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Monthly Archives: April 2015

Forty Years, in memoriam

30 Thursday Apr 2015

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American, aquatint, Boulder, British, Buddha, C. David Thomas, China, Cochin China, collage, Colorado, communists, Cornwall, Daphne, Dong Ho, drawings, Earl of Macartney, Edinburgh Review, Emperor of China, English, Foreign Languages Publishing House, Fred Siegenthaler, French, Fulbright Scholar, George Schneeman (1934-2009), GI Bill, Granary Books, Hanoi, helicopter, Hermetic Press, Ho Chi Minh, HP Photosmart Pro B9180, Huu Mai, Indochina, injet printer, International Volunteer Services, Italy, J. Willard Marriott Library, Jeff Branin, John Balaban, John Simon Guggenheim Fellowship, Kawabata Press, Korea, Lancashire, letterpress, London, love, magnesium plates, Massachusetts, Millbrook, Minneapolis, Muttenz, National Book Award, National Poetry Society of America, Nepal, New York, Norman Morrison, North Carolina State University, North Vietnam, Orient, Oxford, paper, papermaking, Phan Ke An, Phi Kappa Phi Honor Society, philately, Philip Gallo, Pleiku, poems, portfolio, postage stamps, President, propaganda, puzzle, Raleigh, Rhamnoneron blansae, Rhode Island School of Design, Richard Nixon, Rives 300 gm, Robert McNamara, Robert W. Chandler, Sir John Barrow (1764-1848), South Hinksey, South Vietnam, Strand, Switzerland, T. Cadell, Ted Berrigan (1934-1983), Tet Offensive, Torpoint, United States, University of Minnesota, University of Tulsa, University of Utah, US Army, Verona, Vietnam, Vietnam War, Vietnamese, W. Davies, Walter Jones, wars, Wellesley, Westview Press, William Alexander, William Carlos Williams Award, woodblock printing



A Voyage to Cochinchina, in the Years 1792 and 1793: containing a general view of the valuable productions and political importance of this flourishing kingdom, and also of such European settlements as were visited on the voyage: with sketches of the manners, character, and condition of their several inhabitants…
Sir John Barrow (1764-1848)
London: Printed for T. Cadell and W. Davies in the Strand, 1806
First edition
DS506 B37 1806

John Barrow traveled with the Earl of Macartney to Cochin China, now known as Vietnam; Madeira; Jamaica; Rio de Janeiro; Java; and Djarkarta as part of the first British embassy to China, from 1792 to 1794. Barrow acted as official interpreter to the Emperor of China, who was contemptuous of the entire mission and dismissed it almost immediately. The Edinburgh Review, October 1806, was as underwhelmed with the Barrows book as the Emperor was with the British: “His views are often narrow, and oftener unsound…deceived by imperfect information.” Barrow had published a work on his travels to China in 1804 and was known as an expert on the Orient. His work evinced a belief in the superiority of British civilization. His extensive notes on Cochin China range from its history to particulars about its art, architecture, and religious ceremonies. According to Barrow the substance of his writings were taken from a manuscript memoir by Captain Barissy, a French naval officer who had commanded a frigate in the service of the King of Cochinchina. Barrow was the son of a Lancashire tanner, educated in the local grammar school. He became a teacher of mathematics to young men headed for a career in the navy. Illustrated with nineteen aquatint plates taken from drawings by William Alexander who also traveled with Macartney. This is the first illustrated English work on southern Vietnam.




The Beacon Banner: Short Stories about the War of Resistance in Vietnam
Huu Mai, et al.
Hanoi: Foreign Languages Publishing House, 1964
First edition
PZ1 B356 PL4382 E2

Illustrations by Phan Ke An.




Vietnam Poems
John Balaban (b. 1943)
South Hinksey, Oxford: Carcanet Press, 1970
PS3552 A44 V5 1970

During the Vietnam War, John Balaban performed alternative service as a conscientious objector. He went with the International Volunteer Services to Vietnam where he taught until the Tet Offensive during which he was wounded in the shoulder by shrapnel. Balaban has been awarded The Academy of American Poets’ Lamont prize, a William Carlos Williams Award from the National Poetry Society of America, a John Simon Guggenheim Fellowship and was twice nominated for the National Book Award. He was named the 2001-2004 National Artist for the Phi Kappa Phi Honor Society. In addition to writing, he is a translator of Vietnamese poetry. He is Poet-in-Residence and Professor of English in the creative writing program at North Carolina State University in Raleigh. Edition of six hundred copies.




Nam
Jeff Branin
Millbrook, Torpoint, Cornwall: Kawabata Press, 1981
PS3552 R318 N35 1981

Jeff Branin served a tour of duty in the Vietnam War in 1968 and 1969, building bunkers and latrines and serving as a replacement commanding officer. In these poems Branin writes of rocket attacks, casualties, atrocities against civilians and sexual misadventures using the jargon of the Vietnam-era US soldier.




War of Ideas: the U.S. Propaganda Campaign in Vietnam
Robert W. Chandler
Boulder, CO: Westview Press, 1981
DS559.8 P65 C45 1981

This book focuses on advertisement techniques used as propaganda by the United States during the Vietnam War. Many of these pieces were taken by American anti-war campaigns for use in their own material. Chandler writes that US propaganda in Vietnam was targeted toward three groups: communists and communist supporters in South Vietnam, masses and elite in North Vietnam, and non-communists in South Vietnam. University of Utah copy gift of Walter Jones, as part of his Collection on the Vietnam and Indochina Wars, donated to the J. Willard Marriott Library in 2011.




In the Nam What Can Happen?
Ted Berrigan (1934-1983) and George Schneeman (1934-2009)
New York: Granary Books; Minneapolis: Hermetic Press, 1997
PS3552 E74 I656 1997

Ted Berrigan was a poet at the epicenter of the sixties literary underground. He served in the US Army, sent to Korea in 1954, where he did not see action. He earned a BA in 1959 and an MA in 1962 from the University of Tulsa under the GI Bill. George Schneeman received a BA in Philosophy and English Literature from St. Mary’s College, began graduate work in English Literature at the University of Minnesota and then enlisted in the US Army. Posted in Verona, Italy, Schneeman began painting. From the colophon: “First made as a one-of-a-kind collaborative book in 1967-68…The present edition is a simulation of the original…” From Granary Books: “The original was passed back and forth between Ted Berrigan and George Schneeman for about a year, remaining in the hands of one or the other for weeks or even months at a time – poet and artist each adding, subtracting, working over words and images. The material used were pen and ink, white acrylic paint and collage…The ‘finished’ project languished in a drawer in Schneeman’s studio on St. Mark’s Place for thirty years. Produced when the Vietnam War was rapidly escalating, this work is by turns surreal, incisive, hip, outrageous, cartoon-like, flip, sinister, humorous, dreamy, sarcastic, witty – always right on target – a vivid evocation of the times and the broad range of emotional responses to the War.” Letterpress printed in several colors from magnesium plates on Rives 300 gm paper by Philip Gallo at The Hermetic Press. Unbound gatherings in a plexiglass case. Edition of seventy copies, twenty lettered (a-t), hors de commerce. University of Utah copy is no. 42, signed by Berrigan and Schneeman.




Vietnamese Hand Papermaking and Woodblock Printing
Fred Siegenthaler
Muttenz, Switzerland: Paper Art, 2003
TS1095 V53 S54 2003

Fred Siegenthaler writes on the nearly extinct traditional manufacture of paper in Vietnam: processes of making inks, paper, and printing. The book includes paper and print samples from Dong Ho, a village famous for its woodblock printing, located just outside of Hanoi. Included are fourteen different original hand papers and six colored original woodcuts. From the colophon: “The text of this book is printed on paper made of Rhamnoneuron blansae…handmade multilayered Daphne paper from Nepal was used for the cover of the book.” Edition of fifty copies, signed by the author.


N7433.4-T478-C4-2009
Christ Meets Buddha
C. David Thomas
Wellesley, MA: C. David Thomas, 2009
N7433.4 T478 C4 2009

In 1968, C. David Thomas joined the US Army and was sent to Pleiku, South Vietnam as a combat engineer and artist. Thomas drew a picture of a fellow soldier’s girlfriend. In lieu of payment for the drawing he asked his friend, who worked in personnel, to change his records and shorten his stint in Vietnam from twelve to eleven months. Thomas was able to return to the United States weeks earlier than originally scheduled. The helicopter on which he routinely rode was shot down during what would have been the twelfth month of his tour of duty. There were no survivors. Thomas holds an MFA from the Rhode Island School of Design. He was a recipient of a Fulbright Scholar Grant to Vietnam. Thomas describes Christ Meets Buddha as autobiographical and a metaphor for his life. The digitally-created puzzle pieces contain religious imagery, war imagery, and family photographs. From the colophon: “These artist’s puzzle books are comprised of the six separate images…Each image is presented in its own linen box made by craftsmakers in Hanoi, Vietnam. All assembled puzzles are 29×23 inches made from twenty individual pieces. Each puzzle piece is printed using archival paper and ink by an HP Photosmart Pro B9180 inkjet printer. The pieces are then mounted on black felt and handcut…” Edition of ten copies. University of Utah copy is no. 1, signed by the author.




Postage Due: Forever Stamps
C. David Thomas
Wellesley, MA: C. David Thomas, 2009
N7433.4 T478 P67 2009

A series of unofficial postage stamps inspired by people and events from the Vietnam War era. From the introduction: “I never really thought about the importance of how we chose what images to place on our stamps until one day in 1995, when I went to the post office and asked for an interesting stamp. The woman behind the counter handed me a sheet of the recently issued Richard Nixon stamp. This stamp was issued only twenty years after he was forced to resign in disgrace as the 37th President of the United States. Needless to say, I handed them back to her with some choice words…in 1996 I went to the philately society in Hanoi, Viet Nam while doing research for a book on President Ho Chi Minh. I found dozens of stamps of Ho Chi Minh…and…a 1966 stamp depicting the shooting down of the 1,500 US aircraft brought down over North Viet Nam and one with the image of Norman Morrison, the man who immolated himself outside Robert McNamara’s office at the Pentagon. Just a few days before the US Post Office issued Robert Indiana’s LOVE stamp in 1973, the US heavily bombed the densely populated city Hanoi killing hundreds of innocent Vietnamese civilians…I have begun to understand the real power of this little jewel which may be the smallest form of propaganda available to all governments. These miniature posters travel all over the world…” Portfolio of unbound folded leaves issued in black linen box. Edition of twenty-five copies. University of Utah copy is no. 12, signed by the author.

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Thank You, Special Collections!

28 Tuesday Apr 2015

Posted by rarebooks in Alice

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Alice's Adventures in Wonderland, clay tablet, papyrus

Student letter 1


“You know what I am going to learn [Arabic] just to come and read…”


Student letter 2


“I thought you just had the regular stuff like old books and transcripts. I was surprised to see you have accounts and belongings to someone who lived in Utah. She wasn’t famous or anything.”


Student letter 3


“I never knew that Utah was a cool and popular state to come to from all over the world. I always thought that Utah was just some state with boring history but now I know its not. Thank you.”


Student letter 4


“It was for everybody who comes and learn there and see the artifacts.”

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Rare Books goes to Berlin

27 Monday Apr 2015

Posted by rarebooks in Publication

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American, art history, Ausgeführte Bauten und Entwürfe, Avery Coonley, Chicago, Clarence A. Fuermanns, Eberhard Karls University Tübingen, European modernism, Frank Lloyd Wright, graphic arts, Great Plains, Günter and Elisabet Hildebrand, Johannes Krause, Kunstetexte, Lichtbildnerei– wir sind Babel, modern art, nature, Oak Park, photography, Prairie Style, preservation, rare books, Richard Neutra, Stuttgart, twentieth century architecture, Wasmuth

Wright

Congratulations to Johannes Krause on the publication of his article “The Nature of Photography: Zu Frank Lloyd Wright’s Konstruktion des Prairie Style mithilfe der publizierten Architekturfotografien Clarence A. Fuermanns,” in Kunstetext.de. For the article, Mr. Krause used digital scans from Rare Books copy of Frank Lloyd Wright’s Ausgeführte Bauten und Entwürfe.

About the author:
Johannes Krause graduated from Eberhard Karls University Tübingen with a degree in Art History and General Rhetorics in 2015 (Magister Artium). As a co-founder of the Stuttgart offspace gallery Lichtbildnerei– wir sind Babel, he assumed technical and curatorial supervision for exhibitions of contemporary photography and graphic arts between 2008 and 2012 (Eckensteher: street photography in Stuttgart, 2012). In his Magister thesis he worked on the artistic estate of the painters Günter and Elisabet Hildebrand and compiled a preliminary catalogue raisonné. Additionally, he also works as a certified Foto-Designer (FFS). His further research interests encompass cultural transfer in modern art and the preservation of twentieth century architecture.

Article abstract:
“The Nature of Photography: Zu Frank Lloyd Wright’s Konstruktion des Prairie Style mithilfe der publizierten Architekturfotografien Clarence A. Fuermanns”

American Landscape is a constant strand in Frank Lloyd Wright’s early publications on his Prairie Style. According to Wright, the new, natural homes’ formal elements were deduced from the pictorial notion of the Great Plains. Thus, Wright could advertise his and the “New School of the Middle West’s” architecture as truthful to the American Spirit. Its transatlantic impact on European modernism has been subject to numerous research. It becomes apparent that only by skillfully reinforcing these connotations through his publications of both words and images, photographical as well as hand drawn, Wright was able to maintain the natural character of his Prairie Houses. So readers of his 1911 “Wasmuth” volumes could assume the buildings were situated in an “open, wind-blown landscape” (Richard Neutra), although they actually stood on crowded lots in suburbs like Oak Park. Interestingly enough, these carefully constructed images became alive and lived through photography’s triumph of becoming the key medium of architectural representation. This article examines Wright’s editorial strategies in preparation of his Ausgeführte Bauten (1911) and emphasizes his cooperation with Chicago photographer Clarence Albert Fuermann. The photographs of Avery Coonley House can be used as an example of how they both expanded the boundaries of 1900’s professional photography. In close reading of Wright’s early writings and in recourse to his transcendentalist ardor it is possible to introduce/propose a concept of ‘organic photography’ as a comprehension of the intrinsic nature of photography. As it turns out, Wright’s published photographs represent much more than neutral, factual documents of architectural quality: they have been subtly used to emotionally address and visually guide the beholder towards a carefully constructed, persuading image of Prairie Style architecture.

WrightSign

Wright2

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Book of the Week – Inversnaid

20 Monday Apr 2015

Posted by rarebooks in Uncategorized

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A T F Garamond, Arches Cover, Betsey Biggs, Brian Molanphy, Colorado Springs, Gerard Manley Hopkins, Inversnaid, James Schuster, James Trissel, Kelly Cress, Leigh Fletcher, linoleum, lithograph, Oxford University Press, relief print, The Press at Colorado College, Tully Bragg, zinc


Inversnaid
Gerard Manley Hopkins
Colorado Springs, The Press at Colorado College, 1988
PR4083 H44 I58 1988

Colophon
“This book is frankly experimental in character. It is the product of a one-month Topics course taught at The Press at Colorado College by James Trissel. Six students were involved in the planning and printing of the poem in this manner which turned out to be more ala prima and less seriatum than one normally expects in book printing. The students are Betsey Biggs, Tully Bragg, Kelly Cress, Leigh Fletcher, Brian Molanphy, and James Schuster.

The paper is Arches Cover and the type, A T F Garamond. The inks for color-printing are generally lithographic inks printed relief from zinc and linoleum.

Although the poem, “Inversnaid,” is in the public domain, Oxford University Press gave us its blessings. There are fifty numbered copies; and this is 12.”

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Curiosity Killed the Cat

16 Thursday Apr 2015

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Ben Jonson, Cambridge, Christmas, Church of England, E. Brewster, Ebenezer Cobham Brewer, England, English, Every Man in His Humour, G. Conyers, George Wither, H. Herringman, Henry Altemus, Horace, Innominate Press, James I, Kentucky, London, Louisville, M. Wotton, Much Ado About Nothing, Philadelphia, R. Chiswell, Robert Allot, T. Bassett, The New Inn, Thomas Cotes, Thomas Hodgkin, Trinity Hall, William Shakespeare


“Helter skelter, hang sorrow, care’ll kill a Cat, up-tails all, and a Louse for the Hangman.”

THE WORKS OF BEN JONSON WHICH WERE FORMERLY PRINTED IN TWO VOLUMES…
Ben Jonson (1573?-1637)
London: Printed by Thomas Hodgkin for H. Herringman, E. Brewster, T. Bassett, R. Chiswell, M. Wotton, G. Conyers, MDCXCII
Third folio

The Works of Ben Jonson was first published in 1616 in folio. It was reprinted in 1640. Both of these editions appeared in two volumes. This, the third folio, is the first Works to appear in one volume. The 1692 edition includes a comedy, “The New Inn,” appearing in the Works for the first time. Ben Jonson was a friend of William Shakespeare. In 1616, James I granted Jonson a pension, giving him a stature close to what might be termed the first Poet Laureate of England. That same year, the publication of his collected works, in folio format, helped elevate the acceptance of drama as literature. The 1692 folio contains Jonson’s plays and poetry, translations of Horace, and a collection of leges convivales, or rules of the house, used in the tavern where Jonson spent much time, this last also added to the Works for the first time. In the third folio, the “care’ll kill a Cat” line is in Act I, scene 4 of “Every Man in His Humour,” written in 1598. William Shakespeare acted in its first performance. The line in its earliest printed iteration uses the word “pox,” not “Louse.”


PR2751-A2-1632-pg-122

“What, courage man! what though care killed a cat, thou hast mettle enough in thee to kill care.”

[MR. WILLIAM SHAKESPEARE’S COMEDIES, HISTORIES, AND TRAGEDIES: PUBLISHED…]
William Shakespeare (1564-1616)
London: Printed by Tho. Cotes for Robert Allot, 1632
“The second impression”

About one year after Jonson wrote and produced “Every Man in His Humour,” William Shakespeare used a similar quote in his play, “Much Ado About Nothing.”



“Care killed the Cat. It is said that ‘a cat has nine lives,’ yet care would wear them all out.”

DICTIONARY OF PHRASE AND FABLE: GIVING THE DERIVATION, SOURCE, OR ORIGIN OF…
Ebenezer Cobham Brewer (1810-1897)
Philadelphia: Henry Altemus Co., 1898
New ed., rev., corrected, and enl., to which is added a concise bibliography of English literature
“Altemus edition”

Ebenezer Cobham Brewer attended Trinity Hall, Cambridge where he received his degree in law in 1835. He was ordained as a reverend in the Church of England in 1838. In 1856, he began putting together his “dictionary of phrase and fable.” Among many sources, he used correspondence with readers of his previous work, Guide to the Scientific Knowledge of Things Familiar (1841). Dictionary was first published in 1870, with a first revised edition in 1894. The work became so well-known that it is referred to simply as “Brewer.”

Since we are as curious as cats, here are a few more cat references from “Brewer:”

Cat I’ the Adage (The). The adage referred to is, the cat loves fish, but does not like to wet her paws.
– Letting I dare not wait upon I would,
Like the poor cat I’ the adage
Shakespeare, Macbeth [Shakespeare, again!]

Cat Proverbs.
A cat has nine lives. A cat is more tenacious of life than other animals, because it generally lights upon its feet.


And one more makes nine:


A CHRISTMAS CAROL

George Wither
Louisville, KY: Innominate Press, 1971
PR2392 .C4 1971

Shakespeare is coming! The First Folio will arrive at the City Library in October.

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Salt Lake Tribune – 9 women you didn’t know changed Utah

14 Tuesday Apr 2015

Posted by rarebooks in Newspaper Articles

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Amy McDonald, Equal Pay Day, J. Willard Marriott Library, Salt Lake Tribune, Special Collections, The University of Utah, Utah, women

Salt Lake Tribune reporter, Amy McDonald, visited the J. Willard Marriott Library, Special Collections, to celebrate Equal Pay Day, and Utah women.

9 women you didn’t know changed Utah

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Book of the Week – Everyday Readers

13 Monday Apr 2015

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blockprint, California, Mary V. Marsh, mulberry paper, Oakland, Quite Contrary Press, University of Utah


Everyday Readers
Mary V. Marsh
Oakland, CA: Quite Contrary Press, 2010
N7433.4 M373 E8 2010

From the colophon: “Blockprint on checkout cards, mulberry paper, brads, type, vintage cover.” Issued in case. Orange card in pocket on p.3 of cover numbered and signed by the author/artist. University of Utah copy is no. 14.

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Mark Strand (April 11, 1934 – November 29, 2014), In Memorium

11 Saturday Apr 2015

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A Poet's Alphabet of Influences, Alfred A. Knopf, Atheneum, Austin, Barbara Cash, Bembo, blind-stamp, Blizzard of One, Bonnie Sucec, BookLab, C. N. Potter, Charles Seluzicki, Columbian handpress, Crown Publishers, Curtis Rag, Darker, Day Christensen, Don Howell, Elegy for My Father: Robert Strand, Gretchen Esping, handset, Humanities Research Center, Iowa City, Ives Street Press, Jorge Luis Borges, Josef Albers, K. K. Merker, Kim Merker, Larry Yerkes, Linotype Janson, Luminsim, Maine, Mark Strand, Monotype Univers, Neil Welliver, New York, Oregon, Photo-silkscreens, Pillar Guri Press, Portland, Prose, Pulitzer Prize, Random House, Reasons for Moving, Red Butte Press, Rives BFK, Romanee, Salt Lake City, Selected Poems, Shari Madsen, Sleeping With One Eye Open, Spectrum, Stempel Helvetica, Stone Wall Press, Sweden, Texas, The Continuous Life, The Manuscript Society of America, The Night Book, The Story of Our Lives, Twinrocker Paper Mill, uncorrected proof, University of Texas at Austin, University of Utah, Van Dijck, Vandercook Test, William Pène du Bois (1916-1993), William R. Holman, Windhover, Windhover Press, woodcuts

Pulitzer Prize winner Mark Strand taught at The University of Utah from 1981 to 1993.

“And though it was brief, and slight, and nothing
To have been held onto so long, I remember it,
As if it had come from within, one of the scenes
The mind sets for itself, night after night, only
To part from quickly and without warning.”

From “Luminism,” The Continuous Life


PS3569-T69-S55-1964-pg-28

Sleeping With One Eye Open
Iowa City: Stone Wall Press, 1964
PS3569 T69 S55 1964

Printed by K. K. Merker from Romanée type on Curtis Rag paper. Edition of two hundred and twenty-five copies. University of Utah copy is no. 60.


PS3569-T69-R4-1969-title[

Reasons for Moving
New York: Atheneum, 1968
PS3569 T69 R4 1969

University of Utah copy is poet’s autographed copy.


PS3569-T69-D3-1970-title

Darker
New York: Atheneum, 1970
PS3569 T69 D3 1970

University of Utah copy autographed by the poet.


PS3569-T69-E44-1973-pg-6

Elegy for my father: Robert Strand, 1908-1968
Iowa City: Pillar Guri Press, 1973
PS3569 T69 E44 1973

Photo-silkscreens by Gretchen Esping. Printed by Shari Madsen in 14 pt. Bembo on handmade Japanese Shogun paper. Edition of one hundred and fifty copies.


PS3569-T69-S7-1973-title

The Story of Our Lives
New York: Atheneum, 1973
PS3569 T69 S7

University of Utah copy autographed by the poet.


PQ7797-B635-T4-1975-Texas-poem

Texas
Jorge Luis Borges (1899-1986)
Austin: Humanities Research Center, University of Texas at Austin, 1975
PQ7797 B635 T4 1975

Translation by Mark Strand. Keepsake for the members of The Manuscript Society of America, designed by William R. Holman. Set in Linotype Janson. Edition of two hundred and ninety-five copies.


PS2569-T69-N55-1985-title-spread[

The Night Book
New York: C. N. Potter: Distributed by Crown Publishers, 1985
First edition
PS3569 T69 N55 1985

Illustrations by William Pène du Bois (1916-1993)


PS3569-T69-P76-1987[

Prose
Portland, OR: Charles Seluzicki, 1987
PS3569 T69 P76 1987

Drawings by Josef Albers. Printed by Barbara Cash at the Ives Street Press, Sweden, Maine. Text set in Monotype Univers. Titles hanset in Stempel Helvetica. Blind-stamp throughout. Paper is Rives BFK. Edition of one hundred and eighty-seven copies. University of Utah copy is no. 80, signed by the poet.


PS3569-T69-B57-1998-cover

Blizzard of one
New York: Alfred A. Knopf: Distributed by Random House, 1998
PS3569 T69 B57 1998

Uncorrected proof.


PS3569-T69-C66-1990

The Continuous Life
Iowa City: Windhover Press, 1990
PS3569 T69 C66 1990

Woodcuts by Neil Welliver. Printed by Kim Merker and Don Howell using a Vandercook Test press from handset Spectrum types on Windhover paper. Binding by Larry Yerkes. Edition of two hundred and twenty-five copies, numbered.


PS3569-T69-A6-1990-cover

Selected Poems
New York: Knopf: Distributed by Random House, 1990
PS3569 T69 A6 1990

Uncorrected proof.


PS3569-T69-P64-1994-spread

A poet’s alphabet of influences
Salt Lake City: Red Butte Press, 1993
PS3569 T69 P64 1994

Drawings by Bonnie Sucec, hand-painted by the artist. Designed, set by hand and printed damp on an 1846 Columbian handpress by Day Christensen. Type is 16 pt Van Dijck. Paper is handmade cotton rag from Twinrocker Paper Mill. Bound and boxed in linen case by BookLab. Edition of seventy-five copies plus 20 copies hors de commerce. This is copy XX, signed by the poet, artist, and printer.

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Books of the Week – Nance O’Banion

06 Monday Apr 2015

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accordion fold, Berkeley, Canson Vidalon, concertina, Condensed, Coventry Rag, Elephant Hide, Fabriano Rosapina, Flying Fish Press, Gill Sans, Julie Chen, Kaufmann, letterpress, linoleum blocks, Nance O'Banion, Sandy Tilcock, Thomas Wojak, W.O.R.K.S.


Domestic Science: Idioms
Nance O’Banion
Berkeley: Flying Fish Press, 1990
N7433.4 O33 D66 1990

Double-sided accordion-folded to be read in two directions and from both sides. Illustrated with linoleum block prints cut by author. Concertina binding. Printed on Fabriano Rosapina paper. Housed in checkered box by Sandy Tilcock. Edition of 150 copies, 15 copies deluxe edition.


Correspondence Course
Nance O’Bannion
Berkeley, CA: Flying Fish Press, 1993
N7433.4 O33 C67 1993

Nance O’Bannion’s text juxtaposes familiar sayings in unfamiliar groupings playing off similar words. For instance, “Be a fly on the wall” is followed by “wallflower” and “Catch it on the fly” is followed by “Open fly.” The text is juxtaposed against colorful images of ordinary items, made extraordinary by the groupings. Organized as an instructional notebook divided by tabs for a course in life. Papers are Canson Vidalon, Coventry Rag and Elephant Hide. Text letterpress printed with Gill Sans, Condensed, and Kaufmann by Julie Chen. Card images screen printed by Thomas Wojak at the W.O.R.K.S. Designed and assembled with the assistance of the staff of Flying Fish Press. Bound in purple cloth over boards, exposed blue threads sewn on reddish-gold cloth spine. Housed in slipcase of mustard-colored paper over boards. Edition of one hundred copies.

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