Tag Archives: Book Arts Program

Recommended Workshop – The Naked Book: Casebound Without Cloth

19 Wednesday Mar 2014

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The Book Arts Program presents

The Naked Book: Casebound Without Cloth

Saturday, April 12
9:00a – 5:00p
Book Arts Studio, Level 4
J. Willard Marriott Library
Workshop fee: $80; Materials fee: $25

Turn a hardbound book into an artist’s canvas with bookbinder and conservator, Chris McAfee. Make a cover for a pre-sewn text block and finish it – not with cloth, paper, or leather – but with acrylic modeling paste. Then texture, scribe, and wax the covers to create a personal design. While spinning traditional techniques into innovative processes, investigate how bookbinding materials react to moisture and how to counteract related problems.

The Rare Books Division holds an example of this technique:

THE BOOK OF THE APOCALYPSE
Christopher Mcafee
Springville, UT: C. McAfee, 2001
N7433.4 M257 B666 2001

Chris, who for many years taught the Book Arts Program’s bookbinding courses, received a BFA in printmaking from Brigham Young University and an MFA in bookbinding from the University of Alabama. He is Senior Conservator at the Church History Library.

The Rare Books Division holds many of his works:

JUNKYARD DOG
Christopher McAfee
Tuscaloosa, AL: Small & Simple Press, 1993
PS3563 A225 J85 1993

Edition of twenty copies. University of Utah copy is no. 16.

SPIRAL TRILOGY
Christopher Mcafee
Tuscaloosa, AL: Small & Simple Press, 1995
N7433.4 M257 S65 1995

Edition of ten copies. University of Utah copy is no. 5

RODENTIA ABECEDARIUM
Christopher Mcafee
Tuscaloosa, AL: Small & Simple Press, 1998
N7433.4 M257 R63 1998

Illustrated with acrylic, gouache, and ink. Bound in goat and rabbit with hemp cords and leather endbands.

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Rare Books Welcomes CBAA

10 Tuesday Sep 2013

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The Book Arts Program at the J. Willard Marriott Library hosts the 2014 College Book Arts Association meeting with Print, Produce, Publish in January 2014.

The conference features a variety of events including member’s exhibition, invited speakers, panel presentations, studio demonstrations, roundtable discussions, vendor’s fair, Salt Lake City area tours, local exhibitions, student member portfolio reviews, members’ showcase, auction and Cornered – a folded-form exchange.

As part of the conference, the Rare Books Division offers two hands-on sessions of forty artists’ books selected from the rare book collections by Luise Poulton, on Thursday, January 2.

On Friday, January 3, Luise moderates the panel discussion, “Artists’ Book Collections and the Classroom.”

For more information and to register, please go to the conference webpage.

See you there!

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Mimeo Mimeo 8: Curator’s Choice

07 Friday Jun 2013

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Rare Books worked with the Book Arts Program to contribute to Mimeo Mimeo 8: Curator’s Choice. Mimeo Mimeo editors asked “librarians, publishers, poets, printers, book dealers, book collectors, and others bibliographically inclined” from around the country “to curate six pages of Mimeo Mimeo with six items from their personal or institutional collections.” Rare Books Managing Curator Luise Poulton joined Marnie Powers-Torrey, David Wolske, Emily Tipps (Book Arts Program faculty);  Prof. Craig Dworkin (Dept. of English, University of Utah); and Becky Thomas (graduate student, Dept. of English, University of Utah) as part of the “Utah posse” of contributors. Each chose one book from the rare book collections.

Luise wrote about Kenneth Patchen’s An Astonished Eye Looks Out of the Air, Waldport, OR: Untide Press, 1945 PS3531 A764 A77 1944

Marnie Powers-Torrey wrote about Bridget Elmer’s Fibre Libre, Tuscaloosa, AL: Flatbed Splendor, 2010 N7433.4 E545 F5 2010

David Wolske wrote about Rebecca Brown’s Excerpts from a Family Medical Dictionary, Sedro-Wooley, WA: Grey Spider Press, 2001 RC265.6 B76 B76 2001

Emily Tipps wrote about Ruth Laxson’s A Hundred Years of: LEX FLEX, Atlanta, GA: Nexus Press, 2003 N7433.4 L39 H8 2003

Craig Dworkin wrote about Robert Grenier’s Sentences, Cambridge, MA: Whale Cloth Press, 1978 N7433.4 G797 S4 1978

Becky Thomas wrote about Jen Bervin’s The Desert, New York City: Granary Books, 2008 N7433.4 B47 D47 2008

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Book of the Week – Wo/Men at Work

03 Monday Jun 2013

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Wo/Men at Work
Salt Lake City: Red Butte Press, 2012
N7433.4 W65 2012

Three texts (“Consuming labor: a preface to Wo/Men at Work” by Matt Basso and Andrew Farnsworth, “Cooking from Scratch” by Judy Blunt, and “Everything’s dangerous: an essay from the 1941 collection Men at Work” by Ralph Powell) printed in a W-fold pamphlet. Titles printed on opposite covers. From the colophon: “…Book Arts Program staff contributors are Managing Director Marnie Powers-Torrey, Creative Director David Wolske, Laura Decker, Claire Taylor, Becky Thomas and Emily Tipps. David designed and typeset the text. The typefaces, evocative of the 1930s and ‘40s printshop vernacular, are as follows: bold titling is Hamilton, a revival of a popular 19th century wood type; bylines and colophon are Franklin Gothic, a workhorse sans serif found in printshops across America; italic subheadings are Cheltenham Italic, a ubiquitous early 20th century serif design; and the main body typeface is a version of Fairfield, released in 1939 and designed for the Linotype machine. Claire and Laura produced the saddle and pressure cooker drawings, respectively, in dialogue with the essays and one another…Andrew [Farnsworth], Dayna Kerns, and Chris Dunsmore, under the direction of Book Arts staff, letterpress-printed the imagery and text from photopolymer plates on Rives Heavyweight and BFK papers. Emily oversaw binding design and production of the W-fold pamphlet…Associate Director for Special Collection Greg Thompson provided the committed support that helped make this endeavor a reality.” Edition of twenty-six copies. University of Utah copies are letters ‘U’ and ‘V.’

Congratulations to the Book Arts Program and Red Butte Press staff for receiving one of 7 AIGA 100 Show Professional Copper Ingot awards for Wo/men at Work. The AIGA 100 Show showcases the year’s best design, advertising, and digital media. Of those pieces, a select few are awarded the Copper Ingot, one of the most sought-after communication awards in the Intermountain West. Visit http/aigaslc100show.com for information, to view pictures from the awards ceremony, and download the 100 Show Book PDF.