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KUED’s VERVE features Rare Books in “Artists’ Books”

20 Friday Jul 2018

Posted by rarebooks in Video

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accordion, acrylic paint, Alicia Bailey, Alise Alousi, altered books, American Southwest, American West, Arches 90 lb., artists' books, Barry McCallion, Basingwerk, BFK, binding, birch, blankets, bookseller, Bradypress, bullet, Canson, Carolyn Hull, Carrier Pigeon, chapbook, Chinese, CMC, collage, collector, Connecticut, Daniel Kelm, deceit, desert, East Hampton, embossed paper, enamel, feathers, felt tip marker, Ferrum Wheel Press, galley proofs, gelatin, gesso, goatskin, gold tooling, Goudy, Goudy Bold, Granary Books, graph paper, Graphite, handmade paper, Harvard, hatchet, hoax, ink, inkjet, James Turrell, Japanese, Jen Bervin, Joelle Webber, John Van Dyke, KUED, l;oop, Lake City, laserfoil, laserprinted, leather, leporello, letterpress, maps, metal, Middletown, mixed media, Mohawk Via, Nebraska, New York, New York City, Omaha, Owen Wister, paper-mache, pens, photograph, pigment, pistol, poem, Portland, rare books, Ravenpress, Richard de Bas, Rick Moody, rifle, Robin Price, Roden Crater, Rutgers University, Saint Armand, Santa Monica, shovel, silk, stones, suede, sumi, Thomas Ingmire, Timothy C. Ely, trains, VERVE, voyeurism, Walt Whitman, watercolor, Wave Books Poetry Bus Tour, wax, white-out correction, Wide Awake Garage, wooden nickel

“Artists’ books are…a blown-up conference of multiple elements.”

KUED‘s online video series, VERVE, features artist’s books from the rare book collections in “Artists’ Books,” episode 5, season 6, “Its All About the Book.”

Here are some of the pieces chosen by the Rare Books staff for this episode:


ARKA
Timothy C. Ely
Portland, OR: T. Ely, 1995
N7433.4 E35 A7 1995

The book is drawn on BFK gray paper that was brush-sized with gelatin and CMC, then under painted with CMC and acrylic paint. Other materials include ink, Graphite, and watercolor. Each folio is sewn onto four raised cords that, on completion of the sewing, were laced into birch plywood boards. The end bands are silk worked over cores of leather. The spine of the book is goatskin. The board pastedowns are painted paper. The boards have a small amount of gold tooling suggestive of one part of the history and technology of the art of binding. Otherwise the cover boards are painted. The book is contained in a wooden box.



Hunting the Burn
Alicia Bailey
Lake City, CO: Ravenpress, 1998
N7433.4 B22 H86 1998

Two-sided leporello with self in-folded covers and removable spines. One side is Carolyn Hull’s poem “Hunting the Burn,” laserprinted on Basingwerk, overcoated with wax and pigment; the other side is a panoramic painting by Alicia Bailey, digitally reworked and printed with color inkjet on Arches 90 lb. cover and overcoated with wax. Four of the twelve panels have hand-cut rectangular openings with mixed media insertions. Covers are black Canson with hand applied enamel. Title piece is laserfoil on black paper. Spine pieces are black embossed paper laminated to black Canson. The box is paper-mache, gesso and pigmented wax. Box top has metal mesh and hemp-wrapped, wax-covered bullet attached. Inside box are stones and feathers. Edition of twenty copies, signed by Alicia Bailey and Carolyn Hull. Rare Books copy is no. 10.



Surplus Value Books: Catalog Number 13
Rick Moody
Santa Monica, CA: Danger! Books, 2002
N7433.4 M644 S6 2002

Deluxe edition presented as a collector’s box, containing two pens, one felt tip marker, one white-out correction pen, one pencil, one wooden nickel, one photograph with loop, seven photographs of “original artwork for placement only,” and other items. Text is composed in the form of galley proofs. Upon removing the galley holding the text, the reader is presented with a removable panel resembling a hospital release checklist. Holes cut into this panel reveal the objects contained below. The collectible objects in the box act as literal illustrations to the story. The narrator of the story is a bookseller, collector, mental patient. The story is told through the description of books for sale in the bookseller’s catalog. Values are assigned to each item in the catalog according to the bookseller’s inherent personal desire for each item. Themes of value, voyeurism, and deceit are presented as a pathology of collecting through the multiple layering of information and the revealing of objects of desire that are contained in the collector’s box. This work was first published in offset. Collector’s box constructed by Daniel Kelm at Wide Awake Garage. Rare Books copy is lettered “H.”



43, According to Robin Price with Annotated…
Robin Price
Middletown, CT: Robin Price, 2007
N7433.4 P753 A15 2007

From the colophon: “Paper maps from locations along the 43rd parallel are bound in an accordion that structurally supports the main text, which is printed on graph paper and also hinged together as an accordion (opening to 20 ft.)…The unusual double-layer accordion, housed in a printed cloth-covered clamshell box, is co-designed and co-produced by Daniel Kelm at Wide Awake Garage…” Edition of eighty-six plus twelve deluxe copies. Rare books copy is no. 23.



The Desert: Further Studies in Natural Appearances
Jen Bervin
New York City: Granary Books, 2008
N7433.4 B47 D47 2008

An altered book is a form of mixed media artwork that takes a book from its original form into a different form, altering its meaning. The artist may take an old or new book and cut, tear, glue, burn, fold, paint, add collage, create pop-ups, rubber-stamp, drill, bolt or be-ribbon the book to create a new work that is the expression of the artist. In this case, it is the text that is altered — by sewing over certain passages and leaving others exposed. The text from which Jen Bervin’s poem emerges is The Desert, written by John Van Dyke (1856-1932), a professor of Art History at Rutgers University. Van Dyke, the author of several books on art theory of the Art-For-Art’s-Sake school, claimed to have spent three years in the American Southwest desert with only his fox terrier for company and a pony for transportation. According to Van Dyke, he carried with him a rifle, a pistol, a hatchet, a shovel, blankets, tin pans and cups, dried food and a gallon of water. His romantic rhapsody of this trip, published in 1901, was a big hit, extremely influential and remains in print. In fact, Van Dyke saw most of the great desert over which he swooned looking out the windows of trains on his way from one first-class hotel to another. The Desert, version 1901, is the fact-faulted, fantastic hoax of a well-bred, well-educated Easterner, in much the same way that Harvard-educated New Englander Owen Wister’s novel The Virginian (1902) is a glorification of an American West culture that didn’t exist. Prose poem adaptation with overlay of zig zag stitches in pale blue thread. Composed and sewn at James Turrell’s Roden Crater on the Wave Books Poetry Bus Tour in October, 2006. Housed in a hinged archival case. Issued in a wrapper of white muslim cloth and white felt stitched together with blue thread.



Justice: What is Justice?
Thomas Ingmire
T. Ingmire, 2009
N7433.4 I48 J87 2008

Handmade paper mounted over board, Chinese Sumi ink, wide-edged pen (Automatic pen), Japanese brush.



Tangent
Alise Alousi
Omaha, NE: Bradypress, 2011
PS3551 L665 T36 2011



The Latest Things in Kites
Christopher Fritton
Ferrum Wheel Press, 2014
PS3606 R58 L37 2014

Artist’s statement: “A chapbook produced for Carrier Pigeon magazine as as tip-in, The Latest Things in Kites borrows language and its title from a chapter in the book, Fun for Boys. The chapbook is a single-sheet, four-page fold-over with rounded corners and a small embroidery thread tail. Handset in 14pt Goudy Bold and 10pt Goudy with antique copper cuts on Mohawk Via vellum. Hand letterpressed.” Edition of 1200 copies.



Whitman Crosshatch
Walt Whitman (1819-1892)
East Hampton, NY: 2015
PS3222 A7 2015

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A Lasting Gift — The Principles of Psychology

16 Friday Mar 2018

Posted by rarebooks in Donations

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Bertrand Russell, brain, emotion, George Santayana, Gertrude Stein, habit, Harvard, Henry Holt and Company, Henry James, history, John Dewey, literature, Ludwig Wittgenstein, Mark Twain, natural science, New York, philosophy, psychology, Ralph Waldo Emerson, rare books, Sigmund Freud, Theodore Roosevelt, W. E. B. Du Bois, William James


“The great use of life is to spend it for something that will outlast it.” — William James

The Principles of Psychology
William James (1842-1910)
New York: Henry Holt and Company, 1890
First edition, first state
BF121 J2 1890

Rare Books is pleased to announce the anonymous donation of this first edition of William James’ The Principles of Psychology, a work emphasizing his experimental method and treatment of psychology as a natural science. A landmark in the history of philosophy, The Principles of Psychology includes a survey of literature on the localized functions of the brain, an extensive analysis of the self, and theories of habit, emotion, and association, among other topics. The phrase “stream of consciousness” comes from his writings.

William James came from a large, wealthy New York family. He is the brother of novelist Henry James. His godfather was Ralph Waldo Emerson. While teaching at Harvard, his students included Theodore Roosevelt, George Santayana, and Gertrude Stein. His writings influenced W. E. B. Du Bois and Ludwig Wittgenstein. He associated with Bertrand Russell, John Dewey, Mark Twain, Sigmund Freud and many others. That’s a special bunch of people in the world of literature and scholarship.

We also have special friends, named and unnamed. Thank you!



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Banned! — Alice’s Adventures in Wonderland

29 Thursday Sep 2016

Posted by rarebooks in Alice, Donations

≈ 2 Comments

Tags

Alice, Alice Lidell, animals, banned, book collector, bookplates, California, cartoonist, Charles Dodgson, Cheshire Cat, children, China, Christmas, cloth bindings, Cyril Bathurst Judge, donation, fairy tales, fantasy, George MacDonald, gift, gilt, Governor, Harvard, Henry Kingsley, Huan Province, humans, John Tenniel, language, Lewis Carroll, London, Los Angeles, Macmillan, Michael R. Thompson Rare Books, Michael Sharpe, Michael Thompson, pictorial, Punch, story, United States, University of Utah

fish-frog mouse

“Animals should not use human language.”

Alice’s adventures in wonderland…
Lewis Carroll (1832-1898)
London: Macmillan and Co., 1866
First published edition

Charles Lutwidge Dodgson’s now-famous Alice’s Adventures in Wonderland was intended solely for Alice Liddell and her two sisters. Dodgson made the story up to entertain the bored children during a series of outings. Alice asked Dodgson to write the story down. Dodgson presented his manuscript to Alice as a Christmas gift in 1864. Friend and novelist Henry Kingsley saw the manuscript and encouraged Dodgson to publish the book. Dodgson consulted another friend, George MacDonald.

Macdonald, a popular writer of fairy tales and fantasy, read the story to his children, who thoroughly approved of it. Macdonald’s six-year-old son is said to have declared that he “wished there were 60,000 copies of it.”

Dodgson prepared the manuscript for publication, expanding the original 18,000 word story to 35,000 words and adding, among other characters and scenes, the Cheshire Cat and “A Mad-Tea Party.”

The first edition included forty-two illustrations by John Tenniel, a cartoonist for the magazine, Punch. The edition of 4,000 copies was released, under the pseudonym “Lewis Carroll,” in time for Christmas in December of 1865, carrying 1866 as the publication date. However, Tenniel and Dodgson disapproved of the quality of the printing. This first printed edition was removed from the market. A few of these printings made their way to the United States.

The book was reprinted and re-released in 1866. By 1884, 100,000 copies had been printed.

In 1931, the work was banned in China by the Governor of Huan Province on the grounds that “Animals should not use human language, and…it [is] disastrous to put animals and human beings on the same level.”

University of Utah copy is in original gilt pictorial cloth bindings. The inside front boards bear two bookplates, one of Harvard scholar Cyril Bathurst Judge (b. 1888), the other of book collector Michael Sharpe. Anonymous donation facilitated by Michael Thompson of Michael R. Thompson Rare Books, Los Angeles, California.

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Book of the week — The Poems of Shakespeare

19 Monday Sep 2016

Posted by rarebooks in Book of the Week

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Ann Simons, Ashlar Press, Bruce Rogers, Connecticut, Cromwell, Daniel Updike, decorative initials, Frank Altschul (1887-1981), George Lyman Kittredge, Harvard, Jean Hugo, John Macnamara, letterpress, Lucretia type, marbled boards, Margaret B. Evans, morocco, Overbrook Farm, Overbrook Press, poems, printing, Shakespeare, sonnet, Stamford, Thomas Maitland Cleland, Valenti Angelo

Titlepage

So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.
— William Shakespeare, Sonnet XVIII

The Poems of William Shakespeare
William Shakespeare (1564-1616)
Stamford, CT: Overbrook Press, 1939
PR2841 A2 K5 1939

Edited by George Lyman Kittredge, Gurney Professor of English Literature, Harvard University.

Overbrook Press was founded by investment banker, civic leader, and bibliophile Frank Altschul (1887-1981), who had pursued printing as a hobby since childhood. In 1934 he was approached by designer Margaret B. Evans, who had been working for Ashlar Press, which was closing. Altschul set up the Ashlar press in an abandoned outbuilding on his 450-acre estate, Overbrook Farms, in Stamford, Connecticut. He hired Evans as designer and compositor and John MacNamara as pressman. Overbrook Press printed an eclectic mix of books, pamphlets, broadsides and ephemera, emphasizing technical expertise and craftsmanship. The press engaged contemporary book designers and artists such as Daniel Updike, Jean Hugo, Bruce Rogers, Ann Simons, Valenti Angelo, and Thomas Maitland Cleland. Overbrook Press closed in 1969.

The Poems of Shakespeare is one of its most ambitious projects. It’s decorative initials were designed by Bruce Rogers. Text handset and letterpress printed in red and black with Lucretia type on handmade Cromwell grey paper. The press offered copies for sale, but most of them were given as gifts by Alschul. Copies for sale to the public were bound in three quarter morocco and slipcased, but more than a third of the edition was never bound, presumably to accommodate individual binding tastes.

University of Utah copy is bound in quarter brown morocco over marbled boards with gilt-lettered spine, issued uncut, in publisher’s slipcase. Edition of one hundred and fifty copies.

Sonnets-spread

Shakespeare is coming! The First Folio arrives at the City Library in October.

 

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Looking Forward to Book Arts Program Workshop, “Up-cycled Stories: Books as Process”

20 Friday May 2016

Posted by rarebooks in Recommended Workshop

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Arches Text Wove, artists' books, Big Caslon, binding, blind-embossed, Book Arts Program, Book Arts Studio, bookmaking, books, Boston College, Bugra, Center for Book Arts, collage, College Book Arts Association, color, Emily Tipps, English, Granary Books, handmade, Harvard, High5 Press, ink, J. Willard Marriott Library, Julianna Christie, letterpress, literature, Marnie Powers-Torrey, New York City, photograpy, photopolymer plates, pochoir, Red Butte Press, Salt Lake City, shape, Stonehenge, storytelling, text, texture, University of Alabama, University of Colorado, University of Utah, Utah, Vandercook SP-15, Wellesley College, Wesleyan University

Rare Books is proud to support the Book Arts Program with its collections. For more information about the Book Arts Program and future workshops, visit their website or like them on Facebook.

Up-cycled Stories: Books as Process
Julianna Christie, Marnie Powers-Torrey & Emily Tipps

May 28 
Saturday, 10:00–6:00
Book Arts Studio, J. Willard Marriott Library, Level 4
Free spots are limited; please apply here. The application deadline is April 14.
Additional spots: $110, register here.
Registration is closed!

Bring a personally challenging story to retell in a new light or a daily routine to reconsider and reframe. With a focus on finding joy and beauty in the everyday, participants stamp out insecurities, recontextualize shortcomings, and re-imagine the self in book form. In this workshop, employ ink, brushes, stamps, mark-making tools, text, and re-collected common objects to produce process pages. Through a reimagining of the past, reinvent present perspective with an open heart, mind, and eyes toward gratitude and compassion. Instructors demonstrate a binding to be completed post-workshop from produced sheets. Come with a willingness to play with color, shape, narrative, and texture.
– – – – –

Julianna Christie graduated from Wellesley College and holds a BA in English Literature and Studio Art, with an emphasis in bookmaking. Upon graduating, she worked at the Center for Book Arts and Granary Books in New York City. She has been making books for over 20 years, with books held in Special Collections libraries at Wellesley College and Harvard. She incorporates collage, photography, sewing and love into her books. Julianna is also a life coach, specializing in personal growth and transformation. In her coaching, she invites clients to explore the art of storytelling, using words and imagery to examine and ultimately re-conceive a happy life.

Marnie Powers-Torrey holds an MFA in photography from the University of Utah and a BA in English and Philosophy from Boston College’s Honors Program. She is the Managing Director of the Book Arts Program and Red Butte Press, an Associate Librarian (Lecturer), and academic advisor for minor and certificate students in Book Arts. Marnie teaches letterpress printing, artists’ books, and other courses for the Book Arts Program and elsewhere. She is master printer for the Red Butte Press, harnessing the mighty printing power of a full staff of excellent printers. A founding member of the College Book Arts Association, she served as Awards Chair for three years and currently serves on the board of directors. Her work is exhibited and held in collections nationally.

N7433.4-P69-E8-2000-Front
N7433.4-P69-E8-2000-back

Evidence
Marnie Powers-Torrey
Salt Lake City, UT: M. Powers-Torrey, 2000
N7433.4 P69 E8 2000

Edition of ten copies. University of Utah copy is no. 4, signed by the author.

Emily Tipps is the Binding Instructor, Program Manager, and an Assistant Librarian (Lecturer) at the Book Arts Program at the University of Utah, as well as the proprietor of High5 Press, which publishes innovative writing in the form of handmade artists’ books. She holds a BA in English from Wesleyan University, an MA in Creative Writing from the University of Colorado, and an MFA in Book Arts from the University of Alabama. Emily’s work is exhibited and held in collections nationally.

N7433.4-T574-O73-2007-spread
N7433.4-T574-O73-2007-spread2

Orders
Emily Tipps
Tuscaloosa, AL: High5 Press, 2007
N7433.4 T574 O73 2007

Letterpress printed from photopolymer plates on a Vandercook SP-15. Paper is Arches Text Wove and Stonehenge. Text type is Big Caslon. Pochoir illustrations. Endsheets are gray Bugra paper. Handsewn binding in black Stone Henge paper covers. Front cover blind-embossed. Edition of sixty copies. University of Utah copy is no. 42.

alluNeedSingleLine

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