking at this book I wondered what the Spanish priest thought as he was learning Nahuatl. Most Spanish priests believed that they were helping the indigenous peoples come to God by converting them to Catholicism. I wonder how it would have felt to be part of that project. Did the Spanish priest have indigenous people help him learn and understand Nahuatl? These are the kinds of questions I asked myself while analyzing the book.

From Ann Wilcox

N7433.4-V536-C48-2012
Chanccani quipu
Cecilia Vicuña
New York: Granary Books, 2012
N7433.4 V536 C48 2012

The piece that impressed me the most was Chancanni Quipu. It was a modern quipu that had writing on the wool, rather than knots in the wool. The writing was of a Chancanni poem. I thought this piece was interesting because it had a mix of the ancient system of writing of the quipu and modern system of writing with words.

The writing was a mix of Spanish and the Chanccani language. Accompanying the quipu was a translation of the poem and a brief history and explanation of how quipu are made.

The important thing about this piece is that it takes ancient culture and practice and puts a modern spin on it. The author, using diverse cultural cues, was able to communicate in a way that people from diverse cultures could understand. I think that it also shows that there are many forms of quipu now and authors can be creative while still connecting with their culture. It is an important piece because it wasn’t a bound book or words or illustrations on paper. This was a new medium that the author found to communicate and still be effective.

The experience of seeing the rare books, especially in the context of indigenous work, opened my eyes to the amount of types of book and recording methods there exist in the world. It impressed me that there were so many perspectives shown through the pieces. I valued that I got to touch and read the book in person and not through pictures. It was a very special experience and I don’t think that it can be replicated. I will always appreciate this experience, especially when I am visiting museums and see works of art and literature that are behind glass. I will think of this experience, when I got to handle the books myself.

From Miranda Best:

F1421-T95-no.61
Codex Tulane
Graz, Austria: Akademische Druck-u Verlaganstalt; New Orleans: Middle American Research Institute, Tulane University, 1991
F1421 T95 no. 61
Facsimile with introduction by Mary Elizabeth Smith (b. 1932)

The first piece I would like to discuss is the Codex Tulane, ca. 16th century. The codex, originally made from overlapping animal hide, is an early Colonial manuscript from the Mixtec-speaking region of southern Mexico. The manuscript presents genealogical information with a list of native rulers of two Mixtec communities. Within this list are contained more than one hundred male and female figures, seated opposite of their spouses.

The piece is beautifully made. Although we were only able to see a facsimile, it is wonderful to experience these pieces in physical form. How amazing it would have been to touch and see the original piece!

Something interesting about the experience I had was that when I approached the codex, the way it was rolled up was in a way so that I would be unrolling it from the bottom and opening it up. When I began to see the figures, they were very simply drawn, but further up, as I unrolled the codex, the figures began to be a little more elaborate. What I observed is that it was the same figures, but something was added onto them as it went up each row. I did not quite understand what was going on until Luise [Poulton] explained that it could be like genealogy and it made a lot more sense to me. I felt like I could connect with what I was seeing. I loved being able to see the advancement of the figures. It made me wonder if it meant that there was a connection with those who seemed to be of higher power (higher up on the codex) and those who were further down (with less details and figures added).

The first day in the library, I had a hard time finding pieces that I could really connect to. All of the pieces were beautiful and I thought they were interesting, but I did not feel anything super exciting about them. I enjoyed this codex after I understood a little more about it and I liked learning about the resources we have available to us. I would love to take more advantage of this and utilize it to learn more about the history of these people. I thought it was very interesting that Luise pointed out the importance of looking at the “who, what, where, when, why and how.” Not because it is something new to me, but rather something that Professor Dulfano is always pointing out to us. We cannot read a piece of literature without understanding the context and its background. It makes for a much more fulfilling experience.

BX8625-M39-1983-cover

BX8625-M39-1983-title

BX8625-M39-1983-2-3spread

Ump’it u yeybilil ti’ u libroil Mormon: hahil t’an Yo’olal Cristo
Salt Lake City: Dza’an ohetbil tumen u Iglesia Jesucristo ti’ le Ma’alob Maco’obo’ tu Dzo’oc kino’oba’, 1983
BX8625 M39 1983

The second day in the library was a real treat. I felt a connection with a lot of the pieces and definitely enjoyed the experience more that day than the first day. Of all the pieces I saw, my two most favorite were the Book of Mormon, written in a Maya language and the 1997 piece by Joe D’Ambrosio, Oaxaca and the Saguaro. It is one of one hundred and twenty five copies made. The University of Utah copy is numbered 19.

N7433.4-D34-O29-1996-cover
Oaxaca (Wa-ha-ka) and the saguaro (sa-wah-row)…
Joe D’Ambrosio
Phoenix, AZ: D’Ambrosio, 1996
N7433.4 D34 O29 1996

This book was hand bound by the author in a brown cloth and Mexican bark paper. The front cover has a beautifully structured cactus with twisted material to give more structure to the cactus.

N7433.4-D34-O29-1996-Feathers

Throughout this book, you will find beautifully crafted pop-up images and real feathers, as well as other illustrations.

This piece made me very excited for numerous reasons. First, I love books made from raw hide/leather, or other natural materials. I find them so beautiful and real. The cactus made it even more exciting to see what was inside. As I flipped through the pages, I really enjoyed seeing the illustration because they reminded me a lot of my childhood. Pop-up books were my favorite as a child, so it was a nice moment to reminisce. Other illustrations in this book continued to remind me of my childhood and some of the art projects I did. There was one page in particular that was decorated with a metallic material. It almost seemed to me to be made from gum wrappers. I used to peel apart gum wrappers and use the silver part to make figures on another piece of paper. This particular page reminded me of that.

N7433.4-D34-O29-1996-pg8-9apread

Generally speaking, it was a beautifully made book and very enjoyable to look at. But it was an even more delightful experience because it had a nostalgic feeling for me.

As I mentioned above, I had a better experience the second day than the first. I don’t know if it was because there were more pieces that caught my attention or if it was because we had more time to look at everything. But it really made me appreciate the resources we have and made me think how privileged we are to have access to such “rare objects.” Many of these books, codices, etc. are completely from “out of our world” and we have the opportunity to step inside the world of others and experience it. If we had had more time, I would have loved to look longer at all the books and discover what they were all about. As it was, I only got to observe a small portion of everything. I would love to be able to go back and see what more there is and learn more.

alluNeedSingleLine

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Exhibition — “Tunnel Vision”

01 Friday Apr 2016

Posted by rarebooks in Physical Exhibitions

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accordion fold, Allison Milham, altar, bands, Berkeley, Book Arts Program, Book Arts Studio, California, City Center of San Francisco, cut-out, desert, envelope, fan-folds, Flying Fish Press, Gloria Morales, J. Willard Marriott Library, Julie Chen, Kathy Walkup, land art, Lois Morrison, Luise Poulton, Maryline Poole Adams, Mexican, miniature book, movable books, Nancy Holt, oil-cloth, paper hinges, peephole, photograph, Poole Press, pop-up, rare book collections, Rare Books Department, San Francisco, Scott Beadles, Sun Tunnels, The University of Utah, tunnel book, Utah, Utah Museum of Fine Arts, Virgin, workshop

 

TUNNELVISION_slide

Tunnel Vision: A Selection of Tunnel, Pop-up and Movable Books from the Rare Books Department

Tunnel Vision features a selection of pieces from the rare book collections produced using various paper manipulations to create the illusion of depth — framing and narrowing the viewers’ perspective. This exhibition is the result of a collaboration between the Book Arts Program, the Utah Museum of Fine Arts, and the Rare Books Department. It coincides with two events (see below) inspired by Nancy Holt’s famous land art piece, Sun Tunnels, located in Utah’s west desert.

March 23 through June 3, 2016
Level 1, J. Willard Marriott Library
The University of Utah
Co-curated by Luise Poulton and Allison Milham

DSCF8939
A Maze in Mystery: An Amazing Peep-Show
Maryline Poole Adams
Berkeley, CA: Poole Press, 1992
N7433.4 A23 M29 1992

Boards connected by fan-folds; views are through a door in the first board. Edition of one hundred copies. University of Utah copy is no. 22.

DSCF8923
The Gadarene Swine: Luke 8:26-33 & Later
Lois Morrison
Berkeley, CA: Flying Fish Press
N7433.4 M66 G3 1993

DSCF8931DSCF8932
Jardin de Guadalupe
Lois Morrison
San Francisco, CA: L. Morrison, 1994
N7433.4 M66 J37 1994

Paper cut-out see-through scene with accordion fold hinges on both sides and photograph of altar with Virgin at back. In oil-cloth envelope, fastened with ties. Edition of twenty-five copies. University of Utah copy is no. 19.

DSCF8947
Life Time
Julie Chen
Berkeley, CA: Flying Fish Press, 1996
N7433.4 C44 L54 1996

Miniature book enclosed in a decorated sea green paper box with a hinged window lid. Text printed on a series of eight concentric discs attached by paper hinges in an accordion-fold format designed to be read through a center hole when the construction is fully extended. Edition of one hundred copies, numbered and signed by the author. University of Utah copy is no. 15.]

DSCF8941
Ya Viene la Banda
Gloria Morales
San Francisco, CA: City College of San Francisco, 1998
N7433.4 M648 H47 1998

Tunnel book inspired by popular Mexican bands. Printed and bound by the author. Produced in Kathy Walkup’s Book Arts class at CCSF. Six leaves of color illustrations mounted with accordion-folded paper between boards, to be viewed through a peephole in the cover. One leaf of text laid-in. Edition of seven copies, numbered. University of Utah copy is no. 4.

Exhibition photographs by Scott Beadles

Sun Tunnels Educators’ Workshop and Family Day
April 23, 2016, 10am — 12pm
Free for teachers and their families (kids ages 5 and up)
The Book Arts Studio, J. Willard Marriott Library, Level 4

One of the most famous land art works in the world is right in our backyard! Nancy Holt’s iconic Sun Tunnels explores themes of light, perspective, time, space, geography, and more — perfect topics for interdisciplinary teaching. Bring your family and join the Utah Museum of Fine Arts for this hands-on workshop. Start the day together experiencing nature, then explore teaching through tunnel books while the family makes their own Sun Tunnels inspired art.

To register for this workshop contact: Allison Milham (Allison Milham @utah.edu) or schoolprogram@umfa.utah.edu

For more information visit umfa.utah.edu/teacherworkshops

ARTLandish: Sun Tunnels Community Meet-up
April 30, 2016, 1pm 00 4pm
Free and open to the public

Join the UMFA for a day of art and science at Sun Tunnels, the iconic land art by Nancy Holt in Utah’s west desert. UFMA members, families, teachers, and students of all ages are invited to explore the landscape, create art, and learn about the environment of the desert. Meet at site.

For driving directions visit: umfa.utah.edu/suntunnels_selfguide
For more information contact: virginia catherall@umfa.utah.edu

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Join Us!

09 Monday Feb 2015

Posted by rarebooks in Events

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Armando Solorzano, Arturo Valenzuela, Ethnic Studies, European, Gabriel Garcia Marquez, Gould Auditorium, Hinckley Caucus Room, Hinckley Institute, Hinckley Institute of Politics, Jim Hinckley, Latin America, Latinos, Lyn Hinckley, Marriott Library, Mexican Revolution, Mexico, NSC Special Assistant to the President for Latin Affairs, Orson Spencer Hall, rare book collections, Rare Books Classroom, Rare Books Division, Rocco C. and Marian S. Siciliano Forum, Sabino Osuna, United States, University of Utah, Utah

SicilianoForumhttp://www.hinckley.utah.edu/siciliano-forum

The Rare Books Division is pleased to participate in the 17th Annual Rocco C. and Marion S. Siciliano Forum: The Future of U.S. – Latin American Relations.

MONDAY, FEB. 23

9:45 AM FORUM

“Marching to a Unified Future: Latinos in Utah and the Nation.” Armando Solorzano, University of Utah Associate Professor of Ethnic Studies

Hinckley Caucus Room, Orson Spencer Hall, 255

12:00 PM KEYNOTE ADDRESS

Arturo Valenzuela, former U.S. Asst. Secretary of State for the Western Hemisphere and former NSC Special Asistant to the President for Latin Affairs

Marriott Library, Gould Auditorium

1:00 PM ART EXHIBIT RECEPTION

“Mexico at the Hour of Combat: Photographs of the Mexican Revolution by Sabino Osuna” Presented by Jim and Lyn Hinckley

Marriott Library, 5th Floor 

1-2:30PM Rare Books Display

“What Seems Fantastic”

Visit the Rare Books Classroom, Level 4, for a hands-on display of selections from the rare book collections documenting European and United States encounters with Latin America from the 8th century to the 21st.

“My most important problem was destroying the lines of demarcation that separate what seems real from what seems fantastic.” – Gabriel Garcia Marquez

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You are invited – La Parola Scritta: XVI Centuries of Italian Culture in Ink

31 Thursday Oct 2013

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Honorary Italian Consulate of Salt Lake City, Italian Club of Salt Lake City, Italian-American Civic League, Italy, J. Willard Marriott Library, Luise Poulton, rare book collections, Special Collections

La Parola

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Brooke Hopkins, In Memoriam

23 Friday Aug 2013

Posted by rarebooks in Donations

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19th century, Alexander Pope, apprentice, Baltimore, Baltimore Sun, Basil Manly, Benjamin Edes, bookselling, Boston, Boston Tea Party, Brooke Hopkins, Cambridge, cartographer, Charles Manly, Childe Harold, cholera, Columbian press, compositor, Daniel Boone, Dante Alighieri, descriptive letterpress, engraved, engraved plates, engraved vignettes, Eton, Europe, Fielding Lucas, Francis Scott Key, George Gordon Byron, Greek, Henry Franci Cary, Henry St. John Bolingbroke, Homer, Horace Walpole, Iliad, initials, James Adams, John Conrad, John Dryden, John Fox, Jon Filson, Jr., Kentucky, law, letterpress, Lord Byron, M. Gustave Dore, Maine, manuscript, maps, Maryland Historical Society, Maryland Institute College of Art, melancholy, Negro suffrage, newspaper, Norwich, Ohio, pamphlets, Pennsylvania, Pennsylvania Convention, Peter Edes, Philadelphia, Philidelphia Library, Philip H. Nicklin, poetry, print, printer, printing, printing shop, publisher, Raleigh, rare book collections, Rare Books Division, Richard Bentley, Robert Strange, Roman Catholic, Samuel Sands, Sir Thomas Browne, Star Spangled Banner, stationer, Thomas Gray, Tory, typesetting, United States, University of Alabama, University of North Carolina, vignettes, Virgil, War of 1812, Washington Monument, William Fry, Wilmington

The staff of the Rare Books Division extends its heartfelt condolences to the family of Brooke Hopkins. Professor Hopkins was a friend of the rare book collections through his donation of several books, each of which has been used by students for research and the Rare Books staff for lectures, presentations, and exhibitions. We are ever grateful for his generous support. Thank you, Brooke. Memory eternal!

Brooke Hopkins

 

The beings of the mind are not of clay;
Essentially immortal, they create
And multiply in us a brighter ray
And more beloved existence…
–Lord Byron from Childe Harold

 

 

U Mourns Death of Beloved English Professor Brooke Hopkins

PSEUDODOXIA EPIDEMICA
Sir Thomas Browne (1605 – 1682)
London: Printed by R.W. for N. Ekins, at the Gun in Paul’s church-yard, 1658
Third edition, corrected and enlarged by the author

In this famous book, the writer and physician from Norwich demonstrated the absurdity of commonly presumed truths. Among the traditions which Thomas Browne deposed of were the beliefs that “The Elephant hath no joynts, That an Horse hath no Gall, That the Chameleon lives only by Aire, That the Ostridge digesteth Iron; That the forbidden fruit was an Apple; That our Savior never laughed, That a man have one rib lesse than a woman, That there was no Rainbowe before the flood.” University of Utah copy gift of Brooke Hopkins.

Browne, Pseudodoxia Epidemica, 1658
Browne, Pseudodoxia Epidemica, 1658

DESIGNS BY MR. R. BENTLEY FOR SIX POEMS
Thomas Gray (1716-1771)
London: R. Dodsley, 1753
First edition

English poet Thomas Gray was educated at Eton in Cambridge. There he met Horace Walpole, the father of the Gothic novel, and traveled with him throughout Europe. After his return to Cambridge, where he remained for most of his life, Gray lived in seclusion. Much of Gray’s poetry was tinged with melancholy. Richard Bentley (1708-1782), another friend of Walpole’s, created illustrations for several of Gray’s poems. Gray admired the drawings very much. This book contains six engraved plates, thirteen engraved vignettes, and six engraved initials by Muller and Grignon based upon designs by Robert Bentley. University of Utah copy on loan from Brooke Hopkins.

Gray, Designs by Mr. R. Bentley, 1753
Gray, Designs by Mr. R. Bentley, 1753


THE DISCOVERY, SETTLEMENT, AND PRESENT STATE OF KENTUCKE: AND AN ESSAY TOWARDS THE TOPOGRAPHY AND NATURAL HISTORY OF THAT IMPORTANT COUNTRY; TO WHICH IS ADDED, AN APPENDIX, CONTAINING, I. THE ADVENTURES OF COL. DANIEL BOON, ONE OF THE FIRST SETTLERS, COMPREHENDING EVERY IMPORTANT OCCURRENCE IN THE POLITICAL HISTORY OF THAT PROVINCE. II. THE MINUTES OF THE PIANKASHAW COUNCIL, HELD AT POST ST. VINCENTS, APRIL 15, 1784. III. AN ACCOUNT OF THE INDIAN NATIONS INHABITING WITHIN THE LIMITS OF THE THIRTEEN UNITED STATES…IV. THE STAGES AND DISTANCES BETWEEN PHILADELPHIA AND THE FALLS OF THE OHIO; FROM PITTSBURGH TO PENSACOLA AND SEVERAL OTHER PLACES. THE WHOLE ILLUSTRATED BY A NEW AND ACCURATE MAP OF KENTUCKE AND THE COUNTRY ADJOINING, DRAWN FROM ACTUAL SURVEYS…
John Filson (ca. 1747-1788)
Wilmington, DE: Printed by James Adams, 1784
First edition

Land speculator John Filson’s early history of Kentucky contained, among other appendices, a narrative of Daniel Boone. Filson was the first American to write about the area. The book was very popular and helped influence the decision of many to migrate to this newly opened land. A tipped-in map is missing in most copies, as it is in this one. The map is so rare that antiquarians began to suspect that there never was one, in spite of reference to it on the title page. However, the Philadelphia Library has a copy with map intact. The map, drawn by Filson, was printed separately in Philadelphia. Filson was killed by Indians of the Ohio. University of Utah copy gift of Brooke Hopkins.

Filson, The Discovery…,1784
Filson, The Discovery…,1784
Filson, The Discovery…,1784


AN ESSAY ON MAN: IN FOUR EPISTLES TO H. ST. JOHN, LORD BOLINGBROKE
Alexander Pope (1688-1744)
New York: Printed and sold by Smith & Forman, 1809

Alexander Pope’s Essay on Man, first published in 1733, was a philosophical work consisting of four epistles in couplets and addressed to his friend, Henry St. John Bolingbroke, head of the Tory ministry. University of Utah copy gift of Brooke Hopkins.

Pope, An Essay on Man, 1809
Pope, An Essay on Man, 1809
Pope, An Essay on Man, 1809


THE ILIAD OF HOMER TRANSLATED FROM THE GREEK BY ALEXANDER POPE
Homer
Baltimore: Philip H. Nicklin, 1812

Stationer Philip H. Nicklin (1786-1842) studied law. Due to financial difficulties after the death of his father in 1807, Nicklin began selling books, first in Baltimore then in Philadelphia. After 1827, he confined his bookshop’s inventory to law. He retired in 1839, having earned enough money to live out his life in comfort. He occupied the rest of his short life with writing, mostly about literary copyright. This book, although sold from Baltimore, was printed in Philadelphia by Fry and Kammerer. William Fry (d. 1854) formed a printing partnership with Joseph L. Kammerer in 1806. Fry was a well-respected pressman, compositor and proof-reader. Fry and Kammerer separated in 1810, but renewed their joint printing efforts a year later. In 1814, Kammerer died. Fry was the first to use the newly developed Columbian press, and ordered several of them for his large print shop. Added title-page engraved. University of Utah copy gift of Brooke Hopkins.

Pope, An Essay on Man, 1809
Pope, An Essay on Man, 1809


THE POETICAL WORKS OF LORD BYRON…: CONTAINING ALL HIS POEMS, ORIGINAL AND TRANSLATED, FROM THE LATEST EDITIONS
George Gordon Byron (1788-1824)
Baltimore: B. Edes, 1814

Benjamin Edes, the son and grandson of printers from Maine and Boston, continued the family business in Baltimore, where he worked as job printer and printed the newspaper, The Minerva and Emerald. Benjamin was an officer in the 27th Militia during the War of 1812 and supposedly printed the first version, in the form of handbills, of Francis Scott Key’s poem, “The Star Spangled Banner.” According to one story, the manuscript was taken to Edes’ printing shop, located on the corner of Baltimore and Gay Streets. Edes was on duty with his regiment, so the typesetting and printing was done by his apprentice, Samuel Sands, only twelve years old. Benjamin’s father, Peter Edes, moved from Boston to work for Benjamin, typesetting and keeping account books until 1832. Peter’s wife and Benjamin died that year of cholera. Peter returned to Maine, where he died in 1840. At the time of his death, according to his obituary in the Baltimore Sun, he was the oldest printer in the United States. Benjamin Edes’ grandfather, after whom he was named, participated in the Boston Tea Party. He was the printer of The Boston Gazette and Country Journal. University of Utah copy gift of Brooke Hopkins.

Byron, Poetical Works, 1814
Byron, Poetical Works, 1814
Byron, Poetical Works, 1814


THE WORKS OF VIRGIL TRANSLATED INTO ENGLISH VERSE, BY JOHN DRYDEN
Virgil
Baltimore, MD: F. Lucas, Jun., 1814

Fielding Lucas, Jr. (1781-1854) was a prominent publisher and cartographer in the early 19th century. He was especially recognized for his excellently produced maps. Lucas founded his first print shop in 1804 and became the first stationer of the newly formed United States. In 1806, Lucas became a partner in the Philadelphia publisher and bookselling firm, M. & J. Conrad, which focused on schoolbooks, maps, atlases, art instruction, children’s literature and Roman Catholic religious material. Baltimore, in most part because of Lucas, became the major center for Roman Catholic publishing through the beginning of the twentieth century. Lucas was a leader in the effort to raise funds for the Washington Monument. He was a founder of the Maryland Historical Society and the Maryland Institute College of Art. Added engraved title-page printed in Philadelphia by John Conrad. University of Utah copy gift of Brooke Hopkins.

Virgil, Works, 1814
Virgil, Works, 1814
Virgil, Works, 1814


THE POETICAL WORKS OF ALEXANDER POPE: IN THREE VOLUMES COMPLETE, WITH HIS LAST CORRECTIONS, ADDITIONS, AND IMPROVEMENTS, TOGETHER WITH ALL HIS NOTES AS THEY WERE DELIVERED TO THE EDITOR A LITTLE BEFORE HIS DEATH TOGETHER WITH THE COMMENTARY AND NOTES OF MR. WARBURTON
Alexander Pope (1688-1744)
Philadelphia: S. A. Bascom, 1819

University of Utah copy gift of Brooke Hopkins.

Pope, Poetical Works, 1819
Pope, Poetical Works, 1819


ADDRESS DELIVERED BEFORE THE ALUMNI AND THE SENIOR CLASS OF THE UNIVERSITY OF NORTH CAROLINA…
Charles Manly (1795-1871)
Raleigh, NC: Printed by T. Loring, 1838

A collection of miscellaneous pamphlets including, “An address delivered before the two literary societies of the University of North Carolina” by William B. Shepard; “Opinion of John Fox against the exercise of Negro suffrage in Pennsylvania, also, The vote of the members of the Pennsylvania Convention; Address of his excellency Governor Bagby: when inducting into office the president of the University of Alabama, together with The address of the president Rev. Basil Manly; An address delivered before the two literary societies of the University of North Carolina by Robert Strange; and Report of Chas. B. Shae on the drainage of the swamp lands of North Carolina. University of Utah copy gift of Brooke Hopkins.

Manly, An Address…, 1838
Manly, An Address…, 1838
Manly, An Address…, 1838


THE VISION OF HELL
Dante Alighieri (1265-1321)
London: Cassell, Petter, and Galpin, 1866
New edition: with critical and explanatory notes, life of Dante, and chronology

Translated by Henry Franci Cary. Illustrated with the designs of M. Gustave Doré. Each plate accompanied by leaf with descriptive letterpress. University of Utah copy on loan from Brooke Hopkins.

Dante, The Vision of Hell, 1866
Dante, The Vision of Hell, 1866
Dante, The Vision of Hell, 1866

 

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Rare Books Contributes to Montana Exhibit

22 Thursday Aug 2013

Posted by rarebooks in Physical Exhibitions, Rare Books Loans

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aquatint, Bitteroot Salish, Karl Bodmer, Lewis and Clark, Lolo, Montana, Montana State Parks, rare book collections, rare books, Travelers Rest State Park, Vernon Carroll


Montana State Parks recently installed a new educational exhibit interpreting the life-ways and material culture of the Bitteroot Salish when Lewis and Clark encountered them in 1805. An image of “Indians Hunting the Bison,” a Karl Bodmer aquatint held in the rare book collections, was used as part of an interpretive banner for the exhibit. Vernon Carroll, interpretive specialist, Travelers Rest State Park, Lolo, Montana writes, “[The] image enhances the visitor’s experience.” Road trip!

Indians_Hunting_the_Bison

Karl Bodmer, Indians Hunting the Bison, 1839

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