ذکری شکسپير

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PJ7808-S5-D55-1926-portrait

“o Prince of Poetry”

Dhikrá Shaksipīr
Aḥmad Zakī Abū Shādī (1892-1955)
Egypt: al-Maṭbaʻah al-Salafīyah, 1926
First edition
PJ7808.S5 D55 1926

The Egyptian poet Aḥmad Zakī Abū Shādī was a man of many talents. Not only was he renowned as a poet and man of letters, he was also trained as a scientist and physician, and he was fascinated by beekeeping, founding professional beekeeping associations and publishing numerous works on the subject. Besides his native Egypt, he had connections to both England and the United States. He lived in England, where he earned his medical degree, from 1912-1922. In 1920, he married an Englishwoman, Annie Bamford, returning with her to Egypt 1922. Following her death in 1946 he emigrated to the United States, where he continued to be active in the fields of Arabic literature and beekeeping until his untimely death of a stroke in 1955. His private papers and many of his books are now housed in the Marriott Library Special Collections (Ahmed Zaki Abu Shadi papers, 1892-1955).

Among such books is “Dhikrá Shaksipīr,” whose title translates as “Remembrance of Shakespeare.” In his introduction, Abu Shadi explains that it is a collection of three poems that he composed at the invitation of the Poetry Society in London to celebrate the eventual reopening of the Shakespeare Memorial Theatre that had burned down in 1926. He says that the Society had invited poets from around the world to participate in this. Based on the Society’s guidelines, the three poems are: A sonnet ; a quatrain suitable for posting on the wall of the Theatre ; and an unrestricted poem. This last one is a long ode in traditional Arabic poetic style in praise of Shakespeare.

In his introduction, Abu Shadi concludes with the statement that he is having this work privately published [in Egypt] to make it more accessible to the Arab reader. He laments that Arabic speakers who do not know English are missing out on Shakespearian literature, and he urges that they search out and read Arabic translations of Shakespeare’s works, and recommends in particular those done by the Egytian poet Khalil Mutran (1872-1949).

PJ7808-S5-D55-1926-title
PJ7808-S5-D55-1926-quatrain
“Diverse minds that tell of your guiding light humbly approached you, o Prince of Poetry
For the Theatre, despite its burning, due to your unique spirit remains a marvelous achievement for all eternity
Look, then, at the thousands gathered, whether in body or in spirit
They listen to great wisdome, sanctify8ing in you your genius; thus finding the good fortune of those who adore.”

Contribution and translation by Cathy Rockwell, Special Collections Middle East Cataloger

Book of the Week, after a conversation with a reader — Ka buke o na berita amen a kauoha

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“A eia kekahi, i kona heluhelu ana, ua hoopihaia oia me ka Uhane o ka Haku.”

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KA BUKE O NA BERITA AMEN A KAUOHA
San Francisco, 1855
First edition

The first missionary work in Hawai’i for the Church of Jesus Christ of Latter-day Saints began in 1850, when Charles Rich called for the establishment of a mission on what was then known as the Sandwich Islands. Of the ten men that answered the call, five remained after several months. The first conversions came on the island of Maui on August 6, 1851. By 1854, more than four thousand native islanders had converted.

The Book of Mormon was translated into Hawaiian by Elders George Quayle Cannon, William Farrer, and Jonatana H. Napela, a Hawaiian native. It was published five years after the first Mormon missionaries arrived on the islands. Three thousand copies were printed in San Francisco, two hundred of these were bound. Nearly all of the copies were shipped to Hawai’i. Most of these were destroyed in a fire in 1868. An estimated 30 copies of the 1855 edition survive today.

Earth Day — “…oceans both…”

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“You oceans both, I close with you,
We murmur alike reproachfully rolling sands and drift,
knowing not why,
These little shreds indeed standing for you and me and all.”

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WHITMAN CROSSHATCH…
Walt Whitman (1819-1892)
East Hampton, NY: 2015

From the artist’s statement: “both a hunt for, and a despair of, meaning. The ‘Likeness’ that the poet recognizes in the sea-tossed windrows of: ‘Chaff, straw…’ describe a purposeless world…[Whitman’s] life persistence after the abyss has looked us in the eye, is heroism. By setting the text on diagonals and verticals at odds page to page, the book captures the poet’s bleak mood. Whitman’s own resolution takes the visual form of bright colors, and a text that meanders – in and out as the tide – but does not dissipate.”

Unique artist’s book by Barry McCallion. Unnumbered pages, including title-page and half-title and colophon. Text printed on paper mounted on blue Saint Armand paper, interspersed with the broken up text on cream Richard de Bas, painted in various colored India inks, collaged onto various grids which form crosshatching. Binding by Joelle Webber: hand-sewn in gold suede with onlays of yellow, red, green, blue and white forming cross hatch on front panel. Housed in red cloth with blue edges over boards, clamshell box with title on spine on paper with repeat of crosshatch motif, crosshatch motif repeated on front panel. Signed by the artist.

We recommend — Utah Calligraphic Artists presents…

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Special Treatments Illuminations from the Wisdom Volume

Special Treatments Illuminations from the Wisdom Volume

The Utah Calligraphic Artists guild is pleased to host an evening lecture with Diane von Arx, one of three American calligraphers invited to be part of the artistic team for the St. John’s Bible project.

Thursday
May 5, 2016
7PM
Utah Cultural Celebration Center
1355 West 3100 South
West Valley City, Utah

Diane von Arx worked as an illuminator on the St. John’s Bible and was also responsible for the design and completion of the Book of Honor, the donor volume for the collection. She is a renowned calligrapher and graphic designer of corporate resolutions and documents of recognition. Her corporate clients include Target Corporation; General Mills, Inc.; University of Minnesota, Westlaw, Medtronics, Ameriprise Financial, and Saint John’s University. She has taught lettering arts throughout the United States, Canada, Japan, and Australia.

Diane’s lecture will focus on her experiences working on the St. John’s Bible. The Special Collections Department of BYU’s Harold B. Lee Library will display two volumes of their Heritage Edition of the St. John’s Bible at the lecture. Refreshments and an opportunity to talk to Diane follows the presentation.

This event is free and open to the public.

For more information please contact Judith Sommerfeldt judithsommerfeldt@comcast.net

Book of the week — Kuthan’s Menagerie Completed

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“In the zoo we see, on a small scale, how different all animals are from each other…We have to live together whether we like it or not.”

NE1336-K87-A4-2003-Penguins

KUTHAN’S MENAGERIE COMPLETED
George Kuthan (1916-1966)
Vancouver: Heavenly Monkey, 2003

Descriptive text about six animals – a raccoon, flamingo, anteater, penguin, monkey and peacock – each representing a different part of the world and each viewed by the artist at the Vancouver Zoo. Illustrated with multi-color linocuts by George Kuthan. Kuthan studied art at the University of Prague and in Paris before he moved to Canada.

Kuthan’s Menagerie of Interesting Zoo Animals was first published in an edition of one hundred and thirty copies by Nevermore Press, a single private enterprise by Robert and Felicity Reid, in 1960. Sixty of these copies were bound in quarter leather and Japanese paper over boards. Kuthan and the binder both died soon after this first publication. The remaining sheets were left unbound and unsold. Vancouver booksellers Stephen Lunsford and William Hoffer bought the unbound copies from the original binder’s estate in the late 1980s.

Heavenly Monkey issued the remaining sheets within a sheet of yellow Japanese paper (which served as the endsheets for the bound edition). New content (a title-page, preface and colophon) was set by hand in 18 pt. Perpetua and printed on blank and waste sheets of the original Golden Hind laid paper. The whole is in an outer wrap of St. Armand handmade paper and housed in a custom clamshell box covered in red Japanese fabric, with printed debossed paper labels, designed and made by Simone Mynen. The work is comprised of sixteen sheets loose, printed landscape on one side and folded folio, plus three sheets of additional matter. Printer Robert Reid explained that the folded sheets helped solve two problems: the translucent quality of the paper and to add to the bulk of the book when bound. Edition of fifty copies. University of Utah copy is no. 7, signed by Robert Reid.

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Books of the week — T. B. H. and Fanny Stenhouse

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“There is a power in combined enlightened sentiment and sympathy before which every form of injustice and cruelty must finally go down.” – Harriett Beecher Stowe, 1874

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LES MORMONS (SAINTS DES DERNIERS-JOURS) ET LEUR…
Thomas Brown Holmes Stenhouse (1825-1882)
Lausanne: Imprimerie Larpin et Coendoz, 1854
First edition
BX8635 S74 1854

T. B. H. Stenhouse was a Scottish convert, one time missionary companion to Lorenzo Snow in Italy, and first Mission President over the Swiss Mission of the Church of Jesus Christ of Latter-day Saints. While serving in this position he edited the Latter-day Saints periodical, Le Reflecteur and published Les Mormon et Leurs Ennemis, written for the purpose of defending the LDS faith against anti-Mormon arguments popular at the time. In 1855 Stenhouse and his wife, Fanny Warn, emigrated to Utah Territory and settled in Salt Lake City. Stenhouse became the editor of the Salt Lake Telegraph, a pro-Mormon newspaper. In 1862, Stenhouse took a polygamous wife. Fanny Stenhouse objected. In 1870, Thomas and Fanny Stenhouse acted on growing disaffection with the church, Thomas having become particularly uneasy with Brigham Young’s heavy hand in the daily lives of the of the Saints. Thomas and Fanny left the church and were then excommunicated. In 1873 Stenhouse wrote The Rocky Mountain Saints: A Full and Complete History of the Mormons, an expose against the church. This work became a standard for anti-Mormon attacks on Joseph Smith.

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“It was worse than civil war, worse than a war of races; it was religious hate! It was fed by fanaticism on both sides.”

THE ROCKY MOUNTAIN SAINTS…
T. B. H. Stenhouse 91825-1882)
New York: D. Appleton and company, 1873
First edition
BX8611 S76 1873

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“I had had it all fully explained to me, and I thoroughly understood the beauties of the system in the sight of the Elders…but it is miserable work to try to convince others of a thing that you yourself detest.”

A LADY’S LIFE AMONG THE MORMONS
Mrs. T. B. H. Stenhouse (1829-1904)
New York: Russell Brothers, Publishers, 1872
First edition
BX8645 S74 1872

Fanny Stenhouse wrote her own story of disenfranchisement in A Lady’s Life Among the Mormons (1872). The book was reprinted as Tell It All: A Woman’s Life in Polygamy (1874), with a preface by Harriet Beecher Stowe.

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“But darker days – days of severer trial were creeping slowly near me…Now the dark shadow of an accursed thing was looming in the distance, but approaching surely if slowly.”

TELL IT ALL: THE STORY OF A LIFE’S EXPERIENCE IN…
Mrs. T. B. H. Stenhouse (1829-1904)
Hartford, CT: A. D. Worthington, 1874
First edition
BX8645 S74 1874

Daily Utah Chronicle — Land-Art Inspired Library Exhibit Showcases Books as Art

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“Matt Christensen, a sophomore in engineering, took time to look at the display between classes.

‘I think it’s really interesting how they’ve created something both new and fresh, but out of a format we’re all used to,’ Christensen said.”

Land-Art Inspired Library Exhibit Showcases Books As Art

Daily Utah Chronicle reporter Matt Bateman writes about “Tunnel Vision.”

Land Art-Inspired Library Exhibit Showcases Books As Art

Book of the Week — He Kaine Diatheke

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Title page

“For I will be merciful to their unrighteousness, and their sins and their lawless deeds I will remember no more.” — Hebrews 8:11, New King James Version

HE KAINE DIATHEKE
Paris: [Antoine Augereau for] Simon de Colines, [29 November or 22 December] 1534
BS1965 1534

This is the first Greek New Testament printed in France. Simon de Colines edited the text, using printed and manuscript sources. To save his own neck, Colines hid the involvement of the book’s printer, Protestant typefounder Antoine Augereau. Augereau was condemned as a heretic, hung, and then burned at the stake on Christmas Eve 1534, only a few days after finishing the printing of Ha Kaine Kiatheke.

In 1520, Colines married the widow of Henri Estienne, the founder of the distinguished Estienne press, and took charge of that press until Estienne’s son, Robert I, took over in 1526. Colines then set up his own shop nearby. He focused his publishing efforts on Greek and Latin classics – works by Aristotle, Cicero, Sophocles, Hesiod, Horace, Ovid, Virgil, Terence, Euclid, Hippocrates and others – works then considered the literary backbone of the civilized world. He added to the classics publications of anti-Lutheran theological writings and works by the faculty of the University of Paris. In all, Colines’ press produced at least seven hundred and fifty publications. Although not a scholar himself, he used his considerable familiarity with the Estienne publications and extended his own press to include writings on the natural sciences, cosmology, and astrology.

Colines was an important part of the development of book and reading structure in Renaissance printing. It was during this time that chapter headings, subheadings, running heads, page numbers, tables of content, indices and source notes became elemental fixtures in the publication of texts.

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Colines designed his own italic and Greek fonts and a roman typeface from which Garamond type was derived. He was one of the earliest printers to mix italic fonts with roman typefaces. During at least one of his printing projects, he worked with type designer Geoffroy Tory.

Ha Kaine Kiatheke is the first book printed in Simon de Colines’ second Greek font, including initial guide letters. The University of Utah copy has three lines (possibly an oath) written in an early hand in French and signed by “Demarruello.”

Inscription

It also contains the book plate of Calvin bibliographer R. Peter.

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The University of Utah copy bound in contemporary tan calf blind decorated with an outer roll of foxes, winged putti, acanthus leaves and lilies, central rectangle with brazier and foliage tools.

FrontBoard

An earlier repair to the hinges of the binding revealed the following, making up the pressed paper boards: 28 leaves from Les choses co[n]tenues en ce present liure…Le contenu en ceste second partie du nouveau testament, Paris, S. de Colines 10 January 1524; and leaves from Hore beate marie [virgi]nis Secundu[m] vsum insignis ecclesia[?e] Cathedraiis Carnoten[sis]…, Paris, s.n., ca. 1511-1512.

The printed signatures found hidden in the binding appear to be proof sheets for the first Protestant French translation of the New Testament, second edition.

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The printing of this edition was completed only months before the Paris Parlement condemned the work as heresy. Yet, the 1524 edition, due to its literary quality and scriptural analysis, served as the basis for nearly all future French versions throughout the century. Ironically, it also served as the 1550 Roman Catholic Louvain Bible.

The leaves from Hore beate…, which also formed part of the binding’s pressed boards, are from an unrecorded Latin-French Book of Hours for the use of Chartres, with a calendar for 1512-1520. The type is Gothic, printed in red and black and includes two-line woodcut initials.

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Exhibition — “Tunnel Vision”

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Tunnel Vision: A Selection of Tunnel, Pop-up and Movable Books from the Rare Books Department

Tunnel Vision features a selection of pieces from the rare book collections produced using various paper manipulations to create the illusion of depth — framing and narrowing the viewers’ perspective. This exhibition is the result of a collaboration between the Book Arts Program, the Utah Museum of Fine Arts, and the Rare Books Department. It coincides with two events (see below) inspired by Nancy Holt’s famous land art piece, Sun Tunnels, located in Utah’s west desert.

March 23 through June 3, 2016
Level 1, J. Willard Marriott Library
The University of Utah
Co-curated by Luise Poulton and Allison Milham

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A Maze in Mystery: An Amazing Peep-Show
Maryline Poole Adams
Berkeley, CA: Poole Press, 1992
N7433.4 A23 M29 1992

Boards connected by fan-folds; views are through a door in the first board. Edition of one hundred copies. University of Utah copy is no. 22.

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The Gadarene Swine: Luke 8:26-33 & Later
Lois Morrison
Berkeley, CA: Flying Fish Press
N7433.4 M66 G3 1993

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Jardin de Guadalupe
Lois Morrison
San Francisco, CA: L. Morrison, 1994
N7433.4 M66 J37 1994

Paper cut-out see-through scene with accordion fold hinges on both sides and photograph of altar with Virgin at back. In oil-cloth envelope, fastened with ties. Edition of twenty-five copies. University of Utah copy is no. 19.

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Life Time
Julie Chen
Berkeley, CA: Flying Fish Press, 1996
N7433.4 C44 L54 1996

Miniature book enclosed in a decorated sea green paper box with a hinged window lid. Text printed on a series of eight concentric discs attached by paper hinges in an accordion-fold format designed to be read through a center hole when the construction is fully extended. Edition of one hundred copies, numbered and signed by the author. University of Utah copy is no. 15.]

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Ya Viene la Banda
Gloria Morales
San Francisco, CA: City College of San Francisco, 1998
N7433.4 M648 H47 1998

Tunnel book inspired by popular Mexican bands. Printed and bound by the author. Produced in Kathy Walkup’s Book Arts class at CCSF. Six leaves of color illustrations mounted with accordion-folded paper between boards, to be viewed through a peephole in the cover. One leaf of text laid-in. Edition of seven copies, numbered. University of Utah copy is no. 4.

Exhibition photographs by Scott Beadles

Sun Tunnels Educators’ Workshop and Family Day
April 23, 2016, 10am — 12pm
Free for teachers and their families (kids ages 5 and up)
The Book Arts Studio, J. Willard Marriott Library, Level 4

One of the most famous land art works in the world is right in our backyard! Nancy Holt’s iconic Sun Tunnels explores themes of light, perspective, time, space, geography, and more — perfect topics for interdisciplinary teaching. Bring your family and join the Utah Museum of Fine Arts for this hands-on workshop. Start the day together experiencing nature, then explore teaching through tunnel books while the family makes their own Sun Tunnels inspired art.

To register for this workshop contact: Allison Milham (Allison Milham @utah.edu) or schoolprogram@umfa.utah.edu

For more information visit umfa.utah.edu/teacherworkshops

ARTLandish: Sun Tunnels Community Meet-up
April 30, 2016, 1pm 00 4pm
Free and open to the public

Join the UMFA for a day of art and science at Sun Tunnels, the iconic land art by Nancy Holt in Utah’s west desert. UFMA members, families, teachers, and students of all ages are invited to explore the landscape, create art, and learn about the environment of the desert. Meet at site.

For driving directions visit: umfa.utah.edu/suntunnels_selfguide
For more information contact: virginia catherall@umfa.utah.edu

Book of the Week — Jabberwocky

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Jabberwocky

…somebody killed something, that’s clear…,” said Alice.

JABBERWOCKY
Barry McCallion
East Hampton, NY: 2015

India ink washes, various collage and drawing elements incorporating metallic gold paper and aluminum foil with text from newspaper type, copied on various papers, each letter cut out and collaged in a myriad of shapes and sized as well as colors. Richard de Bas cream wove paper. Bound by Joelle Webber: hand-sewn yellow colored silk over boards with title on front panel, a reduced reproduction of the title-page. Blue and silver endpapers by St. Armand, terracotta colored guards. Housed in tan linen over boards, clamshell box, title in red reproduced from the title-page with yellow and red reproduction of first page inset on front panel. Signed and dated by the artist.