Tag Archives: David Wolske

We Recommend – Craig Dworkin, CHAP. XXIV

27 Tuesday Oct 2015

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Craig Dworkin Reads at King’s English: CHAP. XXIV
Thursday, October 29, 7:00pm to 9:00pm
King’s English Bookshop/1511 South 1500 East/Salt Lake City, UT
http://www.kingsenglish.com/event/craig-dworkin-alkali-and-chapter-xxiv

Chap_XXiv

Craig Dworkin reads from the Red Butte Press publication CHAP. XXIV, at the King’s English Bookshop. Copies of the book will be available for purchase and signing.

In 1761, Laurence Sterne published The Life and Opinions of Tristam Shandy. Chapter XXV of the fourth volume begins, “No doubt, Sir, – there is a whole chapter wanting here – and a chasm of ten pages made in the book by it.”

A jump in pagination confirms that Chapter XXIV is missing.

Coinciding with the 300th anniversary of Sterne’s birth, Craig Dworkin and the Red Butte Press provided the absent chapter – a single signature designed to fit neatly into the first edition. Dworkin’s interpolated text uses historic English words in which the letters “f” and “s” can be interchanged and remain legitimate. Each sentence is based on grammatical constructions found elsewhere in Sterne’s novel.

The type, ITC Founders Caslon, includes seven pre-existing ligatures and seven bespoke long-s ligatures created by the book designer, David Wolske. The book was letterpress printed from photopolymer plates on handmade paper with a Red Butte Press watermark. A typographically illustrated cover used the placement of each dash that appears in the text and externalizes the 18th century typesetters’ practice of using any available foundry dashes. The varying dash length and humorous interplay of the letters “f” and “s” call attention to potentialities of punctuation, spelling, and meaning.

CHAP. XXIV
Craig Dworkin
Salt Lake City, UT: Red Butte Press, 2013
N7433.4 D95 C43 2010z

Illustrations by David Wolske. Handmade papers by Robert Buchert, Tryst Press. Edition of three hundred and twenty-five numbered copies; twenty-six lettered copies hors de commerce; fourteen deluxe copies individually letterpress-printed with one of the ligatures that appear in the text, housed in custom enclosures.

Chap_XXIV

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We recommend – Book Arts Program workshop

05 Friday Jun 2015

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Lettering to Letterpress: From Screen to Printed Page
Spencer Charles and David Wolske
June 11–13
Thursday & Friday, 9:00-5:00; Saturday, 10:00–5:00
Book Arts Studio, Marriott Library, Level 4
$270

Take digital lettering to new depths during this three-day intensive with Spencer Charles, one of the rising stars of contemporary typographic design. Participants learn the tools and techniques to make a curvaceous catchword, magnificent monogram, pithy phrase, or dynamite drop cap. Output finished vector drawings to photopolymer plates and produce letterpress printed in limited editions. Printing experience is not necessary, but a working knowledge of Adobe Illustrator is strongly recommended.
– – –
Spencer Charles is a typographic designer and letterer residing in Brooklyn, New York. After graduating from the University of Utah, his interest in hand lettering developed as a chalkboard/signage artist for Whole Foods. In 2011, he moved to New York to work as Senior Designer at Louise Fili Ltd, a design studio specializing in logo, food package, and book design. He is currently working independently and is expanding into typeface design and illustration.
David Wolske is Assistant Librarian (Lecturer) and Creative Director for the Book Arts Program and Red Butte Press. He has taught design, typography, and letterpress printing at Indiana University, Herron School of Art & Design, the Center for Book & Paper Arts at Columbia College Chicago, The Hamilton Wood Type & Printing Museum, and The University of Utah. David’s letterpress work is featured in multiple design and letterpress publications. He holds awards from the American Institute of Graphic Arts, Type Director’s Club, and the Society of Typographic Arts.

PS3553-O47455-M53-2009

The Malby globes
Katharine Coles
Salt Lake City: University of Utah, J. Willard Marriott Library, Book Arts Program, Red Butte Press, 2009
PS3553 O47455 M53 2009

From the colophon: “To commemorate the rededication of the J. Willard Marriott Library on October 26, 2009, the Book Arts Program and Red Butte Press produced this keepsake. Utah Poet Laureate Katharine Coles and artist Mary Toscano responded to the newly refurbished Malby Globes housed in the library. Designer David Wolske brought the elements together, and Program staff printed the broadside in the Book Arts Studio.” Edition of three hundred and seventy-five copies. University of Utah copy is no. 264, signed by the poet and artist.

Z256-F74-2011

Free Amos Kennedy
Salt Lake City, UT: Book Arts Studio, 2011
Z256 F74 2011

Broadside advertising the closing reception of the AIGA exhibition, “50 Books/50 Covers,” with a screening of the film, “Proceed and Be Bold.” From the colophon: “Design and letterpress printing by Spencer Charles and David Wolske…”

Rare Books is pleased to support the Book Arts Program with its historical, fine press, and artists’ books collections.

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We Recommend– Next: 12 Visual Art Fellows

16 Friday Jan 2015

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David

http://artistsofutah.org/15bytes/15jan/page1.html

See 18 collages by David Wolske:

“Next: 12 Visual Art Fellows”
Opening Reception, Friday, January 16, 6-9pm at the Rio Gallery, 300 S. Rio Grande St., SLC 84101

http://heritage.utah.gov/dha/dha-special/things-galleries-rio

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Mimeo Mimeo 8: Curator’s Choice

07 Friday Jun 2013

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Rare Books worked with the Book Arts Program to contribute to Mimeo Mimeo 8: Curator’s Choice. Mimeo Mimeo editors asked “librarians, publishers, poets, printers, book dealers, book collectors, and others bibliographically inclined” from around the country “to curate six pages of Mimeo Mimeo with six items from their personal or institutional collections.” Rare Books Managing Curator Luise Poulton joined Marnie Powers-Torrey, David Wolske, Emily Tipps (Book Arts Program faculty);  Prof. Craig Dworkin (Dept. of English, University of Utah); and Becky Thomas (graduate student, Dept. of English, University of Utah) as part of the “Utah posse” of contributors. Each chose one book from the rare book collections.

Luise wrote about Kenneth Patchen’s An Astonished Eye Looks Out of the Air, Waldport, OR: Untide Press, 1945 PS3531 A764 A77 1944

Marnie Powers-Torrey wrote about Bridget Elmer’s Fibre Libre, Tuscaloosa, AL: Flatbed Splendor, 2010 N7433.4 E545 F5 2010

David Wolske wrote about Rebecca Brown’s Excerpts from a Family Medical Dictionary, Sedro-Wooley, WA: Grey Spider Press, 2001 RC265.6 B76 B76 2001

Emily Tipps wrote about Ruth Laxson’s A Hundred Years of: LEX FLEX, Atlanta, GA: Nexus Press, 2003 N7433.4 L39 H8 2003

Craig Dworkin wrote about Robert Grenier’s Sentences, Cambridge, MA: Whale Cloth Press, 1978 N7433.4 G797 S4 1978

Becky Thomas wrote about Jen Bervin’s The Desert, New York City: Granary Books, 2008 N7433.4 B47 D47 2008

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Book of the Week – Wo/Men at Work

03 Monday Jun 2013

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Wo/Men at Work
Salt Lake City: Red Butte Press, 2012
N7433.4 W65 2012

Three texts (“Consuming labor: a preface to Wo/Men at Work” by Matt Basso and Andrew Farnsworth, “Cooking from Scratch” by Judy Blunt, and “Everything’s dangerous: an essay from the 1941 collection Men at Work” by Ralph Powell) printed in a W-fold pamphlet. Titles printed on opposite covers. From the colophon: “…Book Arts Program staff contributors are Managing Director Marnie Powers-Torrey, Creative Director David Wolske, Laura Decker, Claire Taylor, Becky Thomas and Emily Tipps. David designed and typeset the text. The typefaces, evocative of the 1930s and ‘40s printshop vernacular, are as follows: bold titling is Hamilton, a revival of a popular 19th century wood type; bylines and colophon are Franklin Gothic, a workhorse sans serif found in printshops across America; italic subheadings are Cheltenham Italic, a ubiquitous early 20th century serif design; and the main body typeface is a version of Fairfield, released in 1939 and designed for the Linotype machine. Claire and Laura produced the saddle and pressure cooker drawings, respectively, in dialogue with the essays and one another…Andrew [Farnsworth], Dayna Kerns, and Chris Dunsmore, under the direction of Book Arts staff, letterpress-printed the imagery and text from photopolymer plates on Rives Heavyweight and BFK papers. Emily oversaw binding design and production of the W-fold pamphlet…Associate Director for Special Collection Greg Thompson provided the committed support that helped make this endeavor a reality.” Edition of twenty-six copies. University of Utah copies are letters ‘U’ and ‘V.’

Congratulations to the Book Arts Program and Red Butte Press staff for receiving one of 7 AIGA 100 Show Professional Copper Ingot awards for Wo/men at Work. The AIGA 100 Show showcases the year’s best design, advertising, and digital media. Of those pieces, a select few are awarded the Copper Ingot, one of the most sought-after communication awards in the Intermountain West. Visit http/aigaslc100show.com for information, to view pictures from the awards ceremony, and download the 100 Show Book PDF.