Book of the Week — Jabberwocky

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Jabberwocky

…somebody killed something, that’s clear…,” said Alice.

JABBERWOCKY
Barry McCallion
East Hampton, NY: 2015

India ink washes, various collage and drawing elements incorporating metallic gold paper and aluminum foil with text from newspaper type, copied on various papers, each letter cut out and collaged in a myriad of shapes and sized as well as colors. Richard de Bas cream wove paper. Bound by Joelle Webber: hand-sewn yellow colored silk over boards with title on front panel, a reduced reproduction of the title-page. Blue and silver endpapers by St. Armand, terracotta colored guards. Housed in tan linen over boards, clamshell box, title in red reproduced from the title-page with yellow and red reproduction of first page inset on front panel. Signed and dated by the artist.

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Book of the Week – Cause and Effect

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“Sing a song full of the faith that the dark
past has taught us
Sing a song full of the hope that the
present has brought us
Facing the rising sun of our new
day begun
Let us march on ’til victory is won.”
— James Weldon Johnson (1871-1938)

CAUSE AND EFFECT
Jessica Peterson
[Alabama: J. Peterson], 2009
N7433.4 P475 C38 2009

A relocation to Alabama causes the author to re-examine her childhood in Rochester, NY, particularly with respect to the impact of the 1964 race riots. From the colophon: “…researched, written, designed and printed by Jessica Peterson…The content was letterpress printed using photo-polymer plates on Sarah Bryant’s Vandercook SPO-20 in Gordo, Alabama…completed in fulfillment of my MFA in Book Arts from The University of Alabama, April 2009.” Illustrated with printed trompe-l’oeil style newspaper and microfilm clippings. Printed on cotton, abaca, and hemp paper. Accordion structure in drum leaf binding. Edition of fifty-five copies. University of Utah copy is no. 38.

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N7433.4-P475-C38-2009-map

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Book of the Week — Theatro del mundo y de el tiempo…

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THEATRO DEL MUNDO Y DE EL TIEMP…
Giovanni Paolo Gallucci
Impresso en Granada en las casas de autor, por su industria, y a su costa por Sebastian Munoz, impressor de libros ano 1607

First published in Venice in 1588 as Theatrum mundi, et temporis, this book presents the forty-eight maps of the Ptolemaic constellations and depicts them as mythologic figures. The star positions are taken from Copernicus’ De revolutionibus orbum coelestium. Giovanni Paolo Gallucci’s Theatrum is considered the first modern celestial atlas because in its maps he used a coordinate system and a trapezoidal system of projection common among geographic cartographers of the time, allowing an exact determination of the star positions. The lively constellation figures overlay very accurate maps of the stars. Gallucci’s text is an encyclopedia of astronomical knowledge. He describes the Ptolemaic theories of the movement of the planets, the sun, the moon, and eclipses. Tables illustrate the earth, a Dantesque hell, and a forecast of the equinoxes from 1588 to 1800. This edition contains several complex vovelles to aid in calculations.

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We recommend — Sustainability Book Group Discussion

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Friday, March 11, 2016, 12 – 1pm
J. Willard Marriott Library, Rm 1726A

Join Amy Brunvand for a discussion of “The Sixth Extinction: an Unnatural History” by Elizabeth Kolbert

This is part three of a four part series of discussions about climate change and fossil fuel divestment, based on book readings.
For more information visit the Marriott Library’s blog: newsletter.lib.utah.edu

BrownfieldPigeon

Beyond the Sixth Extinction
Shawn Wilder Sheehy
Paperboy Press: Illinois, 2007
N7433.4 S5418 B4 2007

Constructed of handmade cotton/abaca paper, book board, Arches watercolor board and linen thread. Type set digitally in Joanna and printed from polymer plates. Edition of fifteen copies. University of Utah copy is no. 7, signed by the author.

Snapdragon
Rotrap
Dreadhead

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You are invited! — Sixth Annual Book Collector’s Evening

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"S" copy

image from “The Poems of William Shakespeare, According to the Text of the Original Copies, Including the Lyrics, Songs, and Snatches Found in His Dramas,” Essex House Press, 1899 PR2841 A2 E55, Rare Books

You are invited to join the University of Utah’s Friends of the Library for its Sixth Annual Book Collector’s Evening. Keynote speaker this year is Paul Collins, author of Book of William: How Shakespeare’s First Folio Conquered the World.”

Paul Collins

“From the Bottom of the Sea to the Great Salt Lake: The Many Lives and Deaths of Shakespeare’s First Folio”
Shakespeare’s First Folio of 1623 is a unique work: the sole edition edited by those who actually knew and worked with the playwright. Yet for its first century, it was simply another used book in bookseller stalls. The stories of individual copies are the story of books themselves: of volumes lost through shipwreck and fire, of copies scribbled on by children and stored in bank vaults, and of a cultural heritage read and gazed upon by millions. This is the story of these volumes — where they live, how they sometimes die, and their unlikely route to literary immortality.

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Paul Collins is a writer specializing in history, memoir, and unusual antiquarian literature. His nine books have been translated into eleven languages, and include The Book of William: How Shakespeare’s First Folio Conquered the World (2009) and Edgar Allan Poe: The Fever Called Living (2014). Collins’s recent work includes pieces for the New Yorker, Lapham’s Quarterly, and New Scientist. In addition to appearances on NPR’s Weekend Edition as its “literary detective,” he is also the editor of the Collins Library imprint of McSweeney’s Books.
Collins lives in Portland, Oregon, where he is Professor and Chair of English at Portland State University.

A selection of pieces from the Marriott Library’s rare book collections highlights the story. Dinner, a silent auction of wonderful books for your own library, and an opportunity to share your book collecting adventures with fellow bibliophiles await you.

Its really fun!

March 22, 2016 / 6:00PM
Alta Club
100 East South Temple
Salt Lake City, UT

For reservations contact:
Judy Jarrow by March 16, 2016 at 801-581-3421 or judy.jarrow@utah.edu
$50 per person

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Shakespeare is coming! The First Folio will arrive at the City Library in October.

Book of the Week – Dancing with Amelia

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DANCING WITH AMELIA
Charles Hobson (1943-)
San Francisco, CA: Pacific Editions, 2000
N7433.4 H62 D36 2000

Charles Hobson uses a variety of printmaking methods to construct images around historical and literary themes. The book is his primary format. Mixed media drawings scanned and printed as IRIS prints. Pages die cut by Todd Die, Oakland, California into an airplane shape based on the design of the twin-engine Lockheed Electra Amelia Earhart flew on her last flight. Accordion style binding with laser cut 8-ply illustrated cover. Edition of thirty-eight copies. University of Utah copy is no. 24, signed.

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Works by Black Poets — Daily Utah Chronicle

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“I think seeing first editions especially, and seeing them in the way that they would have come out is really powerful because then you kind of get to experience it in the way similar to someone would during that time.” — Lyuba Basin, Curator, Rare Books

Marriott Library’s Special Collections Showcases Works by Black Poets

See these and other first editions by African American poets in the Rare Books collection:

PS866-W5-1773-frontis 2
Poems on Various Subjects Religious and Moral
Phillis Wheatley (1753-1784?)
London: Printed for A. Bell…& sold by Mssrs. Cox & Berry, Boston, 1773
First edition
PS866 W5 1773

PS591-N4-C37-1927-cover
PS591-N4-C37-1927-pg182-183
Caroling Dusk: An Anthology of Verse by Negro Poets
Countee Cullen (1903-1946), editor
New York: Harper & Brothers, 1927
First edition
PS591 N4 C37 1927

PQ7389-G84-W4-1934-cover
PQ7389-G84-W4-1934-abuelo
West Indies, ltd.: poemas
Nicolás Guillén (1902-1989)
La Habana: Imp.Ucar, Garcia y cia., 1934
First edition
PQ7389 G84 W4 1934

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On the Pulse of Morning
Maya Angelou (1928-2014)
New York: Random House, 1993
First edition
PS3551 N464 O53 1993

PS3563-O8749-F58-2002-titlePS3563-O8749-F58-2002-everemembering
Five Poems
Toni Morrison (b. 1931)
Las Vegas: Rainmaker Editions, 2002
PS3563 O8749 F58 2002

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A donation helps lift the fog — Thank you, Dr. Rubin!

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Title Spread

“When the mind has been made up to encounter disasters and reverses, and has fixed a point as the zero of its scale, however for the time it may be depressed by doubts and difficulties, it will mount up again with the first gleam of hope for the future; but, in this instance, there was no expedient by which we could overcome the obstacles before us: every resource was exhausted, and it was vain to expect that any efforts, however strenuous, could avail against the close-wedged ice, and the constant fogs which enveloped every thing in impenetrable obscurity.”

Narrative of the Arctic Land Expedition…
George Back (1796-1878)
London: A. Spottiswoode for John Murray, 1836
First edition, octavo

In 1833, George Back set out to find John Ross, who had departed in the summer of 1829 on an expedition to find the Northwest Passage. Ross had not been heard from since. Back, a lieutenant in the Royal Navy, had sailed to the Arctic under John Franklin in 1819-22 and again in 1824-26. Back volunteered to lead his own expedition to find Ross.

While the Back expedition was en route, the Ross expedition arrived home in 1834. Back continued his expedition, traveling overland through central Canada from Montreal to Fort Resolution on the Great Slave Lake. The group of five, including an American Indian guide named Maufelly, used canoes to explore the Great Fish River, seeking and finding its source.

Back mapped the Arctic coast westwards, as they portaged around lakes, negotiated rapids, and made their way through dense forests. Upon his return, Back was awarded the gold medal of the Royal Geographical Society. The Great Fish River was renamed the Back River in his honor. In all, the expedition traveled nearly 7,500 miles, eventually making its way to the Arctic Coast before returning home to England.

Back documented his observations on geology, plant and animal life, the weather, (noting the aurora borealis in an appendix to this publication), and indigenous peoples; and added his own illustrations. In the year of its publication, Back traveled to the Arctic again. While Back was accused by some of being an ineffective leader, his writing was clear, detailed, even lyrical. His story is considered one of the finest travel narratives of the nineteenth century.

University of Utah copy gift of Dr. Ronald Rubin.

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Falls
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Book of the Week — Vo Slavu Styia…

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“Wisdom! Let us attend!”

VO SLAVU STYIA…
Orthodox Eastern Church
Kiev: v Kievopecherskoi lavre, 170?
BX350 C45 O77 1700z

The Monastery of the Caves was founded in 1015 just outside of Kiev. In 1615, as part of a prestige-building effort, the Abbot raised money to buy a printing press. The oldest known work from the press is dated 1616. Along with mostly liturgical works, the monastic press supplied books for local schools. The monastery built a paper mill and other facilities to produce printed materials.

The editions out of Kiev were models of scholarship and attractive appearance. Orthodox Kiev considered itself the center for Slavic peoples that shared the faith. The press expressed this belief in an introduction in one of its books, saying that the book was intended not only for all of Little and Great Russia, but also for the southern Slavs – Serbs, Bulgarians, the Adriatic Slavs, Moldavia, Wallachia and Semigradia.

While the liturgical works from the Kiev press were reproduced according to Greek printed editions, variations began to develop. Added to the books were new dimensions that reflected the local population. These variants to the traditional Orthodox liturgical output gave the Kiev editions a character all their own.

In Moscow, the Kievan editions came to be regarded with suspicion. Even so, Moscow printers chose Kievans as correctors and advisors for their publications. Kievans knew the Greek language much better than Muscovites. In the end, most Moscow editions were simply transcriptions of the Kievan translations.

This book is a liturgical work in Church Slavic, the language of the Orthodox Church in Russia and the literary language in various parts of the East and West Slavic speaking areas. Saint Cyril and Saint Methodius created the Glagolitic Cyrillic alphabet in the mid-ninth century. Soon after, in the mid-9th century, they began translating the Gospels, probably from a Greek lectionary, into Old Bulgarian, now commonly called Old Church Slavonic.

This copy was printed in red and black and bound in wood and leather – an excellent, albeit worn, example of bookbinding in eighteenth-century Russia. Gift from Deseret Industries.

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Book of the Week — Godescalc Evangelistary

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“Golden words are painted [here] on purple pages,
The Thunderer’s shining kingdoms of the starry heavens,
Revealed in rose-red blood, disclose the joys of heaven,
And the eloquence of God glittering with fitting brilliance
Promises the splendid rewards of martyrdom to be gained.”

GODESCALC EVANGELISTARY
Darmstadt: Primus, 2011

Facsimile. The Godescalc Evangelistary was commissioned by Charlemagne and his wife Hildegard. Written by the scribe Godescalc, it was produced in the court scriptorium at Aachen between 781 and 783. The lectionary was made to commemorate Charlemagne’s march to Italy, his meeting with Pope Adrian, and the baptism of his son Pepin. The dedication poem includes details of Charlemagne’s march and is signed by the scribe. Charlemagne and Hildegard are both mentioned at the end of the manuscript as its patrons.

The Godescalc Evangelistary is the earliest known example of Carolingian illumination, a fusion of Insular, early Christian, and Byzantine styles. The artist used elaborate shadings in light and dark to give the figures depth. The codex is decorated with four full-page miniatures of the Evangelists, all placed at the opening of the book. Two additional full-page miniatures depict Christ in Majesty and the Fountain of Life. The Gospel readings are written in gold and silver ink.

The poem compare’s the book’s gold and silver with the stars, indicating the early medieval belief that the written words directly reflect Christ’s divine nature – the word made flesh.

This was the earliest style to use miniscule script as a regular element of the script. The script is on a purple background within framed embellishments.

The Godescalc Evangelistary is now preserved in the Bibliotheque Nationale de France. Facsimile binding with debossed Charlemagne monogram. Binding is hand-sewn according to the original foliation of the manuscript and attached to the book block through a traditional bookbinding process. Facsimile edition of 98 copies in Arabic numbers and XX copies in roman numbers.