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Author Archives: rarebooks

Book of the Week – Mesmer: Secrets of the Human Frame

23 Monday Sep 2013

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Borowsky Center for Publication Arts, Brooklyn Bridge Anchorage, Daniel Kelm, Freud, Granary Books, Jill Jevne, Lori Spencer, pop-up, Toni Dove, University of Utah, Wide Awake Garage

Surreal artwork depicting angel wings behind a robe, featuring a black-and-white lung X-ray at the center. The tone is ethereal and introspective.
Dove, Mesmer, 1993
Open book with text titled "Dora" on the left page, featuring a reflective, introspective tone. Right page shows three illustrated swords over a faint background.
Dove, Mesmer, 1993
A grayscale image shows two contrasting figures. On the left, a shrouded figure in a cloak exudes mystery. On the right, a knight in armor stands confidently against a textured backdrop.
Dove, Mesmer, 1993

Mesmer: Secrets of the Human Frame
Toni Dove
New York: Granary Books, 1993
N7433.4 D675 M4 1993

Texts by Freud and others. First mounted as a computerized slide and sound installation in the Brooklyn Bridge Anchorage in 1990. Presented as a radio piece in the 1991 New American radio series, then as an essay in the summer of 1992 edition of the n.y.u. drama journal. Using transparent and opaque metallic papers (including a three-dimensional centerfold pop-up), this book’s many layers create a rich and densely visual reading experience. Printed offset in several shades of metallic ink by Lori Spencer at the Borowsky Center for Publication Arts. Bound in perforated metal boards with screen mesh and iridescent plastic fly leaves by Daniel Kelm and staff at the Wide Awake Garage. Issued in slipcase by Jill Jevne covered with silver leaf. Edition of sixty copies, ten hors de commerce. University of Utah copy is no. 24.

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ULA Fall Workshop 2013

18 Wednesday Sep 2013

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Harold B. Lee Library, Luise Poulton, Merrill-Cazier Library, rare books, Special Collections, ULA, Utah Library Association, Utah State University, Utah Valley University Library

Join us at the Utah Library Association’s Fall Workshop: “From Folklore to Technology.”
Luise Poulton and colleagues from the Utah Valley University Library and Brigham Young University’s Harold B. Lee Library discuss the many ways Utah’s academic libraries reach the community at large with their Special Collections. The panel discussion, “Explore, Enrich, Engage: Taking Special Collections and Rare Books to the Community,” begins at 1:30.

For more information go to: http://www.ula.org/content/program-ula-fall-workshop-2013

When: 27 September 2013
Where: Merrill-Cazier Library, Utah State University

ULA

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Book of the Week – A Poet’s Alphabet of Influences

16 Monday Sep 2013

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Bonnie Sucec, Everett L. Cooley, J. Willard Marriott Library, Mark Strand, Red Butte Press, University of Utah

Decorative letter "G" with green leaf design, above a paragraph about the concept of a garden. The tone is thoughtful and introspective.
Strand, A Poet’s Alphabet of Influences, 1994, G
A black bird illustration perches above text discussing Hades. The page conveys a somber tone with themes of death and rebirth against a textured paper background.
Strand, A Poet’s Alphabet of Influences, 1994, H

A Poet’s Alphabet of Influences
Mark Strand (1934- 2014)
Salt Lake City: Red Butte Press, c1993

Drawings by Bonnie Sucec. Fine press book from the Red Butte Press, University of Utah, J. Willard Marriott Library. Printed under the direction of Everett L. Cooley. Issued in a linen-bound case. Edition of 75 copies, signed by poet and artist. University of Utah copies are no. 20 and no. 27.

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Rare Books Welcomes CBAA

10 Tuesday Sep 2013

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artists' books, Book Arts Program, CBAA, College Book Arts Association, J. Willard Marriott Library, Luise Poulton, rare books, Rare Books Division, Salt Lake City

The Book Arts Program at the J. Willard Marriott Library hosts the 2014 College Book Arts Association meeting with Print, Produce, Publish in January 2014.

The conference features a variety of events including member’s exhibition, invited speakers, panel presentations, studio demonstrations, roundtable discussions, vendor’s fair, Salt Lake City area tours, local exhibitions, student member portfolio reviews, members’ showcase, auction and Cornered – a folded-form exchange.

As part of the conference, the Rare Books Division offers two hands-on sessions of forty artists’ books selected from the rare book collections by Luise Poulton, on Thursday, January 2.

On Friday, January 3, Luise moderates the panel discussion, “Artists’ Book Collections and the Classroom.”

For more information and to register, please go to the conference webpage.

See you there!

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Book of the Week – The Garden

09 Monday Sep 2013

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accordion, double leaves, gilt, handset, Inanna Press, Maureen Cummins, printed, Vandercook Universal I, woodcut, woodcuts

Title page of "The Garden" by Maureen Cummins, 1993. Black text on white, includes a small tree illustration. Minimalist and elegant design.
Cummins, The Garden, 1993, Title Page
Two pages of an open book. Left page shows an abstract landscape with trees and clouds; right page depicts a unicorn with flowers and trees.
Cummins, The Garden, 1993, Unicorn
Stylized black and white illustration of a radiant sun with curved lines leading to a colorful cosmic scene, featuring a swirl, planets, and stars.
Cummins, The Garden, 1993, Planets


The Garden: A Meditation on Man and Nature
Maureen Cummins (1963-)
New York: Inanna Press, 1993

Maureen Cummins was born in New York and received a BFA from Cooper Union School of Art in printmaking and book arts. Her imprint, Inanna Press, specializes in literature of the east. Inanna Press books are handset and printed on a Vandercook Universal I. Illustrated with thirty hand-colored woodcuts. Printed on double leaves. Accordion bound with patterned paper boards and a beige cloth spine lettered in gilt. Issued in beige buckram-bound slipcase with mounted woodcut illustration on the front. Edition of 30 copies, signed. University of Utah copy is no. 17.

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Recommended Lecture — In the Workshop of the Mind

05 Thursday Sep 2013

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Ann Blair, collaboration, Department of History, France, Harvard University, history of the book, O. Meredith Wilson Lecture in History, University of Utah

The Department of History, University of Utah, hosts the O. Meredith Wilson Lecture in History on Thursday, September 19, 2013.

Harvard University professor Ann Blair is the guest lecturer. Dr. Blair’s specialty is early modern France, early modern European intellectual and cultural history; the history of the book, and the history of science. The title of her lecture is, “In the Workshop of the Mind: Methods of Collaboration in Early Modern Europe.”

Dr. Blair writes,  “Today we are well aware of the collaborative nature of intellectual work: the majority of scientific papers are co-authored; in the humanities interdisciplinary initiatives and digital methods of research have all encouraged collaboration. We generally have the sense that collaborative work is a recent development, that in the past scholarship was a solitary activity. Indeed in paintings and descriptions of the early modern period scholars were typically depicted working alone, but the working papers and letters that survive tell a different story. Through these sources we can appreciate how early moderns worked collaboratively through correspondence and in person, with peers, with patrons, and with helpers (amanuenses, students, family members). Collaborations worked differently in early modern Europe, and with different conceptions of credit and authority from ours today, but in this talk illustrated from early modern paintings, manuscripts, and printed books I will argue that collaboration was even more widespread and essential to scholarship than it is today.”

When: Thursday, September 19, 2013, 4:00PM

Where: Eccles Auditorium, Room 109, Carolyn Tanner Irish Humanities Building (CTIHB), University of Utah

History logo

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Book of the Week – Elementa Geometriae

04 Wednesday Sep 2013

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Abelard of Bath, Arabic, Campanus of Novara, Erhardt Ratdolt, Euclid, geometry, Greek, initial, littera moderna, printing, rotunda, Venice, woodblock, woodcut

Euclid, Elementa Geometriae, First, 1482
Open book displaying geometric diagrams alongside dense Latin text on both pages. The left page shows triangle-based sketches, while the right page includes triangles and a rectangular diagram. The tone is scholarly and historical.
Euclid, Elementa Geometriae, Arc, 1482
Open book displaying geometric diagrams alongside dense Latin text on both pages. The left page shows triangle-based sketches, while the right page includes triangles and a rectangular diagram. The tone is scholarly and historical.
Euclid, Elementa Geometriae, Triangle, 1482

Elementa Geometriae
Euclid
Venice, Erhardt Ratdolt, 1482
QA31 E86 E5 1482

This is the editio princeps, or first printed edition, of Euclid’s Elements of Geometry, the oldest mathematical textbook still in common use today. The Greek mathematician Euclid compiled the work around 300 BC. Its success can be attributed to its simple structure where each theorum follows logically from its predecessor.

In 1482, Erhardt Ratdolt, famous for his beautifully produced scientific books, printed eight works – Euclid’s Elements among them. Ratdolt’s fame largely rests upon this edition of Elements. It is the first printed book to contain geometrical figures. An elegant three-sided woodblock and a white-vine style woodcut initial, several hundred small ornamental capitals, and more than four hundred and twenty carefully designed and perfectly printed marginal diagrams, confirm its standing as a landmark publication.

The page layout, particularly the first page, is an outstanding example of Ratdolt’s consideration of the overall look and readability of his work. Note the closeness of the type to the initial and the close set of the text page. For the text, Ratdolt used a type called “rotunda” or “round-text.” The Italian writing-masters called this littera moderna.

Ratdolt’s book was based on the standard Euclid of the later Middle ages: Abelard of Bath’s twelfth-century translation from the Arabic, revised in the following century by Campanus of Novara (d. 1296). In his dedication to this edition, Ratdolt suggested that the scarcity of printed mathematical works was due to the problems involved in printing the geometrical diagrams.  He then happily announced that he had discovered a method of printing them as easily as the text. He did not elaborate upon this method, but it most likely involved the use of type-metal rule arrangements that could be printed along with the text.

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Reader Response

27 Tuesday Aug 2013

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Dara Niketic

enhanced-buzz-19599-1377193064-26Thanks to one of our faithful followers, Dara Niketic.

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Book of the Week – After the Wedding

26 Monday Aug 2013

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accordion fold, Maralyn Crosetto

A white wedding cake silhouette with a topper and "After the Wedding" text is centered on a pink, lace-patterned background, creating an elegant and romantic tone.
Crosetto, After the Wedding, 1993, Cover
An open book reveals a scene of people on a beach under a dramatic sky. The left page holds text, while the right features figures gazing at the ocean.
Crosetto, After the Wedding, 1993
Accordion-style book open to a panoramic illustration of a beach scene. Figures stand along the shore with dramatic, dark clouds above. Text panels flank the image.
Crosetto, After the Wedding, 1993, accordion

After the Wedding
Maralyn Crosetto
Waterland Press, 1993

Illustrations by the author. Pages fold out accordion style. Edition of lettered copies, A through Z. University of Utah copy is letter ‘L’.

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Brooke Hopkins, In Memoriam

23 Friday Aug 2013

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19th century, Alexander Pope, apprentice, Baltimore, Baltimore Sun, Basil Manly, Benjamin Edes, bookselling, Boston, Boston Tea Party, Brooke Hopkins, Cambridge, cartographer, Charles Manly, Childe Harold, cholera, Columbian press, compositor, Daniel Boone, Dante Alighieri, descriptive letterpress, engraved, engraved plates, engraved vignettes, Eton, Europe, Fielding Lucas, Francis Scott Key, George Gordon Byron, Greek, Henry Franci Cary, Henry St. John Bolingbroke, Homer, Horace Walpole, Iliad, initials, James Adams, John Conrad, John Dryden, John Fox, Jon Filson, Jr., Kentucky, law, letterpress, Lord Byron, M. Gustave Dore, Maine, manuscript, maps, Maryland Historical Society, Maryland Institute College of Art, melancholy, Negro suffrage, newspaper, Norwich, Ohio, pamphlets, Pennsylvania, Pennsylvania Convention, Peter Edes, Philadelphia, Philidelphia Library, Philip H. Nicklin, poetry, print, printer, printing, printing shop, publisher, Raleigh, rare book collections, Rare Books Division, Richard Bentley, Robert Strange, Roman Catholic, Samuel Sands, Sir Thomas Browne, Star Spangled Banner, stationer, Thomas Gray, Tory, typesetting, United States, University of Alabama, University of North Carolina, vignettes, Virgil, War of 1812, Washington Monument, William Fry, Wilmington

The staff of the Rare Books Division extends its heartfelt condolences to the family of Brooke Hopkins. Professor Hopkins was a friend of the rare book collections through his donation of several books, each of which has been used by students for research and the Rare Books staff for lectures, presentations, and exhibitions. We are ever grateful for his generous support. Thank you, Brooke. Memory eternal!

Brooke Hopkins

 

The beings of the mind are not of clay;
Essentially immortal, they create
And multiply in us a brighter ray
And more beloved existence…
–Lord Byron from Childe Harold

 

 

U Mourns Death of Beloved English Professor Brooke Hopkins

PSEUDODOXIA EPIDEMICA
Sir Thomas Browne (1605 – 1682)
London: Printed by R.W. for N. Ekins, at the Gun in Paul’s church-yard, 1658
Third edition, corrected and enlarged by the author

In this famous book, the writer and physician from Norwich demonstrated the absurdity of commonly presumed truths. Among the traditions which Thomas Browne deposed of were the beliefs that “The Elephant hath no joynts, That an Horse hath no Gall, That the Chameleon lives only by Aire, That the Ostridge digesteth Iron; That the forbidden fruit was an Apple; That our Savior never laughed, That a man have one rib lesse than a woman, That there was no Rainbowe before the flood.” University of Utah copy gift of Brooke Hopkins.

An aged book cover titled "Pseudodoxia Epidemica: or, Enquiries into Very many Received Tenents and commonly presumed Truths" by Thomas Brown, 1658.
Browne, Pseudodoxia Epidemica, 1658
An open antique book titled "To the Reader" with aged pages and handwritten notes in the margins. The text is densely written, conveying a formal tone.
Browne, Pseudodoxia Epidemica, 1658

DESIGNS BY MR. R. BENTLEY FOR SIX POEMS
Thomas Gray (1716-1771)
London: R. Dodsley, 1753
First edition

English poet Thomas Gray was educated at Eton in Cambridge. There he met Horace Walpole, the father of the Gothic novel, and traveled with him throughout Europe. After his return to Cambridge, where he remained for most of his life, Gray lived in seclusion. Much of Gray’s poetry was tinged with melancholy. Richard Bentley (1708-1782), another friend of Walpole’s, created illustrations for several of Gray’s poems. Gray admired the drawings very much. This book contains six engraved plates, thirteen engraved vignettes, and six engraved initials by Muller and Grignon based upon designs by Robert Bentley. University of Utah copy on loan from Brooke Hopkins.

Antique book open to a title page reading: “Designs by Mr. R. Bentley for Six Poems by Mr. T. Gray.” An illustration depicts two figures near a tree. The tone is historic and literary.
Gray, Designs by Mr. R. Bentley, 1753
Page with text and an illustration of a man and two dogs in a boat inside a cave. The poem talks about caution and the deceptive nature of appearances.
Gray, Designs by Mr. R. Bentley, 1753


THE DISCOVERY, SETTLEMENT, AND PRESENT STATE OF KENTUCKE: AND AN ESSAY TOWARDS THE TOPOGRAPHY AND NATURAL HISTORY OF THAT IMPORTANT COUNTRY; TO WHICH IS ADDED, AN APPENDIX, CONTAINING, I. THE ADVENTURES OF COL. DANIEL BOON, ONE OF THE FIRST SETTLERS, COMPREHENDING EVERY IMPORTANT OCCURRENCE IN THE POLITICAL HISTORY OF THAT PROVINCE. II. THE MINUTES OF THE PIANKASHAW COUNCIL, HELD AT POST ST. VINCENTS, APRIL 15, 1784. III. AN ACCOUNT OF THE INDIAN NATIONS INHABITING WITHIN THE LIMITS OF THE THIRTEEN UNITED STATES…IV. THE STAGES AND DISTANCES BETWEEN PHILADELPHIA AND THE FALLS OF THE OHIO; FROM PITTSBURGH TO PENSACOLA AND SEVERAL OTHER PLACES. THE WHOLE ILLUSTRATED BY A NEW AND ACCURATE MAP OF KENTUCKE AND THE COUNTRY ADJOINING, DRAWN FROM ACTUAL SURVEYS…
John Filson (ca. 1747-1788)
Wilmington, DE: Printed by James Adams, 1784
First edition

Land speculator John Filson’s early history of Kentucky contained, among other appendices, a narrative of Daniel Boone. Filson was the first American to write about the area. The book was very popular and helped influence the decision of many to migrate to this newly opened land. A tipped-in map is missing in most copies, as it is in this one. The map is so rare that antiquarians began to suspect that there never was one, in spite of reference to it on the title page. However, the Philadelphia Library has a copy with map intact. The map, drawn by Filson, was printed separately in Philadelphia. Filson was killed by Indians of the Ohio. University of Utah copy gift of Brooke Hopkins.

Page from an old book titled "The Discovery, Settlement and Present State of Kentucke" by John Filson, printed in 1784. The text details essays, adventures of settlers, council minutes, and maps.
Filson, The Discovery…,1784
Page spread from an old book featuring text about the Piankashaw Council held in 1784. The left page discusses peace treaties and Native American alliances.
Filson, The Discovery…,1784
Old document with worn edges, dated May 12, 1784. It includes a testimonial about Kentucky's settlement. Signed by Daniel Boon, Levi Todd, and James Harrod.
Filson, The Discovery…,1784


AN ESSAY ON MAN: IN FOUR EPISTLES TO H. ST. JOHN, LORD BOLINGBROKE
Alexander Pope (1688-1744)
New York: Printed and sold by Smith & Forman, 1809

Alexander Pope’s Essay on Man, first published in 1733, was a philosophical work consisting of four epistles in couplets and addressed to his friend, Henry St. John Bolingbroke, head of the Tory ministry. University of Utah copy gift of Brooke Hopkins.

Old, weathered book cover titled "An Essay on Man in Four Epistles" by Alexander Pope, printed and sold in New York, 1809. Text-heavy, historical.
Pope, An Essay on Man, 1809
Old book pages displaying "Universal Prayer" by Alexander Pope. The text is in a serif font, with aged paper showing wear and age. Mood: reflective, reverent.
Pope, An Essay on Man, 1809
Old book page titled "Universal Prayer," featuring a poem. Text is slightly faded and the pages are aged. The tone is reflective and contemplative.
Pope, An Essay on Man, 1809


THE ILIAD OF HOMER TRANSLATED FROM THE GREEK BY ALEXANDER POPE
Homer
Baltimore: Philip H. Nicklin, 1812

Stationer Philip H. Nicklin (1786-1842) studied law. Due to financial difficulties after the death of his father in 1807, Nicklin began selling books, first in Baltimore then in Philadelphia. After 1827, he confined his bookshop’s inventory to law. He retired in 1839, having earned enough money to live out his life in comfort. He occupied the rest of his short life with writing, mostly about literary copyright. This book, although sold from Baltimore, was printed in Philadelphia by Fry and Kammerer. William Fry (d. 1854) formed a printing partnership with Joseph L. Kammerer in 1806. Fry was a well-respected pressman, compositor and proof-reader. Fry and Kammerer separated in 1810, but renewed their joint printing efforts a year later. In 1814, Kammerer died. Fry was the first to use the newly developed Columbian press, and ordered several of them for his large print shop. Added title-page engraved. University of Utah copy gift of Brooke Hopkins.

Title page of "The Iliad of Homer," translated by Alexander Pope. Published in Baltimore, 1812. Handwriting at the top reads "Joseph Coates, 1923."
Pope, An Essay on Man, 1809
Old book with worn pages; left page features an engraved illustration of a reclining figure and ethereal beings. Right page shows the title "Iliad of Homer" in ornate script.
Pope, An Essay on Man, 1809


THE POETICAL WORKS OF LORD BYRON…: CONTAINING ALL HIS POEMS, ORIGINAL AND TRANSLATED, FROM THE LATEST EDITIONS
George Gordon Byron (1788-1824)
Baltimore: B. Edes, 1814

Benjamin Edes, the son and grandson of printers from Maine and Boston, continued the family business in Baltimore, where he worked as job printer and printed the newspaper, The Minerva and Emerald. Benjamin was an officer in the 27th Militia during the War of 1812 and supposedly printed the first version, in the form of handbills, of Francis Scott Key’s poem, “The Star Spangled Banner.” According to one story, the manuscript was taken to Edes’ printing shop, located on the corner of Baltimore and Gay Streets. Edes was on duty with his regiment, so the typesetting and printing was done by his apprentice, Samuel Sands, only twelve years old. Benjamin’s father, Peter Edes, moved from Boston to work for Benjamin, typesetting and keeping account books until 1832. Peter’s wife and Benjamin died that year of cholera. Peter returned to Maine, where he died in 1840. At the time of his death, according to his obituary in the Baltimore Sun, he was the oldest printer in the United States. Benjamin Edes’ grandfather, after whom he was named, participated in the Boston Tea Party. He was the printer of The Boston Gazette and Country Journal. University of Utah copy gift of Brooke Hopkins.

The image shows the title page of "The Poetical Works of Lord Byron, Vol. II," printed in 1814 by B. Edes in Baltimore. The page is aged and worn.
Byron, Poetical Works, 1814
Alt text: A page from an old book titled "Childe Harold's Pilgrimage, A Romaunt," featuring Canto I. The page is worn, with visible age spots. The text is in a serif font, organized into three stanzas, and conveys a classical tone with poetic language.
Byron, Poetical Works, 1814
Page from an aged book with a quote and "Shakspeare" attribution at the top. The word "FINIS" is centered below, indicating the end. The paper appears yellowed and stained.
Byron, Poetical Works, 1814


THE WORKS OF VIRGIL TRANSLATED INTO ENGLISH VERSE, BY JOHN DRYDEN
Virgil
Baltimore, MD: F. Lucas, Jun., 1814

Fielding Lucas, Jr. (1781-1854) was a prominent publisher and cartographer in the early 19th century. He was especially recognized for his excellently produced maps. Lucas founded his first print shop in 1804 and became the first stationer of the newly formed United States. In 1806, Lucas became a partner in the Philadelphia publisher and bookselling firm, M. & J. Conrad, which focused on schoolbooks, maps, atlases, art instruction, children’s literature and Roman Catholic religious material. Baltimore, in most part because of Lucas, became the major center for Roman Catholic publishing through the beginning of the twentieth century. Lucas was a leader in the effort to raise funds for the Washington Monument. He was a founder of the Maryland Historical Society and the Maryland Institute College of Art. Added engraved title-page printed in Philadelphia by John Conrad. University of Utah copy gift of Brooke Hopkins.

Open book showing an illustration and text. The illustration depicts a classical scene with a woman embracing a man in a pastoral setting. Right page reads "The Works of Virgil, Translated into English Verse by John Dryden, 1814."
Virgil, Works, 1814
An aged book page titled "Æneis. Book IV" contains a poetic passage. The text, in serif font, discusses themes of love, dreams, and inner conflict.
Virgil, Works, 1814
Page from "The Works of Virgil," featuring text in a worn, old-style font. The page ends with "THE END," indicating the conclusion of the text.
Virgil, Works, 1814


THE POETICAL WORKS OF ALEXANDER POPE: IN THREE VOLUMES COMPLETE, WITH HIS LAST CORRECTIONS, ADDITIONS, AND IMPROVEMENTS, TOGETHER WITH ALL HIS NOTES AS THEY WERE DELIVERED TO THE EDITOR A LITTLE BEFORE HIS DEATH TOGETHER WITH THE COMMENTARY AND NOTES OF MR. WARBURTON
Alexander Pope (1688-1744)
Philadelphia: S. A. Bascom, 1819

University of Utah copy gift of Brooke Hopkins.

Title page of "The Poetical Works of Alexander Pope, Volume III." Includes corrections, notes by Warburton, published in 1819, Philadelphia.
Pope, Poetical Works, 1819
An open book with visible pages 154 and 155 of "The Dunciad." Text includes verses, remarks, variations, and an imitation section. A formal, literary tone is conveyed. The pages are slightly yellowed, indicating age.
Pope, Poetical Works, 1819


ADDRESS DELIVERED BEFORE THE ALUMNI AND THE SENIOR CLASS OF THE UNIVERSITY OF NORTH CAROLINA…
Charles Manly (1795-1871)
Raleigh, NC: Printed by T. Loring, 1838

A collection of miscellaneous pamphlets including, “An address delivered before the two literary societies of the University of North Carolina” by William B. Shepard; “Opinion of John Fox against the exercise of Negro suffrage in Pennsylvania, also, The vote of the members of the Pennsylvania Convention; Address of his excellency Governor Bagby: when inducting into office the president of the University of Alabama, together with The address of the president Rev. Basil Manly; An address delivered before the two literary societies of the University of North Carolina by Robert Strange; and Report of Chas. B. Shae on the drainage of the swamp lands of North Carolina. University of Utah copy gift of Brooke Hopkins.

Front page of an 1838 address booklet from the University of North Carolina, featuring old-fashioned serif text on yellowed paper, with ornate headings.
Manly, An Address…, 1838
Open book showing two pages. Left page ends a text about "successive generations." Right page, titled "An Address," by Hon. Robert Strange, June 1837, printed in Raleigh.
Manly, An Address…, 1838
Old book page titled "Opinion of the Hon. John Fox, Against the Exercise of Negro Suffrage in Pennsylvania," printed in 1838. The tone is formal and historical.
Manly, An Address…, 1838


THE VISION OF HELL
Dante Alighieri (1265-1321)
London: Cassell, Petter, and Galpin, 1866
New edition: with critical and explanatory notes, life of Dante, and chronology

Translated by Henry Franci Cary. Illustrated with the designs of M. Gustave Doré. Each plate accompanied by leaf with descriptive letterpress. University of Utah copy on loan from Brooke Hopkins.

Open book featuring a detailed engraving of Dante Alighieri on the left, wearing a laurel wreath. The right page displays the title "The Vision of Hell" by Dante, translated by Rev. Henry Francis Cary, illustrated by Gustave Doré, with publication details below. The tone is historical and scholarly.
Dante, The Vision of Hell, 1866
Open book displaying a dark, detailed engraving of two figures on a rocky path amid jagged cliffs. The atmosphere is ominous and tense.
Dante, The Vision of Hell, 1866
An open book shows an illustration of a muscular, crouching giant with a crown, beside two smaller figures. On the right page is a quote from Dante's Inferno.
Dante, The Vision of Hell, 1866

 

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Recent Posts

  • Book of the Week — Home Thoughts from Abroad
  • Donation adds to Latin hymn fragments: “He himself shall come and shall make us saved.”
  • Medieval Latin Hymn Fragment: “And whatever with bonds you shall have bound upon earth will be bound strongly in heaven.”
  • Books of the week — Off with her head!
  • Medieval Latin Hymn Fragment, Part D: “…of the holy found rest through him.”

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