Book of the Week – MILONGAS

Tags

, , , , , , , , , , , , , ,

MILONGAS
Jorge Luis Borges (1899-1986)
Buenos Aires: Ediciones Dos Amigos, 1983
PQ7797 B635 M55 1983

Milongas, or lyrics, are Argentinian folksongs, often dealing with the exploits of bandits, and sometimes set to the music of the tango. Illustrated with etchings printed in sepia and black by Ana Maria Moncalvo. Designed by Samuel Cesar Palui. Text hand set and letterpress printed in magenta and black. Issued in case. Bound loose in handmade Japanese green paper wrappers and housed in custom-made blue clamshell box. Edition of one hundred copies on Schoeller blanco, numbered 1 through 100. University of Utah copy is no. 19. Gift of Gabriel Rummonds.

alluNeedSingleLine

Book of the Week – FIVE POEMS

Tags

, , , , , , , , , , , ,

FIVE POEMS
Susan Johanknecht
London: Gefn Press, 1989
N7433.4.J65 F5 1989

Poems by Emily Dickinson illustrated with seven hand-burnished relief prints on Kozo collaged onto Khadi pages, one hand-colored with gold paint. Poems handset in Plantin italic and printed damp by Susan Johanknecht at the Camberwell Press, Department of Graphic Arts, Camberwell School of Art. Bound in debossed Khadi covers. Edition of fifty copies. University of Utah copy is no. 47.

alluNeedSingleLine

We Recommend – Craig Dworkin, CHAP. XXIV

Tags

, , , , , , , , , , , , , ,

Craig Dworkin Reads at King’s English: CHAP. XXIV
Thursday, October 29, 7:00pm to 9:00pm
King’s English Bookshop/1511 South 1500 East/Salt Lake City, UT
http://www.kingsenglish.com/event/craig-dworkin-alkali-and-chapter-xxiv

Chap_XXiv

Craig Dworkin reads from the Red Butte Press publication CHAP. XXIV, at the King’s English Bookshop. Copies of the book will be available for purchase and signing.

In 1761, Laurence Sterne published The Life and Opinions of Tristam Shandy. Chapter XXV of the fourth volume begins, “No doubt, Sir, – there is a whole chapter wanting here – and a chasm of ten pages made in the book by it.”

A jump in pagination confirms that Chapter XXIV is missing.

Coinciding with the 300th anniversary of Sterne’s birth, Craig Dworkin and the Red Butte Press provided the absent chapter – a single signature designed to fit neatly into the first edition. Dworkin’s interpolated text uses historic English words in which the letters “f” and “s” can be interchanged and remain legitimate. Each sentence is based on grammatical constructions found elsewhere in Sterne’s novel.

The type, ITC Founders Caslon, includes seven pre-existing ligatures and seven bespoke long-s ligatures created by the book designer, David Wolske. The book was letterpress printed from photopolymer plates on handmade paper with a Red Butte Press watermark. A typographically illustrated cover used the placement of each dash that appears in the text and externalizes the 18th century typesetters’ practice of using any available foundry dashes. The varying dash length and humorous interplay of the letters “f” and “s” call attention to potentialities of punctuation, spelling, and meaning.

CHAP. XXIV
Craig Dworkin
Salt Lake City, UT: Red Butte Press, 2013
N7433.4 D95 C43 2010z

Illustrations by David Wolske. Handmade papers by Robert Buchert, Tryst Press. Edition of three hundred and twenty-five numbered copies; twenty-six lettered copies hors de commerce; fourteen deluxe copies individually letterpress-printed with one of the ligatures that appear in the text, housed in custom enclosures.

Chap_XXIV

alluNeedSingleLine

Book of the Week – ROCK RODONDO

Tags

, , , , , , , , , , , , , , , ,

ROCK RODONDO
Herman Melville (1819-1891)
New York: Red Angel Press, 1981
PS2384 .E62 1981

Blindstamped decoration of birds in flight on title and following leaf. A two-color woodcut of the Galapagos birds folds out vertically. Birds depicted include the Galapagos Penguin, Brown Pelican, Waved Albatross, Antarctic Whale-bird, Swallow-tailed Gull, and Galapagos Storm Petrel. Printed on dampened handmade Fabriano paper. Designed, illustrated, and printed by Ronald Keller. Cover art by Philip Warner. Bound in full tan cloth, partially painted in tan and gray to resemble breaking waves. The front pastedown is a cast paper sculpture of the rock and birds in flight. Edition of one hundred copies signed by the printer. University of Utah copy is number 98.

We Recommend — Peter Cole poetry reading at Weller Book Works!

Tags

, ,

ColeWeller

Thursday, October 22

Poetry reading
6-7:30PM
Weller Book Works
Trolley Square

This event is free and open to the public.

alluNeedSingleLine

Join Us! – “Alphabets of Creation”

Tags

, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

“Alphabets of Creation: Libraries, Mysticism, Poetics”

How might archives give rise to art? Is obsession with the letter a threat to spirit? When does the lamp shed light on life, and when does it simply make learning stink? In a playful and probing presentation, poet and translator Peter Cole will explore the role of language, libraries, and mystical linkage in the process of poetic creation.

Peter Cole has been called an “inspired writer” (The Nation) and “one of the most vital poets of his generation” (Harold Bloom). He is the author of four books of poetry. Cole’s translation from Hebrew and Arabic, The Dream of the Poem: Hebrew Poetry from Muslim and Christian Spain, c. 950-1492, received the National Jewish Book Award and the American Publishers Association’s Award for Book of the Year. He has received numerous honors for his work, including a Guggenheim Foundation fellowship, an American Academy of Arts and Letters Award in Literature, and the PEN Translation Prize. In 2007 he was named a MacArthur fellow. Born in Paterson, New Jersey, Cole now divides his time between Jerusalem and New Haven, where he tends small gardens that fill his poetry.

PeterCole2
Wednesday, October 21

Lecture
5:30-6:30PM
Gould Auditorium, Level 1
J. Willard Marriott Library
The University of Utah

Reception, book signing, and Rare Books presentation
6:30-8PM
Special Collections Gallery & Rare Books Classroom, Level 4
J. Willard Marriott Library
The University of Utah

Free and open to the public.

These pieces and others from our rare book collections helped inspire Peter. How will they inspire you?

THE EPISTLES OF JACOB BEHMEN
Jakob Böhme (1575-1624)
London: Printed by M. Simmons, for G. Calvert, 1649
BV5080 B6 1649


BM517-O8-1708-Title
SEFER OTIYOT SHEL RABI AKIBA
BM517 O8 1708



OF THE JUST SHAPING OF LETTERS
Albrecht Dürer (1471-1528)
New York: Grolier Club, 1917
NK3615 D7313 1917


PZ90-H3-B323-1958
ALEF BET
Miryam Barṭov
Tel-Aviv: Sinai, 1958
PZ90 H3 B323 1958



THE ALPHABET OF CREATION: AN ANCIENT LEGEND FROM THE ZOHAR
Seattle: Tabula Rasa Press, 1993
N7433.3 A46 1993


PK6480-E5-C6-1993
ONE-HANDED BASKET WEAVING
Jelaluddin Rumi
Berkeley: Quelquefois Press, 1993
PK6480 A21 1993

Book of the Week – Walden; or, Life in the Woods

Tags

, , , , , , , , , , , , , , , , , , , ,

PS3048-A1-1854-TitlePageWALDEN; OR, LIFE IN THE WOODS
Henry David Thoreau (1817-1862)
Boston: Ticknor and Fields, 1854
First edition
PS3048 A1 1854

Embraced today as a precursor of the modern environmentalist movement, Walden is one of the most celebrated examples of American individualism and self-reliance. Thoreau’s writing emphasizes an appreciation of nature for itself rather than as a resource to be exploited – a sharp departure from the prevailing economic and religious views of the period. The engraved plan of Walden Pond inserted at page 307 was drawn by Thoreau, a professional surveyor, and lithographed by S. W. Chandler & Bro. (Samuel W. & John G. Chandler) of Boston. The vignette of Thoreau’s hut on the title-page was engraved in wood by the firm of Baker-Andrew after a sketch by Sophia E. Thoreau (1819-1876), the author’s youngest sister. Sophia adored her brother, encouraging and aiding him during his lifetime and later serving as his literary executor. Unfortunately, as an artist she was not particularly talented. Her sketch has been condemned as a feeble version of the actual structure. Eight pages of publisher’s ads (dated May, 1854) inserted between back endpapers. Original brown vertically-ribbed cloth, stamped in blind, spine ruled in blind and lettered in gilt. Original yellow coated endpapers. Edition of two thousand copies.

alluNeedSingleLine

Save the Date! – Peter Cole Lecture

Tags

, , , , ,

Cole_MLIB

“Alphabets of Creation: Libraries, Mysticism, Poetics”
a lecture by poet Peter Cole

How might archives give rise to art? Is obsession with the letter a threat to spirit? When does the lamp shed light on life, and when does it simply make learning stink? In a playful and probing presentation, MacArthur Award-winning poet and translator Peter Cole will explore the role of language, libraries, and mystical linkage in the process of poetic creation.

Wednesday, October 21, 2015, 5:30 – 6:30pm
Marriott Library Gould Auditorium
Free and open to the public

6:30 – 8:00pm
Reception, book signing, and Rare Books presentation
Special Collections Gallery, level four
Free and open to the public

alluNeedSingleLine

Book of the Week – SOME THOUGHTS CONCERNING EDUCATION

Tags

, , , , , ,

SOME THOUGHTS CONCERNING EDUCATION
John Locke (1632-1704)
London: Printed for A. and J. Churchill…1695
Third edition
LB475 .L6 S65 1695

The first edition (1693) of Some thoughts appeared before John Locke had made corrections. He was so incensed at its publication that he demanded it be suppressed. His gave copies from the second edition to his friends. Locke made changes to every new edition of each of his works. This third edition of Some thoughts, which came out of a series of letters the childless Locke wrote to his friend Edward Clarke regarding Clarke’s children, contains a number of alterations. Some thoughts introduced the beginning of modern developmental psychology. In this sense Locke anticipated Jean-Jacques Rousseau in his advocacy of the “natural child,” who was to be toughened by exposure to the elements and fed only when hungry. Locke also addressed the moral education of children, stressing the importance of restraint and reason in molding a child’s mind. Edition of fifteen hundred copies.

alluNeedSingleLine

Book of the Week – DEATH IN THE AFTERNOON

Tags

, , , , , , , , , , , , , , , , ,

DEATH IN THE AFTERNOON
Ernest Hemingway (1899-1961)
New York and London: Charles Scribner’s Sons, 1932
First edition, first issue
GV1107 H4 1932

Hemingway’s fascination with Spain and bullfighting, first reflected in 1926 in the novel The Sun Also Rises, was further developed in the classic Death in the Afternoon. Hemingway viewed the sport as a tragic, artistic spectacle, “…the only art in which the artist is in danger of death.”  This non-fiction account of bullfighting was the object of mixed reviews at the time of publication. John Dos Passos called the book “an absolute model for how that sort of thing ought to be done,” and a review in The New York Herald said it was “full of the vigor and forthrightness of the author’s personality, his humor, his strong opinions – and language…In short,…the essence of Hemingway.” However, the New Yorker called it an act of professional suicide by a successful novelist. Max Eastman, a year later, said it was full of “sentimentalizing over a rather lamentable practice of the culture of Spain” and suggested something in the author less than manly, “a literary style of wearing false hair on the chest.” Hemingway began writing Death in late 1930. Between then and publication he spent a summer in Spain to gather photographs for the book. In all, he collected four hundred of them, although only eighty-one of them appeared in the finished product. Hemingway wrote of the bullfight, “[it] encompasses mass culture; and fine art; and its audience includes highbrow and lowbrow alike.” Published during the Great Depression, sales were hardly what they had been for his fiction. With brightly-colored frontispiece of “The Bullfigher” by cubist Juan Gris and numerous bullfighting photographs. First issue with Scribner’s “A” on copyright page and original dust jacket with full-color painting “Toros” by Roberto Domingo.

alluNeedSingleLine