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Tag Archives: Virgin

Medieval Latin Hymn Fragment, Part B: “Let us praise the glorious man…”

29 Tuesday Jan 2019

Posted by rarebooks in Uncategorized

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Tags

antiphon, captive, chant, charity, cradle, Elizabeth Peterson, Feast of the Blessed Peter of Siena, heaven, hymn, James T Svendsen, Latin, Magnificat, matins, medieval, parchment, Peter, poor, poverty, Proper of Saints, Redeemer, sword, tears, The University of Utah, Utah Museum of Fine Arts, Vespers, Virgin


Laudemus
virum gloiosu(m)
et parentem nostrum
ardentissimam eius
charitatem imitar-ri

Let us praise the
glorious man
and our parent/founder; let us try
to imitate his most ardent
charity,


conemus qui exaudi-
vit paupieres vinctos
in mendicitate et fe-
rro. Salvavit eos
de manu odientium et

who heard the
poor bound
in poverty and by the sword;
he saved them
from the hand of those hating them and…


redemit eos de mani-
bus inimicorum. Te(m)p(ore) Pashali
Cant(icum) Mag(nificat) Alleluia
Ad Matutinim invitat(io)

he redeemed them from the hands of their enemies.
Song “Magnificat” Alleluia
Invitation/Summons to Matins


Redem-
ptore(m) dominum
Venite adore-
mus. Ps. Venit(e) Hy(mnu)s
Voce concordi so-boles

Come, let us adore
the Lord Redeemer.
Psalm. Come…Hymn
With harmonious heart


(so)boles beati gloriam
patris resonare perge. I-
pse quas laudes ca-
nimus benigno corde
sequatur quem deo
pronum gregis

proceed that your offspring may
resound the glory of the blessed father.
Let he himself continue
the praises that we sing
with a benign heart whom
offering the first of the flock to God


offerente(me) vota capti-
vi lacrymis fluente(me). Vir-
go dignatur recreare
moestu(m)
ore sereno. Indicat c(a)e-
lo cui lapsa virgo Re(m)
sibi grat(m) fore filioque
virginis matris sacer

offering vows for the captive,
flowing with tears for the captive.
The virgin deigns
to revive the sad
with a serene face. The virgin,
fallen from heaven, indicates
that the affair would be pleasing to her
and to the Son of the virgin mother let
the sacred


ordo si quis nomine
surgat. Impiger
paret Domi-
n(a)e mone(n)ti
Se suam quarti sobole(m)-
que voti, charitas nu(m)qua(m)
pio q(uo) tepescat nexibus urget.
Gloria patri genit(ae)-
que proli rite dicamus

order arise in her name. Let the diligent
get ready for the Lord advising him
and his offspring of the fourth vow;
devoted charity by which he becomes
warm with love never presses connection.
May we say rightly glory
to the Father and to the Begotten Son


parile(m)que sumat Spi-
rit(us) sanct(us) d(us) unus om-
ni dign*us) honore. Ame(n)
In primo Nocturno Antiph(on
Dum iaceret
Petrus in cunis in

and may the Holy Spirit take equal glory.
one god, worthy of every honor. Amen.
Antiphon sung at the First Nocturn.
While Peter was lying in the cradle.

~Transcription and translation by James T. Svendsen, associate professor emeritus, World Languages and Cultures, The University of Utah

MS chant frag. 5 — Parchment leaves from the Proper of Saints, Feast of the Blessed Peter of Siena (16 March), Vespers/Matins.

~Description by Elizabeth Peterson, associate professor, Dept. of Art & Art History, The University of Utah, from Paging Through Medieval Lives, a catalog for an exhibition held November 2, 1997 through January 4, 1998 at the Utah Museum of Fine Arts.

 

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We Recommend — The Theophilus Legend in Medieval Text & Image

21 Wednesday Jun 2017

Posted by rarebooks in Recommended Reading

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Tags

Abraham, angels, apostate, Associate Professor, Cambridge, Christ, Comparative Literature, Countess of Winchester, D. S. Brewer, Danish, David, demons, Department of World Languages and Culture, Devil, Earl Ferrers of Derby, embossed leather, European, facsimiles, Faustian, France, French, Gothic, illuminations, Ingeborg Psalter, Jerry Root, Jesse, Lady Eleanor de Quincy, Lambeth Apokalypse, Latin, London, manuscript illuminations, medieval, medieval manuscripts, miniatures, Moses, Muller & Schindler, New Testament, Old Testament, ornamental initials, painting, psalms, Rare Books Department, saint, salvation, St. John, Stuttgart, The University of Utah, Theophilus, Theophilus legend, Virgin, Virgin Mary, William III

Theophilus-Legend
“The legend’s popularity is a tribute to its ability to make the plight of individual salvation tangible and visible at a time when that salvation must seem highly uncertain.” — from the Introduction

The Theophilus Legend in Medieval Text & Image
Jerry Root
Cambridge: D. S. Brewer, 2017
PN687 Ts R66 2017

From the publisher’s website: “The legend of Theophilus stages an iconic medieval story, its widespread popularity attesting to its grip on the imagination. A pious clerk refuses a promotion, is demoted, becomes furious and makes a contract with the Devil. Later repentant, he seeks out a church and a statue of the Virgin; she appears to him, and he is transformed from apostate to saint. It is illustrated in a variety of media: texts, stained glass, sculpture, and manuscript illuminations.
Through a wide range of manuscript illuminations and a selection of French texts, the book explores visual and textual representations of the legend, setting it in its social, cultural and material contexts, and showing how it explores medieval anxieties concerning salvation and identity. The author argues that the legend is a sustained meditation on the power of images, its popularity corresponding with the rise of their role in portraying medieval identity and salvation, and in acting as portals between the limits of the material and the possibilities of the spiritual world.”

Jerry Root is Associate Professor of French and Comparative Literature in the Department of World Languages and Culture at The University of Utah.

The Rare Books Department has facsimiles of two of the medieval manuscripts Prof. Root worked with for his book.

PSAUTIER D’INGEBURGE DE DANEMARK (INGEBORG PSALTER)
Graz: Akademische Druck- u. Verlagsanstalt, 1985
ND3357 I5 D4 1985

Facsimile. Produced around 1195 in northeastern France, the Ingeborg Psalter is written in Latin with two flyleafs of inscriptions in French. The illuminations in this work represent a turning point in the history of European painting, when artists left behind abstract and highly stylized forms in favor of a more naturalistic representation of the world. The three-dimensional qualities of the figures, their proportions, and their expressive movements stand out as essential innovative elements in the emerging Gothic style of the early 1200’s. The manuscript is named after its first owner, Ingeborg, a Danish princess and spouse of King Philip II of France, who was expelled by her husband for unknown reasons shortly after their wedding. The beginnings of the psalms are rubricated with ornamental initials. Some of the psalms are illuminated with ornate figural initials depicting scenes from the life of David. A large number of elaborate miniatures of a decisively new style and design greatly influenced the art of illumination in the Gothic period. The illuminations depict episodes from the lives of Abraham and Moses, followed by the root of Jesse marking the transition between the Old and New Testaments. Further illuminations are based on themes taken from the life of Christ. Finally, scenes from the legend of Theophilus are depicted. In this popular medieval epic, the sinner Theophilus devotes himself to the Devil and is saved by the Virgin Mary, thus introducing the Faustian motif for the very first time. Bound in embossed leather. Edition of five hundred copies. University of Utah copy is no. 396.

ND3357-J5-D4-1985-pg36spread
Homage to the Devil, Prayer to the Vigin, Retrieval and Return of Contract

DIE LAMBETH APOKALYPSE
Stuttgart: Muller & Schindler, 1990
BS2822.5 L35 M67 1990

Facsimile. This manuscript was likely commissioned by Lady Eleanor de Quincy, Countess of Winchester (ca. 1230-74), daughter of William III, Earl Ferrers of Derby (1200-1254). It was produced circa 1252-67, probably in London. Eleanor is depicted in one of the illuminations that serve as a visual appendix to the book. St. John’s revelatory vision of the end of the world was a popular subject for medieval illustration, given the emotionally powerful images of clashing armies of angels and demons and terrestrial and celestial upheaval evoked by the text. Seventy-eight miniatures include the Dragon being cast into Hell (Rev. 20:9-10) and Christ sitting in Final Judgment (Rev. 20:11-15). The text, in Jerome’s Latin Vulgate, includes extracts from an eleventh century theological commentary on the Book of Revelations. Illuminated Apocalypses were fashionable in England when this manuscript was produced. The commentary was added to ensure that the reader was correctly guided through an understanding of the biblical symbolism. Illuminations helped with this guidance, but they also served as a statement on the owner’s social position. The more lavish the production, the more prominent the owner, or, at least, the more wealthy. The book was intended to educate, but also to entertain.

BS2822.5-L35-M67-1990-pg46recto
Theophilus goes to the Jewish intermediary: pays homage to the Devil

BS2822.5-L35-M67-1990-pg47spread(curves)
Virgin takes back contract, hellmouth; Return of contract

BS2822.5-L35-M67-1990-pg46Verso
Prayer to the Virgin; Virgin consults Christ

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Exhibition — “Tunnel Vision”

01 Friday Apr 2016

Posted by rarebooks in Physical Exhibitions

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Tags

accordion fold, Allison Milham, altar, bands, Berkeley, Book Arts Program, Book Arts Studio, California, City Center of San Francisco, cut-out, desert, envelope, fan-folds, Flying Fish Press, Gloria Morales, J. Willard Marriott Library, Julie Chen, Kathy Walkup, land art, Lois Morrison, Luise Poulton, Maryline Poole Adams, Mexican, miniature book, movable books, Nancy Holt, oil-cloth, paper hinges, peephole, photograph, Poole Press, pop-up, rare book collections, Rare Books Department, San Francisco, Scott Beadles, Sun Tunnels, The University of Utah, tunnel book, Utah, Utah Museum of Fine Arts, Virgin, workshop

 

TUNNELVISION_slide

Tunnel Vision: A Selection of Tunnel, Pop-up and Movable Books from the Rare Books Department

Tunnel Vision features a selection of pieces from the rare book collections produced using various paper manipulations to create the illusion of depth — framing and narrowing the viewers’ perspective. This exhibition is the result of a collaboration between the Book Arts Program, the Utah Museum of Fine Arts, and the Rare Books Department. It coincides with two events (see below) inspired by Nancy Holt’s famous land art piece, Sun Tunnels, located in Utah’s west desert.

March 23 through June 3, 2016
Level 1, J. Willard Marriott Library
The University of Utah
Co-curated by Luise Poulton and Allison Milham

DSCF8939
A Maze in Mystery: An Amazing Peep-Show
Maryline Poole Adams
Berkeley, CA: Poole Press, 1992
N7433.4 A23 M29 1992

Boards connected by fan-folds; views are through a door in the first board. Edition of one hundred copies. University of Utah copy is no. 22.

DSCF8923
The Gadarene Swine: Luke 8:26-33 & Later
Lois Morrison
Berkeley, CA: Flying Fish Press
N7433.4 M66 G3 1993

DSCF8931DSCF8932
Jardin de Guadalupe
Lois Morrison
San Francisco, CA: L. Morrison, 1994
N7433.4 M66 J37 1994

Paper cut-out see-through scene with accordion fold hinges on both sides and photograph of altar with Virgin at back. In oil-cloth envelope, fastened with ties. Edition of twenty-five copies. University of Utah copy is no. 19.

DSCF8947
Life Time
Julie Chen
Berkeley, CA: Flying Fish Press, 1996
N7433.4 C44 L54 1996

Miniature book enclosed in a decorated sea green paper box with a hinged window lid. Text printed on a series of eight concentric discs attached by paper hinges in an accordion-fold format designed to be read through a center hole when the construction is fully extended. Edition of one hundred copies, numbered and signed by the author. University of Utah copy is no. 15.]

DSCF8941
Ya Viene la Banda
Gloria Morales
San Francisco, CA: City College of San Francisco, 1998
N7433.4 M648 H47 1998

Tunnel book inspired by popular Mexican bands. Printed and bound by the author. Produced in Kathy Walkup’s Book Arts class at CCSF. Six leaves of color illustrations mounted with accordion-folded paper between boards, to be viewed through a peephole in the cover. One leaf of text laid-in. Edition of seven copies, numbered. University of Utah copy is no. 4.

Exhibition photographs by Scott Beadles

Sun Tunnels Educators’ Workshop and Family Day
April 23, 2016, 10am — 12pm
Free for teachers and their families (kids ages 5 and up)
The Book Arts Studio, J. Willard Marriott Library, Level 4

One of the most famous land art works in the world is right in our backyard! Nancy Holt’s iconic Sun Tunnels explores themes of light, perspective, time, space, geography, and more — perfect topics for interdisciplinary teaching. Bring your family and join the Utah Museum of Fine Arts for this hands-on workshop. Start the day together experiencing nature, then explore teaching through tunnel books while the family makes their own Sun Tunnels inspired art.

To register for this workshop contact: Allison Milham (Allison Milham @utah.edu) or schoolprogram@umfa.utah.edu

For more information visit umfa.utah.edu/teacherworkshops

ARTLandish: Sun Tunnels Community Meet-up
April 30, 2016, 1pm 00 4pm
Free and open to the public

Join the UMFA for a day of art and science at Sun Tunnels, the iconic land art by Nancy Holt in Utah’s west desert. UFMA members, families, teachers, and students of all ages are invited to explore the landscape, create art, and learn about the environment of the desert. Meet at site.

For driving directions visit: umfa.utah.edu/suntunnels_selfguide
For more information contact: virginia catherall@umfa.utah.edu

alluNeedSingleLine

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