We Recommend– Next: 12 Visual Art Fellows

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David

http://artistsofutah.org/15bytes/15jan/page1.html

See 18 collages by David Wolske:

“Next: 12 Visual Art Fellows”
Opening Reception, Friday, January 16, 6-9pm at the Rio Gallery, 300 S. Rio Grande St., SLC 84101

http://heritage.utah.gov/dha/dha-special/things-galleries-rio

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Book of the Week – New Voyages to North-America…

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New Voyages to North-America…
Louis Armand de Lom d’Arce (1666-1715)
London: Printed for H. Bonwicke, T. Goodwin, M. Wotton, B. Took; and S. Manship, 1703
First English edition

One hundred years before President Thomas Jefferson acquired the Louisiana Purchase, and seventy-three years before the United States came into existence, this was one of the most widely read travel narratives of early eighteenth-century America, detailing Indian life with maps and engraved plates. First published in French in the Netherlands, it was published in English in London the same year.

Baron Lahontan explored the Great Lakes and upper Mississippi Valley regions in the 1680’s. Lahonton’s narrative is significant for its imaginary trip west of the Mississippi River. To validate this claim, he drew a map on which he outlined the Rocky Mountains and a river that flowed indefinitely west. A century and a half later Capt. Howard Stansbury included this map as a facsimile in his 1852 report on the expedition to what is now Utah. European cartographers of the time copied from this work frequently, attempting to show, among other geographical features, “the big salty lake farther to the west.”

President Jefferson had a copy of this book in his personal library.

Book of the Week – New Borders: The working life of Elizabeth…

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New Borders. The working life of Elizabeth…
Pauline Paucker
Oldham, United Kingdom: Incline Press, 1998

Elizabeth Friedlander (1903-1985) produced calligraphy and decorative designs for books from the 1920s until her death. New Borders is based on her workbooks, which she kept throughout her life.

Born into an affluent family, Friedlander studied typography and calligraphy at the Berlin Academy. She worked for the German fashion magazine, “Die Dame,” designing headings and lay-outs, and attracting the attention of Georg Hartmann of the Bauer Type Foundry in Frankfurt. He invited her to design a typeface. This was to become their Elisabeth-Antiqua. It was originally meant to be named Friedlander-Antiqua. However, Adolf Hitler came to power just as the type was ready to be cast. Hartmann suggested that the name be changed from her Jewish surname to her first name.

The font was cut in 1939, after Friedlander left Germany. Under the Third Reich, Friedlander was forced to apply for official registration and was refused a work permit. She moved to Italy, where she was permitted to work so long as she did not become politically active. She learned Italian and worked with the publisher Mondadori, but in 1938, harsh Italian Race Laws threatened her employment. She moved to London, where she learned English and found a job as a domestic servant.

Francis Meynell found work for her as a designer. By 1942, she was in charge of design at Ellic Howe’s propaganda unit, where she produced forged Wehrmacht and Nazi rubber stamps while also working on freelance commissions.

Her most notable work included patterned papers for Curwen and Penguin Books, decorative borders for the Linotype Corporation, printer’s flowers for Monotype, and calligraphy for the Roll of Honour at Sandhurst.

Examples of her work tipped-in. Set in Bembo. Bound in half cream cloth over yellow and green-patterned paper, with a printed paper cover label. Edition of three hundred and twenty-five copies, signed by the author.

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Book of the Week – New World Saints: a Collection of Twenty-five…

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New World Saints: a collection of twenty-five…
Catherine Ferguson
Santa Fe, NM: Press of the Palace of the Governors, 1995
Z232.5 P7 F4 1995

Text by Spanish Colonial scholar Donna Piers. Pochoir by Palace Press staff. Text designed and printed letterpress by Pamela Smith. Illustrations from line engravings, hand-colored over a five year period. Twenty-six unbound die-cut sheets folded into triptychs set in Dante Monotype by Michael and Winifred Bixler, Skaneateles, New York. Triptychs are made of Somerset Cream paper. Prints are done on Domestic Etching papers. Hand-coloring with watercolors and pochoir process. Housed in an arched, tan cloth-covered box designed with double drop-spine covers to open like the doors of a church. Lined with Italian decorative print and gold papers. Boards held together with a metal closure on front. Box by Craig W. Jensen. Edition of one hundred and fifty copies, signed by the artist, author, and printer. University of Utah copy is no. 69.

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Book of the Week – Rudolph, the Red-Nosed Reindeer

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Rudolph, the Red-Nosed Reindeer
Robert Lewis May (1905-1976)
Chicago: Montgomery Ward, 1939
First edition

This favorite Christmas story was written exclusively for Montgomery Ward & Co., which was looking for a strategy to encourage youngsters to visit the department store. The store had been buying and giving away coloring books as a Christmas gimmick and decided to save money by creating something similar, in-house.

Robert May, a thirty-four year old copywriter on the advertising staff, wrote the booklet as a give-away for children during the Christmas shopping season. May was graduated from Dartmouth College in 1926 and joined Montgomery Ward in 1936. He was known to his colleagues for his unpublished children’s stories and limericks.

Rudolph was hugely popular (two and a half million copies were distributed in 1939 alone), and Montgomery Ward continued to publish it every Christmas until 1946, by which time six million copies had been given away. Because May had created the story as an employee of Montgomery Ward, he received no royalties. But in January 1947, May persuaded its corporate president to turn the copyright over to him. His financial future was assured.

May claimed that the success of Rudolph enabled him to put his six children through college. May quit his job in 1951 and spent many years managing his creation before returning to Montgomery Ward seven years later, where he worked until his retirement in 1971.

May sent a copy of Rudolph to his friend, songwriter Johnny Marks, who wrote the tune that made Gene Autry famous.

Forty-one color illustrations by Denver Gillen. This copy was given to Sue Epperson McCoy, five years old, in 1939, as a promotional from the Junction City, Kansas Montgomery Ward. She donated it to the J. Willard Marriott Library.

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Book of the Week – Mathematical Elements of Natural Philosophy…

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Mathematical Elements of Natural Philosophy…
Willem Jacob s’Gravesande (1688-1742)
London: Printed for J. Senex and W. Taylor, 1720
First English edition
QC19 G73 1720

Written in Latin by Willem Jacob s’Gravesande, Mathematical elements… was first published in Leiden in 1720. Illustrated with thirty-three folded engraved plates, this edition also contains a publisher’s catalog at the end.

Willem Jacob s’Gravesande was appointed Professor of Mathematics and Astronomy in Leiden in 1715. A friend of Isaac Newton, s’Gravesande gained fame by being the first to teach Newtonian philosophy. Mathematical elements… was dedicated to Newton.

In 1734, s’Gravesande was promoted to chair of Philosophy. The Reverend John Theophilus Desaguliers, a member of the Royal Society, a Copley medal winner, inventor and Freemason, translated s’Gravesande’s book into English the same year it was first published in Leiden, apparently at s’Gravesande’s request. As was the practice in the eighteenth century, s’Gravesande constantly corrected and added to his work, each edition being an amplification of the first. The work went through six editions. s’Gravesande, who relied heavily on Newton’s Principia and Opticks, used a philosophical and well-argued method of justifying scientific truths by self-evidence and experimental verification.

 

Books of the Week – Philip Zimmermann

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Shelter
Philip Zimmermann
Rhinebeck, NY: Spaceheater Editions, 2006
N7433.4 Z54 S54 2006

Colored illustrations on long continuous strip, viewed through a 13 x 9 cm. hole in cut in the center of each page of text. Printed by HP Indigo digital printing on Mohawk Superfine archival paper. Handbound. Edition of fifty copies. University of Utah copy is no. 21.

 

Sanctus Sonorensis
Philip Zimmermann
Tucson, AZ: Spaceheater Editions, c2006-2009
N7433.4 Z54 S36 2009

From the colophon: “The cover image is part of the Sonoran desert in Southern Arizona about 50 miles from Lukeville, and just a couple of miles from the Mexican border. It is one of the most heavily trafficked and dangerous entry points for illegal Mexican immigrants entering the United States, and many die there each year from exposure and lack of water. The skyscapes are [sic] all photographed in New Mexico and Arizona during 2003 and 2004.” Self-covering board book with rounded and gilded edges in four-color offset lithography.

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Book of the Week – Spiral Story: A Creation Myth

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SPIRAL STORY: A CREATION MYTH
Paula Jull
[United States]: P. Jull, 1996
N7433.4 J78 S65 1996

Printed on double leaves with mounted illustrations.

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A Donation Makes Poly Poly’s

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The Salt Lake City Public Library donated a sixteenth century book to the Rare Books Division, thanks to the well-trained eye of City Library staffer Barbara Chavira. Barbara worked part-time in the Rare Books Division for many years. Her passion for the art of books, in all forms and over the centuries, brought us this important and welcome addition to the rare book collections. Thank you, Barbara ! Thank you, City Library !

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POLYDORI VIRGILII VRBINATIS DE RERVM INVENTORIBVS…
Romae, apud haeredes antonij, Bladij, Impressores Camerales: Anno. M.D. LXXVI (1576)

Polydore Vergil (ca. 1470-1555), an Italian priest, spent much of his life in England. He is recognized for his history of England, a work that Shakespeare is known to have used as one of his sources. Vergil used critical analysis in his narration of historical events. His thesis that King Arthur was little more than fable, for instance, shocked contemporary readers.

It is his second published work, however, for which he was best known in his time. First printed in 1499, De rerum inventoribus (On Discovery), was a work unlike anything that had been published before. An inventory of historical “firsts,” it combined a wide array of subjects in an attempt to determine which individual or culture first invented things such as the alphabet, astronomy, magic, printing, libraries, hunting, festivals, writing, painting, weaponry and religion. Vergil culled much of his work from a wide range of ancient and contemporary writers. He focused on the genius of man in the origin or invention of all things – heretical thinking at the time.

In Book I he investigated the creation of the world, the origin of religion, the origin of the concepts of “god” and the word “God.” He suggested that much of Christianity had been adapted from Judaism or Roman paganism. Books II and III were studies of a wide-range of topics, mostly concerning the practical and mechanical arts including anatomy, astrology, law, medicine, commerce, mathematics, mineralogy, music, pharmacology, physics, trade, agriculture, architecture, sports, theater, navigation, and winemaking. The work was translated into French in 1521, German in 1537, English in 1546, and Spanish in 1551.

In 1521, more than two decades after he wrote the first three books, and at the dawn of Martin Luther’s protestant reformation, Vergil added five more books concentrating on Christianity. Vergil reworked his discussion of Christianity in deference to the Roman Catholic Church, which objected to Vergil’s reference to religion as a matter of scientific investigation. In spite of this concession, Vergil anticipated the scientific approach to religion that would become the norm a century later. The intended salve to the church failed when Vergil criticized monks, priestly celibacy, and indulgences. In 1564 the work was declared heretical and all editions were added to the Index of Forbidden Books. However, the work was so popular that two censored editions were printed after the ban.

This 1576 expurgated edition was sanctioned by Pope Gregory XIII in its front matter.

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It is significant that this edition was printed by the heirs of Antonio Blado’s shop.

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Blado worked in Rome from 1515 to 1567 as a printer in the service of the papacy. He was well-known for his scholarly works in Latin, Greek, and Hebrew; and a 1549 document in Ethiopic type for the Ethiopian Church. Blado is also known for his use of an early italic type created by Ludovico Arrighi. The Rare Books Division holds five books printed by Antonio Blado.

This 1576 edition of Vergil joins an edition from 1570 and another from 1671, already in the rare book collections.

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POLYDORI VERGILII VRBINATIS, DE RERUM INVENTORIBUS…
Polydore Vergil (1470? – 1555)
Basilea: 1570

Printer Thomas Guarin (1529-1592) was born in Tournai. He worked in Lyons as a bookseller, but by 1557 was in Basel, where he married Elizabeth Isengrin, the daughter of a printer. Guarin took over his father-in-law’s small press at Michael Isengrin’s death. Michael Isengrin had printed one of the many editions of De rerum inventoribus to be published in Vergil’s lifetime. Each of these editions contained significant variations. Isengrin printed Leonhart Fuchs’s sumptuous De Historia stirpivm. Along with the reprint of classical works, Guarin issued several editions of the Bible, published in both Latin and German, and one in Spanish. His printer’s device was a palm tree.

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POLYDORI VERGILII URBINATIS, DE INVENTORIBUS RERUM…
Polydore Vergil (1470?-1555)
Amstelodami: apud Danielem Elzebirius, 1671

Daniel Elzevir came from a distinguished family of booksellers, bookbinders, printers and publishers. Louis Elzevir (1546-1617), a Protestant émigré, began the business in Antwerp in about 1565, after he left a job with Christopher Plantin’s print shop. The Elzevir enterprise became one of Europe’s largest printing houses. Louis’s sons expanded the business with branches in The Hague, Utrecht, and Amsterdam. The Amsterdam branch was established in 1638 by Louis III. His partner was Daniel Elzevir, son of Bonaventura Elzevir, son of Louis. Daniel continued the family reputation for fine typography and design work. This edition of De Rerum inventoribus also contains another of Vergil’s works, Prodigiis, written in 1526 but not printed until 1531. The engraved frontispiece for this edition includes the invention of printing as one of its main themes. Numerous carved initials and vignettes. Bound in contemporary vellum.

Shakespeare is coming! The First Folio will arrive at the City Library in October.

Book of the Week – To Thee I Lift Up My Eyes

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N7433.4-J664-T6-2002To Thee I Lift Up My Eyes
Paul Johnson
Cheadle Hulme, Cheshire, England: P. Johnson, 2002
N7443.4 J664 T58 2002

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